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874:
Rasa in Indian classical music is understood as mood of the raga. Miyan Ki Todi is mostly pervaded by a pensive, mournful mood which is then relieved in the drut (faster tempo) part, by a festive piece, possibly to alleviate the heavy pathos in the earlier stages of rendering, though not always. The
524:. Carnatic Todi does not have any similarity with Hindustani Todi (Miyan ki Todi) raga. Though the Swarasthana orders of Carnatic Thodi are similar to Hindustani Bhairavi thaat, but when the Carnatic Todi is sung it has no similarity with Hindustani Todi, Bhairavi, or Carnatic Sindhu Bhairavi.
869:
With a fair erect body like the white lotus, and delicate like the gleaming dew drop, Todi holds the vina and provides fun and frolic to the deer deep in the forest. Her body is anointed with saffron and
802:
Pa is omitted in ascent, but present and often sustained. Kaufmann mentions that some musicians would call Todi with Pa Miyan Ki Todi, but others would see no difference between Todi and Miyan Ki Todi.
417:
1242:
1508:
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Todi is nearly always shown as a gentle, beautiful woman, holding a veena and standing in a lovely green forest, surrounded by deer. Kaufman cites the
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1584:
1281:
875:
composition is such as to afford an artist of high calibre to mould it in either the inherent pensive mood or to entirely present a festive mood.
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Todi should be performed in the morning, approximately 8-10AM. In overnight concerts, Todi is performed as early as 4AM.
508:, whereas Shubhapanthuvarali uses the panchamam in both the arohana and avarohana. The Carnatic Melakarta
1205:
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521:
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473:. Ragas from the Todi raganga (class of ragas) include Todi (a.k.a. Miyan ki Todi) itself,
452:
8:
1031:
982:
957:
913:
833:, but this seems unlikely as the Todi scale in Tansen's time was the scale of today's
1735:
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and the name Miyan Ki Todi appears first in the 19th century literature.
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24:
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The distinctive phrase is r/g-\r\S, where r may be subtly oscillated.
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Sometimes the ascent is performed without Sa, starting from Ni.
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20:
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Pa is omitted and there is more emphasis on Re and Dha.
573:
485:, Hussaini Todi, Asavari Todi (more commonly known as
398:. Ascribed to a Master of the Second Generation after
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1177:, Calcutta: Oxford and IBH Publishing Company
785:Re, ga and dha are intoned slightly low, and
404:Government Museum and Art Gallery, Chandigarh
849:Ragamala painting of Todi, circa 1775-1800.
786:
1243:
1229:
1168:, Charlottesville,Virginia: Nimbus Records
36:
1172:
844:
829:Miyan Ki Todi is said to be composed by
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818:and many movements are common, but in
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1096:, Vol. I, p.39. Boston: McGraw-Hill.
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1216:More details about raga Miyaki Todi
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81:
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1023:Evaro vastarani, Edo chestarani
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1783:Ragas in the Guru Granth Sahib
1143:
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1116:
1107:
1086:
810:Organization and relationships
520:is the equivalent of Carnatic
469:according to the musicologist
431:, often simply referred to as
1:
1155:
1094:Music: In Theory and Practice
1080:
1043:Ye geeta geesina nee Roopame
878:
1182:Paras, Ustad Parvez (2019),
814:Miyan Ki Todi is similar to
481:(also called Gurjari Todi),
7:
787:
458:which gave its name to the
446:
10:
1799:
1188:Lahore School of Economics
1092:Benward and Saker (2003).
465:, one of the ten types of
18:
1744:
1688:
1542:
1446:
1385:
1259:
1173:Kaufmann, Walter (1968),
1064:Bhakta Potana(1966 film)
1061:Palikedidi Bhagavatamata
979:Pilpili Saheb(1954 film)
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229:
72:
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56:
44:
35:
1175:The Ragas of North India
783:Komal Dha and Komal Ga.
1254:as per performance time
1211:Rajan Parrikar on Ragas
1206:SRA on Ragas and Thaats
931:Eri Main To Prem Divani
856:
492:The equivalent raga in
1201:SRA on Samay and Ragas
1055:S. P. Balasubrahmanyam
1046:Muttaiduva(1979 film)
850:
489:), and Bahaduri Todi.
