228:
487:
33:
199:, and in view of his own current poor box-office record he offered to release Cochran from the contract. Cochran declined; he told Coward he was quite sure that the revue would turn out to be triumphant and "one in the eye" for all his critics. Cochran was soon able to announce to the press, "What I have seen of this revue 'book' is some of the most brilliantly witty work Coward has ever done".
140:, earned mostly strong notices, and introduced some of Coward's enduring songs. After an Australian tour in 1929 it was not revived, although several of the songs have been incorporated in later stage compilations of Coward's works and were performed by Coward in his cabaret appearances and recordings.
316:
Among the sketches was a guide to London theatre in which Coward made fun of his own recent theatrical disasters. Among the songs were two that became well known and were prominent in Coward's cabaret repertoire: "Dance, Little Lady" and "A Room With a View". The revue restored Coward's fortunes. His
362:
Coward, lacking recent practice as a dancer, took lessons, "necessary but painful", in preparation. He commented later, "I remember Jessie
Matthews in tears over her dance for "A Room With a View" and my own tears over my own dance for the same number when I did it later in New York". After the New
578:
Probably not since
Charlot's Revue was produced in this country several years ago, has New York had an opportunity to witness a show so cleverly created and played as was the case last night. Cochran, always a master producer, when aided by a man with the deft knowledge of the theatre, such as Noël
571:
is the most amusing, the most brilliant, the cleverest, the daintiest, the most exquisite, the most fanciful, the most graceful, the happiest, the most ironical, the jolliest, the most kaleidoscopic, the loveliest, the most magnificent, the neatest and nicest, the most opulent, the pithiest, the
572:
quickest, the richest, the most superb and tasteful, the most uberous, the most versatile, the wittiest ... if any person comes to me and says that there has ever, anywhere in the world, been a better revue than this, I shall publicly tweak his nose.
359:, and "Love, Life and Laughter", a sketch and song of Paris night life in the 1880s. These numbers replaced "Mad About You", "It Doesn't Matter how Old You Are", "Spanish Fantasy", and the Tilly Losch items "Gothic" and "Arabesque".
366:
The show ran in New York for 157 performances. Coward usually made it a rule not to play in any production for more than three months, but such was the demand for tickets that he was persuaded to remain for the whole run.
607:
with an exclamation mark, and the sources giving that version include Castle (p. 9); Hoare (p. 191); Mander and
Mitchenson (p. 171) and Morley (p. 148). Coward himself omitted the exclamation mark in his published works
336:, who was to use the bulk of Maisie's numbers and sketches. There would, of course, have to be an entirely new cast, as Cockie wisely and resolutely refused to break up the London company, which was playing to capacity.
391:. Coward included some, particularly "Dance, Little Lady" and "A Room With a View", but also "World Weary" and "Teach Me to Dance Like Grandma", in his later solo cabaret performances.
321:
writes that it "earn Coward the immense sum of £1000 a week in royalties, and further income from sales in their thousands of the hit songs in sheet music and gramophone records".
635:
gives examples of its use going back to the fourteenth century, such as "The yere of grace a thousand" and "He began it in the Year of Grace 1670, and finish'd it in 1672".
2006:
192:, was premiered and failed conspicuously, with a fiasco on the first night followed by a run of 28 performances. Coward was under contract to write a revue for the
210:. Coward's secretary, Lorn Lorraine, suggested varying this formula with a title that drew on a traditional term for any particular year of the Christian era, and
579:
Coward, has put together a most amusing entertainment of two hours, which is sure to keep the New York theatre-going public talking during the rest of the season.
503:"Love, Life and Laughter (Paris 1890)" (originally from Charlot's Revue of 1924, introduced in the London run in October and included in the Broadway production).
1990:
202:
The revues of
Cochran and others frequently included the year of production in their titles, and the new show was billed for its pre-London try-out in
1307:
363:
York production opened, three of the numbers used in it were introduced into the London production, including "World Weary", sung by
Matthews.
