The Velvet Rope Tour

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eventually kisses him." The selected fan was required to be strapped into the chair due to safety concerns from Jackson's previous tour, after the participant had forcefully grabbed and fondled her while onstage. Jackson said, "Everyone thinks it's this kinky thing. But the reason he gets strapped in is on this last tour, this guy grabbed my crotch. I sat on his lap and then I stood up and he grabbed my crotch, and I was trying to move his hand and he was too strong for me and he was just rubbing on my crotch. There was nothing I could do, so I said to myself I would never let that happen again." Jackson's performance of "What About" is also infamous for its portrayal of domestic violence and abuse. The tour's "racy" costumes were designed by fashion designer David Cardona, who commented "All her life it's been about Janet being cute. Now it's about Janet being sexy."

888: 1037: 178:, portraying her struggle with depression and self-esteem. The tour's stage production was developed as a storybook setting, allowing spectators to cross beyond her "velvet rope" and experience her life story through the evolution of her musical career. It consists of twenty-six songs, several band interludes, and intense choreography along with nine costume changes and four sets. Jackson depicts themes such as burlesque and domestic violence among the show's complex production of pyrotechnics and theatrics. 182:

her rendition of "Rope Burn", Jackson selects a fan from the audience, performing a lap dance and kissing them while strapped into a chair. The show's suggestive promotional ads were banned from a number of publications, the image was reported to cause traffic accidents in Europe. A number of reviews commended Jackson's stage presence as consistently exceptional, noting improvement in her vocal delivery. It broke several attendance records and is the most attended stadium concert of all time in

610:", and the intimacy of "soul-searching" ballad "Special", adding "Jackson has put a personal stamp on this show that humanizes not only the music but also the performer too." Jackson's "radiance and warmth" was believed to be the result of "her own new-found self esteem", overcoming some of the insecurities plaguing her since childhood. Hilburn stated "the tour and album should go a long way toward helping Jackson finally get the credit she deserves as an artist." 6590: 687: 602:

pop-rock world", Hilburn applauded Jackson's credibility in portraying "a dazzling package, complete with snappy choreography, a colorful array of costumes and often striking staging." Hilburn observed "there were several moments in the show when Jackson stepped beyond the production values and touched us in a way the best pop performers have done over the years." Emphasis was placed on the "playfulness of the fairy tale staging" of "

774:" to the sexual side of Janet's music that keeps getting stronger and stronger as the years go by. During the performance, one lucky man is picked from the audience, strapped to a chair and "tortured" as Janet performs a highly erotic dance for him." The excerpt concluded "Janet is extremely beautiful, but she also demonstrates a humility obtained from pain, reflection and a sense of spirituality." Christine Robertson of 507:, is intended to describe the emotional obstacles she perceives to exist in modern relationships, and to invite her fans behind her personal veil of the senses. There was not much chance to get up close and personal with Jackson last Thursday when she started her world tour, as thousands of screaming admirers muscled in on the act. The feeling was more like being welcomed into her customized entertainment complex." 624:

grandeur." Additionally, Jackson's rapid "clockwork" movement was thought to be "high price", declared as nearly mechanical in certain segments. Moon declared "The audience cheered throughout the lavish production; the glossy, every-note-in-its-place music hardly mattered: This was Janet, the noted control freak. The sexually ambiguous diva. The drill sergeant of the rhythm nation. She can do as she pleases."

323:, said the photo did not meet the publication's standards. Jackson's spokeswoman said the tour's producers rejected proposed alterations, adding certain publications "sent back an image that colored Janet's bosom to appear as a sports bra." A billboard of the image in England was also removed after its suggestive nature led to multiple traffic accidents. The tour drew comparisons to 1174: 742:"offered a career retrospective, punctuated by new material, periodic video diversions and fireworks." "The show was a lot like an '80s flashback, though to its credit Jackson's eight-piece band—bass, guitar, drums and percussion, two keyboardists and two backup singers—added some inventive layering to her older hits." Charles Passy of the 1202:, Jackson personally selected them to open for the tour, helping to introduce the relatively unknown group to the public. Timberlake said "I had her poster on my wall so I'm psyched", later describing the experience as "fulfilling." Jackson performed with the group on several dates, including joining them for a live 784:, New Zealand, exclaimed: "The sleek choreography and superb dance spectacle saw Jackson seldom take a breath from one set to the next—her control of the stage complete. Most of the time she plunged into two decades of hits which give her the right to stand her ground" among her contemporaries. Jane Stevenson of 453:." Jackson strips to a black bra and tight pants during "Rope Burn", selecting a participant from the crowd at random, "pointing and demanding, "You!". The chosen fan is strapped into a chair as Jackson proceeds to pole dance and perform a striptease and lap dance, planting a kiss on the fan for the finale. " 1093:

Jackson's performance of "Rope Burn" has influenced numerous artists to incorporate a similar routine during live shows. An anecdote stated "Her performance of this song, when she brought a fan on stage for a strip tease during The Velvet Rope Tour has been co-opted by the likes of Britney Spears and

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Its setlist was composed of a wide array of Jackson's discography, focusing on new material in addition to medleys of previous hits. The tour is divided into five segments, each displaying different themes and settings. In "What About", Its racy visuals and depictions of violence drew controversy. In

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The tour's promotional advertisements were controversial for their provocative imagery. The image depicts Jackson in a "clingy, breast-enhancing bodysuit with what appears to be a nipple ring on the bodysuit's exterior and high-cut bikini panties." Several publications refused to publish the ad when

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was to criticize barriers that separate different classes in society. So from the beginning of her show, Jackson strives to prove her accessibility to her audience. The spectacular opening presents Jackson's life—at least professionally—as an open book." The stage was designed by Mark Fisher, saying

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screen. The screen shows a nighttime sky with stars and planets. The images dance across the screen, gaining in speed until pyrotechnics explode and the screen splits, revealing Jackson behind it. She is subsequently lowered by elevator onto the main stage and the book stand is removed, leaving the

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favorably reviewed the tour, exclaiming "There is so much of the ambition and glamour of a Broadway musical in Janet Jackson's new Velvet Rope Tour that it's only fitting that the concert program credits her as the show's creator and director." Although "those aren't terms normally employed in the

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medley incorporating themes of "children's theater." The tour's rendition of "Rope Burn", showcasing Jackson as she "coaxed a young man from the audience onstage for a veritable striptease routine – for which the fellow was strapped by wristbands to his seat", was also praised. However, the show's

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Jackson said, "To me, being onstage is about entertaining. I know there are people who just walk onstage and give you a show by just doing their music, but I always wanted something extra." Jackson conceptualized the tour in Paris, saying "I knew what I wanted everyone to look like, especially for

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added, "She is very good at entertaining. We learned a lot — that if people want to hear just the music, they can buy the CD. But it's the whole live aspect of changing the songs every night or the whole theatrical performance that she puts on. She's definitely one of our mentors when it comes to

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The show's setlist consists of twenty-six songs, several band interludes and over twenty dance numbers, along with nine costume changes and four different sets, in addition to frequent pyrotechnics and theatrics. At the beginning of the show, burgundy curtains accented by golden tassels are drawn

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tour observed there was "definitely a Janet vibe", particularly comparing Jackson's performance of "Rope Burn", "in which she tied an audience member to a bed and proceeded to seduce them", to Rihanna's rendition of "Skin." The critique added, "Fast forward 13 years later, and there was Rihanna,

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of marching insects", and "stylized stage sets", ranging from "a child's nursery to a swing-era street scene." The show's lengthy "high-concept medleys" and "power-as-aphrodisiac theme" where analyzed to be commanding and accentuated her physical presence, ripping off her blouse with "theatrical

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entertains the crowd during set changes. The stage reveals the "deranged madness" of the following "hallucinatory" segment, featuring Jackson in a jester's headdress and satin bustier, with dancers dressed as "flowers, Mad Hatters, and horny gnomes" in a "Wonderland" setting. Jackson performs an

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The tour's rendition of "Rope Burn" was considered "incredibly sexy" and "what everyone was talking about", becoming its most controversial performance. During the act, Jackson "plucks a male fan out of the crowd and ties his hands to the arms of a chair on stage while she gyrates around him and

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emphasized style over substance, commenting her "two-hour set was about half hormones—and half pyrotechnics. Without much in the way of a voice, she has sold her persona throughout her career. And as that persona has evolved from girlish teenager to sexually sophisticated woman, her albums—and

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look like public theater." The show was analyzed to be "as much a broadcast as it was a show", transitioning through "a seamless whirl of songs, costumes and set changes." Jackson's performances were described as a "technicolor barrage", ranging from "punched-up, steely grooves" to "pillowy,

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sold out within three hours, prompting Jackson to add a second showing for a later date. It grossed over $ 33 million in the United States alone. Its European leg had completely sold out. The tour had an estimated worldwide attendance of nearly two million, reported to exceed ten million by

291:—would be represented." Regarding its introduction, Fisher said, "The elevator deposits her gracefully, as befits a princess, on the very front of the downstage." "And of course, the entirely cool and wonderful and breaking-new-ground aspect of it is that it's all made possible by a thin 40: 1256:. Espinosa stated "it was a great learning experience, she's the top of the top," commenting "Dance-wise, (she taught me) how to become a better dancer and performer, and that you also have your good and bad days. Most of all you can't take things personally." Backing dancer 1128:

stated "Long before Rihanna and Nicki were handing out lap dances like hot cakes, Miss Jackson revolutionized dirty dancing with her "Rope Burn" routine in 1998. Janet works her way up and down a pole before laying a passionate kiss on an excited male fan." A critique of

729:, wrote "If there's a show sexier and more polished than Janet Jackson's The Velvet Rope extravaganza, it's only on Broadway ... Saturday night's show at GM Place was two hours of thrills pumped out by Jackson, her never-say-die dancers and her powerful band." 579:

applauded the tour as a "birth of a new form of entertainment", effectively taking "music-video fundamentalism to a new extreme in live performance." Jackson's "athletic, superchoreographed presentation" was considered "sheery sensory thrill", thought to have "made

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screen." Roy Bennett stated "We talked about developing the show around the scenarios of her career. I kept that in mind while lighting each different scene, but I tried to do it in an abstract way, without jumping too far away from the overall look of the show."

