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competition, the king orders
Banabathirar to compete against Bhagavathar. Knowing that he cannot win, the troubled Banabathirar prays to Shiva—who appears outside Bhagavathar's house in the form of a firewood vendor the night before the competition, and shatters his arrogance by singing "Paattum Naane". Shiva introduces himself to Bhagavathar as Banabathirar's student. Sheepish at hearing this, Bhagavathar leaves the kingdom immediately and leaves a letter for Shiva to give to Banabathirar. Shiva gives the letter to Banabathirar, and reveals his true identity; Banabathirar thanks him for his help.
798:" (He won't come. He won't come. He will definitely not come. I know he won't come). According to the actor, two incidents inspired him. One involved two assistant directors discussing whether Ganesan would be ready before or after lunch; one said he would be ready, the other said not. The other was when Nagesh overheard a passerby talking to himself about how the world had fallen on bad times. He also took inspiration from Mylapore Krishnasamy Iyer.
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the film for re-release, but Sri
Vijayalakshmi Pictures asked laboratory officials not to release the film without their consent. Sri Vijayalakshmi Pictures disputed Vijaya's claim by running an advertisement in a Tamil newspaper on 18 May 2012 saying that it owned the film's rights, and anyone who wanted to exhibit it in a digital format should only do so with their permission. The judge who presided over the case ordered that the
1319:, "Both for the devout Hindu and the average movie fan, the picture provides such elements that sustain their interest from beginning to end." He noted that although there were anachronisms such as telephone and telegraph wires visible, "these defects pale into insignificance before the gloss and satisfying impact of the film as a whole on the minds of cinegoers." Ramachandran lauded Ganesan's performance, his
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488:. Parvati, now born as Kayarkanni, is the daughter of a fisherman. When she is playing with her friends, Shiva approaches in the guise of a fisherman and tries to flirt with her. The fishermen are troubled by a giant shark who disrupts their way of life, and Shiva says that he alone can defeat the shark. After a long battle, Shiva subdues the shark (who is the bull deity
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442:. Shenbagapandian, the king, wants to find the answer to a question posed by his wife (whether the fragrance of a woman's hair is natural or artificial), and announces a reward of 1,000 gold coins to anyone who can come up with the answer. Dharumi, a poor poet, desperately wants the reward, and starts to break down in the
790:, thereby making it Nagarajan's first picture to be shot in colour. Before he began filming, Nagesh learned that Ganesan's arrival was delayed because his make-up had not been completed; he asked Nagarajan whether they could film any solo sequences, which included a scene where Dharumi laments his misfortune in the
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and Sri
Vijayalakshmi Pictures for attempting to re-release the film without her company's permission. In December 1975, Sri Vijayalakshmi Pictures transferred the film rights to Movie Film Circuit; MFC transferred them to Vijaya Pictures on 18 May 1976. Vijaya Pictures approached Gemini to digitise
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without inviting his son-in-law. Sati asks Shiva's permission to go to the ceremony, but Shiva refuses to let her go because he feels that no good will come from it. Sati disobeys him and goes, only to be insulted by Daksha. She curses her father and returns to Shiva, who is angry with her. Sati says
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and said
Nagarajan deserved to be appreciated for taking such a long epic and making it into a film. Although Meenakshi Ammal felt it was unnecessary to have a Tamil poet (Dharumi) do comedy, Shanmugam Pillai applauded Nagesh for showing his comic skills even in a mythological. Meenakshi Ammal noted
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Dubbing of the scenes with Nagesh and
Ganesan was completed soon after the footage was shot. After watching the scenes twice, Ganesan asked Nagarajan not to remove even a single frame of Nagesh's portions from the final cut, because he believed that those scenes along with the ones involving Balaiah
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The film's title is explained in an introductory voiceover. Greeting the audience, it quotes Shiva's literary epic of the same name. According to the narrator (Nagarajan), Shiva does what he does to test the patience of his disciples; the god plays games, which evoke more devotion in the hearts of
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claims that the poem's meaning is incorrect. On hearing this, Shiva argues with
Nakkeerar about the poem's accuracy and burns him to ashes when he refuses to relent. Later, Shiva revives Nakkeerar and says that he only wanted to test his knowledge. Realising it was Shiva's will that Dharumi should
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with "due reverence and respect" and chaste Tamil dialogue (a "delight to the ears"). However, the reviewer derided
Nagarajan's "unimaginative" handling of the fisherman episode and Ganesan's "awkward" gestures, which turned what would have been a "sublime, divine love story" into a typical
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The last story is about
Banabathirar, a devotional singer. Hemanatha Bhagavathar, a talented singer, tries to conquer the Pandya Kingdom when he challenges its musicians. The king's minister advises the king to seek Banabathirar's help against Bhagavathar. When the other musicians spurn the
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We had to talk as we walked. We could not break up the dialogues for our convenience as that would slow down the tempo of the shot. We had such a degree of understanding that we enacted the scene with immaculate timing and with the required expressions in one continuous
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After listening to the stories, Muruga realises that this too was one of Shiva's divine games to test his patience; he then reconciles with his family. The film ends with
Avvaiyar singing "Vaasi Vaasi" and "Ondraanavan Uruvil", in praise of Shiva and Parvati.
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was released on 31 July 1965 to critical praise for its screenplay, dialogue, direction, music and the performances of
Ganesan, Nagesh and Balaiah. The film was a commercial success, running for over twenty-five weeks in many theatres and becoming a
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wrote: "The unforgettable sequences from ... ... have forever divided the world of Tamil music lovers in two: those who believe that the of the swollen-headed Hemanatha Bhagavathar could not be bested, and those who believe that Lord Shiva's
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1228:. During a screening at a Madras cinema, several women went into a religious frenzy during a scene with Avvaiyar and Murugan. The film was temporarily suspended so the women could be attended to. According to artist
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K. V. Mahadevan composed the film's soundtrack and score, Kannadasan wrote the song lyrics except for the first portions of "Pazham Neeyappa", which were written by Sankaradas Swamigal. Nagarajan initially wanted
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1306:"boy-meets-girl affair". They also criticised technical aspects such as "jumpy" shots, the colour scheme, Shiva's fight with the shark and the facial make-up. The reviewer criticised Ganesan for
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1471:. Ameer found the film "imaginative", depicting mythology in "an interesting way", and called it "one of the best films in the annals of Tamil cinema." After Nagesh's death in 2009,
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In Indian cinema terminology, social films (or simply socials) are films with a contemporary setting, as opposed to those which have mythological and period settings.
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was the last film produced by Hameed, who died on 20 May 1965, a few days after the filming ended. Neither he nor Nagarajan was credited in the film as producers.
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while opining that Savitri had nothing to do, but commended the performances of Sundarambal, Mahalingam, Balaiah, Nagesh, Sarangapani, Muthuraman and Nagarajan.
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371:. It was also responsible for a resurgence in devotional and mythological cinema, since it was released when Tamil cinema was primarily producing social films.
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812:(1944) in which the lead actor plays five roles in one scene. Ganesan does so during the song "Paattum Naane", where he sings and plays four instruments: the
446:. Shiva, hearing him weeping, takes the form of a poet and gives Dharumi a poem containing the answer. Overjoyed, Dharumi takes the poem to Shenbagapandian's
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Songs from the album, including "Pazham Neeyappa", "Oru Naal Podhuma", "Isai Thamizh", "Paarthal Pasumaram" and "Paattum Naane", became popular with the
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871:. Sastri had sought divine intervention from the goddess Kamakshi to defeat Kesavayya, mirroring Banabathirar's plea for Shiva's help. Mana Baskaran of
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he performed in the film, Ganesan replied that he simply learned the movements necessary for the dance and followed the choreographer's instructions.
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would be the highlights of the film. The conversations between Shiva and Dharumi were improvised by Ganesan and Nagesh, not scripted by Nagarajan.
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confronts Shiva over an error in his poem, exaggerating his sensitivity to the right and the wrong. Nagarajan had previously used this story as a
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In mid-2012, legal issues arose when attempts were made to digitally re-release the film. G. Vijaya of Vijaya Pictures filed a lawsuit against
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1240:. It also ran for twenty-five weeks at the Crown and Bhuvaneshwari Theatres in Madras and other theatres across South India, becoming a
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1487:, a compilation DVD with Ganesan's "iconic performances in the form of scenes, songs and stunts", which was released in May 2012.
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In the third story, Parvati is banished by Shiva when she is momentarily distracted while listening to his explanation of the
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to sing "Oru Naal Podhuma", but he refused and M. Balamuralikrishna sang the song. Each line in the song is from a different
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1277:, in a review dated 22 August 1965, considered the film a victory for Tamil cinema. Shanmugam Pillai and Meenakshi Ammal of
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of one-and-a-half days to finish his portion. Besides directing, producing and writing, Nagarajan appeared as Nakkeerar.
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1452:(1968). The film was a milestone of Nagesh's career, and the character of Dharumi is cited as one of his finest roles.
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3509:"From 100 Crore-Grossing Movies to Bygone Era's Silver and Golden Jubilee Hits: A look at Rare Feats in Indian Cinema"
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Only two actors can pull the scene away from under my feet when we face the camera together – one is
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that the story of the competition between Hemanatha Bhagavathar and Banabathirar is comparable to a contest between
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celebrates the deeds of a god (in this case, Shiva) by depicting miracles performed by him. R. Bharathwaj wrote for
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under the banner of Sri Vijayalakshmi Pictures, and wrote the screenplay. M. N. Rajan and T. R. Natarajan edited
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list of "10 Best Films of late Nagesh"; according to its entry, the actor "was at his comic best in this film".
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1349:(1964), C. N. Paramasivam (Nagarajan's son and the head of Sri Vijayalakshmi Pictures) found film negatives of
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his worshippers. Therefore, the film's title refers to the games played by Shiva. According to Hari Narayan of
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that they are one; without her, there is no Shiva. He disagrees, and burns her to ashes. He then performs his
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4045:"Revisiting AP Nagarajan, the man who gave us immortal films like 'Thiruvilayadal' and 'Saraswathi Sabatham'"
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would be able to emote the character better. Balamuralikrishna agreed, and remained on the film as a singer.
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2215:"பிளாஷ்பேக் : ஹேமநாத பாகவதரை விட்டுக்கொடுக்காத ஏ.பி.நாகராஜன் – டி.எஸ்.பாலையா பிறந்தநாள் ஸ்பெஷல்!"
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724:. R. Rangasamy did the make-up for Ganesan, and Savitri was given green make-up to portray her character.
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released during the 1960s. Nagarajan and Ganesan collaborated on many more films in the genre, including
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The film has been parodied and referenced in cinema, television and theatre. Notable films alluding to
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said: "Most character artists today lack variety Show me one actor in India currently who can do a
481:, who pacify him. Shiva restores Sati to life (who is reborn as Parvati) and accepts their oneness.
387:. A digitally-restored version was released in September 2012, which was also a commercial success.