932:
2046:
2030:
1252:
1233:
1214:
1192:
1173:
1143:
1124:
1102:
1084:
1065:
990:
1300:
399:
Some songs were dropped and others introduced during the run. The following are in the text that Coward published in 1939:
2038:
1859:
620:, (pp. 1–91); others omitting the exclamation mark include Day (p. 134); Lesley (p. 114}; Payn (p. 23) and Soden (p. 194)
2102:
1998:
1293:
1790:
332:
The idea was for me to rewrite certain of Sonnie Hale's material to suit my own talents and to co-star with
1552:
1421:
1771:
1712:
1469:
1340:
347:. Coward wrote that the show was unchanged except for the interpolation of two solo numbers for Lillie: "
154:
1798:
554:, who called the show "without exception, the dullest revue it has ever been my misfortune to see". But
2097:
1274:
243:
1833:
1971:
1883:
1817:
1755:
1608:
1356:
1332:
734:
631:
533:
329:
Cochran decided to open the show in New York while it was still running in London. Coward recalled:
1923:
1915:
1891:
1672:
1453:
2022:
1963:
1875:
1747:
1680:
1496:
1413:
739:
1021:
929:
2092:
2065:
1955:
1931:
1504:
1445:
1372:
728:
550:
379:
was not revived, although several of its numbers have been incorporated in later shows such as
65:
529:
2014:
1899:
747:
1664:
1536:
375:
Maisie Gay led the cast in a tour of
Australia in 1929, but thereafter, like most revues,
8:
1947:
1720:
1461:
286:
1279:
906:
1544:
1429:
878:
227:
196:
105:
500:"Lilac Time" (introduced in London in September 1928; included in Broadway production)
1867:
1825:
1739:
1624:
1248:
1229:
1210:
1188:
1169:
1139:
1120:
1098:
1080:
1061:
1044:
1027:
1008:
986:
794:
786:
352:
302:
1704:
1696:
1688:
1656:
1648:
1616:
1592:
1528:
545:
251:
171:
137:
133:
83:
79:
170:(1926) was refused a licence by the official British censor and opened instead on
2107:
1939:
1907:
1763:
1640:
1394:
1161:
936:
381:
333:
310:
262:
247:
232:
129:
117:
356:
1576:
1568:
1512:
1157:
1153:
978:
555:
506:"Velasquez" (primarily dance number arranged by Losch. Not performed in London)
344:
282:
188:
166:
1317:
1000:
149:
128:
choreographed and performed in dance sequences. Coward himself, together with
101:
50:
2086:
1632:
1600:
306:
298:
278:
236:
1012:
152:'s early theatrical success had begun to elude him. After the 1925 hit show
1584:
1488:
1437:
1364:
1112:
1048:
1031:
798:
560:
318:
274:
176:
32:
1268:
790:
132:, starred in the New York production. The show was successful both in the
1386:
1202:
387:
348:
340:
294:
290:
266:
258:
125:
113:
109:
544:
The revue received enthusiastic notices. A dissenting voice was that of
1560:
1520:
1285:
536:, ranks "A Room With a View" as among Coward's ten most popular songs.
270:
203:
193:
160:
121:
567:
I must be careful with my superlatives, so I will say only this, that
186:(1927) closed after 38 performances. In late 1927 a 1921 play of his,
355:); and two duets for Coward and Lillie: "Lilac Time", a burlesque of
182:
305:. Losch and Max Rivers arranged the dancing. The designers included
112:
in New York in
November of that year. The London cast was headed by
726:
486:
883:
532:, drawing on performing statistics from the publishers and the
246:, running from 28 February to 17 March, and transferred to the
97:
343:, the Broadway production opened on 7 November 1928 at the
293:
and
Marjorie Robertson (later a star under the stage name
1152:
930:"Appendix 3 (The Relative Popularity of Coward's Works)"
254:
on 22 March 1928, where it ran for 316 performances.
