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The Talented Mr. Ripley (film)

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treats him with contempt. When he returns from Rome, Dickie is disturbed to find Ripley dressed in his clothes and dancing in front of a mirror. Dickie impregnates a local young woman called Silvana and then spurns her, causing her to drown herself. Ripley, aware of what has happened, promises a guilt-ridden Dickie to keep the death a secret. After Dickie's father cuts off Ripley's travel funds, Dickie cancels a trip to Venice and tells Ripley that they should part ways, but Ripley convinces Dickie to take a final trip with him to
585:, were used to represent the fictional town of Mongibello. Frequent and unpredictable rain hampered the production, with Minghella stating that "we had to deliver this gorgeous Mediterranean world, this beautiful world of Southern Italy, and we could never get Italy to turn beautiful...We would divide the scenes up, often into words, and go out and get two or three words and then, it would start to rain, and we'd have to go back in, again." The scenes taking place in San Remo were filmed in 548:, because he felt the actor had the right mix of "credibility, warmth, and generosity" to engage the audience and help them understand how Ripley "thinks and operates". The character of Meredith Logue, not present in the novel, was added by Minghella, with Cate Blanchett in mind. He was "entranced" with Blanchett, after meeting with her and surprised that she was actually interested in playing the small part. Minghella went on to write more scenes for the character, to expand her role. 410:
advances. Later, Freddie shows up at Ripley's apartment looking for Dickie. When the landlady addresses Ripley as Dickie, Freddie realizes the fraud, so Ripley bludgeons him to death and disposes of his body. When the body is found, police visit the apartment to question "Dickie." Ripley forges a suicide note for Dickie that claims responsibility for Freddie's death. Under his real name, Ripley travels to Venice, where he again encounters Peter.
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Realizing that locals frequently mistake him for Dickie, Ripley assumes Dickie's identity. He forges a letter to Marge, convincing her that Dickie has left her and moved to Rome. Ripley creates the illusion that Dickie is still alive by checking into one hotel as Dickie and another as himself, then fabricating an exchange of communications between the two. Through forgery, he is able to draw on Dickie's allowance on which he can live lavishly.
833: 561:, that his wife, Carolyn Choa, was producing at the time. Impressed with Law's performance, he offered him the role of Dickie. In his "insane arrogance", as Law put it, he initially refused because he did not wish to play a "pretty boy". After learning of the cast Minghella was assembling and coming to understand that he would be "in safe hands" with Minghella, Law later accepted the part. 413:
Dickie's father arrives in Italy, accompanied by private detective Alvin MacCarron. Ripley almost kills Marge after she discovers he has Dickie's rings, but they are interrupted by Peter. Mr. Greenleaf dismisses Marge's suspicions, and MacCarron tells Ripley that the police are convinced that Dickie,
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In Rome, Ripley runs into Meredith, who still knows him as Dickie, and accepts an invitation to attend an opera with her family. His ruse is threatened at the opera when he unexpectedly runs into Marge and her friend Peter Smith-Kingsley. Ripley rushes Meredith out of the opera house and rejects her
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In the seaside village of Mongibello, Ripley befriends Dickie and his American girlfriend Marge Sherwood by claiming to be a former Princeton classmate. He enjoys Dickie's extravagant lifestyle and becomes obsessed with Dickie himself, but Dickie's wealthy friend Freddie Miles mistrusts Ripley and
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Free and clear of his crimes, and with the income to finally live Dickie's lifestyle as himself, Ripley boards a liner to Greece with Peter, who is implied to be Ripley's lover. On board, Ripley is surprised to encounter Meredith. Ripley kisses her and promises to talk later. In his cabin, Peter
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Aboard a small boat, Dickie says that he has grown tired of Ripley and is going to marry Marge, while Ripley insists that Dickie is afraid of their feelings for each other. The argument becomes physical, and Ripley kills Dickie with an oar. Ripley takes Dickie's belongings and scuttles the boat.
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gave the film two and a half stars out of four, calling it "a solid adaptation" that "will hold a viewer's attention", but criticized "Damon's weak performance" and "a running time that's about 15 minutes too long." Berardinelli compared the film unfavorably with the previous adaptation,
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praised Law's performance: "This is a star-making role for the preternaturally talented English actor Jude Law. Beyond being devastatingly good-looking, Mr. Law gives Dickie the manic, teasing powers of manipulation that make him ardently courted by every man or woman he knows".