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4904:"Narrative Strategies and Communication of Values in Tamil Epic Tradition Films of A. P. Nagarajan"
4194:"ரஜினியின் 100-வது படம் 'ஸ்ரீராகவேந்திரர்': ஸ்டைல்களை ஒதுக்கி விட்டு, மகானாகவே வாழ்ந்து காட்டினார்"
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4196:[Rajini's 100th film 'Sri Raghavendrar': Leaving Behind The Style, He Lives The Role].
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A silver jubilee film is one that runs for at least twenty-five weeks in a single theatre.
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parodied the film twice: in an episode of the same name, and in a contemporary version titled
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Thiruvilaiyadal | Tamil Movie Songs | Audio Jukebox | திருவிளையாடல் பாடல்கள் | Sivaji Ganesan
2447:"10 வேடத்தில் நடித்த முதல் நடிகர் பி.யு சின்னப்பா ! ( தமிழ்சினிமா முன்னோடிகள்-தொடர் 24)"
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notes that the film, despite being a mythological, also depicts contemporary social issues.
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in September 2012. The digitised version premiered at the Woodlands Theater in Royapettah,
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Varamaattan. Varamaattan. Avan nichchaiyam varamaattan. Enakku nalla theriyum. Varamaattan
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devotional epic stories by Paranjothi Munivar, which describe the actions (and antics) of
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4459:(motion picture) (in Tamil). K. R. G. Movies International. 2001. Event occurs at 23:39.
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2273:[A. P. Nagarajan, the man who created Thiruvilaiyadal and Thillana Mohanambal].
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raga in "Vaasi Vaasi", and praised Balamuralikrishna's rendition of "Oru Naal Podhuma".
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Culture, Ideology, Hegemony: Intellectuals and Social Consciousness in Colonial India
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1369:(Ganesan's son) said about the digitised version, "It was like watching a new film".
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1236:. A commercial success, the film ran for twenty-five weeks at the Ganesan-owned
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that at a time where social films were dominating Tamil cinema, a mythological like
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4473:(motion picture) (in Tamil). Saanthi Vanaraja Movies. 2000. Event occurs at 46:50.
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initially wanted to portray Hemanatha Bhagavathar but Nagarajan refused, believing
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and mridangam players, respectively, for "Paattum Naane". Subbiah Asari made the
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4445:(motion picture) (in Tamil). Murugan Cine Arts. 2000. Event occurs at 2:03:14.
4413:(motion picture) (in Tamil). Sri Sai Theja Films. 1996. Event occurs at 30:36.
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in a competition. Angry with his father, Muruga (dressed as a hermit) goes to
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2310:[Nagesh, the man who lived the role of Dharumi in Thiruvilaiyadal].
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stories are depicted in the film, including the story where the Tamil poet
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get the reward, Nakkeerar requests Shenbagapandian to give it to Dharumi.
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Autobiography of an Actor: Sivaji Ganesan, October 1928 – July 2001
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jointly reviewed the film on the same day. Shanmugam Pillai praised the
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Autobiography of an Actor: Sivaji Ganesan, October 1928 – July 2001
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1548:(2014), Baradwaj Rangan noted that the use of touchscreen human facial
1365:. It received public acclaim and became a commercial success. Producer
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and producer A. M. Shahul Hameed came together to make a film entitled
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2093:"தென்னகத்தின் இசைக்குயில் மறைந்தது; தமிழ் சினிமா முன்னோடிகள் தொடர்-19"
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storage facility. Paramasivam restored the film and re-released it in
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appreciated Nagarajan for treating the four episodes adapted from the
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depicts four of the stories. The first is about the poets Dharumi and
6889:
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4154:
4016:
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3619:
3448:
3412:
3314:
3266:
3233:
3200:
3155:
3119:
3115:"A Raga's Journey – The passionate appeal of Simhendramadhyamam"
3071:
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2987:
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2915:
2879:
2843:
2757:
2643:
2563:
2419:
2386:
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won the debate hands down". The character of Dharumi was parodied in
1459:
asked eight notable directors to list ten films they liked the most,
1425:
1409:
1118:
845:
817:
629:
412:
4721:
2717:"திருப்புமுனைத் திரைப்படங்கள் – 37 – திருவிளையாடல் (1965)"
2502:
2271:"திருவிளையாடல், தில்லானா மோகனாம்பாள் படங்களை தயாரித்த ஏ.பி.நாகராஜன்"
2239:
6609:
6095:
5881:
5851:
5380:
5257:
4922:
Raga Chintamani: A Guide to Carnatic Ragas Through Tamil Film Music
4174:
3347:
2680:
2053:
1592:, a play staged in November 2013. In a January 2015 interview with
1526:
930:
671:
329:
1740:"டிஜிட்டல் தொழில்நுட்பத்தில் 'திருவிளையாடல்' படம் மீண்டும் ரிலீஸ்"
6913:
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6286:
6214:
5225:
2702:
1987:
1362:
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that Sundarambal produced a "pure and pristine depiction" of the
912:
868:
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783:
721:
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428:
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357:
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ragas, respectively. Vikku Vinayakram and Cheena Kutty were the
6394:
4150:"Lights, Camera, Conversation... – A dinosaur roams again"
3645:
2342:
2174:
1742:[Thiruvilayadal released again in digital technology].
1705:[The epic seen by the people! – Thiruvilaiyadal].
953:
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297:
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was shot on a custom-built set at Vasu Studios in Madras (now
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6881:
6015:
2719:[Pathbreaking films – 37 –
813:
794:. While filming, Nagesh spontaneously came up with the line "
675:
514:
485:
468:
400:
341:
337:
2538:
1577:
After T. M. Soundararajan's death in May 2013, M. Ramesh of
19:
This article is about the 1965 film. For the 2006 film, see
4332:
3175:
3091:
3007:
1867:
1476:
1244:. It added to Ganesan's string of successful films. At the
891:
535:
2777:
2308:"திருவிளையாடல் படத்தில் தருமியாக வாழ்ந்து காட்டிய நாகேஷ்"
1628:
824:. Asked by his biographer, T. S. Narayanawami, about the
1815:
702:(1956). In addition to directing, Nagarajan co-produced
678:
on Earth in a number of disguises to test his devotees.
1703:"சமயம் வழியே சமூகம் கண்ட காவியம்! – திருவிளையாடல்"
6488:
4943:. Meenakshi Sundareswarar Temple Renovation Committee.
4697:"Reminiscing Manorama: Comedy Loses Its Aachi Forever"
3405:
2583:
1891:
646:
In 1965, after the critical and commercial success of
4790:
3291:
3289:
2753:"பிளாஷ் ஃபேக்:சீர்காழி கோவிந்தராஜன் பாட மறுத்த பாடல்"
2508:
2245:
1964:
1962:
1254:
Certificate of Merit for the Second-Best Feature Film
377:
Certificate of Merit for the Second-Best Feature Film
4867:
4842:(motion picture). India: Sri Vijayalakshmi Pictures.
4727:
4665:"Oscar-worthy performance by Sivaji: Y Gee Mahendra"
4180:
3646:
Shanmugam Pillai; Meenakshi Ammal (22 August 1965).
3406:
Jeevanathan, V.; Sivashankar, Nithya (28 May 2012).
3786:"Bid to re-release Sivaji classic ends up in court"
1292:was a welcome change and deserved another viewing.
4525:"Oru Kanniyum Moonu Kalavaanikalum: Time passages"
3854:[Thiruvilaiyadal in CinemaScope Digital].
3754:"Status quo ordered on digitising Thiruvilaiyadal"
3647:
3286:
2073:
1959:
1879:
1313:On 4 September 1965, T. M. Ramachandran wrote for
3609:
1911:"1965 – திருவிளையாடல் ஸ்ரீ விஜயலஷ்மி பிக் (கலர்)"
1224:was released on 31 July 1965, and distributed by
6968:
3912:"Old hall makes it a no show for Pasamalar fans"
2947:"A Raga's Journey – Dynamic Durbarikaanada"
2665:: CS1 maint: bot: original URL status unknown (
1632:]." After Manorama's death in October 2015,
403:gives a sacred mango fruit, brought by the sage
5382:National Film Award for Best Tamil Feature Film
4924:(2nd ed.). Chennai: Pichhamal Chintamani.
4783:Cinema as Medium of Communication in Tamil Nadu
4108:
2983:"A Raga's Journey – Sacred Shanmukhapriya"
2479:"எம்ஜிஆரின் நாயகர்... சிவாஜியின் முன்மாதிரி..."
1483:is included with other Sivaji Ganesan films in
1343:Encouraged by the success of the re-release of
450:and recites it; however, the court's head poet
411:as a prize for outsmarting his younger brother
344:in a number of disguises to test his devotees.
4630:
3340:
2679:
2412:
2016:"Kollywood's make-up specialists of the 1960s"
356:. The third recounts how Shiva's future wife,
308:composed the film's soundtrack and score, and
6474:
5366:
4983:
4819:Starlight, Starbright: The Early Tamil Cinema
4631:Krishnamachari, Suganthy (28 November 2013).
4078:"The Best Mythological Films of Tamil Cinema"
3310:"A Raga's Journey – Soothing the senses"
3151:"A Raga's Journey – Godly Gowrimanohari"
3031:"A Raga's Journey – Devotional Kambhoji"
2647:. Archived from the original on 13 March 2013
1734:
1732:
1730:
1696:
1694:
1692:
1690:
988:Starlight, Starbright: The Early Tamil Cinema
916:. "Pazham Neeyappa" is based on three ragas:
4997:
4919:
4005:
4003:
3712:
3615:"Filmography of Dr. Sivaji Ganesan (Part-2)"
3181:
3097:
3013:
1748:(in Tamil). 6 September 2015. Archived from
4936:
4901:
4202:(in Tamil). 4 December 2012. Archived from
3575:"Recipients of State Awards for Films 1965"
3484:(in Tamil). 14 January 1966. Archived from
3067:"A Raga's Journey – Aspects of Abheri"
2783:
2544:
2413:Krishnamachari, Suganthy (13 August 2010).
2279:(in Tamil). 9 December 2011. Archived from
1873:
1821:
1271:was praised by critics. The Tamil magazine
458:The second story focuses on Shiva marrying
6481:
6467:
5373:
5359:
4990:
4976:
4075:
4009:
2839:"A Raga's Journey – The royal Durbar"
2604:
2349:[The humiliation Dharumi faced!].
2337:
2335:
1727:
1687:
1645:list of top movies featuring the actress.
670:, a collection of sixty-four 16th-century
36:
7022:Films with screenplays by A. P. Nagarajan
4834:
4000:
3652:[Movie Review: Thiruvilaiyadal].