425:
406:
1149:Kaufman 1968, pg. 551
1073:Ghantasala (musician)
1037:Ghantasala (musician)
848:
516:, but the Hindustani
512:is the equivalent of
487:Komal Rishabh Asavari
412:
393:
975:Duniya Na Bhaye Mohe
953:Duniya Na Bhaye Mohe
453:Hindustani classical
1032:Pendyala (composer)
983:Sardul Singh Kwatra
958:Basant Bahar (film)
528:Aroha & Avaroha
500:. But in Todi, the
32:
1162:Bor, Joep (1997),
914:Baiju Bawra (film)
851:
791:ma is very sharp.
504:is omitted in the
426:
407:
394:The Musical Mode:
68:Late morning, 9–12
30:
1765:
1764:
1736:Vrindavani Sarang
1504:Puriya Dhanashree
1102:978-0-07-294262-0
1078:
1077:
993:
992:
963:Shankar–Jaikishan
936:Meera (1979 film)
779:Vadi and Samavadi
498:Shubhapantuvarali
388:
387:
373:Shubhapantuvarali
1790:
1778:Hindustani ragas
1660:Malkauns Pancham
1408:Madhyamad Sarang
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1068:S. Rajeswara Rao
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999:Language :
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865:(16th century)
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1277:Bairagi Bhairav
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1050:K. V. Mahadevan
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988:Lata Mangeshkar
889:
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863:Sangita-Darpana
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843:
827:Miyan Ki Malhar
812:
797:
795:Pakad or Chalan
784:
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522:Sindhu Bhairavi
475:Bilaskhani Todi
467:classical music
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16:Hindustani raga
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1195:External links
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1184:Todi ki rawait
1179:
1170:
1165:The Raga Guide
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514:Bhairavi thaat
494:Carnatic music
402:, c. 1825-30.
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1716:JanaSammohini
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1610:Gorakh Kalyan
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1570:Bhinna Shadja
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1519:Shuddh Kalyan
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1454:Amrith Kalyan
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1438:Shuddh Sarang
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1113:Kaufmann 1968
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968:Mohammed Rafi
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924:Mohammad Rafi
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518:Bhairavi raga
515:
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429:Miyan ki Todi
421:
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355:Miyan ki Todi
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19:For Carnatic
1757:Miyan Malhar
1590:Chandrakauns
1534:Yaman Kalyan
1474:Hamsa Kalyan
1371:
1302:Bhoopal Todi
1267:Ahir Bhairav
1183:
1174:
1163:
1145:
1136:
1127:
1118:
1109:
1093:
1088:
1027:Bhoomi Kosam
994:
974:
952:
941:Ravi Shankar
930:
908:
873:
860:
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841:Samay (time)
824:
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798:
782:
685:
531:
491:
444:
437:Darbari Todi
436:
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361:Darbari Todi
1752:Gaud Malhar
1680:Tilak Kamod
1675:Shivranjani
1620:Jaijaivanti
1509:Sham Kalyan
1398:Gaud Sarang
1362:Nat Bhairav
946:Vani Jairam
820:Gujari Todi
816:Gujari Todi
479:Gujari Todi
396:Ragini Todi
383:Gujari Todi
358:Shuddh Todi
65:Time of day
1772:Categories
1701:Charukeshi
1489:Maru Bihag
1469:Hansdhwani
1403:Madhuvanti
1393:Bhimpalasi
1186:, Lahore:
1156:Literature
1081:References
909:Insan Bano
879:Film songs
510:Hanumatodi
471:Bhatkhande
369:Equivalent
25:Hanumatodi
23:Todi, see
1625:Jhinjhoti
1595:Chhayanat
1386:Afternoon
1352:Kalingada
1015:Composer
900:Composer
687:Avarohana
483:Desi Todi
231:Avarohana
1696:Bhairavi
1670:Rageshri
1655:Malkauns
1645:Malgunji
1630:Kalavati
1555:Bageshri
1514:Shankara
1459:Bhoopali
1342:Jaunpuri
1297:Bhatiyar
1140:Bor 1997
1131:Bor 1997
1122:Bor 1997
1018:Singers
903:Singers
870:camphor.