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with his son Dickie. Greenleaf pays Ripley $ 1,000 to travel to Italy, where Dickie has settled, and persuade him to return to the United States. On a first-class ocean liner voyage, Ripley pretends to be Dickie and befriends American socialite Meredith Logue.
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holds an approval rating of 85% based on 138 reviews, with an average rating of 7.3/10. The website's critics consensus reads, "With Matt Damon's unsettling performance offering a darkly twisted counterpoint to Anthony Minghella's glossy direction,
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To prepare for the role of Ripley, Damon lost 30 pounds and learned to play the piano. Law gained weight and learned to play the saxophone for his character; he also broke a rib, when he fell backward while filming the murder scene on the boat.
744:'s 1960 motion picture is superior to that of Minghella's 1999 version, from the cinematography to the acting to the screenplay. Matt Damon might make a credible Tom Ripley, but only for those who never experienced Alain Delon's portrayal." 778:
begins as an ingenious exposition of the great truth about charming people having something to hide: namely, their utter reliance on others. It ends up as a dismayingly un-thrilling thriller and bafflingly unconvincing character study".
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who had a history of violence, murdered Freddie before killing himself. MacCarron tells Ripley that Greenleaf intends to bequeath a large portion of Dickie's trust fund to him, to reward his loyalty to Dickie and ensure his silence.
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wrote: "Damon is at once an obvious choice for the part and a hard sell to audiences soothed by his amiable boyishness ... the facade works surprisingly well when Damon holds that gleaming smile just a few seconds too long, his
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wrote, "A tense, troubling thriller, marred only by problems of pacing (the middle section drags) and some implausible characterisation (Meredith's obsession with Ripley never convinces), it's full of vivid, miserable life".
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gave the film four out of four stars, calling it "an intelligent thriller" that is "insidious in the way it leads us to identify with Tom Ripley ... He's a monster, but we want him to get away with it". In her review for
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tells Ripley that he saw him kiss Meredith and demands answers. After apologizing for lying to him, a sobbing Ripley strangles Peter to death and returns to his cabin, alone.
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criticized Minghella as a "would-be art film director who never takes his eye off the box office, doesn't allow himself to become embroiled in such complexity. He turns
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Apart from the beginning scenes filmed in New York City, the film was shot entirely on location in Italy. The cliffside resort town of
1954: 935: 374: 2516: 3448: 2172: 662:, assigned the film a score of 76 out of 100, based on 35 critics, indicating "generally favorable" reviews. Audiences surveyed by 3578: 2717: 1644: 1552: 1502: 1081: 918: 378: 3513: 3463: 1413: 3553: 3443: 990: 950: 736:. The result, while arguably truer to the events of Highsmith's book, is vastly inferior. To say it suffers by comparison to 389:
In 1958 New York City, Tom Ripley is approached by shipbuilding magnate Herbert Greenleaf, who believes that Ripley attended
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named it one of the ten best films of the year and called it a "devious twist on the Patricia Highsmith crime novel".
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eyes fixed just a blink more than the calm gaze of any non-murdering young man. And in that opacity we see horror".
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is worth seeing more for its undeniably delightful journey than its final destination. Perhaps wall-to-wall
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and triumphant evil leave too sour an aftertaste even for the most sophisticated anti-Hollywood palate".
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declined the role that went to Matt Damon. Anthony Minghella cast Damon, after seeing his performance in
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The film was a critical and commercial success, grossing $ 128 million worldwide. It received five
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into a splashy tourist trap of a movie. The effect is rather like reading the
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Jude Law Breaks Down His Career, from 'Sherlock Holmes' to 'The New Pope'
1817:(2018), a disguised Damon was credited under the "Dickie Greenleaf" name. 1774: 1134: 726: 669: 663: 2756: 3397: 2157: 1813: 1728: 1685: 1649: 1484: 1459: 1400: 1361: 1269: 1202: 1101: 857: in this section. Unsourced material may be challenged and removed. 789: 655: 432: 428: 347: 343: 154: 101: 2465: 2931: 762: 30: 832: 2779: 1700: 1619: 1467: 1423: 1284: 1227: 1056: 995: 923: 570: 443: 351: 111: 2103: 2068: 2005: 1959: 578: 552: 399: 574: 1802:, also an adaptation of Highsmith's 1955 novel, was released. 589:, a resort town near Rome. Well-known locations included the 586: 2244:"Stealing a New Life, Carnal, Glamorous And Worth the Price" 666:
gave the film an average grade of "C+" on an A+ to F scale.