3506:
2829:
2827:
2532:
2520:
2257:
2128:
2126:
2124:
2122:
2120:
2046:
1953:
1941:
1770:
1258:Filmfare Award for Best Film – Tamil
960:seen in "Paattum Naane", and the crew of
385:Filmfare Award for Best Film – Tamil
4846:
4600:"Veteran playback singer TMS is no more"
4257:
3852:"சினிமாஸ்கோப் டிஜிட்டலில் திருவிளையாடல்"
3816:
3713:Ramachandran, T. M. (4 September 1965).
3226:
2911:"A Raga's Journey – Mesmeric Maand"
2589:
2169:
2167:
2165:
1836:
1834:
1832:
1830:
1795:(in Tamil). 22 August 1965. p. 69.
1700:
1660:
1658:
1455:In July 2007, when S. R. Ashok Kumar of
4042:
3849:
3748:
3746:
3478:[A successful Silver Jubilee].
3259:
2875:"A Raga's Journey – Towering Todi"
2600:
2598:
2556:
2332:
2316:(in Tamil). 10 May 2012. Archived from
1781:
1779:
1372:
975:670,000 or US$ 8,000 in 2023).
770:on his experience filming with Nagesh,
6969:
4597:
4519:
4275:from the original on 29 September 2015
4144:
2824:
2794:
2792:
2341:
2173:
2117:
2013:
1840:
1189:
1169:
6462:
5354:
4971:
4779:
4293:
3817:Raghavan, Nikhil (5 September 2012).
3727:from the original on 22 February 2023
3507:Vijayakar, R. M. (22 November 2017).
3456:from the original on 16 November 2012
3438:
3241:from the original on 6 September 2013
3196:"From kutcheris to recording studios"
3193:
2765:from the original on 5 September 2018
2571:from the original on 15 November 2016
2535:, Opening credits, from 0:00 to 3:25.
2376:
2372:
2370:
2302:
2300:
2298:
2227:from the original on 6 September 2018
2162:
2132:
1980:
1956:, Opening credits, from 1:40 to 2:07.
1944:, Opening credits, from 3:17 to 3:25.
1885:
1855:from the original on 4 September 2018
1827:
1799:from the original on 9 September 2023
1773:, Opening credits, from 0:55 to 1:20.
1715:from the original on 20 December 2020
1655:
1203:
1155:
1141:
1127:
1107:
1093:
1077:
1061:
1045:
1029:
304:, and Nagarajan in supporting roles.
260:written, directed and co-produced by
4645:from the original on 3 December 2013
4537:from the original on 11 October 2015
4358:
4225:Ravi, Bhama Devi (1 February 2009).
4224:
4162:from the original on 10 October 2015
4126:from the original on 10 October 2015
4010:Rangarajan, Malathi (29 June 2007).
3892:from the original on 11 October 2015
3862:from the original on 11 October 2015
3743:
3682:"A religious discourse in celluloid"
3662:from the original on 23 January 2021
3519:from the original on 16 January 2018
3420:from the original on 14 October 2015
3341:Dheenadhayalan, Pa. (27 June 2015).
3307:
3208:from the original on 10 October 2015
3145:
3109:
3061:
3025:
2977:
2941:
2905:
2869:
2833:
2595:
1776:
4812:
4739:
4294:Kumar, S. R. Ashok (13 July 2007).
3831:from the original on 9 October 2015
3798:from the original on 8 October 2015
3322:from the original on 9 October 2015
3295:
3163:from the original on 9 October 2015
3127:from the original on 9 October 2015
3079:from the original on 9 October 2015
3043:from the original on 9 October 2015
2995:from the original on 9 October 2014
2959:from the original on 9 October 2015
2923:from the original on 9 October 2015
2887:from the original on 9 October 2015
2851:from the original on 9 October 2015
2789:
2490:from the original on 5 January 2022
2079:
2061:from the original on 20 August 2019
1968:
1897:
246:
13:
6419:Sivaranjiniyum Innum Sila Pengalum
4112:; Warrier, Shobha (23 July 2001).
3984:. 2 September 2012. Archived from
3548:. 1993. p. 89. Archived from
3308:Mani, Charulatha (28 March 2014).
3260:Kavitha, S. S. (30 January 2013).
2605:Bharathwaj, R. (5 December 2008).
2394:from the original on 28 April 2015
2367:
2295:
492:in disguise) and marries Parvati.
14:
7058:
7012:Films directed by A. P. Nagarajan
4948:
4800:. Sivaji Prabhu Charities Trust.
4794:; Narayana Swamy, T. S. (2007) .
4705:. 11 October 2015. Archived from
4673:. 14 January 2015. Archived from
4509:. 2012. Event occurs at 1:17:50.
4431:. 1998. Event occurs at 1:22:52.
4336:. 1 February 2009. Archived from
3956:from the original on 4 March 2016
3649:"சினிமா விமர்சனம்: திருவிளையாடல்"
3274:from the original on 5 April 2016
2808:. 30 October 2010. Archived from
2557:Narayan, Hari (31 October 2016).
2509:Ganesan & Narayana Swamy 2007
2246:Ganesan & Narayana Swamy 2007
1983:"Mother goddesses rule the telly"
1545:Oru Kanniyum Moonu Kalavaanikalum
732:, reprising her role in the 1953
7037:Indian nonlinear narrative films
5314:Thayapola Pillai Noolapola Selai
4733:
4728:Rajadhyaksha & Willemen 1998
4689:
4657:
4624:
4612:from the original on 1 June 2016
4591:
4570:
4549:
4513:
4495:
4477:
4463:
4181:Rajadhyaksha & Willemen 1998
3920:. 30 August 2013. Archived from
3762:. 14 August 2012. Archived from
3444:"Movie hall crosses a milestone"
3355:from the original on 1 June 2016
3343:"சாவித்ரி- 8. தென்றலும் புயலும்"
3227:Kolappan, B. (31 October 2012).
3194:Krupa, Lakshmi (24 March 2013).
2459:from the original on 1 June 2016
2105:from the original on 1 June 2016
1841:Nainar, Nahla (31 August 2018).
462:against the will of her father,
7017:Films scored by K. V. Mahadevan
4786:. Christian Literature Society.
4773:
4491:. 2009. Event occurs at 26:07.
4449:
4435:
4417:
4403:
4399:. 1996. Event occurs at 24:00.
4385:
4352:
4320:
4287:
4251:
4218:
4186:
4138:
4102:
4069:
4036:
3968:
3936:
3904:
3874:
3843:
3810:
3778:
3706:
3674:
3639:
3603:
3567:
3531:
3500:
3468:
3432:
3399:
3367:
3334:
3301:
3253:
3220:
3187:
3139:
3103:
3055:
3019:
2971:
2935:
2899:
2863:
2745:
2709:
2673:
2631:
2550:
2486:(in Tamil). 22 September 2019.
2471:
2439:
2406:
2382:"Master of mythological cinema"
2263:
2207:
2181:[Comedy has no logic!]
2085:
2049:"சாவித்ரி-9. தங்கச் சரிகை சேல!"
2040:
2007:
1981:Tilak, Sudha G. (22 May 2004).
1974:
1903:
1667:
1393:Ganesan, while listening to an
1340:be maintained by both parties.
1256:in Tamil. It also received the
806:was the first Tamil film since
740:was cast as Dharumi, and had a
607:as Pandya King Varagunapandiyan
4877:Encyclopaedia of Indian Cinema
4429:Raaj Kamal Films International
4359:Iyer, Aruna V. (12 May 2012).
4328:"10 Best Films of late Nagesh"
4076:Saraswathi, S. (22 May 2014).
3229:"Artiste Cheena Kutty no more"
2101:(in Tamil). 28 December 2015.
2047:தீனதயாளன், பா. (3 July 2015).
1701:Baskaran, Mana (22 May 2015).
1014:
641:
1:
4505:(motion picture) (in Tamil).
4489:Kalaipuli Films International
4487:(motion picture) (in Tamil).
4427:(motion picture) (in Tamil).
4395:(motion picture) (in Tamil).
3582:Directorate of Film Festivals
3546:Directorate of Film Festivals
3539:"40th National Film Festival"
2179:"காமெடிக்கு லாஜிக் கிடையாது!"
1680:
1326:
867:and Kesavvaya, a singer from
636:
328:: a collection of sixty-four
5135:Thirupathi Kanyakumari Yatra
4902:Rajya V. R., Rashmi (2014).
4114:"'He was the ultimate star'"
4043:Aravind, CV (20 June 2017).
3850:Vijayan, S. (October 2012).
3723:. Vol. 19. p. 51.
3584:. p. 32. Archived from
3476:"வெற்றிகரமான வெள்ளி விழா..."
2223:(in Tamil). 23 August 2018.
2014:Kannan, Uma (27 June 2011).
1586:Paattum Naane Bhavamum Naane
1412:in Tamil cinema. Along with
1379:Influence of Thiruvilaiyadal
1263:
7:
7047:Tamil-language Indian films
7042:Indian religious epic films
4577:"Naveena Thiruvilayaadal".
2455:(in Tamil). 14 March 2016.
1789:[Thiruvilaiyadal].
1560:-like framing device". The
10:
7063:
6992:1960s Tamil-language films
4598:Ramesh, M. (25 May 2013).
4583:. Season 1. 28 July 2002.
3715:"Nagarajan Does It Again!"
3690:. 7 August 1965. p. 3
3623:(in Tamil). Archived from
2761:(in Tamil). 24 July 2016.
2729:(in Tamil). Archived from
2523:, From 1:13:35 to 1:16:18.
2355:(in Tamil). pp. 49–51
2191:(in Tamil). pp. 76–78
1919:(in Tamil). Archived from
1485:8th Ulaga Adhisayam Sivaji
1376:
1216:
1193:"Neela Chelai Katti Konda"
1111:"Podhigai Malai Uchiyiley"
964:purchased it from him for
755:
477:, which is noticed by the
438:, the capital city of the
434:The first story is set in
176:Sri Vijayalakshmi Pictures
18:
7007:Films about shapeshifting
6997:Films about reincarnation
6802:Kandukondain Kandukondain
6500:
6433:
6182:
5935:
5837:
5601:
5594:
5471:
5395:
5388:
5306:Neelavukku Neranja Manasu
5290:Petra Maganai Vitra Annai
5217:
5006:
4940:Meenakshi Temple, Madurai
4227:"Mirth Gains Immortality"
3819:"Classic gets a new life"
3383:. 24 July 1965. p. 3
2559:"Not just another sequel"
1542:(2012). In his review of
1246:13th National Film Awards
1024:
1021:
1018:
1013:
837:
664:. It was inspired by the
613:as Shenbagapandian's wife
381:13th National Film Awards
230:
222:
212:
189:
181:
167:
157:
140:
130:
122:
96:
79:
65:
57:
47:
42:Theatrical release poster
35:
30:
21:Thiruvilaiyaadal Aarambam
16:1965 film A. P. Nagarajan
7027:Hindu mythological films
5552:Veerapandiya Kattabomman
4937:Thiagarajan, K. (1965).