835:Bhairavi
451:), is a
400:Nainsukh
338:Samavadi
60:Sampurna
1689:Anytime
1640:Kirwani
1600:Darbari
1575:Bhimsen
1447:Evening
1423:Patdeep
1418:Multani
1332:Gurjari
1327:Gunakri
1317:Deshkar
1312:Bilawal
1292:Bhankar
1287:Bhairav
1272:Asavari
1260:Morning
919:Naushad
533:Arohana
506:Arohana
502:pancham
379:Similar
349:Synonym
74:Arohana
1745:Season
1650:Malhar
1615:Hameer
1565:Basant
1524:Tilang
1499:Puriya
1494:Pahadi
1484:Khamaj
1428:Poorvi
1377:Vibhas
1347:Jogiya
1337:Hindol
1100:
1012:Movie
1001:Telugu
897:Movie
831:Tansen
770:
766:
762:
758:
754:
750:
746:
742:
738:
734:
730:
721:
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697:
678:
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633:
625:
621:
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609:
600:
596:
592:
588:
584:
580:
576:
572:
563:
559:
555:
551:
547:
543:
413:Todi.
314:
310:
306:
302:
298:
294:
290:
286:
282:
278:
274:
265:
261:
257:
253:
249:
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182:
178:
174:
166:
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137:
133:
129:
125:
121:
117:
113:
104:
100:
96:
92:
88:
84:
1731:Piloo
1706:Dhani
1635:Kedar
1605:Durga
1580:Bihag
1560:Bahar
1550:Adana
1543:Night
1529:Yaman
1479:Kamod
1433:Shree
1413:Marwa
1367:Sohni
1357:Lalit
1252:Ragas
1009:Song
894:Song
886:Hindi
825:Like
788:tivra
463:thaat
46:Thaat
1726:Mand
1721:Kafi
1711:Gara
1665:Nand
1464:Desh
1372:Todi
1322:Desi
1098:ISBN
857:Raga
460:Todi
456:raga
447:Toḍi
441:IAST
433:Todi
419:Play
326:Vadi
57:Type
51:Todi
31:Todi
21:raga
496:is
435:or
1774::
764:G̱
756:G̱
752:M̄
744:M̄
715:G̱
711:M̄
668:M̄
660:M̄
656:G̱
631:M̄
619:M̄
615:G̱
590:M̄
586:G̱
570:Ḏ̣
553:M̄
549:G̱
477:,
443::
343:G̱
308:G̱
300:G̱
296:M̄
288:M̄
259:G̱
255:M̄
209:M̄
201:M̄
197:G̱
172:M̄
160:M̄
156:G̱
131:M̄
127:G̱
111:Ḏ̣
94:M̄
90:G̱
1244:e
1237:t
1230:v
1104:.
772:S
768:Ṟ
760:Ṟ
748:Ḏ
740:P
736:Ḏ
732:N
728:Ṡ
723:S
719:Ṟ
707:P
703:Ḏ
699:N
695:Ṡ
680:Ṡ
676:N
672:Ḏ
666:,
664:P
652:Ṟ
648:S
643:Ṡ
639:N
635:Ḏ
629:,
627:P
623:Ḏ
611:Ṟ
607:S
602:Ṡ
598:N
594:Ḏ
582:Ṟ
578:S
574:Ṇ
565:Ṡ
561:N
557:Ḏ
545:Ṟ
541:S
439:(
331:Ḏ
316:S
312:Ṟ
304:Ṟ
292:Ḏ
284:P
280:Ḏ
276:N
272:Ṡ
267:S
263:Ṟ
251:P
247:Ḏ
243:N
239:Ṡ
221:Ṡ
217:N
213:Ḏ
207:,
205:P
193:Ṟ
189:S
184:Ṡ
180:N
176:Ḏ
170:,
168:P
164:Ḏ
152:Ṟ
148:S
143:Ṡ
139:N
135:Ḏ
123:Ṟ
119:S
115:Ṇ
106:Ṡ
102:N
98:Ḏ
86:Ṟ
82:S
27:.
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