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comes in contact, to those whom she is supposed to love and to those who love her. Her peculiar profession is represented as causing her no personal remorse. And yet she is exhibited to us as a fine creature, a noble woman, one whom a man might be honoured by loving;—and at last she ends with a success! ... That which is vile and dirty, squalid and miserable,—that, of which we may say that were its horrors known such knowledge would deter more thoroughly than any ignorance,—is exhibited as a bright existence, full of danger indeed, but still open to all that is noble, and capable of final success.
255:
386:'s "The Girl of the Period". In her 1868 essay, Linton accused contemporary English girls of imitating prostitutes in their dress, speech, and manner, and declared that "the Girl of the Period has done away with such moral muffishness as consideration for others, or regard for counsel and rebuke". Trollope was well aware of Linton's views, and made two references to them in the novel. According to Skilton, the highly unromantic portrayal of Carry Brattle's condition was a denial of Linton's claim that
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337:: that while depicting a fallen woman as glamorous or noble might lead impressionable readers to vice, a true depiction of such a woman's misery might deter readers from yielding to temptation; and might soften the hearts of parents whose daughters have fallen, and thus afford an opportunity of returning to decency.
1031:, Oxford World's Classics paperback edition; chapter 37, p. 259 ("...Saturday Reviewers and others blame them for their lack of modesty...") and p. 262 (", too, had heard of public censors, of the girl of the period, and of the forward indelicacy with which women of the age were charged.") In the 1870 two-volume
319:: young women of the 1860s, he wrote, were not unaware of the existence of prostitution; and attempting to keep them in ignorance would not conduce to virtue. Rather than promoting vice, an accurate depiction of the squalid and miserable life of a woman of the streets would arm young people to resist temptation.
470:, who was personally acquainted with Trollope, Fenwick—generous, outspoken, broad-minded, and a bit pugnacious—was very much like a portrait of the author in clerical dress. Puddleham's discomfiture "proves, to Trollope's naively undisguised satisfaction, that Providence is on the side of the State Church".
737:
More recently still, Trollope scholars have looked upon it with increasing favour, describing it as a powerful work that has suffered undeserved neglect. Present-day critics have focussed increasingly on the Carry
Brattle subplot; it has been suggested, supported in part by the similarity of passages
353:
Trollope has described again and again the ravages of love ... His story is always primarily a love-story, and a love-story constructed on an inveterate system. There is a young lady who has two lovers, or a young man who has two sweethearts; we are treated to the innumerable forms in which this
224:
neighbouring
Fenwick's residence, where he hopes that the sight of it and the sound of its bell will annoy the vicar. Fenwick tries to reconcile himself to the existence of the chapel, but it subsequently comes to light that the land does not belong to the marquis, and is instead part of the parish's
594:
My disgust at this proposition was, I think, chiefly due to Victor Hugo's latter novels, which I regard as pretentious and untrue to nature. To this perhaps was added some feeling of indignation that I should be asked to give way to a
Frenchman. The Frenchman had broken his engagement. He had failed
520:
between 15 June and 1 November 1868. The novel was begun in
Washington, D.C., where the author was on a mission to negotiate a postal treaty and international copyright arrangements with the United States. It was concluded after his return to England, in the early stages of his unsuccessful campaign
390:
were "gorgeously attired and sumptuously appointed ... flattered, fêted, and courted"; and the trouble that Mary
Lowther brought upon herself and others came about not because of her disregard for counsel and rebuke, but because she attempted to follow the advice of her friends and elders. Near
323:
The harm done by
Formosa lies in this,— that the character is utterly false, false to human nature and false to London life. She is a wretch, abominable almost beyond conception, so as to be odious, if known, to the most odious. She is sharper as well as prostitute,—and is false to all with whom she
203:
Carry leaves the home that
Fenwick has found her and wanders distraught. Eventually, she returns to the mill, half resolved to see her old home and then drown herself in the millstream. There she is greeted lovingly by her mother and sister. Her father reluctantly allows her to remain in the family
365:
Unlike the majority of
Trollope's triangles, Mary is not called upon to judge between a good suitor and a bad one, but between two good men. Gilmore is presented as a sympathetic and admirable character; the reader learns far less about Captain Marrable's character, and is given no reason why Mary
171:
and a friend of the