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is the third big-screen Ripley adaptation, following
2573:"Nominees & Winners for the 72nd Academy Awards" 2543:Henckel von Donnersmarck, Florian (March 7, 2015). 1955:"20 Secrets About The Talented Mr. Ripley Revealed" 1838:), Paramount owns the worldwide rights to the film. 1834:Since the acquisition of Miramax by ViacomCBS (now 2544: 2349: 1750: 1663: 1603: 1561: 1506: 1437: 1347: 1251: 1138: 1100: 1040: 939: 2456:"The Year at the Movies: Overlong, Overambitious" 2017: 2015: 3410: 1884: 1882: 1070: 2624:Higgins, Bill; Gray, Tim (December 20, 1999). 2430:"James Berardinelli Top 100: #86: Purple Noon" 2305: 2012: 1373: 1313: 1115: 954: 2947: 2842: 1618: 740:is an understatement. Almost every aspect of 2023:"Film locations for the Talented Mr. Ripley" 1879: 1615:Best Supporting Actor – Motion Picture Drama 2623: 2578:Academy of Motion Picture Arts and Sciences 2269: 2263: 1727: 1684: 1586: 1483: 1458: 1386: 1360: 1268: 1201: 1021: 969: 2954: 2940: 2849: 2835: 2814: 2798: 2782: 2766: 2749: 817:as one of his favorite films of all time. 29: 1948: 1946: 1944: 1699: 1422: 1298: 1226: 1155:Broadcast Film Critics Association Awards 1055: 994: 922: 873:Learn how and when to remove this message 2681: 2486: 2480: 2427: 2401: 2372: 2332: 2299: 2682:Hudspeth, Christopher (March 4, 2024). 1952: 1195:Chicago Film Critics Association Awards 573:and various villages on the islands of 3411: 2961: 2586:from the original on November 9, 2014. 2514: 2508: 2453: 2447: 2238: 2232: 2094:from the original on November 17, 2021 2059:from the original on November 17, 2021 1996:from the original on November 17, 2021 1953:Bricker, Tierney (December 12, 2019). 1941: 1327:Las Vegas Film Critics Society Awards 1280:Best Supporting Actor – Motion Picture 654:is a suspense thriller that lingers." 3589:English-language crime thriller films 3474:American psychological thriller films 2935: 2830: 2701: 2487:Bradshaw, Peter (February 25, 2000). 2203: 2197: 1919: 2822:Shooting script by Anthony Minghella 2707: 2454:Sarris, Andrew (December 26, 1999). 2306:O'Sullivan, Charlotte (March 2000). 1419:British Supporting Actor of the Year 855:adding citations to reliable sources 826: 632: 623:The Talented Mr. Ripley (soundtrack) 3509:Films directed by Anthony Minghella 13: 3584:English-language crime drama films 3469:American psychological drama films 1805: 1553:Online Film Critics Society Awards 1130:Berlin International Film Festival 903: 692:gave the film an "A−" rating, and 14: 3600: 3454:1999 psychological thriller films 2736: 2720:from the original on May 19, 2018 2515:Taubin, Amy (December 21, 1999). 2173:"Talented Mr. Ripley, The (1999)" 2049:Interview with Matt Damon – 1435:British Screenwriter of the Year 1414:London Film Critics Circle Awards 1265:Best Actor – Motion Picture Drama 1067:Best Actress in a Supporting Role 366:also appear in supporting roles. 1920:Ojumu, Akin (January 30, 2000). 