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Theatro da Paz

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164: 156: 24: 368:'s administration, Theatro da Paz was finally fully recovered and reopened to the public. The writing "Theatro", in archaic Portuguese, has been kept. Theatro da Paz underwent another major reformation in the 90s, under governor Almir Gabriel, when its original colors were restored. It was also during his administration that modern Opera Festivals begun to take place, with free or low-cost renditions of operas like 230:
José Libúrcio Pereira Magalhães, with some alterations added by the Public Constructions office. Construction began in 1869 and ended in 1874, but the theater was only opened to the public after an administrative investigation against its builders.
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were included in Theatro da Paz decoration. During the golden age of rubber, world's most famous lyrical companies featured their presentations in the theater, but after the rubber era, it has been neglected and suffered from bad maintenance.
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Theatro da Paz has suffered minor alterations along the years to its façade, namely the reduction of the number of columns over the main entrance. Its architectural lines, however, remain unaltered. It was
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When declared by Brazil's Institute for Protection of Historical and Architectural Patrimony, its president chose Theatro da Paz as one of the "14 most beautiful jewels of Brazilian patrimony".
244:, having taken place on February 16, 1878, and organized by Vicent Pontes de Oliveira theater company, which deal with Theatro da Paz lasted for five years and made him responsible also for the 264: 361: 403: 215: 288: 373: 296: 211: 330: 484: 406:
listed the Theatro da Paz a protected historic structure by in 1963. It was included in the Book of Historical Works as Inscription no. 671.
528: 533: 538: 548: 206:. Its name has been suggested by bishop D. Macedo Costa, who also launched the foundation stone of the theater on March 3, 1869. 543: 383: 122: 329:, as well as the Jover roof, which was lost due to an infiltration and later restored in 1960 by another Italian artist, 267:(Republic Square). Straw seats in the shape of a horseshoe. In the lobby, there are two carrara-marmor busts: 523: 163: 284: 240: 369: 8: 314: 253: 235: 175: 447: 283:. In the noble hall, next to a giant-sized crystal mirror, remain the busts of maestros 263:". On each side, there are patios surrounded by columns and staircases giving access to 387: 337: 268: 365: 272: 325:. He also painted the theater's panel in its spectacle room's roof, which depicted 66: 426: 318: 517: 499: 486: 391: 191: 307: 249: 199: 245: 310:
also touched its stage with her ballet shoes. Decoration was planned by
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After Armando Baloni's painting, in 1960, Pará state governor then,
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located in the Praça da República (Republic Square) on the city of
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Instituto do PatrimĂ´nio HistĂłrico e ArtĂ­stico Nacional (IPHAN)
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In Theatro da Paz, Carlos Gomes ran his most famous opera,
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National Institute of Historic and Artistic Heritage
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National Institute of Historic and Artistic Heritage