Fenwicks, falls deeply in love with her. Mary recognises that Gilmore is a good man, but she fears that she does not adore him as a woman should adore the man she marries. The Fenwicks and her guardian aunt all urge her to accept his proposal, telling her that the affection she
192:
The second subplot involves the family of
Bullhampton's miller, Jacob Brattle. His youngest son, Sam, is a hard worker at the mill, but has fallen in with bad companions, and is often absent from home. Sam's sister Carry is even worse off: having yielded to a seducer, she has been disowned by her
139:
Trollope's fortunes suffered because of the mode of the novel's publication. Owing to mismanagement by the publishers, it was not serialised in a popular magazine, as originally intended. Instead, it was issued as monthly numbers, a form of serialisation that had become unpopular with the reading
175:
Mary finds the love she seeks in her second cousin, Captain Walter Marrable. He falls in love with her, and she joyously accepts his offer of marriage. However, misfortune strikes in the form of Colonel Marrable, the Captain's father, who swindles his son out of the fortune left him by his late
400:
In Skilton's opinion, since the stories of the two women are both essential to Trollope's refutation of Linton, neither can be given "titular pre-eminence"; thus the book had to take its name from the vicar. (The title was changed at some point in the novel's development; in the early planning
131:
Trollope expected his depiction of a fallen woman to be controversial, and unusually for him wrote a preface defending it. But the anticipated controversy never materialised, and contemporary reviewers tended to ignore that subplot, focussing instead on the courtship in the novel. Reviews were
611:
in the magazine, Bradbury and Evans issued it in eleven monthly shilling numbers, running from July 1869 to May 1870. Trollope could not object to this mode of independent publication; but it was one that had fallen out of favour with the public, and Trollope suffered a loss of reputation and
713:
complained that " sort of savageness pervades the book", and that "obody is pleasant", and described the novel as "third-rate" and as a "not very satisfactory book". This was in keeping with the reaction of many readers and reviewers who had grown accustomed to the wholesome tone and genteel
395:
has endeavoured to describe a young woman, prompted in all her doings by a conscience wide awake, guided by principle, willing, if need be, to sacrifice herself, struggling always to keep herself from doing wrong, but yet causing infinite grief to others, and nearly bringing herself to utter
223:
of Trowbridge, Bullhampton's principal landowner. The marquis believes that Sam Brattle is guilty of the murder, and is angered by Fenwick's support for him. He spreads rumours about Fenwick's relations with Carry Brattle, and grants Puddleham permission to build a chapel on a piece of land
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Mary, dispirited, yields to Gilmore's importunements, warning him that theirs must be a long engagement and that she will end it if Captain Marrable finds himself able to marry a woman without a fortune. This comes to pass: the death of the Captain's cousin, the heir to the family's
200:. Through Sam he discovers Carry's whereabouts, and resolves to rescue her if he can. He finds her a temporary home, but it becomes clear to him that the only permanent solution must involve bringing her back into the Brattle family, which means winning her father's forgiveness.
569:, expecting to begin serialisation in January 1869. However, Hugo was behind schedule, and the novel would not be available until April. The magazine did not have enough space to run Hugo's and Trollope's novels side by side. Would Trollope, therefore, be willing to see
204:
home; eventually he too forgives her, although he can never forget the shame she has brought on the family. Carry remains with her family for the rest of her life, but although she has returned to decency, her past ensures that she will never find an honest husband.
284:. Critics argued that the depiction of a prostitute in the theatre would tarnish the innocence of unmarried girls attending the performance. Supporters, including Boucicault himself, responded that worse women were regularly portrayed in Italian operas such as
251:, he argued that the punishment for fornication is far heavier for women than for men, although in most cases the latter are more to blame than the former; and that women are given no opportunity of returning to decent lives, however repentant they might be.
544:
As the publication date neared, difficulties arose. In January 1869, Dallas asked Trollope for permission to defer serial publication by three months. As Trollope had agreed not to allow another of his novels to run serially during the first six months of
694:
declared it "a nice, easy, safe reading book for old ladies and young ladies ... welcome in all well-regulated families". Contemporary reviewers tended to neglect the Carry Brattle subplot and focus on Mary Lowther, whose conduct was criticised by
595:
to have his work finished by the stipulated time. From week to week and from month to month he had put off the fulfilment of his duty. And because of these laches on his part,— on the part of this sententious French Radical,— I was to be thrown over!