1860:"The Talented Mr. Ripley (1999)" 831: 811:Florian Henckel von Donnersmarck 3449:1990s psychological drama films 2675: 2650: 2617: 2590: 2565: 2536: 2421: 2395: 2366: 2165: 2141: 2110: 1742:Writers Guild of America Awards 1498:National Board of Review Awards 1052:Best Actor in a Supporting Role 842:needs additional citations for 555:from a film starring Jude Law, 3579:LGBT-related crime drama films 2087:: Jude Law Exclusive Interview 2075: 2040: 1974: 1913: 1852: 1828: 1764: 551:Minghella happened to see the 16:1999 film by Anthony Minghella 1: 3514:Films scored by Gabriel Yared 3464:American crime thriller films 2708:Dyce, Andrew (May 17, 2018). 1845: 616: 523: 342:. Set in the 1950s, it stars 330:film written and directed by 3554:LGBTQ-related thriller films 3444:1990s English-language films 3103:People Who Knock on the Door 2404:"Purple Noon (Plein Soleil)" 2348:. March 2000. Archived from 1697:Choice Movie: Breakout Star 820: 627: 340:1955 novel of the same title 7: 3504:Films about the upper class 3479:American LGBT-related films 3209:Mermaids on the Golf Course 3162:The Boy Who Followed Ripley 1784:(1977). It was followed by 1248:Best Motion Picture – Drama 262:December 25, 1999 247:December 12, 1999 10: 3605: 3529:Films set in New York City 3494:Films about identity theft 3459:American crime drama films 802:in a café overlooking the 620: 564: 528: 3429:1999 crime thriller films 3390: 3219: 3184: 3129: 3002:(as Claire Morgan) (1952) 2985: 2978: 2969: 2865: 2489:"The Talented Mr. Ripley" 2378:"The Talented Mr. Ripley" 2340:"The Best Cinema of 1999" 2308:"The Talented Mr. Ripley" 2275:"The Talented Mr. Ripley" 2209:"The Talented Mr. Ripley" 1692: 1676: 1673: 1594: 1576: 1573: 1514: 1496: 1493: 1474: 1450: 1447: 1430: 1412: 1409: 1340: 1326: 1323: 1259: 1241: 1238: 1171: 1153: 1150: 1031: 1011: 1008: 930: 912: 909: 902: 899: 896: 893: 890: 887: 774:, Peter Bradshaw wrote, " 311: 303: 295: 287: 277: 238: 229:Buena Vista International 205: 180: 170: 160: 150: 94: 75: 58: 50: 40: 35:Theatrical release poster 28: 23: 3569:Paramount Pictures films 3559:Male bisexuality in film 3348:The Two Faces of January 3308:Once You Meet a Stranger 3252:Once You Kiss a Stranger 3193:Little Tales of Misogyny 3047:The Two Faces of January 2662:National Board of Review 1821: 704:Charlotte O'Sullivan of 558:The Wisdom of Crocodiles 506:as Colonnello Verrecchia 227:(international; through 3489:Films about con artists 3434:1999 LGBT-related films 3316:The Talented Mr. Ripley 3185:Short story collections 3138:The Talented Mr. Ripley 3119:Small g: a Summer Idyll 2903:The Talented Mr. Ripley 2807:The Talented Mr. Ripley 2791:The Talented Mr. Ripley 2775:The Talented Mr. Ripley 2758:The Talented Mr. Ripley 2151:The Talented Mr. Ripley 2120:The Talented Mr. Ripley 2085:The Talented Mr. Ripley 1892:The Talented Mr. Ripley 1747:Best Adapted Screenplay 1716:The Talented Mr. Ripley 1630:Best Adapted Screenplay 1588:The Talented Mr. Ripley 1558:Best Adapted Screenplay 1508:The Talented Mr. Ripley 1334:The Talented Mr. Ripley 1253:The Talented Mr. Ripley 1165:The Talented Mr. Ripley 1082:Best Adapted Screenplay 936:Best Adapted Screenplay 815:The Talented Mr. Ripley 794:The Talented Mr. Ripley 776:The Talented Mr. Ripley 759:The Talented Mr. Ripley 733:The Talented Mr. Ripley 652:The Talented Mr. Ripley 647:The Talented Mr. Ripley 464:as Peter Smith-Kingsley 421: 384: 375:Best Adapted Screenplay 373:nominations, including 323:The Talented Mr. Ripley 64:The Talented Mr. Ripley 24:The Talented Mr. Ripley 3424:1999 crime drama films 2871:A Little Like Drowning 1770:The Talented Mr Ripley 1540:Philip Seymour Hoffman 1456:Best Musical Sequence 456:Philip Seymour Hoffman 364:Philip Seymour Hoffman 328:psychological thriller 122:Philip Seymour Hoffman 3499:Films about murderers 3484:BAFTA winners (films) 3079:The Tremor of Forgery 3063:A Suspension of Mercy 3023:A Game for the Living 2919:Breaking and Entering 2461:The New York Observer 2428:Berardinelli, James. 