382:The Theater has an exchange partnership with the 515: 259:Theatro da Paz, as in Leandro Tocantins, " 364:, kept the restoration until 1965, under 162: 154: 340:'s government, four busts representing 516: 384:University of Missouri School of Music 421: 419: 123:National Historic Heritage of Brazil 534:Neoclassical architecture in Brazil 397: 13: 429:(in Portuguese). iPatrimonio. 2023 14: 560: 529:Buildings and structures in BelĂ©m 469: 416: 539:Buildings and structures in Pará 22: 549:National heritage sites of Pará 476:Theatro da Paz official website 194:lines during the golden age of 92:JosĂ© LibĂşrcio Pereira MagalhĂŁes 440: 261:is the definitely neoclassical 226:Theatro da Paz was planned by 212:listed as a historic structure 1: 409: 448:"International Partnerships" 7: 544:Tourist attractions in Pará 10: 565: 221: 192:neoclassical architectural 182:, capital of the state of 234:The premiere feature was 190:. It was built following 149: 145: 137: 129: 120: 116: 101: 96: 88: 80: 75: 65: 57: 37: 33: 21: 427:"BelĂ©m – Teatro da Paz" 370:Il Barbiere di Seviglia 168: 160: 275:, who introduced the 174:(Peace Theater) is a 166: 158: 500:1.45278°S 48.49361°W 505:-1.45278; -48.49361 496: /  317:who also decorated 315:Domenico de Angelis 18: 452:music.missouri.edu 388:Columbia, Missouri 338:Augusto Montenegro 265:Praça da RepĂşblica 169: 161: 138:Reference no. 16: 366:Jarbas Passarinho 218:(IPHAN) in 1963. 159:The entrance hall 153: 152: 556: 524:Theatres in Pará 511: 510: 508: 507: 506: 501: 497: 494: 493: 492: 489: 463: 462: 460: 458: 444: 438: 437: 435: 434: 423: 398:Protected status 362:AurĂ©lio do Carmo 336:In 1904, during 238:'s drama called 236:Adolphe d'Ennery 112: 109: 107: 105: 28:The front façade 26: 19: 15: 564: 563: 559: 558: 557: 555: 554: 553: 514: 513: 504: 502: 498: 495: 490: 487: 485: 483: 482: 472: 467: 466: 456: 454: 446: 445: 441: 432: 430: 425: 424: 417: 412: 400: 319:Teatro Amazonas 289:Henrique GurjĂŁo 269:JosĂ© de Alencar 241:The Two Orphans 224: 125: 102: 50: 42: 29: 12: 11: 5: 562: 552: 551: 546: 541: 536: 531: 526: 480: 479: 471: 470:External links 468: 465: 464: 439: 414: 413: 411: 408: 399: 396: 331:Armando Baloni 273:Gonçalves Dias 248:, decoration, 223: 220: 172:Theatro da Paz 151: 150: 147: 146: 143: 142: 139: 135: 134: 131: 127: 126: 121: 118: 117: 114: 113: 99: 98: 94: 93: 90: 86: 85: 82: 78: 77: 73: 72: 69: 63: 62: 59: 55: 54: 39: 35: 34: 31: 30: 27: 17:Theatro da Paz 9: 6: 4: 3: 2: 561: 550: 547: 545: 542: 540: 537: 535: 532: 530: 527: 525: 522: 521: 519: 512: 509: 478:In Portuguese 477: 474: 473: 453: 449: 443: 428: 422: 420: 415: 407: 405: 395: 393: 392:United States 389: 385: 380: 377: 375: 371: 367: 363: 358: 355: 351: 347: 343: 339: 334: 332: 328: 324: 320: 316: 313: 309: 306: 303: 299: 298: 292: 290: 286: 282: 278: 274: 270: 266: 262: 257: 255: 251: 247: 243: 242: 237: 232: 229: 219: 217: 213: 207: 205: 201: 197: 193: 189: 185: 181: 177: 173: 165: 157: 148: 144: 140: 136: 132: 128: 124: 119: 115: 111: 106:.theatrodapaz 100: 95: 91: 87: 83: 79: 74: 70: 68: 64: 60: 56: 53: 49: 45: 40: 36: 32: 25: 20: 481: 455:. Retrieved 451: 442: 431:. Retrieved 401: 381: 378: 359: 335: 308:Anna Pavlova 295: 293: 285:Carlos Gomes 260: 258: 250:choreography 246:stage lights 239: 233: 225: 208: 200:Amazon Basin 171: 170: 76:Construction 503: / 58:Designation 518:Categories 491:48°29′37″W 488:01°27′10″S 433:2023-01-22 410:References 327:Greek gods 277:indianismo 130:Designated 41:Rua da Paz 457:August 8, 374:O Guarani 305:ballerina 297:O Guarani 167:The stage 89:Architect 228:engineer 67:Capacity 354:tragedy 312:Italian 302:Russian 222:History 176:theater 97:Website 38:Address 350:comedy 346:poetry 323:Manaus 300:, and 281:Brazil 204:Brazil 196:rubber 188:Brazil 81:Opened 52:Brazil 342:music 254:props 186:, in 180:BelĂ©m 44:BelĂ©m 459:2018 402:The 352:and 287:and 252:and 184:Pará 133:1963 108:.com 84:1874 48:Pará 386:in 372:or 321:in 279:in 214:by 198:in 141:671 110:.br 104:www 71:787 520:: 450:. 418:^ 394:. 390:, 376:. 348:, 344:, 333:. 291:. 271:e 46:, 461:. 436:.

Index


Belém
Pará
Brazil
Capacity
www.theatrodapaz.com.br
National Historic Heritage of Brazil


theater
Belém
Pará
Brazil
neoclassical architectural
rubber
Amazon Basin
Brazil
listed as a historic structure
National Institute of Historic and Artistic Heritage
engineer
Adolphe d'Ennery
The Two Orphans
stage lights
choreography
props
Praça da República
José de Alencar
Gonçalves Dias
indianismo
Brazil

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