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was similarly critical of the novel, writing that its "very strengths are its downfall. With its allusive style, caustic wit and sharp insights, it is a very clever book. But, just like the conundrum from which it draws its inspiration, it sometimes feels more like an intellectual exercise."
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46:, with a focus on exploring the state of post-Thatcher Britain through the Dickensian satire of the Palmer family. The title describes the satirical protagonist, Frieda Palmer, who provides the source of much of the social commentary.
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reviewer James Wood did not like the novel, focusing on how the novel's characters were underdeveloped "caricatures" and poor comparisons to the literary traditions created by
Dickens and Woolf.
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Frances Sellers suggested that the novel's criticism of "Britain's privileged middle classes" might have turned her critics, which would endear her to middle class reviewers.
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called the novel one of
Drabble's "best and most assured novel in years" describing it as "satire and melodrama, nicely mixed, and a thoroughly satisfying entertainment." Similarly
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describes the novel as successfully handling the difficult elements of "comic irony" where
Drabble has "the balance just right and proves herself a master of the art".
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describes the novel as "postmodern family drama at its best."
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447:(1972)
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