4847:Panikkar, K. N. (2002).
4780:David, C. R. W. (1983).
4562:. Season 1. 5 May 2002.
4361:"For the love of Sivaji"
4296:"Filmmakers' favourites"
3408:"The painter of banners"
3262:"Vestiges of an old art"
1648:
1333:Gemini Colour Laboratory
880:
553:as Hemanatha Bhagavathar
6642:Varumayin Niram Sivappu
5923:Discontinued after 1965
5570:Paadhai Theriyudhu Paar
5282:Nalla Idathu Sammandham
5274:Makkalai Petra Magarasi
4885:Oxford University Press
4633:"On how greed corrupts"
2639:"Thiruvilayadal (1965)"
2138:"An interesting nugget"
2057:(in Tamil). p. 2.
1843:"Tinsel-edged memories"
1572:Naveena Thiruvilayaadal
716:was cast as Shiva, and
683:Thiruvilaiyadal Puranam
667:Thiruvilaiyadal Puranam
503:
390:
325:Thiruvilaiyadal Puranam
316:wrote the song lyrics.
258:Hindu mythological film
71:Thiruvilaiyadal Puranam
6690:Samsaram Adhu Minsaram
6618:Bhuvana Oru Kelvi Kuri
6299:Thenmerku Paruvakaatru
5715:Raman Ethanai Ramanadi
5607:Kappalottiya Thamizhan
4920:Sundararaman (2007) .
4881:British Film Institute
4702:The New Indian Express
4012:"Nostalgia re-visited"
3759:The New Indian Express
2021:The New Indian Express
1639:The New Indian Express
1424:"the best" Tamil film
1403:
1388:, the other, Nagesh.
1303:Thiruvilayadal Puranam
792:Meenakshi Amman Temple
777:
625:as Banabathirar's wife
601:as Kayarkanni's father
444:Meenakshi Amman Temple
352:; the second concerns
250: The Divine Game
198:31 July 1965
6714:Apoorva Sagodharargal
6674:Achamillai Achamillai
6203:Kannathil Muthamittal
5980:Achamillai Achamillai
5791:Agraharathil Kazhutai
5655:Kuzhandaiyum Deivamum
5119:Thirumalai Thenkumari
5015:Vadivukku Valai Kappu
4457:Middle Class Madhavan
4259:Baskaran, S. Theodore
4110:Baskaran, S. Theodore
3976:"Thiruvilayadal next"
3952:. 21 September 2012.
2837:(27 September 2013).
2347:"தருமி பட்ட அவமானம்!"
1636:was ranked eighth on
1590:Iruttula Thedatheenga
1521:Middle Class Madhavan
1382:
1177:Sirkazhi Govindarajan
888:Sirkazhi Govindarajan
759:
734:film of the same name
652:(1964), its director
75:by Paranjothi Munivar
5838:Certificate of Merit
5472:Certificate of Merit
5218:As screenwriter only
4912:University of Madras
4869:Rajadhyaksha, Ashish
4757:on 28 September 2017
3065:(5 September 2011).
2981:(2 September 2011).
2909:(21 December 2012).
2873:(21 December 2012).
2415:"Of performing arts"
2260:, From 0:43 to 0:47.
2136:(9 September 2012).
1475:ranked fifth on the
1373:Legacy and influence
1145:"Illadhathondrillai"
1131:"Ondraanavan Uruvil"
1081:"Paarthal Pasumaram"
1053:M. Balamuralikrishna
786:). It was filmed in
746:M. Balamuralikrishna
466:. Daksha performs a
322:was inspired by the
7002:Films about royalty
6578:Pattikada Pattanama
6562:Engirundho Vandhaal
6060:Vanna Vanna Pookkal
6026: –
5801: –
5781: –
5761: –
5739:Pattikada Pattanama
5691:Thillana Mohanambal
5435: –
5427: –
5419: –
5411: –
5298:Sampoorna Ramayanam
5183:Melnaattu Marumagal
5087:Thillana Mohanambal
5047:Saraswathi Sabatham
4822:. Amra Publishers.
4556:"Thiruvilayaadal".
4503:Oru Kal Oru Kannadi
4443:Vanna Thamizh Pattu
4340:on 23 November 2014
3766:on 25 December 2014
3700:Google News Archive
3627:on 22 November 2001
3442:(17 January 2011).
3393:Google News Archive
3149:(25 October 2013).
3113:(20 January 2012).
2683:(18 January 2017).
2619:on 5 September 2018
1900:, pp. 280–281.
1539:Oru Kal Oru Kannadi
1515:Vanna Thamizh Pattu
1431:Saraswathi Sabatham
1242:silver jubilee film
1100:T. M. Soundararajan
1085:T. M. Soundararajan
1010:
986:, in his 1997 book
728:was chosen to play
407:, to his elder son
369:silver jubilee film
314:Sankaradas Swamigal
252:) is a 1965 Indian
89:A. M. Shahul Hameed
7032:Indian dance films
6987:1960s Indian films
6658:Enkeyo Ketta Kural
5968:Oru Indhiya Kanavu
5956:Ezhavathu Manithan
5823:Nenjathai Killathe
5643:Kai Kodutha Deivam
5498:Mangaiyar Thilakam
5199:Sri Krishna Leela
5167:Karaikkal Ammaiyar
5055:Thiruvarutchelvar
4743:(4 January 2008).
4670:The Times of India
4308:on 11 October 2014
4232:The Times of India
4206:on 10 October 2015
4090:on 19 January 2018
4057:on 16 January 2018
4024:on 10 October 2015
3988:on 10 October 2015
3924:on 10 October 2015
3794:. 14 August 2012.
3791:The Times of India
3687:The Indian Express
3488:on 10 October 2015
3380:The Indian Express
3029:(17 August 2012).
2805:The Times of India
2612:The Times of India
2607:"A different beat"
2483:Hindu Tamil Thisai
2283:on 11 October 2015
2028:on 11 October 2015
1923:on 16 January 2018
1752:on 11 October 2015
1708:Hindu Tamil Thisai
1594:The Times of India
1298:The Indian Express
1295:On 7 August 1965,
1049:"Oru Naal Podhuma"
1008:
949:Simhendramadhyamam
874:Hindu Tamil Thisai
856:The Times of India
694:play within a film
559:as Shenbagapandian
6982:1960s dance films
6964:
6963:
6946:Pariyerum Perumal
6898:Vazhakku Enn 18/9
6778:Bharathi Kannamma
6706:Agni Natchathiram
6650:Thanneer Thanneer
6602:Apoorva Raagangal
6594:Dikkatra Parvathi
6456:
6455:
6323:Vazhakku Enn 18/9
5992:Muthal Mariyathai
5944:Thanneer Thanneer
5931:
5930:
5771:Apoorva Raagangal
5751:Dikkatra Parvathi
5619:Nenjil Or Aalayam
5590:
5589:
5576:Kalathur Kannamma
5348:
5347:
5322:Alli Petra Pillai
5266:Naan Petra Selvam
5175:Gumasthavin Magal
5151:Thirumalai Deivam
5111:Vilaiyattu Pillai
4860:978-1-84331-039-6
4425:Kaathala Kaathala
4263:"Tragic comedian"
4261:(February 2009).
4148:(29 April 2011).
3886:Woodlands Cinemas
3720:Sport and Pastime
3613:(8 August 2001).
3611:Film News Anandan
3591:on 8 October 2015
3555:on 8 October 2015
3375:"Thiruvilaiyadal"
3182:Sundararaman 2007
3098:Sundararaman 2007
3014:Sundararaman 2007
2693:on 4 January 2022
2547:, pp. 46–47.
2427:on 8 October 2015
2380:(14 April 2012).
2320:on 8 October 2015
2177:(25 April 2004).
2150:on 8 October 2015
1995:on 7 October 2015
1509:Kaathala Kaathala
1437:Thiruvarutchelvar
1316:Sport and Pastime
1213:
1212:
1162:K. B. Sundarambal
1134:K. B. Sundarambal
1037:K. B. Sundarambal
1033:"Pazham Neeyappa"
982:. Film historian
809:Jagathalapratapan
726:K. B. Sundarambal
699:Naan Petra Selvam
660:, later retitled
628:Baby Susarita as
542:K. B. Sundarambal
274:K. B. Sundarambal
264:. The film stars
238:
237:
114:K. B. Sundarambal
7054:
6546:Lakshmi Kalyanam
6483:
6476:
6469:
6460:
6459:
6448:
6442:Kadaisi Vivasayi
6425:
6413:
6401:
6389:
6377:
6365:
6353:
6347:Kuttram Kadithal
6341:
6329:
6317:
6311:Vaagai Sooda Vaa
6305:
6293:
6281:
6275:Vaaranam Aayiram
6269:
6257:
6245:
6233:
6221:
6209:
6197:
6174:
6162:
6150:
6138:
6126:
6114:
6102:
6090:
6078:
6066:
6054:
6042:
6030:
6022:
6010:
5998:
5986:
5974:
5962:
5950:
5924:
5918:
5906:
5894:
5876:
5858:
5829:
5817:
5805:
5797:
5785:
5777:
5765:
5757:
5745:
5733:
5721:
5709:
5697:
5685:
5673:
5661:
5649:
5637:
5625:
5613:
5599:
5598:
5582:
5564:
5546:
5528:
5516:
5504:
5492:
5486:Edhir Paradhathu
5463:
5457:Parthiban Kanavu
5451:
5445:Bhaaga Pirivinai
5439:
5431:
5423:
5415:
5407:
5393:
5392:
5375:
5368:
5361:
5352:
5351:
5079:Thirumal Perumai
5023:Kulamagal Radhai
4992:
4985:
4978:
4969:
4968:
4944:
4933:
4916:
4908:
4898:
4864:
4853:. Anthem Press.
4843:
4836:Nagarajan, A. P.
4831:
4809:
4787:
4767:
4766:
4764:
4762:
4753:. Archived from
4737:
4731:
4725:
4719:
4718:
4716:
4714:
4693:
4687:
4686:
4684:
4682:
4661:
4655:
4654:
4652:
4650:
4628:
4622:
4621:
4619:
4617:
4595:
4589:
4588:
4574:
4568:
4567:
4553:
4547:
4546:
4544:
4542:
4523:(5 April 2014).