2402:Berardinelli, James. 2242:(December 24, 1999). 2207:(December 24, 1999). 2055:. 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January 14, 2020. 1682:Choice Movie: Actor 1397:Best Cinematography 1199:Best Cinematography 851:improve this article 757:wrote, "On balance, 689:Entertainment Weekly 470:as Herbert Greenleaf 315:$ 128.8 million 270: (United States) 3539:Films set in Venice 3332:Ripley Under Ground 3268:This Sweet Sickness 3260:The American Friend 3146:Ripley Under Ground 3111:Found in the Street 3071:Those Who Walk Away 3031:This Sweet Sickness 2895:The English Patient 2374:Berardinelli, James 2287:on October 18, 2012 2273:(January 7, 2000). 2027:movie-locations.com 1793:Ripley Under Ground 1781:The American Friend 1725:Choice Movie: Liar 1711:Choice Movie: Drama 1645:Best Cinematography 1310:Best Original Score 1243:Golden Globe Awards 1097:Best Cinematography 991:Best Costume Design 951:Best Original Score 446:as Dickie Greenleaf 326:is a 1999 American 3544:Films shot in Rome 3340:The Cry of the Owl 3292:The Cry of the Owl 3170:Ripley Under Water 3039:The Cry of the Owl 2963:Patricia Highsmith 2857:Films directed by 2468:on October 8, 2008 2249:The New York Times 1922:"Bad will hunting" 1678:Teen Choice Awards 1223:Best British Actor 966:Best Art Direction 782:In her review for 768:In his review for 747:In his review for 721:James Berardinelli 676:The New York Times 512:as Emily Greenleaf 482:as Alvin MacCarron 336:Patricia Highsmith 213:Paramount Pictures 193:Mirage Enterprises 70:Patricia Highsmith 3534:Films set in Rome 3524:Films set in 1959 3519:Films set in 1958 3406: 3405: 3180: 3179: 2999:The Price of Salt 2929: 2928: 2859:Anthony Minghella 2522:The Village Voice 2313:Sight & Sound 2271:Schwarzbaum, Lisa 2214:Chicago Sun-Times 1811:For his cameo in 1762: 1761: 1752:Anthony Minghella 1635:Anthony Minghella 1605:Anthony Minghella 1563:Anthony Minghella 1525:Anthony Minghella 1439:Anthony Minghella 1375:Anthony Minghella 1349:Anthony Minghella 1300:Anthony Minghella 1140:Anthony Minghella 1087:Anthony Minghella 1042:Anthony Minghella 941:Anthony Minghella 883: 882: 875: 799:National Enquirer 785:The Village Voice 707:Sight & Sound 639:review aggregator 633:Critical response 601:in Rome, and the 545:Good Will Hunting 540:Leonardo DiCaprio 480:Philip Baker Hall 452:as Meredith Logue 440:as Marge Sherwood 332:Anthony Minghella 319: 318: 307:$ 40 million 257:Fox Bruin Theater 142:Philip Baker Hall 54:Anthony Minghella 45:Anthony Minghella 3596: 3574:Tom Ripley films 3364:A Kind of Murder 3300:The Story Teller 2983: 2982: 2956: 2949: 2942: 2933: 2932: 2851: 2844: 2837: 2828: 2827: 2818: 2802: 2786: 2770: 2753: 2748: 2747: 2745:Official website 2730: 2729: 2727: 2725: 2705: 2699: 2698: 2696: 2694: 2679: 2673: 2672: 2670: 2668: 2654: 2648: 2647: 2645: 2643: 2621: 2615: 2614: 2612: 2610: 2594: 2588: 2587: 2569: 2563: 2562: 2550: 2540: 2534: 2533: 2531: 2529: 2512: 2506: 2505: 2503: 2501: 2484: 2478: 2477: 2475: 2473: 2464:. 