The Tale of Aragorn and Arwen

951:, and that it ends not just with Arwen's death, but the statement that her grave is on Cerin Amroth "until the world is changed, and all the days of her life are utterly forgotten by men that come after ... and with the passing of Evenstar no more is said in this book of the days of old." Rateliff observes that this points up a "highly unusual" aspect of the book among modern fantasy: it is set "in the real world but in an imagined prehistory." As a result, Rateliff explains, Tolkien can build what he likes in that distant past, elves and wizards and hobbits and all the rest, provided that he tears it all down again, so that the modern world can emerge from the wreckage, with nothing but "a word or two, a few vague legends and confused traditions..." to show for it. Rateliff praises and quotes the scholar of English literature 1125:"where, after speculating that since 'fairy-stories are made by men not by fairies', they must deal with what he called the Great Escape, the escape from death. He went on to the singular assertion that 'the Human-stories of the elves are doubtless full of the Escape from Deathlessness'." Flieger suggests that two of the "human stories" of Tolkien's Elves really focus on this kind of escape, the "Tale of Beren and Lúthien" and that of Aragorn and Arwen, where in both cases an elf makes her escape from deathlessness; though since Elves do not die, she questions whether the theme can be at once death and immortality. Shippey comments that "the themes of the Escape from Death, and the Escape from Deathlessness, are vital parts of Tolkien's entire mythology." In a 1968 broadcast on BBC2, Tolkien quoted French philosopher 780: 1002:

he tells them that Lúthien "chose mortality, and to die from the world, so that she might follow " and that "together they passed, long ago, beyond the confines of this world" and that she "alone of the Elf-kindred has died indeed and left the world, and they have lost her whom they most loved". West speculates that Aragorn may be thinking here of the consequences of what will happen should Arwen marry him, and later states that he finds "the lonely death of Arwen the most moving tragedy within ". A similar conclusion regarding Aragorn's feelings at Weathertop is drawn by scholar of medieval English literature John M. Bowers in his work on the influence of

557:'s cheery "Well, I'm back". Walsh notes that in a letter, Tolkien wrote "The passage over Sea is not Death ... I am only concerned with Death as part of the nature, physical and spiritual, of Man, and with Hope without guarantees. That is why I regard the tale of Arwen and Aragorn as the most important of the appendices; it is part of the essential story ". Sarah Workman writes that the relegation of the tale to an appendix "does not subordinate its importance", citing the same letter. Walsh states that he is interested to find that while Tolkien had "reluctantly relegated" the tale to an appendix, it is part of the main story in 434: 350: 998:. West gives examples of direct and indirect references to Arwen that only make sense or become clearer once the tale in the Appendices has been read, such as the gift-giving scene in Lothlorien where Aragorn refers to Arwen with his words to Galadriel "Lady, you know all my desire, and long held in keeping the only treasure that I seek. Yet it is not yours to give me, even if you would; and only through darkness shall I come to it", and in response is presented by Galadriel with a green elfstone (earning him the name "Elessar") set in a silver brooch from Arwen. 185:. Working from his father's unpublished manuscripts and drafts, he traces the evolution of the tale through several versions and framing devices, including an "abandoned experiment at inserting it into history of the North Kingdom", concluding that "the original design of the tale of Aragorn and Arwen had been lost". The original manuscript pages of the deathbed exchange between Aragorn and Arwen show that this key scene was almost unchanged from the published version, and had been written at great speed. 1078:

glories only for a little while, before the world is altered and 'fades into the light of common day'". Rateliff, writing on the theme of the evocation of loss in Tolkien's works, describes the 'Gift of Men' as being "to accept loss and decay as essential parts of the world" and draws parallels with other writings by Tolkien: "The Elves cling to the past and so are swept away with it; in a fallen world, acceptance of the inevitability of death is the only way to pass beyond the world's limitations, for