727:
939:, Noël Coward Music Index. Retrieved 9 March 2009
2084:
582:
667:Mander and Mitchenson, pp. 140, 144, 156 and 66
180:(1927) managed a run of 129 performances, and
1301:
164:(1926) was never staged during his lifetime,
575:After the New York opening a critic wrote:
108:in London in March 1928 and by Cochran and
1308:
1294:
1095:Present Indicative – Autobiography to 1931
1058:Present Indicative – Autobiography to 1931
777:
775:
599:
597:
41:, with dancers Jean Barry and Jack Holland
31:
512:"World Weary" (New York and later London)
370:
1315:
1223:
905:Notes to RCA LP set RCA SER 5656/57 and
485:
226:
829:
827:
808:
806:
781:Notes to Columbia Masterworks ML 5063,
772:
594:
351:" and "I Can't Think" (an imitation of
2085:
1182:
1133:
1092:
1055:
1038:
1019:
999:
977:
713:
711:
709:
707:
705:
686:
684:
682:
1289:
1242:
1111:
564:was eloquent in praise of the piece:
1245:Masquerade: The Lives of Noel Coward
1201:
824:
803:
748:participating institution membership
676:Mander and Mitchenson, pp. 52 and 59
647: (equivalent to £76,104 in 2023)
402:
214:was adopted for the London opening.
1247:. London: Weidenfeld and Nicolson.
1168:(second ed.). London: Oberon.
1074:
702:
679:
471:"It Doesn't Matter How Old You Are"
297:). The director was Frank Collins;
13:
920:Mander and Mitchenson, pp. 171–180
769:Mander and Mitchenson, pp. 176–177
760:Mander and Mitchenson, pp. 172–174
14:
2119:
1262:
235:with chorus in masks designed by
1270:This Year of Grace
494:
428:"Teach Me to Dance Like Grandma"
954:
951:in Mander and Mitchenson, p.180
942:
923:
914:
899:
890:
872:
863:
854:
845:
836:
815:
763:
638:
509:"I Can't Think" (Broadway only)
301:conducted, and the pianist was
208:Charles B. Cochran's 1928 Revue
174:, running for 31 performances,
1799:Pretty Polly and Other Stories
1166:Theatrical Companion to Coward
1119:. London: Sinclair-Stevenson.
754:
720:
693:
670:
661:
623:
603:The original London title was
522:Source: Mander and Mitchenson.
217:
158:he wrote four plays, of which
1:
1005:Collected Sketches and Lyrics
896:Mander and Mitchenson, p. 183
860:Mander and Mitchenson, p. 180
842:Mander and Mitchenson, p. 179
717:Mander and Mitchenson, p. 171
699:Mander and Mitchenson, p. 182
654:
610:Collected Sketches and Lyrics
583:Notes, references and sources
143:
1860:The Queen Was in the Parlour
1553:The Queen Was in the Parlour
1224:Richards, Dick, ed. (1970).
1209:. New York: Applause Books.
539:
7:
1470:The Girl Who Came to Supper
785:(1955) and ML 5163 (1957),
452:"Britannia Rules the Waves"
10:
2124:
1380:Noël Coward's Sweet Potato
1275:Internet Broadway Database
1183:Morley, Sheridan (1974) .
1077:The Letters of Noël Coward
971:
257:The large cast, headed by
244:Palace Theatre, Manchester
222:
16:Musical by Noël Coward
2057:
1982:
1851:
1844:
1809:
1782:
1731:
1480:
1405:
1324:
1041:The Lyrics of Noël Coward
735:Oxford English Dictionary
632:Oxford English Dictionary
534:Performing Rights Society
74:
64:
56:
46:
30:
21:
1228:. London: Sphere Books.
1207:My Life with Noël Coward
1117:Noël Coward, A Biography
1075:Day, Barry, ed. (2007).
964:, 8 November 1928, p. 5A
783:Noel Coward at Las Vegas
587:
394:
339:Produced by Cochran and
242:The revue opened at the
100:with words and music by
2103:Musicals by Noël Coward
1834:The Noël Coward Diaries
1136:The Life of Noël Coward
740:Oxford University Press
1282:at noelcowardmusic.com
1243:Soden, Oliver (2023).
1226:The Wit of Noël Coward
1093:Coward, Noël (2004) .
1056:Coward, Noël (2004) .
1020:Coward, Noël (1950) .
1007:. London: Hutchinson.