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touring and the stage show. Her show told a story, and that's what people like to see." Following the tour, Timberlake and Jackson became "good friends", ultimately leading to Timberlake performing alongside Jackson during a segment of Jackson's controversial

277:"She wanted to have a book opening and herself come out of it. So I finessed that book into the video screen." Fisher explained, "Each different scene in the show would be akin to turning the pages in this book, and all the albums that she'd done in the past— 1197:

when Jackson selected both as its opening acts during their early careers, exposing them to a wider audience. Both artists credit Jackson as a major showmanship influence from both "an entertainment and evolution perspective." While Timberlake was part of

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observed, "A tiny dynamo of constant motion, Jackson strutted, slunk and grooved her way from one end of the stage to the other ... Her voice, sometimes thin and girlish on her albums, sounded fuller and more powerful than ever." Kevin Johnson of

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stated "Janet takes us from ballads to hard-core dance beats, and from sex to politics. The set changes appropriately reflect some of the stages of her musical development, from the more playful circus/funhouse vibe of light and playful songs like

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Elizabeth Aird (1998-08-10), "Planet Janet : The pop superstar puts on a show that's simply out of this world—to the delirious delight of her adoring Vancouver fans whose faith was rewarded with two hours of non-stop thrills",

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technology, among the first developed at the time. Dancer and choreographer Teresa Espinosa began her career on the tour and credits Jackson for her success, leading her to subsequently work with Britney Spears, Pink, Rihanna,

1214:." A biography stated it was a "highlight" moment for Timberlake which "gave Justin a chance to show his family and friends how far he had come." The tour was the largest audience the group performed for at the time, with 3942: 1231:

described opening for Jackson as "the biggest event" of his career and an "honor", saying "She's a definite entertainer, works hard and sweats every night. I learned a lot about how to make an artist look like a star."

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the opening number. I knew what I wanted everyone to wear. I visualized the whole thing." Jackson desired to create new themes for prior hits to avoid repeating previous performances. The tour's logo is a variation of

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broke attendance records, exceeding its original capacity to accommodate additional ticket demands, making Jackson the only artist in the venue's history to do so. Jackson donated a portion of the tour's sales to

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reported, "With wit, sass, dance and a whole lot of sex appeal, Janet turns her song and dance fest into one of the major musical events of the year. In fact, it has become the must-see concert of the year."

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remarked "Brown isn't the only celeb getting freaky on stage with their fans, singer Janet Jackson was one of the first celebrities to get freaky with fans on a stage in front of thousands of on-lookers."

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to have "most closely resembled Janet Jackson's audience-dividing, hypersexual 1998 Velvet Rope tour — all that was missing was a chair dance." The carnival theme and theatrics used in Japanese group

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revealed being inspired by a segment of Jackson's tour in which she stood in silence and stared at the crowd for several minutes to massive applause; imitating the technique during his own concerts.

457:" is followed by an emotionally charged rendition of the rock-influenced "What About", one of the tour's most controversial and praised renditions. Jackson narrates as four dancers demonstrate two 540:." The concert was considered "a lust-driven fairy tale", featuring "a giant storybook, containing a massive video screen" which opened and closed the show. Its varied themes were contrasted with 921:

cited the tour as an inspiration, saying "I just love watching people's performance videos. And she, being an amazing performer ... I aspire to do my little shows like that one day." The "flashy

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Tour, "in which they lapdance around the sole member of the audience who is male and in his twenties", adding "It's a trick Janet Jackson did a few years ago, on her Velvet Rope tour." In 2013,

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remarked, "Janet Jackson had a sellout crowd for the kickoff of her first U.S. tour in four years, and she blew the fans away with imaginative staging and sheer exuberance." J. D. Considine of

366:." Jackson is backed by dancers strutting alongside her wearing dual-sided masks, representing an isolated persona. Jackson then takes to a center stage stool to perform unplugged versions of " 659:

commented "Jackson looked fabulous, danced fabulous, sang as close to fabulous as she ever has and in the end provided a fabulous two hours of entertainment that was equal parts rock concert,

6488: 4980: 308:, meaning "you can't move into the future until you understand your past." Jackson tattooed the symbol onto her wrist and used the image frequently throughout the tour's promotional imagery. 3814:

Jackson performed a private show by request of Princess Hamidah of the Brunei royal family, for the princess' 21st birthday. An exclusive audio recording of the show was issued to attendees.

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unplugged ballad segment was thought to be "the evening's most unadorned moment." Piccoli added the crowd's "animated cheering" had been the most the arena had mustered in his experience.

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Jackson is dressed in a top hat and velvet suit, resembling a "19th century British merchant", and along with eight dancers, performs the opening number "Velvet Rope", using a refrain of

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was likened to Jackson's Velvet Rope Tour among several critics, considered to have "clearly learned her tricks" from studying Jackson's performances. In particular, Pink's rendition of

619:. Its "eerie, robotic aura of a video game" was thought to be complemented by pyrotechnics detonated "At all the right, surprising moments", a troupe of "lockstep" dancers likened to "a 5866: 5713: 4188: 4057: 5262: 585:

whispered ballads." Piccoli declared highlights to include the opening number, "an eerie incantation on the strangeness and isolation of celebrity", and the "explosively colorful"

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stores in Germany in other parts of Europe, including a seventeen-minute interview and tour photo book. Its second disc features thirteen songs selected by Jackson, mainly of the

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to open for the tour; introducing both to the public during their early careers. It has also inspired the careers of several performers, dancers, and professional choreographers.

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J.D. Considine (1998-07-11), "It's her 'Velvet Rope' tour, but Janet Jackson gets lost in the crowd; Music review: Back-up singers, back-up dancers help make the show lively",

3952: 1006:, Spears performed a lap dance for a selected fan while wearing a boa after a pole dance, considered a direct reference to Jackson's performance of "Rope Burn." An analysis of 5319: 4252: 5488: 528:

commended the show's "Vegas-style glam" and Jackson's "pure showmanship" as providing "a hellzapoppin' spectacle that featured enough over-the-top special effects to make

5924: 4827: 4623: 4949: 4797: 1170:'s painting "Velveteen (Wilson Kelvin McQuade)", offering the analogy "a lap dance performed by one artwork for another may be crass, yet too fitting to be ignored." 899:

The tour's themes, performances and choreography, have influenced artists of various genres as well as several professional dancers and choreographers. The theme of

438:" across a "blindingly bright, poppy-induced set design" with varied props, which include a smiling clock tower, inflatable moons, mammoth chaise, vases, and books. 174:(1997), the tour visited Europe, North America, Japan, New Zealand, Africa, and Australia. Jackson was inspired to create an autobiographical show using elements of 4653: 344:

apart, exposing an enormous book. It is covered by an equally large quilt embossed with "The Velvet Rope." A master of ceremonies opens the book, revealed to be an

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stated "The concert captured the scope of Jackson's talent from songwriter to singer, producer, actress, dancer and fashion diva." Similarly, Gemma Tarlach of the

4071: 5342: 842:. It received over 15 million viewers and surpassed the ratings of all four major networks among viewers subscribed to the channel. It was released on DVD as 1090:

called Jackson "hands down, the best female performer of all time", praising the tour's rendition of "Rhythm Nation" in which Jackson dances with nunchucks.

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of domestic violence in abusive relationships, including rape and physical abuse, concluding in a gun pulled on the abusers in self-defense. Proceeding is "

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How Much Is That in Real Money? A Historical Price Index for Use as a Deflator of Money Values in the Economy of the United States: Addenda et Corrigenda

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A promotional interview disc in which Jackson answers thirty-four tour questions was released in Europe. A special edition double disc set was issued to

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became "obsessed with music" and "developed through watching" the tour, recalling "I remember seeing The Velvet Rope Tour and then getting the

1064:"Janet Jackson Velvet Rope Tour DVD. Freaking out. Mesmerized. Living. Can't stop yelling at the tv screen. Omg." JoJo later recorded the album 4689: 4584: 1218:

commenting, "That was great because we got to see how a real professional tours. And not only that she is really sweet. We really enjoyed it."

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noted "on albums, Jackson's sound isn't defined by her voice so much as by the way her voice is framed by the lush, propulsive production of

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exclaimed "pyrotechnics, set pieces and inflatables combine with non-stop singing and dancing for two hours of exhilarating entertainment."

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Jackson developed the tour as an audiovisual storybook, sharing her life experience through the evolution of her music. Catherine McHugh of

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How Much Is That in Real Money? A Historical Price Index for Use as a Deflator of Money Values in the Economy of the United States

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First Show Sold Out --Second Show Added for Janet Jackson's The Velvet Rope Tour '98 Saturday, July 18, 8 p.m. at Joe Louis Arena

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commended Jackson's performance of "If" and "stayed up the whole night learning all the choreography from the Velvet Rope Tour."