4521:Rangan, Baradwaj
4517:
4511:
4510:
4507:Red Giant Movies
4499:
4493:
4492:
4481:
4475:
4474:
4467:
4461:
4460:
4453:
4447:
4446:
4439:
4433:
4432:
4421:
4415:
4414:
4407:
4401:
4400:
4397:Super Good Films
4389:
4383:
4382:
4380:
4378:
4369:. Archived from
4356:
4350:
4349:
4347:
4345:
4324:
4318:
4317:
4315:
4313:
4304:. Archived from
4291:
4285:
4284:
4282:
4280:
4255:
4249:
4248:
4246:
4244:
4235:. Archived from
4222:
4216:
4215:
4213:
4211:
4190:
4184:
4178:
4172:
4171:
4169:
4167:
4146:Rangan, Baradwaj
4142:
4136:
4135:
4133:
4131:
4106:
4100:
4099:
4097:
4095:
4086:. Archived from
4073:
4067:
4066:
4064:
4062:
4053:. Archived from
4040:
4034:
4033:
4031:
4029:
4020:. Archived from
4007:
3998:
3997:
3995:
3993:
3972:
3966:
3965:
3963:
3961:
3940:
3934:
3933:
3931:
3929:
3908:
3902:
3901:
3899:
3897:
3878:
3872:
3871:
3869:
3867:
3847:
3841:
3840:
3838:
3836:
3814:
3808:
3807:
3805:
3803:
3782:
3776:
3775:
3773:
3771:
3750:
3741:
3740:
3737:Internet Archive
3734:
3732:
3710:
3704:
3703:
3697:
3695:
3678:
3672:
3671:
3669:
3667:
3651:
3643:
3637:
3636:
3634:
3632:
3607:
3601:
3600:
3598:
3596:
3590:
3579:
3571:
3565:
3564:
3562:
3560:
3554:
3543:
3535:
3529:
3528:
3526:
3524:
3504:
3498:
3497:
3495:
3493:
3472:
3466:
3465:
3463:
3461:
3436:
3430:
3429:
3427:
3425:
3403:
3397:
3396:
3390:
3388:
3371:
3365:
3364:
3362:
3360:
3338:
3332:
3331:
3329:
3327:
3305:
3299:
3293:
3284:
3283:
3281:
3279:
3257:
3251:
3250:
3248:
3246:
3224:
3218:
3217:
3215:
3213:
3191:
3185:
3179:
3173:
3172:
3170:
3168:
3147:Mani, Charulatha
3143:
3137:
3136:
3134:
3132:
3111:Mani, Charulatha
3107:
3101:
3095:
3089:
3088:
3086:
3084:
3063:Mani, Charulatha
3059:
3053:
3052:
3050:
3048:
3027:Mani, Charulatha
3023:
3017:
3011:
3005:
3004:
3002:
3000:
2979:Mani, Charulatha
2975:
2969:
2968:
2966:
2964:
2943:Mani, Charulatha
2939:
2933:
2932:
2930:
2928:
2907:Mani, Charulatha
2903:
2897:
2896:
2894:
2892:
2871:Mani, Charulatha
2867:
2861:
2860:
2858:
2856:
2835:Mani, Charulatha
2831:
2822:
2821:
2819:
2817:
2812:on 17 April 2018
2796:
2787:
2784:Rajya V. R. 2014
2781:
2775:
2774:
2772:
2770:
2749:
2743:
2742:
2740:
2738:
2713:
2707:
2706:
2700:
2698:
2689:. Archived from
2677:
2671:
2670:
2664:
2656:
2654:
2652:
2635:
2629:
2628:
2626:
2624:
2615:. Archived from
2602:
2593:
2587:
2581:
2580:
2578:
2576:
2554:
2548:
2545:Rajya V. R. 2014
2542:
2536:
2530:
2524:
2518:
2512:
2506:
2500:
2499:
2497:
2495:
2475:
2469:
2468:
2466:
2464:
2443:
2437:
2436:
2434:
2432:
2423:. Archived from
2410:
2404:
2403:
2401:
2399:
2374:
2365:
2364:
2362:
2360:
2339:
2330:
2329:
2327:
2325:
2304:
2293:
2292:
2290:
2288:
2267:
2261:
2255:
2249:
2243:
2237:
2236:
2234:
2232:
2211:
2205:
2204:
2201:Internet Archive
2198:
2196:
2184:
2171:
2160:
2159:
2157:
2155:
2146:. Archived from
2130:
2115:
2114:
2112:
2110:
2089:
2083:
2077:
2071:
2070:
2068:
2066:
2044:
2038:
2037:
2035:
2033:
2024:. Archived from
2011:
2005:
2004:
2002:
2000:
1991:. Archived from
1978:
1972:
1966:
1957:
1951:
1945:
1939:
1933:
1932:
1930:
1928:
1907:
1901:
1895:
1889:
1883:
1877:
1876:, p. xviii.
1874:Thiagarajan 1965
1871:
1865:
1864:
1862:
1860:
1838:
1825:
1822:Rajya V. R. 2014
1819:
1813:
1812:
1809:Internet Archive
1806:
1804:
1783:
1774:
1768:
1762:
1761:
1759:
1757:
1736:
1725:
1724:
1722:
1720:
1698:
1674:
1671:
1665:
1662:
1644:
1619:Galatta Kalyanam
1449:Thirumal Perumai
1401:
1206:
1148:T. R. Mahalingam
1069:T. R. Mahalingam
1016:
1011:
1007:
974:
970:
968:
775:
687:
584:T. R. Mahalingam
379:in Tamil at the
290:T. R. Mahalingam
251:
248:
205:
203:
40:
28:
27:
7062:
7061:
7057:
7056:
7055:
7053:
7052:
7051:
6967:
6966:
6965:
6960:
6866:Subramaniapuram
6722:Pudhu Vasantham
6698:Vedham Pudhithu
6682:Sindhu Bhairavi
6522:Thiruvilaiyadal
6514:Server Sundaram
6506:Naanum Oru Penn
6496:
6494:Best Tamil Film
6487:
6457:
6452:
6446:
6429:
6423:
6411:
6399:
6387:
6375:
6363:
6351:
6339:
6327:
6315:
6303:
6291:
6279:
6267:
6255:
6243:
6231:
6219:
6207:
6195:
6191:Ooruku Nooruper
6178:
6172:
6160:
6148:
6136:
6124:
6112:
6108:Anthimanthaarai
6100:
6088:
6076:
6064:
6052:
6040:
6028:
6020:
6008:
5996:
5984:
5972:
5960:
5948:
5927:
5922:
5916:
5912:Thiruvilaiyadal
5904:
5900:Server Sundaram
5892:
5874:
5856:
5833:
5827:
5815:
5803:
5795:
5783:
5775:
5763:
5755:
5743:
5731:
5719:
5707:
5695:
5683:
5671:
5659:
5647:
5635:
5631:Naanum Oru Penn
5623:
5611:
5586:
5580:
5562:
5544:
5534:Thanga Padhumai
5526:
5514:
5502:
5490:
5467:
5461:
5449:
5437:
5429:
5421:
5413:
5405:
5384:
5379:
5349:
5344:
5213:
5159:Rajaraja Cholan
5103:Gurudhakshaneiy
5071:Kandhan Karunai
5039:Thiruvilaiyadal
5002:
5000:A. P. Nagarajan
4996:
4956:Thiruvilaiyadal
4951:
4906:
4895:
4861:
4792:Ganesan, Sivaji
4776:
4771:
4770:
4760:
4758:
4738:
4734:
4726:
4722:
4712:
4710:
4695:
4694:
4690:
4680:
4678:
4677:on 3 April 2015
4663:
4662:
4658:
4648:
4646:
4629:
4625:
4615:
4613:
4596:
4592:
4576:
4575:
4571:
4555:
4554:
4550:
4540:
4538:
4518:
4514:
4501:
4500:
4496:
4483:
4482:
4478:
4469:
4468:
4464:
4455:
4454:
4450:
4441:
4440:
4436:
4423:
4422:
4418:
4409:
4408:
4404:
4391:
4390:
4386:
4376:
4374:
4357:
4353:
4343:
4341:
4326:
4325:
4321:
4311:
4309:
4292:
4288:
4278:
4276:
4256:
4252:
4242:
4240:
4239:on 3 March 2016
4223:
4219:
4209:
4207:
4192:
4191:
4187:
4179:
4175:
4165:
4163:
4143:
4139:
4129:
4127:
4107:
4103:
4093:
4091:
4074:
4070:
4060:
4058:
4050:The News Minute
4041:
4037:
4027:
4025:
4008:
4001:
3991:
3989:
3974:
3973:
3969:
3959:
3957:
3944:"திருவிளையாடல்"
3942:
3941:
3937:
3927:
3925:
3910:
3909:
3905:
3895:
3893:
3880:
3879:
3875:
3865:
3863:
3848:
3844:
3834:
3832:
3815:
3811:
3801:
3799:
3784:
3783:
3779:
3769:
3767:
3752:
3751:
3744:
3730:
3728:
3711:
3707:
3693:
3691:
3680:
3679:
3675:
3665:
3663:
3644:
3640:
3630:
3628:
3608:
3604:
3594:
3592:
3588:
3577:
3573:
3572:
3568:
3558:
3556:
3552:
3541:
3537:
3536:
3532:
3522:
3520:
3505:
3501:
3491:
3489:
3474:
3473:
3469:
3459:
3457:
3440:Raman, Mohan V.
3437:
3433:
3423:
3421:
3404:
3400:
3386:
3384:
3373:
3372:
3368:
3358:
3356:
3339:
3335:
3325:
3323:
3306:
3302:
3294:
3287:
3277:
3275:
3258:
3254:
3244:
3242:
3225:
3221:
3211:
3209:
3192:
3188:
3180:
3176:
3166:
3164:
3144:
3140:
3130:
3128:
3108:
3104:
3096:
3092:
3082:
3080:
3060:
3056:
3046:
3044:
3024:
3020:
3012:
3008:
2998:
2996:
2976:
2972:
2962:
2960:
2945:(8 June 2012).
2940:
2936:
2926:
2924:
2904:
2900:
2890:
2888:
2868:
2864:
2854:
2852:
2832:
2825:
2815:
2813:
2800:"Did You Know?"
2798:
2797:
2790:
2782:
2778:
2768:
2766:
2751:
2750:
2746:
2736:
2734:
2721:Thiruvilaiyadal
2715:
2714:
2710:
2696:
2694:
2678:
2674:
2658:
2657:
2650:
2648:
2637:
2636:
2632:
2622:
2620:
2603:
2596:
2588:
2584:
2574:
2572:
2555:
2551:
2543:
2539:
2531:
2527:
2519:
2515:
2507:
2503:
2493:
2491:
2477:
2476:
2472:
2462:
2460:
2445:
2444:
2440:
2430:
2428:
2411:
2407:
2397:
2395:
2378:Raman, Mohan V.
2375:
2368:
2358:
2356:
2340:
2333:
2323:
2321:
2306:
2305:
2296:
2286:
2284:
2269:
2268:
2264:
2256:
2252:
2244:
2240:
2230:
2228:
2213:
2212:
2208:
2194:
2192:
2182:
2172:
2163:
2153:
2151:
2134:Raman, Mohan V.
