320:
Pollard's story contains lies. Lodge remarks that
Pollard’s version of the story is the most unlikely of all. They ask Pollard to imagine a situation where Murray could have got drunk and entered Agnes's flat to kill her. Pollard agrees that it must have happened that way but when the killing happens, Lodge switches the killer with Pollard, provoking a confession. Pollard confesses uncontrollably, and Lodge and Butler arrest Pollard.
31:
401:
lacks excitement because the script shows its hand too early: the murderer's identity is in fact revealed long before the climax, and the last episode (with the drunken Irish sailor, unhappily overplayed by John McCallum) therefore loses all its interest. These fundamental short-comings in the script
311:
Albert
Pollard, the pet shop owner, portrays Agnes in a positive light. She once came into his shop to ask for help with her bird. When the bird died, Pollard comforted Agnes and offered a parrot to replace it. On a following day, he was politely sent away from her place due to the arrival of Michael
315:
Michael Murray also admits to having met Agnes at her fortune-telling place. After beginning a relationship with Agnes, Murray set sail and returned after about three months. She immediately welcomes him and they kiss. Pollard sees the kiss and immediately leaves. On another night, Murray sees Agnes
299:
Catherine claims that the day she visited her sister, Mrs Finch gave her a bad welcome. According to
Catherine, Agnes was a drunk, rude and not-very-pleasant-looking woman. Catherine told Agnes that she went to visit Charles, however, Agnes accused her and Charles of having an affair. They argue and
295:
Neighbour Mrs Finch tells Lodge that Agnes was a gentlewoman whereas her sister, Catherine Taylor, is rude and obnoxious. According to Mrs Finch, the two sisters once had an argument about Agnes’s husband having an affair with
Catherine. Catherine then left after hurting Agnes’s feelings. A few days
319:
Lodge and Butler return to Mrs Finch's house to question her some more. In the background, Butler can be heard questioning the boy, who mentions that he hears the words, "Merry
Christmas", which were the words Agnes had taught her original bird that had supposedly died thus alerting Lodge that
296:
later, Catherine and her boyfriend, Bob Baker, forced their way into Agnes's flat. Finch ran to get the help of Mr
Pollard, the timid owner of a pet shop opposite the building. Catherine and Baker threatened to kill everyone and left. This leads Lodge to question Catherine.
307:
act for her to go through, which she ignored. He visited her again two days later and Agnes attempted to seduce him, throwing him out when he refused. The day when he and
Catherine went to visit Agnes, she treated them disrespectfully and asked them to get out.
316:
with
Pollard and she dismisses his concerns, angering him. After three more months of sailing, he arrives at her house, to see another man in there and that she is possibly a prostitute. Furious, he manhandles her and leaves in a rage.
410:
said "Murky, low-key photography, a formula whodunit-to-whom-and-why plot and a thespian roster that will have no meaning for
American audiences mitigate against widespread acceptance of this British import in its U.S. playdates."
312:
Murray, a merchant sailor. On the day
Catherine and Baker barged in and Mrs Finch asked for help, Pollard claims he bravely sent both of them away. He admits that Agnes had agreed to marry him the previous night before her death.
291:
Widow Agnes Huston is found murdered at her house. As Superintendent Lodge and Inspector Butler question her friends and neighbours, flashback scenes play out widely differing interpretations of the dead woman and her behaviour.
402:
present the director with a serious problem: Anthony Asquith's work is polished and craftsmanlike, but he is not able to restore to the film the qualities which should have been, but are not, present in the script."
424:
wrote "It is not the mystery ... so much as it is the nimble twists and wry indications of personality that give this little item its appeal. Jean Kent, who made herself distinctive in
454:
gave the film 3/5 stars, writing: "Kent has a juicy role here, since all her acquaintances have a different view of her ranging from kindly neighbour to drunken bitch."
430:(1951) as the venomous wife, does a neat job of turning the lively facets of the woman in question in this piece ... We won't guarantee this little
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1159:
546:
303:
Baker admits to meeting Agnes at her workplace, where she is a fortune teller. He, being a magician by profession, gave her a script for a
300:
Catherine leaves in contempt. She admits to dating Bob Baker and visiting Agnes in his company, however, Mrs Finch refused to let them in.
949:
1134:
740:
531:
1154:
1139:
487:
Chapman, J. (2022). The Money Behind the Screen: A History of British Film Finance, 1945–1985. Edinburgh University Press p 358
1144:
1129:
1124:
274:. After a woman is murdered, the complex and very different ways in which she is seen by several people are examined.
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will knock you out of your chair, but it will certainly twit your risibilities while mildly stimulating your nerves."
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610:"THE SCREEN IN REVIEW; ' The Woman in Question,' With Jean Kent, an English Film, at the Park Avenue"
165:
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said: "Multi-flashback melodrama which somehow doesn't quite come off despite effort all round."
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685:
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353:
125:
115:
87:
718:
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rated the film as "average", writing: "Interesting thriller; doesn't quite work."
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Chapman, p 102. Income is producer's share of receipts.
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597:(17): a11. 23 February 1952 – via ProQuest.
277:It was loosely adapted into the 1954 Indian film
1111:
534:. 12 December 2008 – via www.thehindu.com.
684:(7th ed.). London: Paladin. p. 1126.