590:'s words, "a very inferior paper with a lower class of reader and a poor general reputation". Moreover, personal feelings were involved: Trollope resented the fact that he, a punctual Englishman, was being asked to yield to a dilatory Frenchman.
184:, makes him the likely eventual heir. The current Baronet accepts the Captain as his heir, buying out the Colonel's interest to prevent his squandering the family fortune. The two lovers are reunited, leaving Gilmore bitter and despondent.
725:, who had loudly derided several of Trollope's novels of the mid-1860s, described it in an 1883 article as a "slow but excellent story, which is a capital example of interest produced by the quietest conceivable means". In 1927,
332:
appeared in April 1870, it bore a preface; Trollope, who ordinarily scorned prefaces and dedications, felt compelled to justify the presentation of a character like Carry Brattle. He reiterated the points he had made regarding
366:
should prefer him to his rival. To Trollope, a woman does not necessarily fall in love because of a man's merits; and it is very wrong for a woman to marry where she does not love, regardless of her suitor's worthy qualities.
729:
wrote that it "has a sure title to enduring reputation"; of Mary Lowther, whom earlier critics had found irritating, he wrote, "to-day she seems sensible enough and, as a young woman, wholly natural.". By 1971, however,
176:
mother. The impoverished Captain fears that he will have to return to India with his regiment; he and Mary, each unwilling to inflict poverty on the other, end their engagement by mutual consent and with mutual regret.
444:. Their charity is tested by their response to Carry Brattle, and it is Fenwick who passes the test. As William Cadbury expresses it, Puddleham has been hardened by too much doctrine, Jacob Brattle by too little.
1670:
416:
has been described as Trollope's most religious novel, and Frank Fenwick as his "most explicitly religious character". Although the author won renown for his depictions of the lives of the clergy in the
1469:
917:
509:, to be serialised beginning in May 1869, for a fee of £2800. In the course of his correspondence with Dallas, Trollope wrote, "Of course it is understood that it is intended for your periodical,
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s career, the editor's request would have diminished the author's income. Trollope initially refused, but subsequently agreed to a delay of two months, with publication to begin in early July.
1630:
643:
Bradbury and Evans released the novel in book form in 1870, as a single volume with thirty illustrations by Henry Woods. In the same year, English-language books were published by
245:
was written chiefly with the object of exciting not only pity but sympathy for fallen woman, and of raising a feeling of forgiveness for such in the minds of other women." In the
1758:
196:
When a Bullhampton farmer is murdered in the course of a burglary, suspicion falls on Sam Brattle and his associates. Fenwick believes in Sam's innocence, and acts as one of his
1329:
Tingay (1985). The Russian titles are not given in the Cyrillic alphabet, nor is it stated whether the two Russian editions used the same translation. The Russian-language
1870:
744:
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1766:
228:. The embarrassed marquis pays to move the chapel to a new location, and through the intervention of his son, a suave Member of Parliament, he and Fenwick are reconciled.
207:
Sam is never charged with the murder, although one of his former associates is hanged for it. He continues to work at the mill, and eventually marries a Bullhampton girl.
1886:
775:
1878:
1798:
1806:
1113:
1718:
1397:, vol. 39 (May 1870), pp. 645–47; quoted in William Cadbury, "The Uses of the Village: Form and Theme in Trollope's The Vicar of Bullhampton".
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1710:
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in 1924, re-issued with an introduction by David Skilton in 1988; and by the Trollope Society, with an introduction by John Halperin, in 1998.
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does not now feel will come after marriage. In the face of this advice, she does not reject Gilmore outright, but asks for time to consider.
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readership as a result. He also suffered a pecuniary loss of £300, agreeing for reasons unspecified to accept only £2500 for the novel.
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predicament may present itself and the consequences, sometimes pathetic, sometimes grotesque, which spring from such false situations.
1051:
Tauchnitz, 1870; available at Google Books. Vol. 2, p. 346; in chapter 34, "The End of Mary Lowther's Story". Retrieved 8 August 2011.
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shipwreck, because, for a while, she allowed herself to believe that it would be right for her to marry a man whom she did not love.