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Los Angeles 2637: 2636: 2631: 2629: 2620: 2605: 2604: 2599: 2593: 2585: 2581: 2579: 2574: 2568: 2560: 2554: 2549: 2548: 2539: 2524: 2523: 2518: 2511: 2496: 2495: 2490: 2483: 2467: 2463: 2462: 2457: 2450: 2435: 2434:ReelViews.net 2431: 2424: 2409: 2408:ReelViews.net 2405: 2398: 2383: 2382:ReelViews.net 2379: 2375: 2369: 2352: 2347: 2346: 2341: 2335: 2319: 2315: 2314: 2309: 2302: 2286: 2282: 2281: 2276: 2272: 2266: 2251: 2250: 2245: 2241: 2240:Maslin, Janet 2235: 2227: 2216: 2215: 2210: 2206: 2200: 2184: 2180: 2179: 2174: 2168: 2160: 2159: 2154: 2152: 2144: 2129: 2128: 2123: 2121: 2113: 2105: 2093: 2089: 2088: 2084: 2078: 2070: 2058: 2054: 2053: 2050: 2043: 2028: 2024: 2018: 2016: 2007: 1995: 1991: 1990: 1985: 1984: 1977: 1962: 1961: 1956: 1949: 1947: 1945: 1929: 1928: 1923: 1916: 1901: 1900: 1895: 1893: 1885: 1883: 1867: 1866: 1861: 1855: 1851: 1837: 1831: 1827: 1816: 1815: 1810: 1809: 1803: 1801: 1800: 1795: 1794: 1789: 1788: 1787:Ripley's Game 1783: 1782: 1777: 1776: 1771: 1758: 1755: 1753: 1748: 1745: 1743: 1740: 1737: 1736: 1732: 1730: 1724: 1723: 1719: 1717: 1714: 1712: 1709: 1708: 1704: 1702: 1696: 1695: 1689: 1687: 1681: 1679: 1672: 1668: 1666: 1661: 1658: 1657: 1653: 1651: 1648: 1646: 1643: 1642: 1638: 1636: 1633: 1631: 1628: 1627: 1623: 1621: 1616: 1613: 1612: 1608: 1606: 1601: 1600:Best Director 1598: 1597: 1591: 1589: 1584: 1581: 1579: 1572: 1569: 1566: 1564: 1559: 1556: 1554: 1551: 1548: 1547: 1543: 1541: 1536: 1533: 1532: 1528: 1526: 1523: 1521: 1520:Best Director 1518: 1517: 1511: 1509: 1504: 1503:Top Ten Films 1501: 1499: 1492: 1488: 1486: 1481: 1478: 1477: 1471: 1469: 1465: 1461: 1455: 1453: 1446: 1442: 1440: 1434: 1433: 1427: 1425: 1420: 1417: 1415: 1408: 1404: 1402: 1399: 1396: 1395: 1391: 1389: 1388:Gabriel Yared 1383: 1382: 1378: 1376: 1370: 1369: 1365: 1363: 1357: 1356: 1352: 1350: 1344: 1343: 1337: 1335: 1332: 1329: 1322: 1318: 1316: 1315:Gabriel Yared 1311: 1308: 1307: 1303: 1301: 1296: 1295:Best Director 1293: 1292: 1288: 1286: 1283: 1281: 1278: 1277: 1273: 1271: 1266: 1263: 1262: 1256: 1254: 1249: 1246: 1244: 1237: 1234: 1231: 1229: 1224: 1221: 1219: 1218:Empire Awards 1216: 1213: 1212: 1209: 1206: 1204: 1198: 1196: 1193: 1190: 1189: 1185: 1183: 1182:Gabriel Yared 1178: 1177:Best Composer 1175: 1174: 1168: 1166: 1163: 1161: 1158: 1156: 1149: 1146: 1143: 1141: 1136: 1133: 1131: 1128: 1125: 1124: 1120: 1118: 1117:Gabriel Yared 1113: 1110: 1109: 1105: 1103: 1098: 1095: 1094: 1090: 1088: 1085: 1083: 1080: 1079: 1075: 1073: 1068: 1065: 1064: 1060: 1058: 1053: 1050: 1049: 1045: 1043: 1038: 1035: 1034: 1028: 1024: 1019: 1016: 1014: 1007: 1003: 1001: 997: 992: 989: 988: 984: 979: 972: 967: 964: 963: 959: 957: 956:Gabriel Yared 952: 949: 948: 944: 942: 937: 934: 933: 927: 925: 920: 917: 915: 908: 886: 877: 874: 866: 856: 852: 846: 845: 840:This section 838: 834: 829: 828: 825: 818: 816: 812: 807: 805: 801: 800: 795: 791: 787: 786: 780: 777: 773: 772: 766: 764: 760: 756: 755:Andrew Sarris 752: 