5496: 917:", depicting "a masturbatory fantasy brought to life", was considered "instantly" reminiscent of "Janet's Velvet Rope gropes." 566:?" Daly praised Jackson's "breakneck speed" and favorably considered it "summer-entertainment bliss", adding "Janet's still as 6417: 6279: 5867:"POPsessions: 'So You Think You Can Dance' Emmy-Nominee Travis Wall Shares His Pop Culture Obsessions – Yahoo! TV – Yahoo TV" 5473: 4079: 2817: 844: 204:. It drew over 15 million viewers and was the most watched program among homes subscribed to the network. The special won an 4941: 4819: 6615: 5608: 4789: 4615: 6138: 6092: 5954: 4858: 986:", performing in a similar vein among masked dancers wearing one-piece attire. Several performances and themes of Spears' 560:

factory." The show's second segment was analyzed as "deranged madness", questioning "Can this really be little Penny from

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finalist Jessica King included the tour among her "favorite dance moments." It was also the first concert attended by

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commended the tour as "one of the flashiest on the concert scene." Elizabeth Aird, who reviewed Jackson's concert at

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screen hanging in place. It then moves to the back of the stage, followed by the appearance of the band and dancers.

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List of concerts, showing date, venue, city, tickets sold, number of available tickets and amount of gross revenue

1536: 435: 389: 191: 5804: 887: 469:, followed by the ballad "Special." The tour's encore includes chandeliers and a final outfit change, performing " 411:." The red velvet curtain closes the stage while a "hidden light-and sound show" likened to extraterrestrial film 6000: 4335:

Gemma Tarlach (1998-07-29), "Mature Janet Jackson takes control Bradley Center show is a musical, visual feast",

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used a circus theme, observed to be partially inspired by segments of the tour. During "Lace and Leather" on the

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Outstanding Lighting Direction (Electronic) for a Drama Series, Variety Series, Miniseries, Movie or a Special

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James Sullivan (1998-08-15), "Nasty or Nice? Janet Can't Decide / Jackson shows inner child onstage",

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of that, putting it on slow motion so that I could learn every single dance move." British artist

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The tour's promotional advertisement drew controversy and was banned from numerous publications

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they could not determine a way to present the image. Ken DeLisa, corporate affairs manager of

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cited the tour as an inspiration, saying "That show changed my life and so did the dancers."

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reported the performance inspired American artist (who was exhibiting I London at the time),

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opened for several dates and experienced increased commercial success following the tour.

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while The Velvet Rope Tour played on a studio television for inspiration. Canadian singer

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The tour's "computer design-phase" was considered "a marvel of precision" by Tom Moon of

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Rihanna in later years." Other artists observed to be inspired by the rendition include

5312:"VIBE Vixen The Art of Seduction: 9 (Amazing) Celebrity Lap Dances >> VIBE Vixen" 4851:"Panic! At The Disco Open Tour With Mime, Drum Line & Oh Yeah, And Rock – MTV News" 3998: 3628: 3365: 2959: 2944: 2853: 2375: 2355: 2134: 2119: 1810: 1513: 1398: 1103: 1030: 1011: 918: 892: 536: 283: 235: 5201: 1036: 6360: 6307: 5637: 5551: 5469: 5436: 4768: 4481: 4394: 4372: 4303: 4170: 4106: 3947: 3439: 2921: 2580: 2270: 1744: 1575: 1219: 1190: 1178: 1083: 1015:

writhing around on a lucky audience member at the conclusion of Skin off her current

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were later considered "ripped right off the pages" of Jackson's Velvet Rope Tour by

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Etter, Jeannine (17 March 2001). "Janet Jackson: A Diva Grows Up". Youth Outlook.

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was inspired to pursue a professional dancing career after watching the tour.

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has also been reported to emulate a similar tactic during several live shows.

683:" was commanding enough to hold its own against the wailing electric guitar." 6609: 6392: 6286: 6210: 6164: 5440: 5343:"Katy Perry served up a sweet and mildly salty show at the New Orleans Arena" 4398: 4217:

Moon, Tom (24 July 1998). "Janet Jackson's Show Hits E-centre – Philly.com".

4174: 3746: 3674: 3600: 3293: 2858: 2751: 2678: 2525: 2360: 2174: 1923: 1777: 1693: 1485: 1207: 1167: 1095: 1057: 933: 905: 900: 810: 462: 427: 301: 227: 165: 119: 30: 5744:"Teresa Espinosa's experience on Janet Jackson's Velvet Rope Tour – YouTube" 5578: 4020:"This much I know: Zulu, tattoo artist, 42, Los Angeles – From the Observer" 990:

drew comparisons for its choreography and sensuality, as well as a reworked

3457: 2974: 2954: 2648: 2204: 1726: 1557: 1353: 1253: 1249: 1148: 991: 925:-designed costumes and preternatural interest in the risqué" of Aguilera's 910: 823: 739: 615: 446: 408: 209: 441:

The set transitions into a "steamy burlesque house" with a succession of "

5843: 5069: 5011: 4590: 4318:

Natasha Kassulke (1998-07-29), "Janet Jackson both serious and playful",

3981: 3783: 3768: 3037: 2868: 2475: 2169: 1316: 1287: 1271: 1257: 1233: 1130: 1119: 1115: 1022: 998:" sonically reminiscent of Jackson's "Rope Burn." Spears' following tour 541: 404: 5376:"Pop 2: Once a kitten and now a minx – From the Observer – The Observer" 4880: 5036: 4646:"Janet Jackson, Various – Janet – Collector's 2 CD Set (CD) at Discogs" 4456:

Christine Robertson (1998-12-01), "Janet erupts to tease and delight",

3337: 3298: 3002: 2925: 2300: 2054: 2044: 2020: 1867: 1834: 1721: 1649: 1385: 1237: 1203: 1199: 1139: 1111: 781: 562: 490: 213: 205: 5901: 5194:"Anjulie – Who is Anjulie – Bio, Videos and Pictures on MuchMusic.com" 1099: 1053: 5670: 4616:"Janet Jackson – The Velvet Rope Tour Interview Disc (CD) at Discogs" 4286: 4165: 3722: 3416: 3249: 3133: 2929: 2908: 2771: 2480: 2400: 2385: 2244: 2154: 2039: 1946: 1900: 1842: 1703: 1621: 1603: 1593: 1449: 1215: 1153: 1107: 1087: 1026: 665: 660: 638: 629: 514: 466: 1769: 686: 465:", in which Jackson rapidly dances using martial arts movements and 6531: 5347: 3740: 3679: 3285: 3153: 3049: 3027: 2673: 2234: 2124: 1754: 1675: 948: 864: 860: 726: 270:

reports "Part of the reason Janet Jackson titled her latest record

39: 6314: 3554: 3549: 2663: 2658: 2535: 2099: 1956: 1882: 1636: 1071: 1061: 1007: 967:

shows were compared to Jackson's festival setting from the tour.

876: 872: 620: 557: 478: 324: 305: 231: 6179: 4284:

Steve Jones (1998-07-13), "Jackson's actions wow fans on tour",

5805:"Dancelife: Interview with Britney's Dance Captain Tiana Brown" 3875: 3234: 3072: 2987: 2939: 2640: 2550: 2460: 2214: 1938: 1918: 1787: 1736: 1567: 1549: 1243:

The tour was one of the first concerts to feature split-screen

960: 814: 398: 374:" with an acoustic guitarist. A "frenzied" medley of hits from 287: 247: 187: 183: 5103:"The Best & Sexiest Celebrity Lap Dances (VIDEO x PHOTOS)" 5007:"The Revisit: Janet Jackson's 'The Velvet Rope' – Saint Heron" 4428:"On concert tour, Janet invites fans inside her Velvet Rope", 4411:

Charles Passy (1998-09-12), "Hormones Rage on Janet's Stage",

1033:

as the best "pop-star show" since Jackson's Velvet Rope Tour.

493:" were performed exclusively on selected international dates. 3204: 3173: 3113: 2025: 1667: 1585: 1528: 1477: 1182: 1049: 856:" contains concert footage filmed in Glasgow and Manchester. 251: 243: 5285:"DJ Kayper's Top 5 Non-HipHop Music Video Picks! – MTV IGGY" 5134:"Twitter / JoJoistheway: Janet Jackson Velvet Rope Tour ..." 4110:. Vol. 50, no. 16. 2 November 1998. Archived from 4072:"Janet's Cleavage Wreaks Havoc At Home And Abroad – MTV.com" 3943:"The 'Velvet' Touch: Janet Shows Softer Side – Sun Sentinel" 1181:

to open for the tour during his early career as a member of

641:, Netherlands, compared her two-hour performance to that of 1805: 1685: 1321:

Outstanding Technical Direction/Camera/Video for a Special

1173: 938: 5605:"'NSync Talks Second Leg Of Tour, New Album, Lou Pearlman" 4586:

HBO's Exclusive Live Concert Event Janet: The Velvet Rope

4136:"Live Report: Janet Jackson – Music News – Rolling Stone" 1244: 1075: 849: 835: 834:

The show's concert in New York City was broadcast on the

699: 345: 292: 197: 6016: 164:

was the third concert tour by American recording artist

6489:

A Special 30th Anniversary Celebration of Rhythm Nation

5834:"So You Think You Can Dance Top 20 Finalists | Jessica" 4881:"aide – Arashi in Concert Glory Report! Nagoya, May 31" 1403:

Legend Award for Outstanding Contribution to Pop Music

114:

US$ 33.1 million ($ 61.87 million in 2023 dollars)

4540: 4352:

Kevin Johnson (1998-07-31), "Behind the Velvet Rope",

951:

likened the circus theme, costumes, and atmosphere of

522:

The tour was highly praised by critics. Sean Daly of

1366:

Outstanding Performance in a Variety Series/Special

4455: 4434:, vol. 94, no. 15, p. 56, 1998-09-07 1142:was also thought to emulate the performance on the 5579:"Transcript of Yahoo! Chat with J.C. from 'N SYNC" 5457: 4746: 4526:"Hawai'i-born dancer has Janet moving to his beat" 4514:, vol. 95, no. 7, p. 56, 1999-01-18 4189:"The Swirling Velvet Ropelays Siege To The Senses" 970:The tour was among the first concerts attended by 5489:"'N Sync Describes Hooking Up With Janet Jackson" 4942:"Britney Spears' Concert About Sights, Not Sound" 4939: 4848: 3906: 6607: 5772: 5252: 5065:"Gig review: Lady Gaga (Auckland) – Stuff.co.nz" 5004: 4317: 168:. Launched in support of her sixth studio album 6564:Malfunction: The Dressing Down of Janet Jackson 5696: 5633:Justin: The Unauthorized Biography – Sean Smith 5547:Justin: The Unauthorized Biography – Sean Smith 5100: 5062: 4787: 4444: 4163:Paul Sexton (1998-04-20), "Sweet to the beat", 3974: 3940: 5431:Valdéz, Mimi (August 2001), "Show and prove", 5161: 5029: 4386: 4368: 4300: 3985:. Archived from the original on 22 August 2000 840:The Velvet Rope: Live in Madison Square Garden 202:The Velvet Rope: Live in Madison Square Garden 6195: 5864: 5455: 5373: 5309: 5000: 4998: 4410: 4351: 4334: 4186: 4017: 3185: 1296:List of accolades for "The Velvet Rope Tour" 852:. A live music video for promotional single " 503:"The title of Janet Jackson's current album, 5711: 5519:"*N Sync Me: Transcript of chat with Justin" 5340: 5164:"Bleu Bombshell : Jojo – Bleu Magazine" 4713: 663:revue and Broadway musical." Steve Jones of 5629: 5543: 4970: 4755:. Archived from the original on 6 June 2013 4569:Kim McAvoy, "HBO makes the most of music", 4548:"Tickets still available for Janet concert" 4283: 4253:"Janet Jackson, Dynamo With a Velvet Touch" 4162: 3828: 829: 698:) in New York City was filmed and aired on 200:broadcast the show during a special titled 6202: 6188: 4995: 4709: 4707: 4677: 4250: 4244: 4133: 947:shows drew comparisons to Jackson's tour. 633:, who reviewed the opening concert at the 6039: 5537: 4158: 4156: 3970: 3968: 3966: 3964: 3962: 3936: 3934: 1286:The Velvet Rope Tour was nominated for 4 1281: 5750:. Pacific Rim Video Press. 9 June 2010. 5663: 5451: 5449: 5435:, vol. 9, no. 8, p. 116, 5096: 5094: 5092: 4673: 4671: 4573:, vol. 128, no. 36, p. 30 4501: 3902: 3900: 3898: 3896: 3894: 3855: 3835: 3306: 1172: 1035: 886: 685: 4704: 4212: 4210: 4208: 4206: 4180: 3878:"Consumer Price Index (estimate) 1800–" 1152:observed influence from Jackson in the 793: 6608: 5917: 5430: 5265:from the original on 10 September 2013 4568: 4153: 4129: 4127: 4125: 4123: 4121: 4050:"People - Jackson Too Hot for Courant" 3959: 3931: 1156:' performance of "Virgin Sexy" on the 219:The Velvet Rope Tour – Live in Concert 6418:The Velvet Rope Tour: Live in Concert 6183: 5678:from the original on 9 September 2021 5664:Medworth, Whitney (4 February 2018). 5446: 5089: 4668: 4265:from the original on 4 September 2023 3891: 3876:Federal Reserve Bank of Minneapolis. 982:referenced Jackson's performance of " 845:The Velvet Rope Tour: Live in Concert 496: 16:1998–99 concert tour by Janet Jackson 5131: 5113:from the original on 31 January 2014 4251:Harrington, Richard (10 July 1998). 4227: 4216: 4203: 1225:Super Bowl Halftime Show performance 780:, who reviewed Jackson's concert in 606:", the "artful musical stretch" of " 5623: 4940:Mendelsohn, Aline (31 March 2004). 4692:from the original on 1 January 2015 4118: 1358:Outstanding Variety Series/Special 1044:drew comparisons to Jackson's show. 798:The tour's premiere concert at the 338: 13: 6474:Number Ones, Up Close and Personal 5947: 5873:from the original on 19 April 2014 5785:from the original on 19 April 2014 5322:from the original on 21 April 2021 5143:from the original on 11 April 2014 5077:from the original on 28 March 2013 4891:from the original on 19 April 2014 4830:from the original on 19 April 2014 4728:from the original on 25 March 2013 4562: 4518: 4466: 4234:"Space-age Janet's velvet night", 4060:from the original on 10 July 2015. 4030:from the original on 21 April 2014 2818:Hardee's Walnut Creek Amphitheatre 1000:The Circus Starring Britney Spears 702:, drawing fifteen million viewers. 449:", and instrumental interlude of " 14: 6637: 6209: 6175:Mark Fisher set design and images 6158: 5699:98 Degrees and Rising to the Top! 5386:from the original on 4 March 2016 5063:Sweetman, Simon (15 March 2010). 5044:from the original on 7 April 2014 4983:from the original on 13 June 2018 4952:from the original on 13 June 2018 4800:from the original on 7 April 2014 4749:"Interview of Christina Aguilera" 4656:from the original on 16 June 2015 4626:from the original on 8 March 2016 2930:Dr. Victor & the Rasta Rebels 1985:Palais Omnisports de Paris-Bercy 826:to assist disenfranchised youth. 809:. The tour's closing date at the 753:tours—have provided a road map." 380:succeeds the ballads, including " 358:theme. After transitioning into " 194:, for her thirty-first birthday. 6589: 6588: 6543:Super Bowl XXXVIII halftime show 5773:Aguilar, Rebecca (12 Feb 2012). 5253:Gorman, Francine (10 Dec 2012). 5005:Hardy, Alexander (29 Nov 2011). 4973:"Britney Sexes Up Shows On Tour" 4849:Montgomery, James (8 Nov 2006). 4788:Portuguez, Enid (7 March 2007). 3907:McHugh, Catherine (1999-01-01). 2601:Coca-Cola Star Lake Amphitheater 1537:Palais Omnisports de Paris-Bercy 895:has been influenced by the tour. 436:Love Will Never Do (Without You) 390:What Have You Done for Me Lately 38: 6131: 6108: 6085: 6062: 5993: 5970: 5935:from the original on 3 May 2015 5885: 5858: 5826: 5815:from the original on 2018-04-06 5797: 5766: 5754:from the original on 2021-12-22 5736: 5705: 5690: 5657: 5611:from the original on 7 May 2014 5597: 5585:from the original on 2014-02-01 5571: 5525:from the original on 2014-10-06 5511: 5481: 5424: 5398: 5374:Empire, Kitty (29 March 2003). 5367: 5334: 5303: 5277: 5246: 5216: 5186: 5162:Kennedy, Amber (9 March 2013). 5155: 5125: 5101:Lewis, Brittany (31 May 2011). 5056: 5023: 4964: 4933: 4921:from the original on 2021-12-22 4903: 4873: 4842: 4812: 4781: 4740: 4714:Pareles, Jon (6 October 2009). 4638: 4608: 4577: 4449: 4438: 4421: 4404: 4380: 4362: 4345: 4328: 4311: 4294: 4277: 3941:Hilburn, Robert (11 Sep 1998). 3808: 3647:Cynthia Woods Mitchell Pavilion 2889:Cynthia Woods Mitchell Pavilion 2833:GTE Virginia Beach Amphitheater 2541:Coca-Cola Lakewood Amphitheatre 1377:Creative Stage Set of the Year 957:Nothing Rhymes with Circus Tour 748:reported Jackson's show at the 5712:Trube, Emily (25 March 2012). 5464:, Simon and Schuster, p. 4820:"Cher – The Believe Tour 1999" 4094: 4064: 4042: 4018:Horkins, Tony (15 July 2006). 4011: 3975:Stevenson, Jane (1998-09-20). 3909:"Together Again | Live Design" 3093:Newcastle Entertainment Centre 2586:Nissan Pavilion at Stone Ridge 965:Arashi Marks 2008 Dream-A-Live 311: 261: 100: 1: 6449:Rhythm Nation World Tour 1990 6347:Design of a Decade: 1986–1996 6150:– via Books.google.com. 6127:– via Books.google.com. 6104:– via Books.google.com. 6081:– via Books.google.com. 6058:– via Books.google.com. 6012:– via Books.google.com. 5989:– via Books.google.com. 5966:– via Books.google.com. 5865:Piccoli, Sean (22 Sep 2013). 