459:, expressed doubt about the literal truth of the Old Testament, and questioned the doctrine of eternal punishment contained in the
1170:
Tauchnitz, 1870; available at Google Books. Vol. 1, p. 164; in chapter 17, "The Marquis of Trowbridge". Retrieved 22 August 2011.
522:
167:
The first subplot involves the courtship of Mary Lowther, a childhood friend of the vicar's wife. Harry Gilmore, a Bullhampton
278:. The title character of Boucicault's play was a harlot, and her representation on stage provoked an exchange in the pages of
530:
428:
A variety of religious beliefs are represented among the novel's characters. Jacob Brattle is an unbeliever. Puddleham is a
116:. It is made up of three intertwining subplots: the courtship of a young woman by two suitors; a feud between the titular
2065:
754:
referring to Johnny Eames, that some aspects of her portrayal are based on the novelist's own early adulthood in London.
132:
generally less than positive; many reviewers and readers who had acquired a taste for Trollope from the 1850s–60s
1742:
1035:, these passages are on p. 360 and p. 363 of volume 1, in a chapter titled "Female Martyrdom". Retrieved 8 August 2011.
1498:
1014:, pp. 1–9. Reproduction of 1883 edition by Richard Bentley & Son, at Google Books. Essay originally published in
98:
633:
220:
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Tauchnitz, 1870; available at Google Books. Vol. 2, p. 177; in chapter 18, "Glebe Land". Retrieved 22 August 2011.
1499:
Secret Agonies, Hidden Wolves, Leper-Sins: The Personal Pains and Prostitutes of Dickens, Trollope, and Gaskell.
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Tauchnitz, 1870; available at Google Books. Vol. 1, p. 56; in chapter 5, "The Miller". Retrieved 22 August 2011.
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Fenwick's beliefs are similar to Trollope's own. In his early life, the novelist was a supporter of the
2009:
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Cadbury, William. "The Uses of the Village: Form and Theme in Trollope's The Vicar of Bullhampton".
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In David Skilton's view, the Carry Brattle and Mary Lowther subplots together comprise a rejoinder to
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Trollope's preface suggests that he anticipated controversy from the depiction of Carry Brattle in
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Tauchnitz, 1870; available at Google Books. Preface; vol. 1, pp. v–viii. Retrieved 8 August 2011.
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296:, which were considered eminently suitable for young women, and in the police and court news of
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1977:
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451:. However, beginning in about the mid-1860s, his sympathies tended increasingly toward the
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A recurring theme in Trollope's work is the difficulty of choosing between two suitors. As
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718:, and were not happy with the darker and more pessimistic tone of Trollope's later works.
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A third subplot centres on the relationship between Fenwick, Mr. Puddleham, the village's
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of Philadelphia in 1869–70. At the same time, an American book edition was issued by
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According to Trollope, the plight of Carry Brattle was at the center of the story. "
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minister; and the vicar's attempt to rehabilitate a young woman who has gone astray.
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425:, however, Fenwick's object is "to apply Christian doctrine to life in the world."
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Ellen Moody's Website: Mostly on English and Continental and Women's Literature.
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Ellen Moody's Website: Mostly on English and Continental and Women's Literature.
555:
Matters did not improve. In March 1869, Dallas made a new request of Trollope.
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PhD dissertation, Texas A&M University, May 2008. Retrieved 17 August 2011.
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155:. It develops three subplots, all connected with Frank Fenwick, the eponymous
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1487:. Originally published 1971. Phoenix Press paperback edition, 2001; p. 290.
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Carry Brattle: Henry Woods illustration from 1870 Bradbury and Evans edition
1985:
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controversy that can be read as a defence of and an advertisement for
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362:, with Mary Lowther's vacillation between Gilmore and Col. Marrable.
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were unhappy about the darker tone of later novels such as this one.
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866:
Skilton, David. Introduction to Oxford World's Classics edition of
986:
603:, beginning in May 1869. However, by the end of June, the sale of
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421:, he wrote of their social rather than their spiritual lives. In
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Trollope leapt into the fray somewhat belatedly, in the pages of
181:
1474:
vol. 26, no. 3 (July 1883), pp. 384–95. Retrieved 8 August 2011.