751: 745: 743: 739: 735: 734: 729: 728: 722: 718: 716: 715: 709: 708: 702: 700: 695: 691: 690: 685: 682: 678: 677: 671: 667: 665: 661: 657: 653: 648: 644: 640: 624: 614: 610: 608: 604: 603:Caffè Florian 600: 596: 595:Spanish Steps 592: 591:Piazza Navona 588: 584: 580: 576: 572: 562: 560: 559: 554: 549: 547: 546: 541: 537: 536: 517: 514: 511: 510:Lisa Eichhorn 508: 505: 502: 499: 496: 493: 490: 487: 484: 481: 478: 475: 474:Sergio Rubini 472: 469: 468:James Rebhorn 466: 463: 460: 457: 454: 451: 448: 445: 442: 439: 436: 434: 430: 427: 426: 419: 415: 411: 407: 403: 401: 395: 392: 382: 380: 376: 372: 371:Academy Award 367: 365: 361: 357: 353: 349: 345: 341: 337: 333: 329: 325: 324: 314: 310: 306: 302: 298: 294: 291:United States 290: 286: 282: 276: 261: 258: 246: 245: 243: 240:Release dates 237: 230: 225: 222: 221: 214: 211: 210: 208: 204: 197:Timnick Films 196: 194: 191: 190: 187: 179: 176: 175:Gabriel Yared 173: 169: 166: 163: 159: 156: 153: 149: 143: 140: 138: 137:Sergio Rubini 135: 133: 132:James Rebhorn 130: 128: 125: 123: 120: 118: 115: 113: 110: 108: 105: 103: 100: 99: 97: 93: 87:Tom Sternberg 86: 84: 81: 80: 78: 74: 71: 66: 65: 61: 57: 53: 51:Screenplay by 49: 46: 43: 39: 32: 27: 22: 19: 3378: 3370: 3362: 3354: 3346: 3338: 3330: 3322: 3315: 3314: 3306: 3298: 3290: 3282: 3274: 3266: 3258: 3250: 3242: 3234: 3226: 3207: 3199: 3191: 3168: 3160: 3152: 3144: 3136: 3117: 3109: 3101: 3093: 3085: 3077: 3069: 3061: 3053: 3045: 3037: 3029: 3021: 3013: 3005: 2997: 2989: 2972:Bibliography 2917: 2909: 2902: 2901: 2893: 2885: 2877: 2869: 2806: 2790: 2774: 2757: 2722:. Retrieved 2713: 2703: 2691:. Retrieved 2687: 2677: 2667:February 14, 2665:. Retrieved 2652: 2642:February 14, 2640:. Retrieved 2633: 2627: 2619: 2609:February 14, 2607:. Retrieved 2603:BAFTA Awards 2601: 2592: 2576: 2567: 2546: 2538: 2526:. Retrieved 2520: 2510: 2498:. Retrieved 2494:The Guardian 2492: 2482: 2470:. Retrieved 2466:the original 2459: 2449: 2437:. Retrieved 2433: 2423: 2411:. Retrieved 2407: 2397: 2385:. Retrieved 2381: 2368: 2356:. Retrieved 2351:the original 2343: 2334: 2322:. Retrieved 2318:the original 2311: 2301: 2289:. Retrieved 2285:the original 2278: 2265: 2253:. Retrieved 2247: 2234: 2224:– via 2218:. Retrieved 2212: 2205:Ebert, Roger 2199: 2189:February 17, 2187:. Retrieved 2183:the original 2176: 2167: 2156: 2150: 2143: 2131:. Retrieved 2125: 2119: 2112: 2102:– via 2096:. Retrieved 2086: 2083: 2077: 2067:– via 2061:. Retrieved 2052: 2048: 2042: 2030:. Retrieved 2026: 2004:– via 1998:. Retrieved 1987: 1982: 1976: 1964:. Retrieved 1958: 1933:February 18, 1931:. 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Retrieved 1863: 1854: 1830: 1812: 1798: 1791: 1785: 1779: 1773: 1769: 1768: 1715: 1665:Walter Murch 1660:Best Editing 1587: 1507: 1480:Best Villain 1333: 1252: 1164: 1013:BAFTA Awards 978:Bruno Cesari 869: 863:January 2018 860: 849:Please help 844:verification 841: 824: 814: 808: 797: 793: 783: 781: 775: 771:The Guardian 769: 767: 758: 748: 746: 742:René Clément 737: 731: 725: 719: 712: 705: 703: 687: 686: 681:Janet Maslin 674: 668: 651: 646: 636: 611: 568: 556: 550: 543: 535:The Guardian 533: 532: 518:as Ermelinda 516:Silvana Bosi 488:as Aunt Joan 486:Celia Weston 416: 412: 408: 404: 396: 388: 368: 322: 321: 320: 279:Running time 165:Walter Murch 62: 18: 3244:Enough Rope 3236:Purple Noon 3220:Adaptations 2714:Screen Rant 2439:October 14, 2413:October 14, 2387:October 14, 2178:CinemaScore 2000:January 14, 1989:Vanity Fair 1790:(2002) and 1778:(1960) and 1775:Purple Noon 1765:Adaptations 1384:Best Score 1358:Best Actor 1135:Golden Bear 897:Nominee(s) 738:Purple Noon 727:Purple Noon 699:Eagle Scout 670:Roger Ebert 664:CinemaScore 609:in Venice. 