5842:. 6 June 2008. Archived from 5310:Brown, Nicole (20 May 2013). 5230:. 29 Nov 2011. Archived from 5224:"ANJULIE: Unfiltered – STARK" 4971:Abbott, Jim (28 March 2004). 4532:. 15 Feb 2002. Archived from 4187:Piccoli, Sean (12 Sep 1998). 3821: 3721:Musical Director & Keys: 3159:Adelaide Entertainment Centre 3058:Brisbane Entertainment Centre 1873:Manchester Evening News Arena 1416: 822:, an organization founded by 208:, and was also nominated for 186:. A private show was held in 6035:– via Books.google.ca. 5495:. 8 Oct 1998. Archived from 5341:Spera, Keith (11 Sep 2011). 5030:Clevett, Jason (June 2011). 4593:, 1998-10-14, archived from 4554:. 2002-02-08. Archived from 4078:. 4 May 1998. Archived from 3870:American Antiquarian Society 3850:American Antiquarian Society 3710: 3105:Sydney Entertainment Centre 1374:Performance Magazine Awards 1345:Outstanding Music Direction 216:. It was released on DVD as 7: 6616:Janet Jackson concert tours 6538:Janet Jackson as a gay icon 6368:Japanese Singles Collection 5032:"Rihanna Heats Up The Dome" 4747:McGrath, Stephanie (1999). 4134:Daly, Sean (10 July 1999). 3078:Sydney Entertainment Centre 2090:The MARK of the Quad Cities 1612:Hanns-Martin-Schleyer-Halle 250:. Jackson notably selected 10: 6642: 5701:, Pocket Books, p. 31 5630:Smith, Sean (1 Nov 2005). 5544:Smith, Sean (1 Nov 2005). 4678:Wener, Ben (19 Sep 2009). 4338:Milwaukee Journal Sentinel 3762: 3177: 3119:Perth Entertainment Centre 3008:Queens Wharf Events Centre 2803:The Palace of Auburn Hills 2742:Continental Airlines Arena 2697:Worcester's Centrum Centre 2692: 2266: 2024: 2016: 1540: 1509:Jerudong Park Amphitheater 1268:So You Think You Can Dance 1263:So You Think You Can Dance 1189:The tour notably promoted 715:Milwaukee Journal Sentinel 481:" before concluding with " 80:January 30, 1999 6583: 6523: 6502: 6441: 6402: 6377: 6338: 6250: 6217: 6071:Billboard – Google Boeken 6002:Billboard – Google Boeken 4773:: CS1 maint: unfit URL ( 4003:: CS1 maint: unfit URL ( 3733:Percussion: Terry Santiel 3693: 3660: 3655: 3650: 3645: 3609: 3604: 3599: 3594: 3374: 3369: 3364: 3359: 3328: 3325: 3322: 3319: 3316: 3276: 3266: 3263: 3208: 3203: 3180: 3172: 3164: 3137: 3132: 3117: 3112: 3061: 3053: 3006: 3001: 2986: 2981: 2978: 2973: 2965: 2920: 2912: 2899: 2887: 2882: 2755: 2750: 2644: 2346:Arrowhead Pond of Anaheim 2138: 2133: 2103: 2098: 2003: 1963: 1960: 1955: 1922: 1917: 1904: 1838: 1791: 1740: 1707: 1607: 1519: 1491: 1461: 1456: 1453: 1448: 1440: 1352: 1329:Outstanding Choreography 1315: 1163:Wall Street International 980:Dream Within a Dream Tour 937:. The stage and props of 882: 677:Jimmy Jam and Terry Lewis 126: 118: 110: 99: 91: 76: 61: 49: 37: 24: 6140:Billboard – Google Books 6117:Billboard – Google Books 6094:Billboard – Google Books 6048:Billboard – Google Books 6025:Billboard – Google Books 5979:Billboard – Google Books 5956:Billboard – Google Books 5893:"Photo by shaunevaristo" 5839:Fox Broadcasting Company 5697:Nancy E. Krulik (1999), 5460:Usher:The Godson of Soul 4571:Broadcasting & Cable 3801: 830:Broadcast and recordings 738:observed her concert at 706:Natasha Kassulke of the 471:That's the Way Love Goes 65:April 16, 1998 6574:(documentary TV series) 6484:State of the World Tour 6432:From Janet to Damita Jo 4476:, 1998-04-09, p. 1 4390:San Francisco Chronicle 4355:St. Louis Post-Dispatch 4321:Wisconsin State Journal 4240:, p. 3, 1998-05-30 3727:Drums: Lil John Roberts 3715: 1965:Alsterdorfer Sporthalle 1158:Angels with Dirty Faces 806:The Honolulu Advertiser 735:San Francisco Chronicle 722:St. Louis Post-Dispatch 709:Wisconsin State Journal 6479:Unbreakable World Tour 6242:Awards and nominations 5899:. 2013. Archived from 5636:. Simon and Schuster. 5550:. Simon and Schuster. 5456:Chris Nickson (2005), 4685:Orange County Register 3730:2nd Keys: Darrel Smith 3504:Coral Sky Amphitheater 3435:MGM Grand Garden Arena 3412:San Diego Sports Arena 3389:Shoreline Amphitheatre 3326:Attendance / Capacity 2496:Coral Sky Amphitheatre 2406:MGM Grand Garden Arena 2391:San Diego Sports Arena 2316:Shoreline Amphitheatre 2220:McNichols Sports Arena 2190:Riverport Amphitheatre 1796:Zénith Oméga de Toulon 1282:Awards and nominations 1186: 1144:California Dreams Tour 1045: 1021:album." New Zealand's 896: 891:Critics have observed 750:Coral Sky Amphitheatre 732:James Sullivan of the 703: 509: 386:The Pleasure Principle 4597:on September 27, 2007 4220:Philadelphia Inquirer 3596:Madison Square Garden 3573:Hartford Civic Center 3307:Box office score data 2757:Madison Square Garden 2712:Hartford Civic Center 2466:Starplex Amphitheatre 1712:Stockholm Globe Arena 1176: 1135:Fan Appreciation Tour 1039: 890: 692:Madison Square Garden 689: 598:The Los Angeles Times 570:as she wants to be." 501: 6459:The Velvet Rope Tour 6386:Control: The Remixes 6170:Rottentomatoes entry 5811:. 18 November 2009. 5259:The Line Of Best Fit 5132:JoJo (17 May 2012). 4558:on 24 December 2017. 4536:on 24 February 2021. 3913:Live Design Magazine 2845:Mark G. Etess Arena 2616:Polaris Amphitheater 2436:Blockbuster Pavilion 2286:The Arena in Oakland 2253:General Motors Place 794:Commercial reception 679:... her singing on " 268:Entertainment Design 162:The Velvet Rope Tour 141:The Velvet Rope Tour 20:The Velvet Rope Tour 5410:Wall Street Journal 4861:on 24 December 2014 4552:Honolulu Advertiser 4530:Honolulu Advertiser 3751:Background vocals: 3736:Guitar: David Barry 3546:September 29, 1998 3523:September 12, 1998 3500:September 11, 1998 3313: 3240:Nagoya Rainbow Hall 2983:WestpacTrust Centre 2917:Green Point Stadium 2874:Louisiana Superdome 2727:Bryce Jordan Center 2670:September 30, 1998 2655:September 29, 1998 2637:September 27, 1998 2622:September 26, 1998 2607:September 24, 1998 2592:September 22, 1998 2577:September 21, 1998 2571:Mark G. Etess Arena 2562:September 19, 1998 2547:September 18, 1998 2532:September 16, 1998 2517:September 15, 1998 2502:September 12, 1998 2487:September 11, 1998 2331:Great Western Forum 1627:Festhalle Frankfurt 1501:Bandar Seri Begawan 1177:Jackson sought out 1042:Panic! at the Disco 953:Panic! at the Disco 928:Back to Basics Tour 690:The tour's date at 656:The Washington Post 451:Any Time, Any Place 424:When I Think of You 240:Panic! at the Disco 21: 6626:1999 concert tours 6621:1998 concert tours 6411:Rhythm Nation 1814 6339:Compilation albums 6280:Rhythm Nation 1814 5499:on 2 February 2014 5355:on 22 January 2014 4489:Unknown parameter 4082:on August 26, 2013 3477:September 5, 1998 3454:September 3, 1998 3311: 3150:December 20, 1998 3145:December 17, 1998 3130:December 15, 1998 3125:December 14, 1998 3110:December 13, 1998 3099:December 12, 1998 3084:December 10, 1998 2999:November 30, 1998 2994:November 28, 1998 2971:November 27, 1998 2960:Ellis Park Stadium 2951:November 21, 1998 2945:Kings Park Stadium 2936:November 19, 1998 2905:November 14, 1998 2472:September 9, 1998 2457:September 7, 1998 2442:September 5, 1998 2427:September 4, 1998 2412:September 3, 1998 2376:America West Arena 1811:Halle Tony Garnier 1399:World Music Awards 1187: 1122:. Nicole Brown of 1104:Christina Aguilera 1060:praised the tour, 1048:In a documentary, 1046: 1031:Born This Way Ball 1012:Last Girl on Earth 996:Baby One More Time 919:Christina Aguilera 897: 893:Christina Aguilera 763:Jeannine Etter of 704: 608:Got 'Til It's Gone 595:Robert Hilburn of 547:A Clockwork Orange 537:Driving Miss Daisy 497:Critical reception 475:Got 'til It's Gone 418:upbeat medley of " 236:Christina Aguilera 122:concert chronology 19: 6603: 6602: 6575: 6553:René Elizondo Jr. 6361:Icon: Number Ones 6074:. 