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The Van (1977 film)

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Five more songs ("Country Lady", "You're So Sweet", "Peas in a Pod", "Bless My Soul" and "Hey, Mr. Dreamer"), apparently dating from recording sessions for a follow-up GRC album, were used for both the film and soundtrack album. This follows a pattern Crown International had established in 1976, when
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was the subject of the very first episode (and subsequently covered a second time in a later episode commemorating the show's one-year anniversary) Host Mike Wood is such a fan of the film that he created a recurring segment where at the end of each episode, he asks each guest host to imagine absurd
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The day he graduates high school, Bobby takes ownership of a tricked-out van that's like a bachelor pad on wheels. He's disappointed, however, to see that his best friend—who has better luck with the ladies—makes more use out of it than he does. He soon meets a shy girl and falls for her, but before
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extended-length Tradesman vans, with one being the primary picture car, and a backup that was used for all stunt driving scenes. An additional van, the antagonist's "Van Killer", was built by Barris as well, while the vans in the "van show" sequence were all various local
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with "Musical Supervision" and the LP was released by Warner/Curb Records, in which Lloyd was an executive and producing chart hits by Shaun Cassidy and Debby Boone that same year.
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scenarios wherein Getz and DeVito's characters cross over to the universe of whatever film they are discussing (i.e. "How do Bobby and DeVito fit into the world of
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The film is an early example of a relatively new type of teen comedy, which featured sexual situations, nudity and substance abuse, very different from the
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Gross, Linda (Feb 12, 1978). "A Woman's Place Is in... Exploitation Films?: A Trend-Setter in the Youth Market Women in Exploitation Films".
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awareness, and celebrates the cultural tropes of the time, such as the heavily accessorized van that provides the film's title and the van's
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The film is referenced in every single episode of the Grindbin Podcast, a podcast dedicated to the discussion of exploitation films.
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In six days over the July 4 holiday, the film grossed $ 2.5 million from 360 theaters, a record for Crown at the time.
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The music heard on the film's soundtrack is mainly material originally recorded for the small GRC Records label in
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The film shows stereotypical teenage boys whose social lives revolve around getting high,
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was one of a set of four Crown International Pictures releases (the others being
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and appear in their 1975 remix versions from the second edition of that album.
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he can win her heart, he has to win a drag race against a local bully.
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1977 American low-budget independent teen comedy film by Sam Grossman
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Blood Money: A History of the First Teen Slasher Film Cycle
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of the early 1960s, with their no-nudity, drug-free plots.
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American film distribution : the changing marketplace
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Please note figures are for rentals in US and Canada
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UMI Research Press. p. 293. 13: 853:English-language independent films 818:Crown International Pictures films 14: 864: 744: 329: 798:American screwball comedy films 723: 699: 640:Gross, Linda (April 20, 2019). 681: 667: 652: 633: 606: 591: 570:Donahue, Suzanne Mary (1987). 563: 308:was commissioned to build two 1: 543: 457:(most notably his 1973 song " 424:Cotton, Lloyd & Christian 320: 279: 838:1970s English-language films 828:1970s screwball comedy films 535: 395:several years previously by 122:Crown International Pictures 7: 736:. July 13, 1977. p. 3. 444: 304:. 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Index


Sam Grossman
Celia Susan Cotelo
Marilyn Jacobs Tenser
Stuart Goetz
Steve Oliver
Danny DeVito
Sammy Johns
Michael Lloyd
Crown International Pictures
teen
comedy film
Sam Grossman
Stuart Getz
Danny DeVito
drive-in theaters
vansploitation
Malibu Beach
Stuart Goetz
Steve Oliver
Danny DeVito
Moorpark
Whittier
Stanton
Malibu, California
George Barris
Dodge B300
Southern California

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