1451:, ed. by R. C. Terry, Oxford University Press, 1999; pp. 275–76.
1201:
London: John Lane, 1913. pp. 239–42. Retrieved 22 August 2011.
1084:, ed. by R. C. Terry, Oxford University Press, 1999; pp. 566–68.
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vol. 26, no. 3 (July 1883), pp. 384–95. Retrieved 8 August 2011.
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Indeed, Fenwick resembled his creator in more than belief. To
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225:
659:, was published by Roelants of Schiedam; in 1873, a Russian
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to a new publisher was in progress. Rather than serialising
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father, and is living a life of sin in an unknown location.
1417:, vol. 39 (May 1870), pp. 645–47; quoted in N. John Hall,
1401:, vol. 18, no. 2 (September 1963), pp. 151–63. Available
960:, vol. 18, no. 2 (September 1963), pp. 151–63. Available
1219:
The Chronicler of Barsetshire: A Life of Anthony Trollope
1062:
The Chronicler of Barsetshire: A Life of Anthony Trollope
655:, was published in Moscow. In 1872, a Dutch translation,
1545:, reproduction of 1870 Tauchnitz edition at Google Books
1535:
1434:, vol. 31, no. 4 (August 1968), pp. 313–40. Available
432:. The Stowte family, to which the marquis belongs, are
796:
Dunlap Society, 1915. p. 116. Retrieved 9 August 2011.
503:. Trollope agreed to provide a novel of the length of
1534:, reproduction of 1870 Bradbury and Evans edition at
377:
721:
Later critics varied in their opinion of the novel.
266:
had begun to appear in the form of monthly numbers,
1221:. University of Michigan Press, 1988. pp. 256–57.
1064:. University of Michigan Press, 1988. pp. 261–63.
799:
619:
Title page of 1870 Bradbury, Evans, and Co. edition
315:. He took exception to several of the arguments in
1251:"A Chronology of Anthony Trollope's Writing Life".
1080:Kincaid, James R. "Vicar of Bullhampton, The" in
826:
824:
822:
734:labelled the novel "a lifeless, dull production".
1385:. Farrar, Straus and Company, 1947. pp. 397–98.
1302:. Farrar, Straus and Company, 1947. pp. 304–07.
840:
2057:
1103:, vol. 5, no. 4. 2007. Retrieved 21 August 2011.
784:
599:Trollope refused. Hugo's novel was published in
1441:
1125:
1011:The Girl of the Period; and Other Social Essays
938:. Routledge & Kegan Paul, 1978. pp. 131–34.
870:, Oxford University Press, 1988. pp. vii–xviii.
819:
666:More recently, editions have been published by
140:public, and Trollope lost readers as a result.
1323:
1282:. Oxford University Press, 1991. pp. 324–25.
1237:. Oxford University Press, 1991. pp. 347–48.
1008:Linton, E. Lynn. "The Girl of the Period" in
883:. Oxford University Press, 1991. pp. 357–59.
1594:
1580:
1269:. Farrar, Straus and Company, 1947. p. 410.
1245:
1243:
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236:
1671:The Struggles of Brown, Jones & Robinson
1430:Ray, Gordon N. "Trollope at Full Length".
1421:, Oxford University Press, 1991, pp. 357–59.
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1027:Skilton, David. Notes in Anthony Trollope,
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493:. Dallas had just been appointed editor of
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1320:. London: The Silverbridge Press. p. 31.
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1186:. Ohio University Press, 1971. pp. 117–23.
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485:Early in 1868, Trollope was approached by
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1018:, 14 March 1868. Retrieved 8 August 2011.
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855:, volume 102 (July–August–September 1869)
814:, volume 102 (July–August–September 1869)
101:(Oxford World's Classics paperback, 1988)
1467:p. 107. Article originally published in
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1369:, Oxford University Press, 1991, p. 359.
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915:p. 109. Article originally published in
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307:in October 1869, with an article on the
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1365:, 3 June 1870; quoted in N. John Hall,
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391:the end of the novel, Trollope writes:
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857:, pp. 819–20. Retrieved 9 August 2011.
816:, pp. 756–57. Retrieved 9 August 2011.