17 October 1998 5846:on March 23, 2009 5475:978-1-4169-0922-4 5019:on 15 March 2014. 4373:The Vancouver Sun 4304:The Baltimore Sun 4114:on 23 April 2008. 3948:Los Angeles Times 3919:on 20 August 2018 3708: 3707: 3698:258,885 / 275,342 3671:January 30, 1999 3666:October 31, 1998 3643:October 30, 1998 3620:October 27, 1998 3615:October 11, 1998 3592:October 10, 1998 3304: 3303: 3282:January 30, 1999 3272:January 26, 1999 3261:January 25, 1999 3246:January 23, 1999 3231:January 21, 1999 3226:January 20, 1999 3221:January 19, 1999 3216:January 17, 1999 3201:January 16, 1999 3196:January 14, 1999 3191:January 13, 1999 3170:January 12, 1999 3069:December 9, 1998 3046:December 7, 1998 3024:December 5, 1998 3019:December 3, 1998 3014:December 1, 1998 2922:Lynden David Hall 2895:October 31, 1998 2880:October 30, 1998 2865:October 28, 1998 2850:October 27, 1998 2839:October 25, 1998 2824:October 21, 1998 2809:October 20, 1998 2794:October 18, 1998 2789:Rosemont Horizon 2783:October 16, 1998 2768:October 14, 1998 2763:October 11, 1998 2748:October 10, 1998 1576:Wiener Stadthalle 1414: 1413: 1410: 1409: 1220:Chris Kirkpatrick 1191:Justin Timberlake 1179:Justin Timberlake 1084:BBC Asian Network 1004:Femme Fatale Tour 867:genre, including 820:America's Promise 672:The Baltimore Sun 647:Let's Wait Awhile 485:." Piano ballad " 368:Let's Wait Awhile 159: 158: 6633: 6592: 6591: 6573: 6524:Related articles 6469:Rock Witchu Tour 6464:All for You Tour 6454:Janet World Tour 6204: 6197: 6190: 6181: 6180: 6152: 6151: 6149: 6148: 6135: 6129: 6128: 6126: 6125: 6112: 6106: 6105: 6103: 6102: 6089: 6083: 6082: 6080: 6079: 6066: 6060: 6059: 6057: 6056: 6043: 6037: 6036: 6034: 6033: 6020: 6014: 6013: 6011: 6010: 5997: 5991: 5990: 5988: 5987: 5974: 5968: 5967: 5965: 5964: 5951: 5945: 5944: 5942: 5940: 5921: 5915: 5914: 5912: 5910: 5904: 5889: 5883: 5882: 5880: 5878: 5862: 5856: 5855: 5853: 5851: 5830: 5824: 5823: 5821: 5820: 5809:dancelife.com.au 5801: 5795: 5794: 5792: 5790: 5770: 5764: 5763: 5761: 5759: 5740: 5734: 5733: 5731: 5729: 5724:on 13 April 2016 5720:. Archived from 5709: 5703: 5702: 5694: 5688: 5687: 5685: 5683: 5661: 5655: 5654: 5652: 5650: 5627: 5621: 5620: 5618: 5616: 5601: 5595: 5594: 5592: 5590: 5575: 5569: 5568: 5566: 5564: 5541: 5535: 5534: 5532: 5530: 5515: 5509: 5508: 5506: 5504: 5485: 5479: 5478: 5463: 5453: 5444: 5443: 5428: 5422: 5421: 5419: 5417: 5402: 5396: 5395: 5393: 5391: 5371: 5365: 5364: 5362: 5360: 5351:. Archived from 5338: 5332: 5331: 5329: 5327: 5307: 5301: 5300: 5298: 5296: 5281: 5275: 5274: 5272: 5270: 5250: 5244: 5243: 5241: 5239: 5220: 5214: 5213: 5211: 5209: 5200:. Archived from 5190: 5184: 5183: 5181: 5179: 5170:. Archived from 5159: 5153: 5152: 5150: 5148: 5129: 5123: 5122: 5120: 5118: 5098: 5087: 5086: 5084: 5082: 5060: 5054: 5053: 5051: 5049: 5027: 5021: 5020: 5015:. Archived from 5002: 4993: 4992: 4990: 4988: 4977:Orlando Sentinel 4968: 4962: 4961: 4959: 4957: 4946:Orlando Sentinel 4937: 4931: 4930: 4928: 4926: 4907: 4901: 4900: 4898: 4896: 4877: 4871: 4870: 4868: 4866: 4857:. 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Archived from 3938: 3929: 3928: 3926: 3924: 3915:. Archived from 3904: 3889: 3888: 3886: 3884: 3873: 3867: 3853: 3847: 3832: 3815: 3812: 3794:Nikki Pantenburg 3569:October 3, 1998 3431:August 29, 1998 3408:August 28, 1998 3385:August 16, 1998 3361:Rosemont Horizon 3343:Washington, D.C. 3314: 3310: 3033:Ericsson Stadium 2733:October 6, 1998 2718:October 5, 1998 2703:October 4, 1998 2685:October 2, 1998 2631:Blue Cross Arena 2397:August 29, 1998 2382:August 28, 1998 2367:August 26, 1998 2352:August 24, 1998 2337:August 23, 1998 2322:August 20, 1998 2307:August 16, 1998 2292:August 14, 1998 2277:August 13, 1998 2259:August 11, 1998 2230:West Valley City 2185:Maryland Heights 2140:Rosemont Horizon 2013:Washington, D.C. 1658:Forum Copenhagen 1421: 1420: 1302: 1301: 1293: 1292: 1274:. 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J. 3833: 3829: 3824: 3819: 3818: 3813: 3809: 3804: 3791:Shawnette Heard 3788:Teresa Espinosa 3780:Michael Andrews 3771:(choreographer) 3765: 3757:Rebecca Valadez 3718: 3713: 3699: 3685: 3684:38,224 / 38,224 3657: 3656:23,528 / 25,981 3634: 3606: 3605:28,930 / 28,930 3583: 3582:10,733 / 12,500 3560: 3559:16,314 / 16,314 3537: 3536:12,196 / 14,539 3514: 3513:12,764 / 17,000 3509:West Palm Beach 3491: 3490:12,598 / 14,667 3481:Nashville Arena 3468: 3467:10,840 / 10,840 3445: 3444:12,875 / 12,875 3422: 3421:11,000 / 11,000 3399: 3398:18,853 / 21,420 3371: 3370:26,204 / 26,204 3348: 3347:15,069 / 15,069 3309: 3267:Nippon Budokan 3255:Hamamatsu Arena 3040: 2928: 2924: 2777:Baltimore Arena 2737:East Rutherford 2722:University Park 2491:West Palm Beach 2451:Nashville Arena 2241:August 8, 1998 2226:August 5, 1998 2211:August 3, 1998 2196:August 1, 1998 2105:Joe Louis Arena 2075:Van Andel Arena 2028: 1909:Sheffield Arena 1760:Westfalenhallen 1525:April 29, 1998 1497:April 22, 1998 1474:April 19, 1998 1469:April 17, 1998 1446:April 16, 1998 1436:Opening act(s) 1419: 1308:Nominated work 1284: 1080:Rowdy Superstar 988:Onyx Hotel Tour 944:Do You Believe? 923:Roberto Cavalli 885: 832: 800:Joe Louis Arena 796: 787:The Toronto Sun 745:Palm Beach Post 627:Paul Sexton of 520: 511: 505:The Velvet Rope 499: 341: 314: 273:The Velvet Rope 264: 171:The Velvet Rope 152: 143: 134: 83: 81: 68: 66: 55:The Velvet Rope 45: 29: 25: 17: 12: 11: 5: 6639: 6629: 6628: 6623: 6618: 6601: 6600: 6598: 6597: 6584: 6581: 6580: 6578: 6577: 6567: 6560: 6558:Jackson family 6555: 6550: 6540: 6535: 6527: 6525: 6521: 6520: 6518: 6517: 6512: 6506: 6504: 6500: 6499: 6497: 6496: 6494:Together Again 6491: 6486: 6481: 6476: 6471: 6466: 6461: 6456: 6451: 6445: 6443: 6439: 6438: 6436: 6435: 6428: 6425:Live in Hawaii 6421: 6414: 6406: 6404: 6403:Video releases 6400: 6399: 6397: 6396: 6389: 6381: 6379: 6375: 6374: 6372: 6371: 6364: 6357: 6350: 6342: 6340: 6336: 6335: 6333: 6332: 6325: 6318: 6311: 6304: 6297: 6290: 6283: 6276: 6269: 6262: 6254: 6252: 6248: 6247: 6245: 6244: 6239: 6234: 6229: 6224: 6218: 6215: 6214: 6207: 6206: 6199: 6192: 6184: 6178: 6177: 6172: 6167: 6160: 6159:External links 6157: 6154: 6153: 6130: 6107: 6084: 6061: 6038: 6015: 5992: 5969: 5946: 5916: 5884: 5857: 5825: 5796: 5765: 5735: 5704: 5689: 5656: 5642: 5622: 5596: 5581:. 1999-01-13. 5570: 5556: 5536: 5521:. 1999-03-18. 5510: 5480: 5474: 5445: 5423: 5397: 5366: 5333: 5302: 5276: 5245: 5228:The Stark Life 5215: 5185: 5154: 5124: 5088: 5055: 5022: 4994: 4963: 4932: 4902: 4872: 4841: 4811: 4780: 4739: 4721:New York Times 4703: 4667: 4637: 4607: 4576: 4561: 4539: 4517: 4500: 4465: 4448: 4437: 4420: 4403: 4379: 4361: 4344: 4327: 4310: 4293: 4276: 4243: 4226: 4202: 4199:on 2018-02-09. 