584:. Interlacing is the literary device where the narrative jumps between parallel threads. Gray notes that one effect of the relegation is an emphasis on dramatic action, at the price of "love-interest". All the same, Gray writes, the tale "is one of Tolkien's most moving pieces. It is a tale about enduring love, triumphing over seemingly impossible odds, and sealed with Arwen's sacrifice of her Elven immortality in order to live with her human husband for 'six score years of great glory and bliss'." 565:, "strategically placed almost exactly half-way through". The film's depiction of the tale differs from the book's, combining Arwen's arrival, the presentation of the banner, the coronation, and the wedding; in the tale, Aragorn "unfurled the standard of Arwen in the battle of the Fields of Pelennor". Walsh notes that Jackson includes a flash forward to Elrond's vision of Arwen as the King's widow, with the phrase "There is nothing for you here: only death" used both in the film of 1099: 3399: 477:, and he foreknows his death like a saint". Shippey notes that Arwen is inconsolable, seeing nothing after death, rejecting Aragorn's "we are not bound for ever to the circles of the world, and beyond them is more than memory. Farewell!"; as Shippey says, "Arwen is not comforted" by this; none of the traditional consolations of religion are present. He observes that Tolkien stated in a letter to a 523: 534:, the tale is brought from the appendix into the main narrative, and (shown) Arwen brings the banner of the White Tree to Aragorn, and they are married. In the book these are separate events. Aragorn is shown wearing a circlet; Tolkien described the crown in the book as a taller version of the helmets of the city guard, and in a later letter as resembling the 1271:, in her analysis of a scene from this tale, gives another example of material being adapted for use in the Peter Jackson films. Straubhaar notes that the last words of Aragorn's mother Gilraen to her son feature twice, firstly carved on her gravestone, and secondly quoted by Elrond and Aragorn before the Paths of the Dead sequence. 271:, or to fall into darkness; and that he "shall neither have wife, nor bind any woman to you in troth" until he is found worthy. In reply, with "the foresight of his kindred", Aragorn prophesies that Elrond's time in Middle-earth is coming to an end, and that Arwen will have to choose between her father and staying in Middle-earth. 514:", the Christian precepts on how to die well, namely "the acceptance of death, the refusal of temptation, the dispensation of worldly goods and the last farewell to the family, and the final affirmation of faith". Amendt-Raduege describes the death of Aragorn as "one of the most deeply moving scenes in the story". 1061:

rulers"; when Arwen pleads with him to hold off, he "concedes that death is a cause for 'sorrow' but not for 'despair'." Walsh comments that it is significant that at this moment, Arwen calls him Estel, his childhood name, which meant "Hope" or "Trust"; she has to trust his wisdom, and her own choice

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West draws a further connection between the tale in the Appendices and the main text in his analysis of the scene at the camp on Weathertop where Aragorn (Strider) recounts to the hobbits in poetry and prose the "Tale of Beren and Lúthien", with West highlighting Aragorn's words and "pensive mood" as

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contains the complete text of the revised edition of 1966. The index and all but one of the numerous appendices have been omitted. Though they contain much information that has proved very interesting to many readers, only a small part is necessary to the reading of the tale. They may still be found

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called (she writes) the "meaningless", interminable nature of immortality. Workman quotes Brooks's statement that "all narration is obituary" and states that it is in that conception that Tolkien valued Arwen's fate: it is Arwen's "mourning gaze that allows for the transmission of Aragorn's memory",

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of Arnor to his son Eldarion, he says his final farewell to Arwen and dies, his body remaining "in glory undimmed". Arwen was "not yet weary of her days and thus tasted the bitterness of the mortality that she had taken upon her". The elf-light in her eyes goes out, and she leaves Gondor for Lorien,

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and marriage, and the circumstances of their deaths. Tolkien called the tale "really essential to the story". In contrast to the non-narrative appendices it extends the main story of the book to cover events both before and after it, one reason it would not fit in the main text. Tolkien gave another

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The political philosopher Germaine Paulo Walsh compares Tolkien's view that "the ability to exercise wise judgment is tied to a steadfast belief in the ultimate justice of the cosmos, even in the face of circumstances that seem hopeless" with the attitudes towards death in Ancient Greece. He writes

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years in great glory and bliss". Then, aged 210 and feeling the onset of old age, Aragorn chooses to lay down his life before he falls from his "high seat unmanned and witless". In the scenes that follow, Aragorn and a grief-stricken Arwen converse on the nature of death and the consequences of the