499:, a magazine published by the firm of
473:
358:To illustrate this point, James cited
2076:Novels first published in serial form
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1460:James, Henry. "Anthony Trollope" in
1449:Oxford Reader's Companion to Trollope
1272:
1224:
1098:"Trollope, Liberalism and Scripture".
1082:Oxford Reader's Companion to Trollope
908:James, Henry. "Anthony Trollope" in
837:, pp. 75–80. Retrieved 9 August 2011.
763:
340:
1333:website gives the Cyrillic title as
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623:
1477:
651:in Leipzig; a Russian translation,
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1743:Sir Harry Hotspur of Humblethwaite
1112:See the valedictory paragraphs in
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1508:
401:stages, it was tentatively named
272:Formosa; or, The Railroad to Ruin
187:
1631:La Vendée: An Historical Romance
1548:
1447:Terry, R. C. "James, Henry" in
985:, issue 2 (1998); reproduced at
846:"Mr. Boucicault and Formosa" in
663:was released in St. Petersburg.
262:On 5 August 1869, shortly after
830:Trollope, Anthony. "Formosa".
231:
162:
143:
793:The Career of Dion Boucicault.
478:
16:1870 novel by Anthony Trollope
1:
1615:The Macdermots of Ballycloran
1119:The Last Chronicle of Barset.
757:
634:Lippincott's Monthly Magazine
1957:The Last Chronicle of Barset
1949:The Small House at Allington
1496:Carly-Miles, Claire Ilene.
1432:Huntington Library Quarterly
980:"Trollope's views on women".
751:The Small House at Allington
681:
657:De Predikant van Bullhampton
7:
1759:The Golden Lion of Granpère
1623:The Kellys and the O'Kellys
1558:public domain audiobook at
1195:Escott, Thomas Hay Sweet.
408:
10:
2092:
2066:Novels by Anthony Trollope
1767:Harry Heathcote of Gangoil
1399:Nineteenth-Century Fiction
958:Nineteenth-Century Fiction
639:J. B. Lippincott & Co.
631:was published serially in
237:Plight of the fallen woman
151:is set in a small town in
2032:
1967:
1907:Chronicles of Barsetshire
1904:
1897:
1606:
1405:Retrieved 17 August 2011.
1316:Tingay, Lance O (1985).
1122:Retrieved 22 August 2011.
1101:Revue LISA/LISA e-journal
987:Trollope Society website.
964:Retrieved 17 August 2011.
559:had bought the rights to
489:, a fellow member of the
328:When the book edition of
92:
84:
76:
66:
56:
48:
38:
26:
22:The Vicar of Bullhampton
1871:Mr. Scarborough's Family
1735:The Vicar of Bullhampton
1555:The Vicar of Bullhampton
1542:The Vicar of Bullhampton
1531:The Vicar of Bullhampton
1519:The Vicar of Bullhampton
1438:Retrieved 14 April 2011.
1353:Retrieved 6 August 2011.
1348:"Trollope's Singletons".
1256:Retrieved 4 August 2011.
1166:The Vicar of Bullhampton
1150:The Vicar of Bullhampton
1134:The Vicar of Bullhampton
1047:The Vicar of Bullhampton
1029:The Vicar of Bullhampton
996:Retrieved 8 August 2011.
895:The Vicar of Bullhampton
868:The Vicar of Bullhampton
781:Retrieved 4 August 2011.
690:. This did not happen.
688:The Vicar of Bullhampton
629:The Vicar of Bullhampton
601:The Gentleman's Magazine
584:The Gentleman's Magazine
576:The Gentleman's Magazine
518:The Vicar of Bullhampton
414:The Vicar of Bullhampton
378:"The Girl of the Period"
330:The Vicar of Bullhampton
243:The Vicar of Bullhampton
149:The Vicar of Bullhampton
109:The Vicar of Bullhampton
1483:Pope-Hennessy, James.
992:29 January 2016 at the
676:Oxford University Press
124:nobleman, abetted by a
2042:The Fortnightly Review
1839:Doctor Wortle's School
1383:Trollope: A Commentary
1335:Булхэмптонский викарий
1318:The Trollope Collector
1300:Trollope: A Commentary
1267:Trollope: A Commentary
661:Bullhamptonsky Vikaryi
653:Bullhamptonsky Vikaryi
620:
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563:'s forthcoming novel,
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1419:Trollope: A Biography
1367:Trollope: A Biography
1280:Trollope: A Biography
1235:Trollope: A Biography
881:Trollope: A Biography
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582:Trollope would not.