4179: 4169:, p. 19, 4152: 4117: 4093: 4063: 4056:. 1998-05-05. 4041: 4010: 3958: 3955:on 2014-07-28. 3930: 3890: 3874:1800–present: 3826: 3825: 3823: 3820: 3817: 3816: 3806: 3805: 3803: 3800: 3799: 3798: 3795: 3792: 3789: 3786: 3781: 3778: 3775: 3772: 3764: 3761: 3760: 3759: 3753:Stacy Campbell 3749: 3743: 3737: 3734: 3731: 3728: 3725: 3717: 3714: 3712: 3709: 3706: 3705: 3702: 3695: 3691: 3690: 3687: 3682: 3677: 3672: 3668: 3667: 3663: 3662: 3659: 3654: 3649: 3644: 3640: 3639: 3636: 3631: 3626: 3621: 3617: 3616: 3612: 3611: 3608: 3603: 3598: 3593: 3589: 3588: 3585: 3580: 3575: 3570: 3566: 3565: 3562: 3557: 3552: 3547: 3543: 3542: 3539: 3534: 3529: 3524: 3520: 3519: 3516: 3511: 3506: 3501: 3497: 3496: 3493: 3488: 3483: 3478: 3474: 3473: 3470: 3465: 3460: 3455: 3451: 3450: 3447: 3442: 3437: 3432: 3428: 3427: 3424: 3419: 3414: 3409: 3405: 3404: 3401: 3396: 3391: 3386: 3382: 3381: 3380:July 25, 1998 3377: 3376: 3373: 3368: 3363: 3358: 3357:July 24, 1998 3354: 3353: 3350: 3345: 3340: 3335: 3331: 3330: 3327: 3324: 3321: 3318: 3308: 3305: 3302: 3301: 3296: 3291: 3290:United States 3288: 3283: 3279: 3278: 3274: 3273: 3269: 3268: 3265: 3262: 3258: 3257: 3252: 3247: 3243: 3242: 3237: 3232: 3228: 3227: 3223: 3222: 3218: 3217: 3213: 3212: 3207: 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24, 1998 2128: 2127: 2122: 2117: 2116:July 22, 1998 2113: 2112: 2111:July 18, 1998 2108: 2107: 2102: 2097: 2096:July 17, 1998 2093: 2092: 2087: 2082: 2081:July 15, 1998 2078: 2077: 2072: 2067: 2066:July 14, 1998 2063: 2062: 2057: 2052: 2051:July 12, 1998 2048: 2047: 2042: 2037: 2036:July 11, 1998 2033: 2032: 2023: 2018: 2017:United States 2015: 2010: 2006: 2005: 2004:North America 2001: 2000: 1999:Wembley Arena 1997: 1994: 1991: 1990:June 17, 1998 1987: 1986: 1983: 1980: 1977: 1976:June 16, 1998 1973: 1972: 1971:June 12, 1998 1968: 1967: 1962: 1959: 1954: 1953:June 11, 1998 1950: 1949: 1944: 1941: 1936: 1932: 1931: 1927: 1926: 1921: 1916: 1912: 1911: 1906: 1903: 1898: 1894: 1893: 1888: 1885: 1880: 1876: 1875: 1870: 1865: 1861: 1860: 1858:Telewest Arena 1855: 1850: 1846: 1845: 1840: 1837: 1832: 1828: 1827: 1826:Flanders Expo 1824: 1821: 1818: 1814: 1813: 1808: 1803: 1799: 1798: 1793: 1790: 1785: 1781: 1780: 1775: 1772: 1767: 1763: 1762: 1757: 1752: 1748: 1747: 1742: 1739: 1734: 1730: 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512:—Paul Sexton, 500: 498: 495: 483:Together Again 396:", as well as 340: 337: 313: 310: 263: 260: 224:Britney Spears 190:by request of 157: 156: 155: 154: 147: 145: 138: 136: 129: 124: 123: 116: 115: 112: 108: 107: 104: 97: 96: 93: 89: 88: 78: 74: 73: 63: 59: 58: 51: 47: 46: 43: 35: 34: 15: 9: 6: 4: 3: 2: 6638: 6627: 6624: 6622: 6619: 6617: 6614: 6613: 6611: 6596: 6595: 6586: 6585: 6582: 6576: 6572: 6571:Janet Jackson 6568: 6566: 6565: 6561: 6559: 6556: 6554: 6551: 6548: 6544: 6541: 6539: 6536: 6534: 6533: 6529: 6528: 6526: 6522: 6516: 6513: 6511: 6510:Metamorphosis 6508: 6507: 6505: 6501: 6495: 6492: 6490: 6487: 6485: 6482: 6480: 6477: 6475: 6472: 6470: 6467: 6465: 6462: 6460: 6457: 6455: 6452: 6450: 6447: 6446: 6444: 6440: 6434: 6433: 6429: 6427: 6426: 6422: 6420: 6419: 6415: 6413: 6412: 6408: 6407: 6405: 6401: 6395: 6394: 6393:Janet Remixed 6390: 6388: 6387: 6383: 6382: 6380: 6376: 6370: 6369: 6365: 6363: 6362: 6358: 6356: 6355: 6351: 6349: 6348: 6344: 6343: 6341: 6337: 6331: 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5540: 5524: 5520: 5514: 5498: 5494: 5490: 5484: 5477: 5471: 5467: 5462: 5461: 5452: 5450: 5442: 5438: 5434: 5427: 5412:. 3 July 2013 5411: 5407: 5401: 5385: 5381: 5377: 5370: 5354: 5350: 5349: 5344: 5337: 5321: 5317: 5313: 5306: 5290: 5286: 5280: 5264: 5260: 5256: 5249: 5234:on 7 May 2014 5233: 5229: 5225: 5219: 5203: 5199: 5195: 5189: 5173: 5169: 5168:Bleu Magazine 5165: 5158: 5142: 5138: 5135: 5128: 5112: 5108: 5104: 5097: 5095: 5093: 5076: 5072: 5071: 5066: 5059: 5043: 5039: 5038: 5033: 5026: 5018: 5014: 5013: 5008: 5001: 4999: 4982: 4978: 4974: 4967: 4951: 4947: 4943: 4936: 4920: 4916: 4912: 4906: 4890: 4886: 4882: 4876: 4860: 4856: 4852: 4845: 4829: 4825: 4821: 4815: 4799: 4795: 4794:LA Daily News 4791: 4784: 4776: 4770: 4754: 4750: 4743: 4727: 4723: 4722: 4717: 4710: 4708: 4691: 4687: 4686: 4681: 4674: 4672: 4655: 4651: 4647: 4641: 4625: 4621: 4617: 4611: 4596: 4592: 4588: 4587: 4580: 4572: 4565: 4557: 4553: 4549: 4543: 4535: 4531: 4527: 4521: 4513: 4512: 4504: 4496: 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E.1 4357: 4356: 4348: 4340: 4339: 4331: 4324:, p. 5.D 4323: 4322: 4314: 4307:, p. 4.E 4306: 4305: 4297: 4290:, p. 1.D 4289: 4288: 4280: 4264: 4260: 4259: 4254: 4247: 4239: 4238: 4230: 4222: 4221: 4213: 4211: 4209: 4207: 4198: 4194: 4190: 4183: 4176: 4172: 4168: 4167: 4159: 4157: 4141: 4140:Rolling Stone 4137: 4130: 4128: 4126: 4124: 4122: 4113: 4109: 4108: 4103: 4097: 4081: 4077: 4073: 4067: 4059: 4055: 4051: 4045: 4029: 4025: 4021: 4014: 4006: 4000: 3984: 3983: 3978: 3971: 3969: 3967: 3965: 3963: 3954: 3950: 3949: 3944: 3937: 3935: 3918: 3914: 3910: 3903: 3901: 3899: 3897: 3895: 3879: 3871: 3864: 3863: 3858: 3851: 3844: 3843: 3838: 3831: 3827: 3811: 3807: 3797:Robert Vinson 3796: 3793: 3790: 3787: 3785: 3782: 3779: 3776: 3773: 3770: 3767: 3766: 3758: 3754: 3750: 3748: 3747:Janet Jackson 3745:Main vocals: 3744: 3742: 3738: 3735: 3732: 3729: 3726: 3724: 3720: 3719: 3704:$ 11,813,613 3703: 3701: 3696: 3692: 3688: 3683: 3681: 3678: 3676: 3675:Aloha Stadium 3673: 3670: 3669: 3665: 3664: 3653: 3652:The Woodlands 3648: 3642: 3641: 3637: 3633:8,757 / 9,779 3632: 3630: 3627: 3625: 3622: 3619: 3618: 3614: 3613: 3602: 3601:New York City 3597: 3591: 3590: 3586: 3581: 3579: 3576: 3574: 3571: 3568: 3567: 3563: 3558: 3556: 3553: 3551: 3548: 3545: 3544: 3540: 3535: 3533: 3530: 3528: 3525: 3522: 3521: 3517: 3512: 3510: 3507: 3505: 3502: 3499: 3498: 3494: 3489: 3487: 3484: 3482: 3479: 3476: 3475: 3471: 3466: 3464: 3461: 3459: 3456: 3453: 3452: 3448: 3443: 3441: 3438: 3436: 3433: 3430: 3429: 3425: 3420: 3418: 3415: 3413: 3410: 3407: 3406: 3402: 3397: 3395: 3394:Mountain View 3392: 3390: 3387: 3384: 3383: 3379: 3378: 3367: 3362: 3356: 3355: 3351: 3346: 3344: 3341: 3339: 3336: 3334:July 9, 1998 3333: 3332: 3315: 3300: 3297: 3295: 3294:Aloha Stadium 3292: 3289: 3287: 3284: 3281: 3280: 3275: 3271: 3270: 3260: 3259: 3256: 3253: 3251: 3248: 3245: 3244: 3241: 3238: 3236: 3233: 3230: 3229: 3225: 3224: 3220: 3219: 3215: 3214: 3211: 3210:Osaka-jō Hall 3206: 3200: 3199: 3195: 3194: 3190: 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2731: 2728: 2725: 2723: 2720: 2717: 2716: 2713: 2710: 2708: 2705: 2702: 2701: 2698: 2695: 2690: 2687: 2684: 2683: 2680: 2679:Molson Centre 2677: 2675: 2672: 2669: 2668: 2665: 2662: 2660: 2657: 2654: 2653: 2650: 2647: 2642: 2639: 2636: 2635: 2632: 2629: 2627: 2624: 2621: 2620: 2617: 2614: 2612: 2609: 2606: 2605: 2602: 2599: 2597: 2594: 2591: 2590: 2587: 2584: 2582: 2579: 2576: 2575: 2572: 2569: 2567: 2566:Atlantic City 2564: 2561: 2560: 2557: 2554: 2552: 2549: 2546: 2545: 2542: 2539: 2537: 2534: 2531: 2530: 2527: 2526:Orlando Arena 2524: 2522: 2519: 2516: 2515: 2512: 2509: 2507: 2504: 2501: 2500: 2497: 2494: 2492: 2489: 2486: 2485: 2482: 2479: 2477: 2474: 2471: 2470: 2467: 