334:, based on 283:139 minutes 76:Produced by 41:Directed by 3419:1999 films 3413:Categories 3398:Tom Ripley 3391:Characters 3372:Deep Water 3015:Deep Water 2220:August 12, 2158:Metacritic 2051:Mr. Ripley 1966:January 6, 1846:References 1814:Deadpool 2 1756:Nominated 1733:Nominated 1729:Matt Damon 1720:Nominated 1705:Nominated 1690:Nominated 1686:Matt Damon 1669:Nominated 1654:Nominated 1650:John Seale 1639:Nominated 1624:Nominated 1609:Nominated 1592:Nominated 1567:Nominated 1512:Nominated 1489:Nominated 1485:Matt Damon 1472:Nominated 1460:Matt Damon 1443:Nominated 1428:Nominated 1405:Nominated 1401:John Seale 1392:Nominated 1379:Nominated 1366:Nominated 1362:Matt Damon 1353:Nominated 1338:Nominated 1330:Best Film 1319:Nominated 1304:Nominated 1289:Nominated 1274:Nominated 1270:Matt Damon 1257:Nominated 1232:Nominated 1207:Nominated 1203:John Seale 1169:Nominated 1144:Nominated 1121:Nominated 1106:Nominated 1102:John Seale 1091:Nominated 1076:Nominated 1046:Nominated 1029:Nominated 1004:Nominated 1000:Gary Jones 985:Nominated 971:Roy Walker 960:Nominated 945:Nominated 928:Nominated 813:has cited 790:Amy Taubin 656:Metacritic 617:Soundtrack 524:Production 500:as Silvana 433:Tom Ripley 429:Matt Damon 348:Tom Ripley 344:Matt Damon 312:Box office 266:1999-12-25 251:1999-12-12 182:Production 155:John Seale 102:Matt Damon 2626:"Globes' 2255:March 11, 2133:March 11, 1905:March 11, 1583:Best Film 1160:Best Film 1018:Best Film 894:Category 821:Accolades 809:Director 763:amorality 628:Reception 494:as Fausto 391:Princeton 381:for Law. 184:companies 161:Edited by 2780:AllMovie 2718:Archived 2693:April 5, 2630:pageant" 2584:Archived 2092:Archived 2057:Archived 1994:Archived 1871:July 11, 1701:Jude Law 1620:Jude Law 1468:Jude Law 1424:Jude Law 1285:Jude Law 1228:Jude Law 1057:Jude Law 996:Ann Roth 924:Jude Law 804:Adriatic 641:website 571:Positano 444:Jude Law 400:San Remo 352:Jude Law 296:Language 171:Music by 112:Jude Law 95:Starring 59:Based on 2724:May 19, 2688:Netflix 2635:Variety 2580:(AMPAS) 2528:July 6, 2500:July 6, 2472:July 6, 2358:July 6, 2324:July 6, 2291:July 6, 2104:YouTube 2098:May 30, 2069:YouTube 2063:May 30, 2032:May 30, 2006:YouTube 1960:E! 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Index


Anthony Minghella
The Talented Mr. Ripley
Patricia Highsmith
William Horberg
Matt Damon
Gwyneth Paltrow
Jude Law
Cate Blanchett
Philip Seymour Hoffman
Jack Davenport
James Rebhorn
Sergio Rubini
Philip Baker Hall
John Seale
Walter Murch
Gabriel Yared
Mirage Enterprises
Paramount Pictures
Miramax International
Buena Vista International
Fox Bruin Theater
psychological thriller
Anthony Minghella
Patricia Highsmith
1955 novel of the same title
Matt Damon
Tom Ripley
Jude Law
Gwyneth Paltrow

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