2131:
2118:
2108:
2106:
2091:
2090:
2086:
2078:
2074:
2064:
2062:
2045:
2041:
2031:
2029:
2012:
2008:
1998:
1996:
1979:
1975:
1967:
1960:
1952:
1948:
1940:
1936:
1926:
1924:
1916:Lakshman Sruthi
1909:
1908:
1904:
1896:
1892:
1884:
1880:
1872:
1868:
1858:
1856:
1839:
1828:
1820:
1816:
1802:
1800:
1787:"திருவிளையாடல்"
1785:
1784:
1777:
1769:
1765:
1755:
1753:
1738:
1737:
1728:
1718:
1716:
1699:
1688:
1683:
1678:
1677:
1672:
1668:
1663:
1656:
1651:
1642:
1634:Thiruvilaiyadal
1598:Y. G. Mahendran
1558:Thiruvilaiyadal
1492:Thiruvilaiyadal
1481:Thiruvilaiyadal
1473:Thiruvilaiyadal
1469:Thiruvilaiyadal
1443:Kandhan Karunai
1422:Thiruvilaiyadal
1418:Baradwaj Rangan
1406:Thiruvilaiyadal
1402:
1399:Thiruvilaiyadal
1392:
1381:
1375:
1329:
1290:Thiruvilaiyadal
1266:
1250:Thiruvilaiyadal
1234:Thiruvilaiyadal
1222:Thiruvilaiyadal
1219:
1214:
1204:
1173:"Om Namasivaya"
1115:P. B. Sreenivas
1097:"Paattum Naane"
992:Charulatha Mani
972:
971:(equivalent to
966:
965:
962:Thiruvilaiyadal
883:
851:Thiruvilaiyadal
840:
832:Thiruvilaiyadal
804:Thiruvilaiyadal
780:Thiruvilaiyadal
776:
766:
758:
720:as the goddess
708:Thiruvilaiyadal
704:Thiruvilaiyadal
685:
662:Thiruvilaiyadal
654:A. P. Nagarajan
644:
639:
634:
605:E. R. Sahadevan
590:A. P. Nagarajan
586:as Banabathirar
569:O. A. K. Thevar
506:
393:
373:Thiruvilaiyadal
364:Thiruvilaiyadal
346:Thiruvilaiyadal
320:Thiruvilaiyadal
306:K. V. Mahadevan
262:A. P. Nagarajan
249:
242:Thiruvilaiyadal
215:
208:
201:
199:
192:
177:
172:
170:
162:K. V. Mahadevan
153:
150:T. R. Natarajan
126:A. P. Nagarajan
118:
92:
86:A. P. Nagarajan
74:
61:A. P. Nagarajan
52:A. P. Nagarajan
43:
31:Thiruvilaiyadal
24:
17:
12:
11:
5:
7060:
7050:
7049:
7044:
7039:
7034:
7029:
7024:
7019:
7014:
7009:
7004:
6999:
6994:
6989:
6984:
6979:
6962:
6961:
6959:
6958:
6950:
6942:
6934:
6926:
6918:
6910:
6906:Thanga Meenkal
6902:
6894:
6886:
6878:
6870:
6862:
6854:
6846:
6838:
6830:
6822:
6814:
6806:
6798:
6790:
6782:
6774:
6766:
6758:
6750:
6742:
6734:
6726:
6718:
6710:
6702:
6694:
6686:
6678:
6670:
6662:
6654:
6646:
6638:
6630:
6626:Mullum Malarum
6622:
6614:
6606:
6598:
6590:
6586:Bharatha Vilas
6582:
6574:
6566:
6558:
6550:
6542:
6534:
6526:
6518:
6510:
6501:
6498:
6497:
6490:Filmfare Award
6486:
6485:
6478:
6471:
6463:
6454:
6453:
6451:
6450:
6437:
6435:
6431:
6430:
6428:
6427:
6415:
6403:
6391:
6379:
6367:
6355:
6343:
6335:Thanga Meenkal
6331:
6319:
6307:
6295:
6283:
6271:
6259:
6247:
6235:
6223:
6211:
6199:
6186:
6184:
6180:
6179:
6177:
6176:
6164:
6152:
6140:
6128:
6116:
6104:
6092:
6080:
6068:
6056:
6044:
6036:Pudhea Paadhai
6032:
6024:
6012:
6000:
5988:
5976:
5964:
5952:
5939:
5937:
5933:
5932:
5929:
5928:
5926:
5925:
5920:
5908:
5896:
5878:
5860:
5841:
5839:
5835:
5834:
5832:
5831:
5819:
5807:
5799:
5787:
5779:
5767:
5759:
5747:
5735:
5723:
5711:
5699:
5687:
5675:
5663:
5651:
5639:
5627:
5615:
5602:
5596:
5592:
5591:
5588:
5587:
5585:
5584:
5566:
5558:Kalyana Parisu
5548:
5540:Annaiyin Aanai
5530:
5518:
5506:
5494:
5475:
5473:
5469:
5468:
5466:
5465:
5453:
5441:
5433:
5425:
5417:
5409:
5396:
5390:
5386:
5385:
5378:
5377:
5370:
5363:
5355:
5346:
5345:
5343:
5342:
5338:Balaraju Katha
5334:
5330:Paavai Vilakku
5326:
5318:
5310:
5302:
5294:
5286:
5278:
5270:
5262:
5254:
5246:
5238:
5230:
5221:
5219:
5215:
5214:
5212:
5211:
5203:
5195:
5187:
5179:
5171:
5163:
5155:
5147:
5139:
5131:
5123:
5115:
5107:
5099:
5091:
5083:
5075:
5067:
5059:
5051:
5043:
5035:
5027:
5019:
5010:
5008:
5004:
5003:
4995:
4994:
4987:
4980:
4972:
4964:
4963:
4950:
4949:External links
4947:
4946:
4945:
4934:
4917:
4899:
4893:
4873:Willemen, Paul
4865:
4859:
4844:
4840:Thiruvilayadal
4832:
4810:
4788:
4775:
4772:
4769:
4768:
4732:
4730:, p. 219.
4720:
4688:
4656:
4623:
4590:
4569:
4548:
4512:
4494:
4476:
4462:
4448:
4434:
4416:
4402:
4393:Poove Unakkaga
4384:
4373:on 4 July 2013
4351:
4319:
4286:
4250:
4217:
4185:
4183:, p. 158.
4173:
4137:
4101:
4068:
4035:
3999:
3967:
3935:
3903:
3873:
3842:
3809:
3777:
3742:
3705:
3673:
3655:Ananda Vikatan
3638:
3602:
3566:
3530:
3499:
3467:
3431:
3398:
3366:
3333:
3300:
3298:, p. 121.
3285:
3252:
3219:
3186:
3184:, p. 152.
3174:
3138:
3102:
3100:, p. 133.
3090:
3054:
3018:
3016:, p. 153.
3006:
2970:
2934:
2898:
2862:
2823:
2788:
2776:
2744:
2726:Cinema Express
2708:
2681:Saregama Tamil
2672:
2630:
2594:
2582:
2549:
2537:
2533:Nagarajan 1965
2525:
2521:Nagarajan 1965
2513:
2511:, p. 158.
2501:
2470:
2452:Ananda Vikatan
2438:
2405:
2366:
2345:(2 May 2004).
2331:
2294:
2262:
2258:Nagarajan 1965
2250:
2248:, p. 150.
2238:
2206:
2161:
2116:
2098:Ananda Vikatan
2084:
2082:, p. 120.
2072:
2039:
2006:
1973:
1971:, p. 281.
1958:
1954:Nagarajan 1965
1946:
1942:Nagarajan 1965
1934:
1902:
1890:
1878:
1866:
1826:
1814:
1775:
1771:Nagarajan 1965
1763:
1726:
1685:
1684:
1682:
1679:
1676:
1675:
1666:
1653:
1652:
1650:
1647:
1624:Thiruvilayadal
1564:comedy series
1497:Poove Unakkaga
1390:
1377:Main article:
1374:
1371:
1351:Thiruvilayadal
1328:
1325:
1280:Ananda Vikatan
1269:Thiruvilayadal
1265:
1262:
1238:Shanti Theatre
1218:
1215:
1211:
1210:
1207:
1201:
1200:
1197:
1194:
1191:
1187:
1186:
1183:
1174:
1171:
1167:
1166:
1163:
1160:
1157:
1153:
1152:
1149:
1146:
1143:
1139:
1138:
1135:
1132:
1129:
1125:
1124:
1121:
1112:
1109:
1105:
1104:
1101:
1098:
1095:
1091:
1090:
1087:
1082:
1079:
1075:
1074:
1071:
1066:
1065:"Isai Thamizh"
1063:
1059:
1058:
1055:
1050:
1047:
1043:
1042:
1039:
1034:
1031:
1027:
1026:
1023:
1020:
1017:
1006:
980:Tamil diaspora
925:Shanmukhapriya
919:Darbari Kanada
882:
879:
865:Shyama Shastri
861:Carnatic music
839:
836:
768:Sivaji Ganesan
764:
757:
754:
714:Sivaji Ganesan
643:
640:
638:
635:
633:
632:
626:
620:
614:
608:
602:
599:K. Sarangapani
596:
587:
581:
578:A. Karunanidhi
575:
566:
560:
554:
548:
539:
530:, Kayarkanni,
517:
511:Sivaji Ganesan
507:
505:
502:
440:Pandya Kingdom
392:
389:
294:K. Sarangapani
266:Sivaji Ganesan
236:
235:
232:
228:
227:
224:
220:
219:
216:
213:
210:
209:
207:
206:
195:
193:
190:
187:
186:
183:
182:Distributed by
179:
178:
175:
173:
168:
165:
164:
159:
155:
154:
152:
151:
148:
144:
142:
138:
137:
132:
131:Cinematography
128:
127:
124:
120:
119:
117:
116:
111:
106:
104:Sivaji Ganesan
100:
98:
94:
93:
91:
90:
87:
83:
81:
77:
76:
67:
63:
62:
59:
55:
54:
49:
45:
44:
41:
33:
32:
15:
9:
6:
4:
3:
2:
7059:
7048:
7045:
7043:
7040:
7038:
7035:
7033:
7030:
7028:
7025:
7023:
7020:
7018:
7015:
7013:
7010:
7008:
7005:
7003:
7000:
6998:
6995:
6993:
6990:
6988:
6985:
6983:
6980:
6978:
6975:
6974:
6972:
6956:
6955:
6951:
6948:
6947:
6943:
6940:
6939:
6935:
6932:
6931:
6927:
6924:
6923:
6919:
6916:
6915:
6911:
6908:
6907:
6903:
6900:
6899:
6895:
6892:
6891:
6887:
6884:
6883:
6879:
6876:
6875:
6871:
6868:
6867:
6863:
6860:
6859:
6858:Paruthiveeran
6855:
6852:
6851:
6847:
6844:
6843:
6839:
6836:
6835:
6831:
6828:
6827:
6823:
6820:
6819:
6815:
6812:
6811:
6807:
6804:
6803:
6799:
6796:
6795:
6791:
6788:
6787:
6783:
6780:
6779:
6775:
6772:
6771:
6767:
6764:
6763:
6759:
6756:
6755:
6751:
6748:
6747:
6743:
6740:
6739:
6735:
6732:
6731:
6730:Chinna Thambi
6727:
6724:
6723:
6719:
6716:
6715:
6711:
6708:
6707:
6703:
6700:
6699:
6695:
6692:
6691:
6687:
6684:
6683:
6679:
6676:
6675:
6671:
6668:
6667:
6663:
6660:
6659:
6655:
6652:
6651:
6647:
6644:
6643:
6639:
6636:
6635:
6631:
6628:
6627:
6623:
6620:
6619:
6615:
6612:
6611:
6607:
6604:
6603:
6599:
6596:
6595:
6591:
6588:
6587:
6583:
6580:
6579:
6575:
6572:
6571:
6567:
6564:
6563:
6559:
6556:
6555:
6551:
6548:
6547:
6543:
6540:
6539:
6535:
6532:
6531:
6527:
6524:
6523:
6519:
6516:
6515:
6511:
6508:
6507:
6503:
6502:
6499:
6495:
6491:
6484:
6479:
6477:
6472:
6470:
6465:
6464:
6461:
6449:
6444:
6443:
6439:
6438:
6436:
6432:
6426:
6421:
6420:
6416:
6414:
6409:
6408:
6404:
6402:
6397:
6396:
6392:
6390:
6385:
6384:
6380:
6378:
6373:
6372:
6368:
6366:
6361:
6360:
6356:
6354:
6349:
6348:
6344:
6342:
6337:
6336:
6332:
6330:
6325:
6324:
6320:
6318:
6313:
6312:
6308:
6306:
6301:
6300:
6296:
6294:
6289:
6288:
6284:
6282:
6277:
6276:
6272:
6270:
6265:
6264:
6260:
6258:
6253:
6252:
6248:
6246:
6241:
6240:
6236:
6234:
6229:
6228:
6224:
6222:
6217:
6216:
6212:
6210:
6205:
6204:
6200:
6198:
6193:
6192:
6188:
6187:
6185:
6181:
6175:
6170:
6169:
6165:
6163:
6158:
6157:
6153:
6151:
6146:
6145:
6141:
6139:
6134:
6133:
6132:The Terrorist
6129:
6127:
6122:
6121:
6120:Kadhal Kottai
6117:
6115:
6110:
6109:
6105:
6103:
6098:
6097:
6093:
6091:
6086:
6085:
6081:
6079:
6074:
6073:
6069:
6067:
6062:
6061:
6057:
6055:
6050:
6049:
6045:
6043:
6038:
6037:
6033:
6031:
6025:
6023:
6018:
6017:
6013:
6011:
6006:
6005:
6001:
5999:
5994:
5993:
5989:
5987:
5982:
5981:
5977:
5975:
5970:
5969:
5965:
5963:
5958:
5957:
5953:
5951:
5946:
5945:
5941:
5940:
5938:
5934:
5921:
5919:
5914:
5913:
5909:
5907:
5902:
5901:
5897:
5895:
5890:
5889:
5884:
5883:
5879:
5877:
5872:
5871:
5866:
5865:
5861:
5859:
5854:
5853:
5848:
5847:
5843:
5842:
5840:
5836:
5830:
5825:
5824:
5820:
5818:
5813:
5812:
5808:
5806:
5800:
5798:
5793:
5792:
5788:
5786:
5780:
5778:
5773:
5772:
5768:
5766:
5760:
5758:
5753:
5752:
5748:
5746:
5741:
5740:
5736:
5734:
5729:
5728:
5724:
5722:
5717:
5716:
5712:
5710:
5705:
5704:
5700:
5698:
5693:
5692:
5688:
5686:
5681:
5680:
5676:
5674:
5669:
5668:
5664:
5662:
5657:
5656:
5652:
5650:
5645:
5644:
5640:
5638:
5633:
5632:
5628:
5626:
5621:
5620:
5616:
5614:
5609:
5608:
5604:
5603:
5600:
5597:
5593:
5583:
5578:
5577:
5572:
5571:
5567:
5565:
5560:
5559:
5554:
5553:
5549:
5547:
5542:
5541:
5536:
5535:
5531:
5529:
5524:
5523:
5519:
5517:
5512:
5511:
5507:
5505:
5500:
5499:
5495:
5493:
5488:
5487:
5482:
5481:
5477:
5476:
5474:
5470:
5464:
5459:
5458:
5454:
5452:
5447:
5446:
5442:
5440:
5434:
5432:
5426:
5424:
5418:
5416:
5410:
5408:
5403:
5402:
5398:
5397:
5394:
5391:
5387:
5383:
5376:
5371:
5369:
5364:
5362:
5357:
5356:
5353:
5340:
5339:
5335:
5332:
5331:
5327:
5324:
5323:
5319:
5316:
5315:
5311:
5308:
5307:
5303:
5300:
5299:
5295:
5292:
5291:
5287:
5284:
5283:
5279:
5276:
5275:
5271:
5268:
5267:
5263:
5260:
5259:
5255:
5252:
5251:
5250:Nalla Thangai
5247:
5244:
5243:
5239:
5236:
5235:
5231:
5228:
5227:
5223:
5222:
5220:
5216:
5209:
5208:
5204:
5201:
5200:
5196:
5193:
5192:
5188:
5185:
5184:
5180:
5177:
5176:
5172:
5169:
5168:
5164:
5161:
5160:
5156:
5153:
5152:
5148:
5145:
5144:
5140:
5137:
5136:
5132:
5129:
5128:
5124:
5121:
5120:
5116:
5113:
5112:
5108:
5105:
5104:
5100:
5097:
5096:
5092:
5089:
5088:
5084:
5081:
5080:
5076:
5073:
5072:
5068:
5065:
5064:
5060:
5057:
5056:
5052:
5049:
5048:
5044:
5041:
5040:
5036:
5033:
5032:
5028:
5025:
5024:
5020:
5017:
5016:
5012:
5011:
5009:
5005:
5001:
4993:
4988:
4986:
4981:
4979:
4974:
4973:
4970:
4966:
4962:
4958:
4957:
4953:
4952:
4942:
4941:
4935:
4931:
4927:
4923:
4918:
4914:
4913:
4905:
4900:
4896:
4894:0-19-563579-5
4890:
4886:
4882:
4878:
4874:
4870:
4866:
4862:
4856:
4852:
4851:
4845:
4841:
4837:
4833:
4829:
4825:
4821:
4820:
4815:
4811:
4807:
4803:
4799:
4798:
4793:
4789:
4785:
4784:
4778:
4777:
4756:
4752:
4751:
4746:
4745:"Menaka 1935"
4742:
4736:
4729:
4724:
4709:on 7 May 2016
4708:
4704:
4703:
4698:
4692:
4676:
4672:
4671:
4666:
4660:
4644:
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2733:on 7 May 2016
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2723:(1965)].
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2590:Panikkar 2002
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2100:
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2088:
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2043:
2027:
2023:
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2017:
2010:
1994:
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1989:
1984:
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1965:
1963:
1955:
1950:
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1888:, p. 40.
1887:
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1824:, p. 69.
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1613:Vietnam Veedu
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1580:Business Line
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1461:C. V. Sridhar
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1159:"Vaasi Vaasi"
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773:
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763:
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750:T. S. Balaiah
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743:
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731:
727:
723:
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715:
711:
709:
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696:in K. Somu's
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58:Screenplay by
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6666:Mann Vasanai
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5207:Navarathinam
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5095:Vaa Raja Vaa
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4528:
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3949:Dina Thanthi
3947:
3938:
3926:. Retrieved
3922:the original
3915:
3906:
3894:. Retrieved
3885:
3882:"Contact Us"
3876:
3864:. Retrieved
3858:(in Tamil).
3855:
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3833:. Retrieved
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2313:Maalai Malar
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1993:the original
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1921:the original
1914:
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1846:
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1750:the original
1745:Maalai Malar
1743:
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1711:(in Tamil).
1706:
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1355:Gemini Films
1350:
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1302:
1296:
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1226:Sivaji Films
1221:
1220:
999:
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977:
961:
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923:
917:
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807:
803:
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788:Eastmancolor
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778:
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682:
681:Four of the
680:
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657:
647:
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498:
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467:
457:
433:
394:
372:
363:
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345:
334:epic stories
332:devotional,
323:
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241:
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239:
214:Running time
191:Release date
185:Sivaji Films
135:K. S. Prasad
69:
25:
6957:(2020-2021)
6554:Adimai Penn
6004:Mouna Ragam
5727:Veguli Penn
5703:Iru Kodugal
5510:Kula Deivam
5007:As director
4814:Guy, Randor
4741:Guy, Randor
4580:Lollu Sabha
4559:Lollu Sabha
4485:Kanthaswamy
4344:25 November
3856:Idhayakkani
3731:22 February
3694:9 September
2769:5 September
2651:22 February
2623:5 September
2575:15 November
1859:4 September
1803:9 September
1719:20 December
1603:Kattabomman
1567:Lollu Sabha
1554:mobile apps
1536:(2009) and
1533:Kanthaswamy
1446:(1967) and
1410:cult status
1386:M. R. Radha
1359:CinemaScope
1196:P. Susheela
1181:P. Susheela
958:Macha Veena
642:Development
419:. He meets
354:Dhakshayani
218:155 minutes
147:M. N. Rajan
123:Narrated by
80:Produced by
48:Directed by
6977:1965 films
6971:Categories
6874:Naadodigal
6826:Pithamagan
6786:Natpukkaga
6754:Karuthamma
6144:House Full
5480:Andha Naal
5191:Jai Balaji
5031:Navarathri
4828:1129588233
4761:19 January
4649:11 October
4585:Star Vijay
4564:Star Vijay
4541:11 October
4411:Mahaprabhu
4312:11 October
4243:11 October
4210:10 October
4166:10 October
4130:10 October
4094:19 January
4083:Rediff.com
4061:16 January
4028:11 October
3992:10 October
3928:10 October
3896:11 October
3866:11 October
3631:10 October
3523:16 January
3513:India-West
3492:10 October
3424:14 October
3387:23 January
3212:10 October
2737:17 January
2359:13 January
2287:11 October
2231:2 November
2032:11 October
1927:16 January
1886:David 1983
1756:11 October
1681:References
1626: [
1562:Star Vijay
1503:Mahaprabhu
1338:status quo
1327:Re-release
1308:overacting
1009:Track list
1001:Neelambari
994:wrote for
984:Randor Guy
742:call sheet
658:Siva-Leela
649:Navarathri
637:Production
565:as Dharumi
310:Kannadasan
256:-language
202:1965-07-31
169:Production
6890:Aadukalam
6834:Autograph
6810:Aanandham
6746:Gentleman
6538:Karpooram
6359:Visaranai
6183:2001–2020
6084:Mahanadhi
5936:1981–2000
5846:Pasamalar
5595:1961–1980
5522:Mudhalali
5389:1954–1960
5242:Pennarasi
5234:Mangalyam
5143:Agathiyar
5127:Kankatchi
4998:Works of
4930:295034757
4875:(1998) .
