98:. He uses as examples the following sentences extracted from this short story: "Nosso pai nada não dizia.", "Do que eu mesmo me alembro", "Nossa casa, no tempo, ainda era mais próxima do rio, obra de nem quarto de légua", "perto e longe de sua família dele", "avisado que nem
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Guimarães Rosa uses several expressions and culture facts of specific regions of Brazil (which is known as regionalism in the literature), but the tale is however universal, dealing with great dilemmas of human existence. It is written in poetic
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As stated earlier, Rosa not only portrays a popular and peasant speech, but also invents new words and terms in his texts. On "The third bank of the river", the
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that is "accepted as a painful part of life's routine when it is gradually declared." The narrator of the tale starts to infect himself with the
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SANTANA, Ana Glécia Ramos de. "O estudo da literatura na contemporaneidade: como a poética é realizada nas canções". Camaçari:
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In an article from
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by the son of a man who decides to leave the family and the whole society to live within a small in a huge
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This tale was adapted to the cinema in a French-Brazilian film of 1994 named
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A terceira margem do rio (Conto de
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An adaptation was also made for radio with an episode titled
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Rosa, therefore, would not be a writer who merely reproduces
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concludes that "The third bank of the river" deals with the
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and has sentences that play with specific orality of
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209:. "Os vastos espaços" (escrito em 1966). in:
138:"The third bank of the river", with music by
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152:(1991), by Caetano Veloso.
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317:"A Terceira Margem do Rio"
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26:João Guimarães Rosa
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22:short story
342:Categories
245:References
113:Neologisms
76:alienation
66:Alienation
149:Circuladô
125:Influence
119:neologism
80:dementia
219:, 2001.
196:series.
92:orality
86:Orality
20:" is a
315:IMDb.
161:Cinema
90:About
181:Radio
51:prose
43:river
328:2019
321:IMDb
238:here
136:song
134:The
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100:Noé
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