540:Victor Hugo, ca. 1868
539:
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257:
211:Marquis and Methodist
1994:The Eustace Diamonds
1978:Can You Forgive Her?
1791:The American Senator
1727:He Knew He Was Right
1163:Trollope, Anthony.
1147:Trollope, Anthony.
1131:Trollope, Anthony.
1044:Trollope, Anthony.
892:Trollope, Anthony.
853:Littell's Living Age
812:Littell's Living Age
698:Blackwood's Magazine
434:Low Church Anglicans
112:is an 1870 novel by
88:Print (serial, book)
2071:1870 British novels
2018:The Duke's Children
1783:The Way We Live Now
1381:Sadleir, Michael.
1298:Sadleir, Michael.
1265:Sadleir, Michael.
774:Trollope, Anthony.
732:James Pope-Hennessy
647:in New York and by
474:Publication history
430:Primitive Methodist
23:
2010:The Prime Minister
1184:The Moral Trollope
1182:apRoberts, Ruth.
934:Pollard, Arthur.
790:Walsh, Townsend.
714:characters of the
668:Dover Publications
621:
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501:Bradbury and Evans
419:Barsetshire novels
375:
341:Love and courtship
260:
219:minister, and the
61:Bradbury and Evans
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1941:Framley Parsonage
1925:Barchester Towers
1887:An Old Man's Love
1815:An Eye for an Eye
1695:The Belton Estate
1524:Project Gutenberg
1463:Partial Portraits
1198:Anthony Trollope.
1033:Tauchnitz edition
911:Partial Portraits
716:Barchester novels
624:Other publication
436:, and Fenwick is
403:I Count Her Wrong
384:Eliza Lynn Linton
373:Eliza Lynn Linton
134:Barchester novels
105:
104:
77:Publication place
2083:
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1879:The Landleaguers
1855:Kept in the Dark
1847:The Fixed Period
1639:The Three Clerks
1600:Anthony Trollope
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144:Plot summary
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118:broad church
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18:
1536:archive.org
1470:The Century
983:Trollopiana
918:The Century
748:, and from
742:, from the
723:Henry James
672:Alan Sutton
605:Once A Week
561:Victor Hugo
557:Once A Week
511:Once A Week
496:Once A Week
480:Once A Week
449:Tractarians
438:high church
347:Henry James
287:La traviata
2060:Categories
1917:The Warden
1863:Marion Fay
1679:Rachel Ray
1663:Orley Farm
1436:via JSTOR.
1403:via JSTOR.
1114:chapter 84
962:via JSTOR.
758:References
276:Drury Lane
274:opened at
122:low church
2033:Magazines
1775:Lady Anna
1363:The Times
848:The Times
740:The Vicar
705:, and by
703:The Times
692:The Times
682:Reception
649:Tauchnitz
609:The Vicar
579:instead?
571:The Vicar
547:The Vicar
423:The Vicar
360:The Vicar
317:The Times
313:The Vicar
298:The Times
281:The Times
264:The Vicar
217:Methodist
182:baronetcy
153:Wiltshire
126:Methodist
57:Publisher
1560:LibriVox
990:Archived
586:was, in
531:Beverley
409:Religion
300:itself.
198:bondsmen
49:Language
1331:LiveLib
527:borough
335:Formosa
309:Formosa
221:Marquis
80:England
52:English
2021:(1880)
2013:(1876)
2005:(1874)
1997:(1873)
1989:(1869)
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1960:(1867)
1952:(1864)
1944:(1861)
1936:(1858)
1928:(1857)
1920:(1855)
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1706:(1867)
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1674:(1862)
1666:(1862)
1658:(1860)
1650:(1859)
1642:(1858)
1634:(1850)
1626:(1848)
1618:(1847)
1607:Novels
709:. The
645:Harper
521:for a
169:squire
39:Author
1596:Works
738:from
701:, by
550:'
226:glebe
157:vicar
440:and
290:and
94:ISBN
72:1870
1598:by
1522:at
1116:of
529:of
513:."
405:.)
270:'s
2062::
1374:^
1307:^
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