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The Thain's Book was thus the first copy made of the Red Book and contained much that was later omitted or lost. In Minas Tirith it received much annotation, and many corrections, especially of names, words and quotations in the Elvish languages; and there was added to it an abbreviated version of

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that an Elf may marry a Man on condition of surrendering her immortality. This happens exactly twice in the legendarium, with Lúthien and then with Arwen. In Garbowski's view the conceit's most dramatic use is an event in "The Tale of Aragorn and Arwen", the moment when Aragorn voluntarily accepts

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on this: "At the end of his epic Tolkien inserts ... some forebodings of future which will make Earth what it is today ... he shows the initial steps in a long process of retreat or disappearance all other intelligent species, which will leave man effectually alone on earth... Ents may still be

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Bowman notes that when Aragorn first sees Arwen, he both sings about Lúthien Tinúviel and calls Arwen by that name "as if the story had come to life before his eyes" and later he compares his life with Beren's, saying "I have turned my eyes to a treasure no less dear than the treasure of Thingol

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that battled in the First Age. She writes that "Aragorn is a hero and a descendant of heroes, but he is brought up in hiding and given the name of Hope ; Arwen possesses the beauty of Lúthien, but she is born in the twilight of her people and her title is Evenstar; these two restore the original

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studies "The Tale of Aragorn and Arwen" to see how Tolkien uses fantasy to examine the issues of love and death, time and immortality. Given that Tolkien's Elves are immortal, they face the question of death from a unique vantage-point. Sarah Workman writes that in the tale, Arwen's mourning of

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notes the resemblance between Arwen and Lúthien, and analyses Arwen's understanding of her fateful choice, between love for Aragorn and mortality on the one hand, and her father's wishes and immortality on the other. Others such as Bill Davis analyse Tolkien's exploration of mortality through an

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rather than to Hell. He notes that the tale contains another death-scene, that of Gilraen, Aragorn's mother; she too is not comforted by Aragorn's mention of "a light beyond the darkness", a phrase that Shippey writes could be a hope of salvation, or simply a hope of winning the War of the Ring.

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made by Findegil. The Tolkien scholar Giuseppe Pezzini writes that the "meta-textual frame ... is duly harmonised in the text through the use of formal features; the appendixes are indeed full of scribal glosses, later notes, and editorial references that are meant to match the elaborate textual

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Whatever the case, Shippey considers the tale to give "the deepest sense of religious belief mentioned explicitly in Middle-earth", but that the result is an "only-slightly-qualified absence of religion", creating a "paradox of a 'fundamentally Catholic' work which never once mentions God."

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The real theme for me is .. Death and Immortality: the mystery of the love of the world in the hearts of a race 'doomed' to leave and seemingly lose it; the anguish in the hearts of a race 'doomed' not to leave it, until its whole evil-aroused story is complete. But if you have now read

971:, and Elves are permanently above them. But the Elves voluntarily leave at the end of the Third Age, so men can take their place. Further, Burns writes, the marriage with Arwen infuses Aragorn's line with fresh Elven blood, bringing some of the Elves' actual power and nobility to Gondor. 1304:(1964): "There is no such thing as a natural death. Nothing that happens to man is ever natural, since his presence calls the whole world into question. All men must die, but for every man his death is an accident, and even if he knows it and consents to it, an unjustifiable violation." 1257:

The narrative voice and the register shifts in the tale are covered further in a paper prompted by Barkley's article. In her close analysis of the tale, Helen Armstrong examines the implications of one of the narrators of the tale being Arwen as she related the story after Aragorn's

278:, nearly thirty years later. Galadriel dresses Aragorn in "silver and white, with a cloak of elven-grey and a bright gem on his brow", so that he seems to be an elf-lord. Arwen sees him and makes her choice. They climb the hill of Cerin Amroth, from where they can see the Shadow ( 1062:

of love and death. That Aragorn was wise to choose his death as he did is confirmed, Walsh writes, by the "transformation" of his body after death, as it becomes permanently beautiful, reflecting the "essential goodness of his soul", in contrast to the death of the wizard