4806:297212002
4750:The Hindu
4638:The Hindu
4530:The Hindu
4377:9 October
4366:The Hindu
4301:The Hindu
4268:Frontline
4155:The Hindu
4017:The Hindu
3981:The Hindu
3960:20 August
3917:The Hindu
3835:9 October
3824:The Hindu
3802:8 October
3770:8 October
3666:20 August
3620:Dinakaran
3595:8 October
3460:8 October
3449:The Hindu
3413:The Hindu
3326:9 October
3315:The Hindu
3267:The Hindu
3245:9 October
3234:The Hindu
3201:The Hindu
3167:9 October
3156:The Hindu
3131:9 October
3120:The Hindu
3083:9 October
3072:The Hindu
3047:9 October
3036:The Hindu
2999:9 October
2988:The Hindu
2963:9 October
2952:The Hindu
2927:9 October
2916:The Hindu
2891:9 October
2880:The Hindu
2855:9 October
2844:The Hindu
2758:Dinamalar
2697:4 January
2644:Raaga.com
2564:The Hindu
2494:5 January
2431:8 October
2420:The Hindu
2387:The Hindu
2324:8 October
2220:Dinamalar
2154:8 October
2143:The Hindu
2065:20 August
1999:7 October
1848:The Hindu
1457:The Hindu
1264:Reception
1119:S. Janaki
1022:Singer(s)
996:The Hindu
863:composer
846:The Hindu
818:mridangam
690:Nakkeerar
594:Nakkeerar
469:Mahayajna
452:Nakkeerar
350:Nakkeerar
141:Edited by
6954:Jai Bhim
6610:Annakili
6227:Navarasa
6096:Nammavar
5882:Karpagam
5852:Kumudham
5258:Town Bus
4838:(1965).
4816:(1997).
4643:Archived
4610:Archived
4535:Archived
4471:Kamarasu
4279:10 April
4273:Archived
4160:Archived
4124:Archived
3954:Archived
3890:Archived
3860:Archived
3829:Archived
3796:Archived
3725:Archived
3660:Archived
3517:Archived
3454:Archived
3418:Archived
3353:Archived
3348:Dinamani
3320:Archived
3296:Guy 1997
3272:Archived
3239:Archived
3206:Archived
3161:Archived
3125:Archived
3077:Archived
3041:Archived
2993:Archived
2957:Archived
2921:Archived
2885:Archived
2849:Archived
2816:17 April
2763:Archived
2661:cite web
2569:Archived
2488:Archived
2457:Archived
2398:17 April
2392:Archived
2225:Archived
2103:Archived
2080:Guy 1997
2059:Archived
2054:Dinamani
1969:Guy 1997
1898:Guy 1997
1853:Archived
1797:Archived
1713:Archived
1530:(2002),
1527:Kamarasu
1524:(2001),
1518:(2000),
1512:(1998),
1506:(1996),
1500:(1996),
1494:include
1440:(1967),
1434:(1966),
1391:—
1367:Ramkumar
931:Kambhoji
765:—
730:Avvaiyar
672:Shaivite
619:as Ponni
617:Manorama
580:as Sovai
546:Avvaiyar
532:Kamakshi
421:Avvaiyar
409:Vinayaka
383:and the
330:Shaivite
302:Manorama
231:Language
158:Music by
97:Starring
66:Based on
6914:Kaththi
6842:Anniyan
6287:Pasanga
6263:Periyar
6215:Iyarkai
6168:Bharati
5679:Aalayam
5226:Naalvar
4681:2 April
3278:5 April
2703:YouTube
2195:1 April
1988:Tehelka
1556:was a "
1420:called
1363:Chennai
1321:tandava
1285:tandava
1217:Release
913:Mohanam
869:Bobbili
827:Tandava
784:Chennai
756:Filming
722:Parvati
718:Savitri
630:Murugan
524:Parvati
520:Savitri
475:Tandava
436:Madurai
429:Parvati
358:Parvati
276:, with
270:Savitri
247:transl.
223:Country
200: (
171:company
109:Savitri
6949:(2019)
6941:(2018)
6933:(2017)
6925:(2016)
6917:(2015)
6909:(2014)
6901:(2013)
6893:(2012)
6885:(2011)
6877:(2010)
6869:(2009)
6861:(2008)
6853:(2007)
6845:(2006)
6837:(2005)
6829:(2004)
6821:(2003)
6818:Azhagi
6813:(2002)
6805:(2001)
6797:(2000)
6789:(1999)
6781:(1998)
6773:(1997)
6770:Indian
6765:(1996)
6762:Bombay
6757:(1995)
6749:(1994)
6741:(1993)
6733:(1992)
6725:(1991)
6717:(1990)
6709:(1989)
6701:(1988)
6693:(1987)
6685:(1986)
6677:(1985)
6669:(1984)
6661:(1983)
6653:(1982)
6645:(1981)
6637:(1980)
6629:(1979)
6621:(1978)
6613:(1977)
6605:(1976)
6597:(1975)
6589:(1974)
6581:(1973)
6573:(1972)
6565:(1971)
6557:(1970)
6549:(1969)
6541:(1968)
6533:(1967)
6525:(1966)
6517:(1965)
6509:(1964)
6447:(2021)
6424:(2020)
6412:(2019)
6407:Asuran
6400:(2018)
6395:Baaram
6388:(2017)
6383:To Let
6376:(2016)
6364:(2015)
6352:(2014)
6340:(2013)
6328:(2012)
6316:(2011)
6304:(2010)
6292:(2009)
6280:(2008)
6268:(2007)
6256:(2006)
6244:(2005)
6232:(2004)
6220:(2003)
6208:(2002)
6196:(2001)
6173:(2000)
6161:(1999)
6149:(1998)
6137:(1997)
6125:(1996)
6113:(1995)
6101:(1994)
6089:(1993)
6077:(1992)
6065:(1991)
6053:(1990)
6048:Anjali
6041:(1989)
6029:(1988)
6021:(1987)
6009:(1986)
5997:(1985)
5985:(1984)
5973:(1983)
5961:(1982)
5949:(1981)
5917:(1965)
5905:(1964)
5893:(1963)
5888:Karnan
5875:(1962)
5870:Sarada
5857:(1961)
5828:(1980)
5816:(1979)
5804:(1978)
5796:(1977)
5784:(1976)
5776:(1975)
5764:(1974)
5756:(1973)
5744:(1972)
5732:(1971)
5720:(1970)
5708:(1969)
5696:(1968)
5684:(1967)
5672:(1966)
5660:(1965)
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5636:(1963)
5624:(1962)
5612:(1961)
5581:(1960)
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5545:(1958)
5527:(1957)
5515:(1956)
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5491:(1954)
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5450:(1959)
5438:(1958)
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5422:(1956)
5414:(1955)
5406:(1954)
5341:(1970)
5333:(1960)
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5309:(1958)
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5245:(1955)
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5229:(1953)
5210:(1977)
5202:(1977)
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5146:(1972)
5138:(1972)
5130:(1971)
5122:(1970)
5114:(1970)
5106:(1969)
5098:(1969)
5090:(1968)
5082:(1968)
5074:(1967)
5066:(1967)
5063:Seetha
5058:(1967)
5050:(1966)
5042:(1965)
5034:(1964)
5026:(1963)
5018:(1962)
4928:
4891:
4857:
4826:
4804:
4616:1 June
4119:Rediff
3359:1 June
2463:1 June
2343:நாகேஷ்
2175:நாகேஷ்
2109:1 June
1622:and a
1467:chose
1414:Karnan
1346:Karnan
1025:Length
969:10,000
954:ghatam
937:Abheri
910:, and
897:Darbar
838:Themes
738:Nagesh
686:'s
611:Devika
573:Daksha
563:Nagesh
464:Daksha
417:Palani
413:Muruga
405:Narada
298:Devika
286:Nagesh
272:, and
6938:Aramm
6930:Joker
6882:Mynaa
6850:Veyil
6794:Sethu
6371:Joker
6251:Veyil
6156:Sethu
6016:Veedu
5864:Annai
4907:(PDF)
4713:7 May
3589:(PDF)
3578:(PDF)
3553:(PDF)
3542:(PDF)
2352:Kalki
2188:Kalki
2183:(PDF)
1792:Kalki
1649:Notes
1643:'
1550:icons
1465:Ameer
1353:in a
1274:Kalki
1230:Jeeva
1209:45:30
1199:04:40
1185:03:32
1165:05:57
1151:03:08
1137:03:04
1123:02:52
1103:05:54
1089:03:44
1073:03:50
1057:05:28
1041:06:29
1019:Title
908:Maand
881:Music
822:jathi
814:veena
762:shot.
676:Shiva
538:amman
515:Shiva
490:Nandi
486:Vedas
479:Devas
448:court
401:Shiva
397:Hindu
342:Earth
338:Shiva
254:Tamil
234:Tamil
226:India
6738:Roja
6634:Pasi
6570:Babu
6530:Ramu
6492:for
5885:and
5867:and
5849:and
5811:Pasi
5667:Ramu
5573:and
5555:and
5537:and
5483:and
4961:IMDb
4926:OCLC
4889:ISBN
4883:and
4855:ISBN
4824:OCLC
4802:OCLC
4763:2018
4715:2016
4683:2015
4651:2015
4618:2016
4543:2015
4379:2015
4346:2015
4333:Sify
4314:2015
4281:2014
4245:2015
4212:2015
4168:2015
4132:2015
4096:2018
4063:2018
4030:2015
3994:2015
3962:2019
3930:2015
3898:2015
3868:2015
3837:2015
3804:2015
3772:2015
3733:2023
3696:2018
3668:2019
3633:2015
3597:2015
3561:2015
3525:2018
3494:2015
3462:2015
3426:2015
3389:2021
3361:2016
3328:2015
3280:2016
3247:2015
3214:2015
3169:2015
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3085:2015
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2929:2015
2893:2015
2857:2015
2818:2018
2771:2018
2739:2018
2699:2022
2667:link
2653:2012
2625:2018
2577:2016
2496:2022
2465:2016
2433:2015
2400:2012
2361:2023
2326:2015
2289:2015
2233:2018
2197:2024
2156:2015
2111:2016
2067:2019
2034:2015
2001:2015
1929:2018
1861:2018
1805:2023
1758:2015
1721:2020
1616:, a
1610:, a
1606:, a
1477:Sify
1463:and
1426:epic
946:and
928:and
903:Todi
892:raga
536:Kali
534:and
528:Sati
504:Cast
460:Sati
399:god
395:The
391:Plot
312:and
4959:at
1629:sic
1608:VOC
1552:on
1397:of
1190:11.
1170:10.
1015:No.
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