625:British Sound Films: The Studio Years 1928–1959
439:British Sound Films: The Studio Years 1928–1959
734:
741:
727:
29:
679:
511:British Film Institute Collections Search
607:
499:
622:
270:. It was wrutten by John Cresswell and
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573:(193): 169. 1950 – via ProQuest.
722:
608:Crowther, Bosley (19 February 1952).
387:
1160:English-language mystery drama films
481:
544:
13:
14:
1171:
1135:Films directed by Anthony Asquith
701:
545:Guy, Randor (16 September 2011).
1155:Films scored by John Wooldridge
950:The Importance of Being Earnest
673:
645:
377:Joe Linnane as Inspector Butler
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524:
490:
1:
1140:British black-and-white films
549:– via www.thehindu.com.
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1145:1950s English-language films
7:
1130:British mystery drama films
463:
397:said "As a detective story
250:) is a 1950 British murder
151:J. Arthur Rank Organisation
10:
1176:
680:Halliwell, Leslie (1989).
653:Radio Times Guide to Films
1125:1950s mystery drama films
1056:
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655:(18th ed.). London:
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166:General Film Distributors
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67:
59:
47:
37:
28:
23:
612:– via NYTimes.com.
244:(released in the USA as
180:3 October 1950
657:Immediate Media Company
623:Quinlan, David (1984).
585:"The Woman in Question"
561:"The Woman in Question"
507:"The Woman in Question"
368:as Superintendent Lodge
323:
286:
1046:The Yellow Rolls-Royce
682:Halliwell's Film Guide
659:. 2017. p. 1036.
547:"A classic remembered"
1065:The Story of Papworth
934:The Woman in Question
790:A Cottage on Dartmoor
709:The Woman in Question
566:Monthly Film Bulletin
399:The Woman in Question
394:Monthly Film Bulletin
247:Five Angles on Murder
241:The Woman in Question
188: (United Kingdom)
156:Vic Films Productions
24:The Woman in Question
1022:Two Living, One Dead
998:The Doctor's Dilemma
942:The Browning Version
918:While the Sun Shines
910:The Way to the Stars
846:French Without Tears
782:The Runaway Princess
427:The Browning Version
1150:1950s British films
822:Unfinished Symphony
350:as Catherine Taylor
749:Films directed by
629:B.T. Batsford Ltd.
417:The New York Times
388:Critical reception
1107:
1106:
1014:The Millionairess
902:Fanny by Gaslight
894:The Demi-Paradise
806:Dance Pretty Lady
532:"Andha Naal 1954"
362:as Albert Pollard
354:Hermione Baddeley
344:as Michael Murray
237:
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126:John D. Guthridge
116:Desmond Dickinson
88:Hermione Baddeley
18:1950 British film
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1030:Guns of Darkness
974:The Young Lovers
814:The Lucky Number
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383:as Shirley Jones
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926:The Winslow Boy
886:We Dive at Dawn
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374:as Lana Clark
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366:Duncan Macrae
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342:John McCallum
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268:John McCallum
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356:as Mrs Finch
336:Dirk Bogarde
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276:
272:Joseph Janni
264:Dirk Bogarde
254:directed by
252:mystery film
246:
245:
240:
239:
238:
197:Running time
173:Release date
76:Dirk Bogarde
54:Joseph Janni
15:
1089:Two Fathers
1057:Short films
1038:The V.I.P.s
774:Underground
516:12 November
450:Radio Times
372:Lana Morris
103:Joe Linnane
100:Lana Morris
63:Teddy Baird
60:Produced by
38:Directed by
1120:1950 films
1114:Categories
878:Uncensored
691:0586088946
627:. London:
476:References
348:Susan Shaw
280:Andha Naal
230:Box office
201:88 minutes
184:1950-10-03
143:Production
84:Susan Shaw
48:Written by
1081:Rush Hour
838:Pygmalion
590:Boxoffice
432:Rank film
407:Boxoffice
381:Vida Hope
330:Jean Kent
305:mentalism
260:Jean Kent
145:companies
122:Edited by
106:Vida Hope
72:Jean Kent
464:See also
338:as Baker
233:£130,000
225:£129,986
214:Language
132:Music by
68:Starring
958:The Net
217:English
206:Country
182: (
1100:(1955)
1092:(1944)
1084:(1941)
1076:(1940)
1068:(1935)
1049:(1964)
1041:(1963)
1033:(1962)
1025:(1961)
1017:(1960)
1009:(1959)
1001:(1958)
993:(1958)
985:(1954)
977:(1954)
969:(1953)
961:(1953)
953:(1952)
945:(1951)
937:(1950)
929:(1948)
921:(1947)
913:(1945)
905:(1944)
897:(1943)
889:(1943)
881:(1942)
873:(1941)
865:(1941)
857:(1941)
849:(1940)
841:(1938)
833:(1935)
825:(1934)
817:(1933)
809:(1931)
801:(1931)
793:(1929)
785:(1929)
777:(1928)
769:(1927)
688:
663:
635:
222:Budget
1006:Libel
714:IMDb
686:ISBN
661:ISBN
633:ISBN
518:2023
448:The
324:Cast
287:Plot
266:and
712:at
437:In
414:In
1116::
595:60
593:.
587:.
571:17
569:.
563:.
509:.
420:,
283:.
262:,
742:e
735:t
728:v
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669:.
641:.
520:.
186:)
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