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As described by Armstrong (1998) and Lee (2018), Tolkien stated: "human stories always about one thing aren't they? Death: the inevitability of death" and then pulled a newspaper cutting from his pocket and read out the following quote from de Beauvoir's

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Aspects of the tale discussed by scholars include the nature of love and death; the question of why the tale, if so important, was relegated to an appendix; Tolkien's blurring of the line between story and history; the balance Tolkien strikes between open

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Tolkien himself gave another explanation, which was that "This story is placed in an appendix, because I have told the whole tale more or less through 'hobbits'; and that is because another main point in the story for me is the remark of Elrond in

2211:'gifts' to Aragorn: his crown and his bride... Legolas leads the contingent of elves, who, seemingly to Aragorn's surprise, have arrived to present Arwen as a bride. Thus, lead Aragorn into his two greatest roles—as king and as husband/bridegroom. 1037:

the time of his death, offered to him by Ilúvatar (God), which Garbowski finds "optimistic". Arwen calls this "gift" "bitter to receive"; Garbowski comments that Tolkien's later and much less optimistic posthumously published discourse "

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The scholar of medieval and Renaissance literature Mary R. Bowman writes that both "The Tale of Aragorn and Arwen" and the final part of Appendix B (a detailed timeline) are examples of the appendices denying the closure of

164:; Tolkien insisted on keeping the tale, stating that it was "essential to the understanding of the main text in many places", and it and Appendix D formed the only appendices to that edition. The first one-volume edition of 1635:

in all its manifestations, and always have done so since I grew old and wary enough to detect its presence. I much prefer history, true or feigned, with its varied applicability to the thought and experience of readers.".

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those parts of The Tale of Aragorn and Arwen which lie outside the account of the War. The full tale is stated to have been written by Barahir, grandson of the Steward Faramir, some time after the passing of the King.

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As described by Christopher Tolkien: "The original manuscript pages in which my father first set down this inspired passage are preserved. He wrote them so fast that without the later text scarcely a word would be

5137: 160:, Tolkien stated that the tale was the only part of the Appendices that was "really essential to the story." The publishers wanted to omit the Appendices entirely for the first Swedish edition, the 1959-1961 220:

and the point of view from which the story is told is examined by the scholar of English, literature, and film Christine Barkley, who considers the main part of the tale to have been narrated by Aragorn.

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by narrating events for some 120 years after those of the final chapter of the main text; this differs from the non-narrative nature of the later appendices which add "cultural and linguistic material".

1286: 5045: 5037: 5109: 5067: 473:, a word that Shippey observes Tolkien uses very sparingly. Shippey notes that both Aragorn and Arwen are pagan, though Aragorn is "remarkably virtuous .. without even the faults of 1884: 330:

and their people had left Middle-earth. She wanders under the mallorn trees, their leaves falling, and becomes the only living Elf in Middle-earth since Lúthien to die of old age.

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there in our forests, but what forests have we left? The process of extermination is already well under way in the Third Age, and ... Tolkien bitterly deplores its climax today."

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wrote that neither the Elves nor anybody else knows where Men go to when they leave Middle-earth, and that the nearest Tolkien came to dealing with the question was in his essay

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in the woods, and calls out to her "Tinúviel! Tinúviel!" as Beren had done; she reveals that although she seems no older than he, she is of great age, having "the life of the

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as the model for death, the "only sound response" being despair, whereas Tolkien's model is Aragorn, who chooses death freely according to the "ancient prerogative of the

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notes that as a result of this hobbit-centred viewpoint, first-time readers can be "as surprised as the hobbits when Arwen and her escort arrive at Minas Tirith".

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the Half-elven, sees without being told what has happened, and tells Aragorn that a "great doom awaits" him, either to be the greatest of his line since

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The scholar of English literature Catherine Madsen notes the reflection of mortality in the "fading" of Middle-earth from the enormous powers like

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on Tolkien. Bowers, looking at both the Weathertop scene and 'The Tale of Aragorn and Arwen', states that like certain pilgrims in Chaucer's

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s key ingredient was the political connection "between the recovery of the main character's beloved and the return to royal responsibility."

