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268:, and his playing and orchestral arrangements can be found on recordings throughout the experimental rock world and on video games and film. Harris has performed in theaters, halls, clubs, and festivals in over 45 countries throughout North America, South America, Europe, the Middle East, Asia, and Australia. He has been based in several locations during his career, including Los Angeles, Santa Cruz, Seattle, New York, England, and France.
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347:, led to an enduring musical relationship with Riley, which in 2014 became a duo named Probosci. The duo, comprised of Harris and Riley, composes pieces for each other, which are then performed electro-acoustically on violin and classical/electric guitar. Since 2014, the group has performed throughout North America, South America, and Europe, and released their first recording, Time to Feed, on Mimicry Records.
392:. The 45-minute piece is a set of compositions and controlled improvisations informed by data concerning the subject matter and recorded and composed in a back-and-forth process that defined the ultimate musical result. The choral movements were recorded by the 85-member CSULB University Choir under the baton of Dr. Jonathan Talberg.
289:, studying trumpet performance and violin performance, the latter under Roy Malan. Here he formed the band Estradasphere with schoolmates, which became his first international touring ensemble and led to working relationships with the larger professional worlds of contemporary classical music, avant-garde jazz, and experimental rock.
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After becoming involved with the New York Arabic
Orchestra in 2012, both as a performer and an administrator, Harris subsequently formed Arabic/rock fusion band Al Madar with the NYAO's directors, Lebanese multi-instrumentalist Basam Saba and percussionist April Centrone. Al Madar has performed at
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Timba Harris has appeared frequently with the contemporary music ensemble New Music Works in Santa Cruz, California. As "guest artist" and "featured artist," he has performed NMW director Phil
Collins live music scores for Metropolis and Nosferatu, as well as the world premiere of Harris's own
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Timba Harris's composition neXus I: Cascadia (2011), for choir and electroacoustic instrumental ensemble, is a "musical representation of the natural environment of the
Pacific Northwest with a focus on transitional processes." The musical narrative focuses on the life cycle of the
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Timothy "Timba" Bruce Harris was born in 1977 in
Burbank, California. During his childhood and teenage years, he studied and performed classical music, percussion, wind ensemble music and played iconic rock clubs on the Sunset Strip in Hollywood with his heavy metal band Insanity.
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Harris other compositional and playing styles make use of elements of Arabic, Romanian, contemporary classical, and rock music. An essay written by Harris on this subject was published in John Zorn's Arcana III: Musicians on Music (2008).
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Corazon, Billy (November 1, 2007). "Live show review of Amanda Palmer with
Estradasphere @ 608 Club in Ballard". Three Imaginary Girls. Retrieved 2009-09-22.
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Estradasphere, formed in 1999, toured the US and Europe during the 2000s. They released several recordings and movies on
Mimicry Records and
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Timba Harris is a longtime multi-instrumentalist in Trey
Spruance's musical exploration into mysticism, Secret Chiefs 3, an offshoot of
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Harris's work, beginning in the mid-2000s, with composer and guitarist Gyan Riley (son of the
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Traditionalists: Le Mani Destre Recise Degli Ultimi Uomini
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Electromagnetic Azoth: The Left Hand of Nothingness
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UR: Medium Aevum / FORMS: Stars and Stripes Forever
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