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Cultural appropriation is a welcome characteristic in Jewish culture and is commonly used in the 'Blue Book'. Two examples are: Va’anachnu is arranged to no. 19 – “Open the
Heavens…” from the oratorio Elijah; and Hodo Al Eretz which is based on Hear my Prayer/O for the wings of a Dove (Psalm 55) by
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Since it was originally published with a blue cover, it has commonly been nicknamed 'The Blue Book'. The blue book contains songs and chants for the entire Jewish calendar written in reduced-score 4-part harmony so it could be played on the piano or organ to accompany the choir in rehearsal or at a
157:, or arrangements by FLC and DMD themselves. Some traditional pieces are also attributed to being of Sephardic origin, but the main reference book for Western Sephardim is 'The Ancient Melodies of the Liturgy of the Spanish and Portuguese Jews' by
153:. Early references to the volume as a ‘hymnal’ highlight parallels with other Victorian religious choral works. Most of the compositions are listed as 'traditional', the work of
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wedding ceremony, and the melody and alto lines in tonic sol fa for those who are unable to read sheet music notation. In 1933,
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republished the Blue Book adding supplement with several of his own compositions.
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Shirei K’nesset
Yisrael – Songs of the Congregation of Israel
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