887:, 25 March 1929, p. 10
551:England, Their England
491:
468:"Try to Learn to Love"
371:Subsequent productions
239:
231:"Dance, Little Lady":
1791:Pomp and Circumstance
1134:Lesley, Cole (1976).
1043:. London: Heinemann.
1039:Coward, Noël (1965).
1026:. London: Heinemann.
985:. London: W H Allen.
833:Coward (2004), p. 271
821:Coward (2004), p. 265
489:
324:
230:
2031:Waiting in the Wings
1772:The Astonished Heart
1713:Waiting in the Wings
1497:I'll Leave It to You
962:Brooklyn Daily Times
879:"This Year of Grace"
462:"Dance, Little Lady"
449:"Mothers' Complaint"
425:"A Room With a View"
413:"Waiting in a Queue"
37:Waltz sequence from
1721:Suite in Three Keys
1187:. London: Penguin.
1097:. London: Methuen.
1079:. London: Methuen.
1060:. London: Methuen.
738:(Online ed.).
616:, (pp. 31–60); and
605:This Year of Grace!
569:This Year of Grace!
530:Noël Coward Society
416:"Mary Make Believe"
212:This Year of Grace!
1818:Present Indicative
1422:Conversation Piece
1349:This Year of Grace
1280:This Year of Grace
935:2009-01-05 at the
492:
377:This Year of Grace
240:
197:Charles B. Cochran
106:Charles B. Cochran
93:This Year of Grace
39:This Year of Grace
24:This Year of Grace
2098:Broadway musicals
2080:
2079:
2076:
2075:
1916:Design for Living
1826:Future Indefinite
1740:In Which We Serve
1673:Peace in Our Time
1625:Design for Living
1341:On with the Dance
1254:978-1-47-461281-4
1235:978-0-7221-3676-8
1216:978-1-55783-190-3
1194:978-0-14-003863-7
1185:A Talent to Amuse
1175:978-1-84002-054-0
1145:978-0-224-01288-1
1126:978-1-4081-0675-4
1104:978-0-413-77413-2
1086:978-1-4081-0675-4
1067:978-0-413-77413-2
992:978-0-491-00534-0
746:(Subscription or
729:""year of grace""
515:"American Finale"
490:Sheet music cover
483:
482:
353:Gertrude Lawrence
303:Leslie Hutchinson
155:On with the Dance
89:
88:
2115:
2047:Look After Lulu!
2039:Present Laughter
2023:Nude with Violin
2007:South Sea Bubble
1849:
1848:
1748:This Happy Breed
1705:Look After Lulu!
1697:Nude with Violin
1681:South Sea Bubble
1657:This Happy Breed
1649:Present Laughter
1310:
1303:
1296:
1287:
1286:
1258:
1239:
1220:
1198:
1179:
1162:Morley, Sheridan
1149:
1138:. London: Cape.
1130:
1108:
1090:
1071:
1052:
1035:
1016:
996:
965:
960:"The New Play",
958:
952:
946:
940:
927:
921:
918:
912:
903:
897:
894:
888:
876:
870:
867:
861:
858:
852:
849:
843:
840:
834:
831:
822:
819:
813:
810:
801:
779:
770:
767:
761:
758:
752:
751:
743:
731:
724:
718:
715:
700:
697:
691:
688:
677:
674:
668:
665:
648:
646:
642:
636:
627:
621:
601:
546:A. G. Macdonnell
403:
273:, also included
35:
25:
19:
18:
2123:
2122:
2118:
2117:
2116:
2114:
2113:
2112:
2083:
2082:
2081:
2072:
2053:
1978:
1956:Relative Values
1940:Meet Me Tonight
1932:We Were Dancing
1908:Tonight Is Ours
1840:
1805:
1778:
1764:Brief Encounter
1727:
1641:Tonight at 8.30
1505:The Better Half
1476:
1401:
1395:Cowardy Custard
1357:Words and Music
1333:London Calling!
