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150:(2020). In a return to his earlier field, he delivered the 2015 Andrew W. Mellon Lectures at the National Gallery, Washington, on the subject, "Restoration as Event and Idea: Art in Europe 1814-1820." That work was supported by a 2014-15 J.S. Guggenheim Fellowship.
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who is best known for his influential writing on the role of art in modern society and culture. Since 2007, Crow has served as the
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NYU > The Office of Public
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from 2000 to 2007, and started a new position as the
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The Rise of the
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The Rise of the
Sixties: American and European Art in the Era of Dissent
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245:"Cosmic Exile: Turns in the Life and Art of Robert Smithson" in
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in 1969, and his M.A. in 1975 and Ph.D. in 1978, both from the
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USC College: Faculty: Department of Art
History: Thomas Crow
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The Long March of Pop; Art, Music, and Design 1930 to 1995
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The Long March of Pop; Art, Music, and Design 1930 to 1995
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History of modern art in Europe and the United States
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Painters and Public Life in
Eighteenth Century Paris
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Painters and Public Life in
Eighteenth Century Paris
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Painters and Public Life in
Eighteenth-Century Paris
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212:(New Haven and London: Yale University Press, 1985)
216:Emulation: Making Artists for Revolutionary France
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265:The Hidden Mod in Modern Art: London, 1957–1969
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153:Crow has held teaching positions at the
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129:University of California, Los Angeles
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196:Crow is a contributing editor to
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123:in 1961. He received a B.A. from
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253:Robert Rauschenberg: Combines
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204:Selected publications
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121:San Diego, California
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