2464: 2462: 2459: 2456: 2455: 2452: 2449: 2447: 2444: 2441: 2440: 2437: 2434: 2432: 2429: 2426: 2425: 2422: 2419: 2417: 2414: 2411: 2410: 2407: 2404: 2402: 2399: 2396: 2395: 2392: 2389: 2387: 2384: 2381: 2380: 2377: 2374: 2372: 2369: 2366: 2365: 2362: 2361:Selland Arena 2359: 2357: 2354: 2351: 2350: 2347: 2344: 2342: 2339: 2336: 2335: 2332: 2329: 2327: 2324: 2321: 2320: 2317: 2314: 2312: 2311:Mountain View 2309: 2306: 2305: 2302: 2299: 2297: 2294: 2291: 2290: 2287: 2284: 2282: 2279: 2276: 2275: 2272: 2269: 2264: 2261: 2258: 2257: 2254: 2251: 2248: 2246: 2243: 2240: 2239: 2236: 2233: 2231: 2228: 2225: 2224: 2221: 2218: 2216: 2213: 2210: 2209: 2206: 2203: 2201: 2198: 2195: 2194: 2191: 2188: 2186: 2183: 2180: 2179: 2176: 2175:Target Center 2173: 2171: 2168: 2165: 2164: 2161: 2158: 2156: 2153: 2150: 2149: 2145: 2144: 2141: 2136: 2130: 2129: 2126: 2123: 2121: 2118: 2115: 2114: 2110: 2109: 2106: 2101: 2095: 2094: 2091: 2088: 2086: 2083: 2080: 2079: 2076: 2073: 2071: 2068: 2065: 2064: 2061: 2058: 2056: 2053: 2050: 2049: 2046: 2043: 2041: 2038: 2035: 2034: 2031: 2027: 2022: 2019: 2014: 2011: 2009:July 9, 1998 2008: 2007: 2002: 1998: 1995: 1992: 1989: 1988: 1984: 1981: 1978: 1975: 1974: 1970: 1969: 1966: 1958: 1952: 1951: 1948: 1945: 1942: 1940: 1937: 1935:June 9, 1998 1934: 1933: 1930:June 7, 1998 1929: 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Retrieved 6143:. 1999-02-13 6139: 6133: 6122:. Retrieved 6120:. 1998-10-31 6116: 6110: 6099:. Retrieved 6097:. 7 Nov 1998 6093: 6087: 6076:. Retrieved 6070: 6064: 6053:. Retrieved 6051:. 1998-10-10 6047: 6041: 6030:. Retrieved 6028:. 1998-09-19 6024: 6018: 6007:. Retrieved 6005:. 1998-09-05 6001: 5995: 5984:. Retrieved 5982:. 1998-08-15 5978: 5972: 5961:. Retrieved 5959:. 1998-07-25 5955: 5949: 5937:. Retrieved 5928: 5919: 5907:. Retrieved 5902:the original 5896: 5887: 5875:. Retrieved 5860: 5848:. Retrieved 5844:the original 5837: 5828: 5817:. Retrieved 5808: 5799: 5787:. Retrieved 5778: 5768: 5756:. Retrieved 5747: 5738: 5726:. Retrieved 5722:the original 5717: 5707: 5698: 5692: 5680:. Retrieved 5669: 5659: 5647:. Retrieved 5632: 5625: 5613:. Retrieved 5599: 5587:. Retrieved 5573: 5561:. Retrieved 5546: 5539: 5527:. Retrieved 5513: 5501:. Retrieved 5497:the original 5492: 5483: 5459: 5432: 5426: 5414:. Retrieved 5409: 5400: 5388:. Retrieved 5380:The Guardian 5379: 5369: 5357:. 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Retrieved 4619: 4610: 4599:, retrieved 4595:the original 4585: 4579: 4570: 4564: 4556:the original 4551: 4542: 4534:the original 4529: 4520: 4509: 4503: 4473: 4468: 4459:Evening Post 4457: 4451: 4440: 4429: 4423: 4412: 4406: 4388: 4382: 4371: 4364: 4353: 4347: 4336: 4330: 4319: 4313: 4302: 4296: 4285: 4279: 4267:. Retrieved 4256: 4246: 4235: 4229: 4218: 4197:the original 4192: 4182: 4164: 4143:. Retrieved 4139: 4112:the original 4105: 4096: 4084:. Retrieved 4080:the original 4075: 4066: 4053: 4044: 4032:. Retrieved 4024:The Guardian 4023: 4013: 3987:. Retrieved 3980: 3953:the original 3946: 3921:. Retrieved 3917:the original 3912: 3883:February 29, 3881:. Retrieved 3861: 3841: 3830: 3810: 3777:Gil Duldulao 3697: 3689:$ 2,164,000 3610:$ 2,542,024 3458:BI-LO Center 3375:$ 1,542,845 3063:Human Nature 2979:New Zealand 2975:Christchurch 2955:Johannesburg 2798:Auburn Hills 2649:Corel Centre 2596:Burgettstown 2421:BI-LO Center 2205:Kemper Arena 2070:Grand Rapids 1943:Netherlands 1774:Switzerland 1727:Scandinavium 1633:May 9, 1998 1618:May 8, 1998 1600:May 7, 1998 1582:May 5, 1998 1564:May 3, 1998 1558:Olympiahalle 1546:May 1, 1998 1454:Netherlands 1354:Image Awards 1285: 1267: 1261: 1254:Selena Gomez 1250:Mariah Carey 1242: 1188: 1161: 1149:The Guardian 1147: 1134: 1123: 1092: 1065: 1047: 1016: 994:version of " 969: 964: 956: 942: 932: 926: 911:the Divinyls 904: 898: 858: 843: 839: 833: 824:Colin Powell 804: 797: 785: 777:Evening Post 775: 764: 762: 756:Jet Magazine 754: 743: 733: 731: 720: 713: 707: 705: 695: 670: 664: 654: 628: 626: 616:The Inquirer 614: 612: 596: 594: 586: 574: 572: 561: 551: 545: 535: 529: 523: 521: 513: 510: 504: 502: 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6101:2014-04-22 6078:2014-04-22 6055:2014-04-22 6032:2014-04-22 6009:2014-04-22 5986:2014-04-22 5963:2014-04-22 5819:2010-01-30 5037:GayCalgary 4885:Dreamwidth 3822:References 3661:$ 876,464 3638:$ 364,160 3587:$ 504,109 3564:$ 720,928 3541:$ 595,560 3527:Ice Palace 3518:$ 491,891 3495:$ 507,214 3472:$ 531,344 3463:Greenville 3449:$ 941,497 3426:$ 552,910 3403:$ 759,525 3352:$ 883,142 3338:MCI Center 3299:98 Degrees 3054:Australia 3003:Wellington 2926:Boom Shaka 2511:Ice Palace 2416:Greenville 2301:ARCO Arena 2296:Sacramento 2055:Cincinnati 2045:Gund Arena 2021:MCI Center 1891:SEC Centre 1868:Manchester 1835:Birmingham 1722:Gothenburg 1650:Copenhagen 1514:All Saints 1417:Tour dates 1393:Nominated 1386:TMF Awards 1348:Nominated 1340:Nominated 1332:Nominated 1238:98 Degrees 1236:and group 1204:a cappella 1140:Katy Perry 1112:Katy Perry 1086:presenter 782:Wellington 563:Good Times 553:Solid Gold 544:thrillers 534:look like 531:Armageddon 491:Whoops Now 487:Every Time 214:TMF Awards 206:Emmy Award 111:Box office 84:1999-01-30 69:1998-04-16 62:Start date 6515:Las Vegas 6308:Damita Jo 5897:Instagram 5779:Mamiverse 5671:SB Nation 5649:4 January 5615:4 January 5589:4 January 5563:4 January 5529:4 January 5503:4 January 5441:1070-4701 5359:4 January 5198:MuchMusic 4987:4 January 4956:4 January 4493:ignored ( 4399:1932-8672 4287:USA Today 4175:0140-0460 4166:The Times 3999:cite news 3723:Rex Salas 3711:Personnel 3486:Nashville 3440:Las Vegas 3417:San Diego 3250:Hamamatsu 3134:Melbourne 3088:Newcastle 2909:Cape Town 2786:Rosemont 2772:Baltimore 2689:Worcester 2626:Rochester 2481:Alamodome 2446:Nashville 2431:Charlotte 2401:Las Vegas 2386:San Diego 2326:Inglewood 2245:Vancouver 2155:Milwaukee 2060:The Crown 2040:Cleveland 1947:GelreDome 1901:Sheffield 1887:Scotland 1853:Newcastle 1843:NEC Arena 1704:Stockholm 1622:Frankfurt 1604:Stuttgart 1594:FilaForum 1450:Rotterdam 1216:JC Chasez 1212:Overjoyed 1154:Sugababes 1108:Sugababes 1088:DJ Kayper 1027:Lady Gaga 978:" on the 681:Black Cat 666:USA Today 661:Las Vegas 639:Rotterdam 630:The Times 515:The Times 467:nunchucks 459:vignettes 455:Black Cat 153:(2001–02) 144:(1998–99) 135:(1993–95) 6594:Category 6532:True You 5939:20 March 5933:Archived 5871:Archived 5813:Archived 5783:Archived 5752:Archived 5676:Archived 5609:Archived 5607:. 1999. 5583:Archived 5523:Archived 5384:Archived 5348:Nola.com 5320:Archived 5289:MTV Iggy 5263:Archived 5141:Archived 5111:Archived 5075:Archived 5042:Archived 4981:Archived 4950:Archived 4919:Archived 4889:Archived 4855:MTV News 4828:Archived 4798:Archived 4769:cite web 4726:Archived 4690:Archived 4660:20 March 4654:Archived 4630:20 March 4624:Archived 4482:citation 4263:Archived 4058:Archived 4028:Archived 3859:(1992). 3839:(1997). 3741:Sam Sims 3680:Honolulu 3578:Hartford 3366:Rosemont 3329:Revenue 3286:Honolulu 3277:Oceania 3154:Adelaide 3050:Brisbane 3028:Auckland 2966:Oceania 2707:Hartford 2674:Montreal 2611:Columbus 2263:Portland 2235:E Center 2135:Rosemont 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