1320:
1314:
1265:
1255:
1236:
1217:
1195:
1176:
1158:Mitchenson, Joe
1154:Mander, Raymond
1146:
1127:
1105:
1087:
1068:
993:
979:Castle, Charles
974:
969:
968:
959:
955:
947:
943:
937:Wayback Machine
928:
924:
919:
915:
904:
900:
895:
891:
877:
873:
868:
864:
859:
855:
851:Richards, p. 33
850:
846:
841:
837:
832:
825:
820:
816:
811:
804:
780:
773:
768:
764:
759:
755:
745:
725:
721:
716:
703:
698:
694:
689:
680:
675:
671:
666:
662:
657:
652:
651:
644:
643:
639:
628:
624:
602:
595:
590:
585:
580:
573:
542:
497:
484:
465:"Chauve Souris"
458:
419:"Mad About You"
397:
382:Cowardy Custard
373:
337:
334:Beatrice Lillie
327:
311:Doris Zinkeisen
263:Jessie Matthews
248:London Pavilion
233:Jessie Matthews
225:
220:
146:
130:Beatrice Lillie
118:Jessie Matthews
42:
23:
17:
12:
11:
5:
2121:
2111:
2110:
2105:
2100:
2095:
2078:
2077:
2074:
2073:
2071:
2070:
2061:
2059:
2055:
2054:
2052:
2051:
2043:
2035:
2027:
2019:
2011:
2003:
1995:
1986:
1984:
1980:
1979:
1977:
1976:
1968:
1960:
1952:
1944:
1936:
1928:
1920:
1912:
1904:
1896:
1888:
1880:
1872:
1864:
1855:
1853:
1846:
1842:
1841:
1839:
1838:
1830:
1822:
1813:
1811:
1807:
1806:
1804:
1803:
1795:
1786:
1784:
1780:
1779:
1777:
1776:
1768:
1760:
1752:
1744:
1735:
1733:
1729:
1728:
1726:
1725:
1717:
1709:
1701:
1693:
1685:
1677:
1669:
1661:
1653:
1645:
1637:
1629:
1621:
1613:
1605:
1597:
1589:
1581:
1573:
1569:This Was a Man
1565:
1557:
1549:
1541:
1533:
1525:
1517:
1513:The Young Idea
1509:
1501:
1493:
1484:
1482:
1478:
1477:
1475:
1474:
1466:
1458:
1454:After the Ball
1450:
1442:
1434:
1426:
1418:
1409:
1407:
1403:
1402:
1400:
1399:
1391:
1383:
1377:
1369:
1361:
1353:
1345:
1337:
1328:
1326:
1322:
1321:
1313:
1312:
1305:
1298:
1290:
1284:
1283:
1277:
1264:
1263:External links
1261:
1260:
1259:
1253:
1240:
1234:
1221:
1215:
1199:
1193:
1180:
1174:
1160:; Day, Barry;
1150:
1144:
1131:
1125:
1109:
1103:
1085:
1072:
1066:
1053:
1036:
1023:Play Parade II
1017:
997:
991:
973:
970:
967:
966:
953:
941:
922:
913:
898:
889:
871:
862:
853:
844:
835:
823:
814:
802:
771:
762:
753:
719:
701:
692:
678:
669:
659:
658:
656:
653:
650:
649:
637:
622:
592:
591:
589:
586:
584:
581:
577:
566:
556:St John Ervine
541:
538:
526:
525:
524:
523:
517:
516:
513:
510:
507:
504:
501:
496:
493:
481:
480:
476:
475:
472:
469:
466:
463:
455:
454:
453:
450:
447:
446:"English Lido"
444:
443:"Little Women"
441:
437:
436:
431:
430:
429:
426:
423:
420:
417:
414:
410:
409:
401:
396:
393:
372:
369:
345:Selwyn Theatre
331:
326:
323:
283:Sheilah Graham
224:
221:
219:
216:
167:This Was a Man
145:
142:
104:, produced by
87:
86:
76:
72:
71:
68:
62:
61:
58:
54:
53:
48:
44:
43:
36:
28:
27:
15:
9:
6:
4:
3:
2:
2120:
2109:
2106:
2104:
2101:
2099:
2096:
2094:
2093:1928 musicals
2091:
2090:
2088:
2068:
2067:
2063:
2062:
2060:
2056:
2049:
2048:
2044:
2041:
2040:
2036:
2033:
2032:
2028:
2025:
2024:
2020:
2017:
2016:
2012:
2009:
2008:
2004:
2001:
2000:
1999:Blithe Spirit
1996:
1993:
1992:
1988:
1987:
1985:
1981:
1974:
1973:
1972:Blithe Spirit
1969:
1966:
1965:
1961:
1958:
1957:
1953:
1950:
1949:
1945:
1942:
1941:
1937:
1934:
1933:
1929:
1926:
1925:
1921:
1918:
1917:
1913:
1910:
1909:
1905:
1902:
1901:
1897:
1894:
1893:
1889:
1886:
1885:
1884:Private Lives
1881:
1878:
1877:
1873:
1870:
1869:
1865:
1862:
1861:
1857:
1856:
1854:
1850:
1847:
1843:
1836:
1835:
1831:
1828:
1827:
1823:
1820:
1819:
1815:
1814:
1812:
1808:
1801:
1800:
1796:
1793:
1792:
1788:
1787:
1785:
1781:
1774:
1773:
1769:
1766:
1765:
1761:
1758:
1757:
1756:Blithe Spirit
1753:
1750:
1749:
1745:
1742:
1741:
1737:
1736:
1734:
1730:
1723:
1722:
1718:
1715:
1714:
1710:
1707:
1706:
1702:
1699:
1698:
1694:
1691:
1690:
1686:
1683:
1682:
1678:
1675:
1674:
1670:
1667:
1666:
1665:Blithe Spirit
1662:
1659:
1658:
1654:
1651:
1650:
1646:
1643:
1642:
1638:
1635:
1634:
1633:Point Valaine
1630:
1627:
1626:
1622:
1619:
1618:
1614:
1611:
1610:
1606:
1603:
1602:
1601:Private Lives
1598:
1595:
1594:
1590:
1587:
1586:
1582:
1579:
1578:
1574:
1571:
1570:
1566:
1563:
1562:
1558:
1555:
1554:
1550:
1547:
1546:
1542:
1539:
1538:
1537:Fallen Angels
1534:
1531:
1530:
1526:
1523:
1522:
1518:
1515:
1514:
1510:
1507:
1506:
1502:
1499:
1498:
1494:
1491:
1490:
1486:
1485:
1483:
1479:
1472:
1471:
1467:
1464:
1463:
1459:
1456:
1455:
1451:
1448:
1447:
1443:
1440:
1439:
1435:
1432:
1431:
1427:
1424:
1423:
1419:
1416:
1415:
1411:
1410:
1408:
1404:
1397:
1396:
1392:
1389:
1388:
1384:
1381:
1378:
1375:
1374:
1370:
1367:
1366:
1362:
1359:
1358:
1354:
1351:
1350:
1346:
1343:
1342:
1338:
1335:
1334:
1330:
1329:
1327:
1323:
1319:
1311:
1306:
1304:
1299:
1297:
1292:
1291:
1288:
1281:
1278:
1276:
1272:
1271:
1267:
1266:
1256:
1250:
1246:
1241:
1237:
1231:
1227:
1222:
1218:
1212:
1208:
1204:
1200:
1196:
1190:
1186:
1181:
1177:
1171:
1167:
1163:
1159:
1155:
1151:
1147:
1141:
1137:
1132:
1128:
1122:
1118:
1114:
1113:Hoare, Philip
1110:
1106:
1100:
1096:
1088:
1082:
1078:
1073:
1069:
1063:
1059:
1054:
1050:
1046:
1042:
1037:
1033:
1029:
1025:
1024:
1018:
1014:
1010:
1006:
1002:
998:
994:
988:
984:
980:
976:
975:
963:
957:
950:
945:
938:
934:
931:
926:
917:
911:
909:
902:
893:
886:
885:
880:
875:
869:Hoare, p. 202
866:
857:
848:
839:
830:
828:
818:
812:Hoare, p. 193
809:
807:
800:
796:
792:
788:
784:
778:
776:
766:
757:
749:
741:
737:
736:
730:
723:
714:
712:
710:
708:
706:
696:
690:Hoare, p. 191
687:
685:
683:
673:
664:
660:
641:
634:
633:
626:
619:
615:
611:
606:
600:
598:
593:
576:
570:
565:
563:
562:
557:
553:
552:
547:
537:
535:
531:
521:
520:
519:
518:
514:
511:
508:
505:
502:
499:
498:
495:Other numbers
488:
479:
473:
470:
467:
464:
461:
460:
459:
456:
451:
448:
445:
442:
439:
438:
434:
433:
432:
427:
424:
421:
418:
415:
412:
411:
407:
406:
405:
404:
400:
392:
390:
389:
384:
383:
378:
368:
364:
360:
358:
354:
350:
346:
342:
341:Archie Selwyn
335:
330:
322:
320:
314:
312:
308:
307:Oliver Messel
304:
300:
299:Ernest Irving
296:
292:
288:
284:
280:
279:Joan Clarkson
276:
272:
268:
264:
260:
255:
253:
249:
245:
238:
237:Oliver Messel
234:
229:
215:
213:
209:
205:
200:
198:
195:
191:
190:
185:
184:
179:
178:
173:
169:
168:
163:
162:
157:
156:
151:
141:
139:
135:
131:
127:
123:
119:
115:
111:
110:Archie Selwyn
107:
103:
99:
95:
94:
85:
81:
77:
73:
69:
67:
63:
59:
55:
52:
49:
45:
40:
34:
29:
26:
20:
2066:High Spirits
2064:
2045:
2037:
2029:
2021:
2013:
2005:
1997:
1989:
1970:
1962:
1954:
1948:Pretty Polly
1946:
1938:
1930:
1924:Bitter Sweet
1922:
1914:
1906:
1898:
1892:Bitter Sweet
1890:
1882:
1874:
1866:
1858:
1832:
1824:
1816:
1797:
1789:
1770:
1762:
1754:
1746:
1738:
1719:
1711:
1703:
1695:
1687:
1679:
1671:
1663:
1655:
1647:
1639:
1631:
1623:
1615:
1607:
1599:
1591:
1585:The Marquise
1583:
1575:
1567:
1559:
1551:
1543:
1535:
1527:
1519:
1511:
1503:
1495:
1489:The Rat Trap
1487:
1468:
1460:
1452:
1446:Ace of Clubs
1444:
1438:Pacific 1860
1436:
1428:
1420:
1414:Bitter Sweet
1412:
1393:
1385:
1379:
1373:Sigh No More
1371:
1365:Set to Music
1363:
1355:
1348:
1347:
1339:
1331:
1269:
1244:
1225:
1206:
1203:Payn, Graham
1184:
1165:
1135:
1116:
1094:
1076:
1057:
1040:
1022:
1004:
1001:Coward, Noël
982:
961:
956:
948:
944:
925:
916:
910:at MTI Shows
907:
901:
892:
882:
874:
865:
856:
847:
838:
817:
782:
765:
756:
733:
722:
695:
672:
663:
640:
630:
625:
617:
613:
609:
604:
574:
568:
561:The Observer
559:
549:
548:, author of
543:
527:
477:
457:
398:
386:
380:
376:
374:
365:
361:
357:opéra bouffe
338:
328:
319:Philip Hoare
315:
275:Douglas Byng
256:
241:
211:
207:
201:
187:
181:
177:The Marquise
175:
165:
159:
153:
147:
92:
91:
90:
38:
22:
2015:Red Peppers
1964:Easy Virtue
1876:Easy Virtue
1845:Adaptations
1609:Post-Mortem
1545:Easy Virtue
1387:Oh, Coward!
1318:Noël Coward
908:Oh, Coward!
618:Play Parade
388:Oh, Coward!
349:World Weary
317:biographer
295:Anna Neagle
291:Moya Nugent
287:Fred Groves
267:Tilly Losch
259:Sonnie Hale
218:Productions
150:Noël Coward
126:Tilly Losch
114:Sonnie Hale
102:Noël Coward
75:Productions
70:Noël Coward
60:Noël Coward
51:Noël Coward
2087:Categories
1868:The Vortex
1561:Semi-Monde
1521:The Vortex
750:required.)
655:References
612:, (p. 9);
271:Maisie Gay
204:Manchester
194:impresario
161:Semi-Monde
144:Background
122:Maisie Gay
1991:Cavalcade
1900:Cavalcade
1689:Quadrille
1617:Cavalcade
1593:Home Chat
1529:Hay Fever
1462:Sail Away
1316:Works by
1164:(2000) .
791:900326698
540:Reception
422:"Lorelei"
183:Home Chat
1430:Operette
1406:Musicals
1205:(1994).
1115:(1995).
1013:22370483
1003:(1931).
981:(1972).
933:Archived
799:5952279)
474:"Finale"
252:West End
172:Broadway
148:By 1928
138:Broadway
134:West End
84:Broadway
80:West End
2058:Musical
1810:Memoirs
1577:Sirocco
1273:at the
1049:1574850
1032:3372022
972:Sources
884:The Age
250:in the
223:Britain
189:Sirocco
136:and on
2108:Revues
2069:(1964)
2050:(1967)
2042:(1967)
2034:(1965)
2026:(1964)
2018:(1962)
2010:(1956)
2002:(1956)
1994:(1955)
1975:(2020)
1967:(2008)
1959:(2000)
1951:(1967)
1943:(1952)
1935:(1942)
1927:(1940)
1919:(1933)
1911:(1933)
1903:(1933)
1895:(1933)
1887:(1930)
1879:(1928)
1871:(1928)
1863:(1927)
1837:(1982)
1829:(1954)
1821:(1937)
1802:(1964)
1794:(1960)
1775:(1950)
1767:(1945)
1759:(1945)
1751:(1944)
1743:(1942)
1724:(1966)
1716:(1960)
1708:(1959)
1700:(1956)
1692:(1952)
1684:(1951)
1676:(1946)
1668:(1941)
1660:(1939)
1652:(1939)
1644:(1936)
1636:(1934)
1628:(1932)
1620:(1931)
1612:(1930)
1604:(1930)
1596:(1927)
1588:(1927)
1580:(1927)
1572:(1926)
1564:(1926)
1556:(1926)
1548:(1925)
1540:(1925)
1532:(1925)
1524:(1924)
1516:(1923)
1508:(1922)
1500:(1920)
1492:(1918)
1473:(1963)
1465:(1961)
1457:(1954)
1449:(1950)
1441:(1946)
1433:(1938)
1425:(1934)
1417:(1929)
1398:(1972)
1390:(1972)
1382:(1968)
1376:(1945)
1368:(1939)
1360:(1932)
1352:(1928)
1344:(1925)
1336:(1923)
1325:Revues
1251:
1232:
1213:
1191:
1172:
1142:
1123:
1101:
1083:
1064:
1047:
1030:
1011:
989:
949:Quoted
797:
789:
645:£1,000
614:Lyrics
478:
440:"Lido"
435:Act II
124:, and
57:Lyrics
1852:Films
1783:Prose
1732:Films
1481:Plays
744:
588:Notes
408:Act I
395:Songs
98:revue
96:is a
78:1928
47:Music
1249:ISBN
1230:ISBN
1211:ISBN
1189:ISBN
1170:ISBN
1140:ISBN
1121:ISBN
1099:ISBN
1081:ISBN
1062:ISBN
1045:OCLC
1028:OCLC
1009:OCLC
987:ISBN
983:Noël
795:OCLC
793:and
787:OCLC
629:The
528:The
385:and
309:and
269:and
120:and
82:and
66:Book
558:in
206:as
2089::
1983:TV
1156:;
1091:*
881:,
826:^
805:^
774:^
732:.
704:^
681:^
596:^
325:US
313:.
289:,
285:,
281:,
277:,
265:,
261:,
116:,
1309:e
1302:t
1295:v
1257:.
1238:.
1219:.
1197:.
1178:.
1148:.
1129:.
1107:.
1089:.
1070:.
1051:.
1034:.
1015:.
995:.
742:.
Text is available under the Creative Commons Attribution-ShareAlike License. Additional terms may apply.