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The literary historian and folklorist William Gray adds that the reason for the tale's relegation may be that it does not contribute to the

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ends as Elrond departs Middle-earth never to return, and he and Arwen are "sundered by the Sea and by a doom beyond the end of the world".

156:, while Arwen barely speaks and hardly features until her marriage at the end of the book. In a letter dated 6 April 1956 to his publisher 1028:

The Polish scholar of religion in literature and film, Christopher Garbowski, notes that while Tolkien contrasts Elves and Men throughout

7074: 6568: 5010: 3542: 3354: 1332:(1955). "Appendix A: Annals of the Kings and Rulers: I The Númenórean Kings: (v) Here follows a part of the tale of Aragorn and Arwen". 309:, including Elrond's, with it. Aragorn becomes King of Gondor and Arnor, and at midsummer he and Arwen are married in Minas Tirith. The 6902: 6338: 5266: 4840: 4364: 3805: 3795: 3790: 6533: 5153: 4951: 4725: 4705: 4693: 3777: 3587: 148:. In the main text of the book, Aragorn is presented almost without detail of his relationships, other than a brief interaction with 7134: 2260:

Kingdom of Egypt. Actually the two crowns look identical, save for the wings that the crown of Gondor has as an additional feature.

1041:" effectively undermines the status of the "gift", coming close to the Christian position that body and soul cannot be separated. 1025:

or in Tolkien's words which she quotes, "And long there he lay, an image of the splendour of the Kings of Men in glory undimmed".

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choice she had made. Aragorn lies down in "the House of the Kings in the Silent Street" and, giving the crown of Gondor and the

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that were published with the only appendix being the "Tale of Aragorn and Arwen" include the French translation of 1972–3 (

581: 4797: 4717: 3215: 3046: 1172: 675: 558: 527: 7211: 7085: 6638: 6518: 5400: 4778: 4773: 3677: 3672: 3572: 3250: 2685:(2006). "'Her Choice Was Made and Her Doom Appointed': Tragedy and Divine Comedy in the Tale of Aragorn and Arwen". In 2432: 2043: 1412: 573: 7176: 6603: 5432: 5362: 4761: 3637: 3524: 3329: 3068: 2924: 2851: 2776: 2706: 2651: 2577: 2468: 1675: 1367: 1109:'s thoughts on death, describing the theme of the inevitability of death as key to his work. (timestamp: 22:07–23:15) 546:

The scholar of English literature Chris Walsh describes "The Tale of Aragorn and Arwen" as an alternative ending to

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provide commentary on 'the Escape from Deathlessness' passage, referencing Tolkien's views in a 1956 letter, that:

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writes that the "Tale of Aragorn and Arwen" forms one of the "very final passages" of the internal chronology of

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Bowman, Mary R. (October 2006). "The Story Was Already Written: Narrative Theory in "The Lord of the Rings"".

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Walsh, Germaine Paulo (2015). "Philosophic Poet: J.R.R. Tolkien's Modern Response to an Ancient Quarrel". In

2739: 2451:(2006). "What Did He Know and When Did He Know It? | Planning, Inspiration, and 'The Lord of the Rings'". In 980: 298: 6681: 6643: 6491: 6486: 5382: 5215: 3722: 3682: 3557: 3552: 3512: 2916: 963:, Tolkien "clever" manages to include an element of rising to nobility. Men cannot climb the hierarchy, as 424: 97: 2556:(2006). "'And All the Days of Her Life Are Forgotten' | 'The Lord of the Rings' as Mythic Prehistory". In 901: 63: 7271: 7053: 6701: 6476: 5832: 5767: 5731: 5188: 5017: 5001: 4927: 4616: 4453: 3785: 3747: 3185: 3136: 3018: 2957: 2838: 2109: 1399: 1038: 181: 3914: 6711: 6593: 6588: 6553: 6359: 5871: 5561: 5470: 5439: 5357: 5333: 4488: 3800: 3762: 3752: 3710: 3627: 3416: 3274: 2698: 2643: 2569: 2460: 2185: 1617: 1433: 589: 194: 104:

of their own. It has been noted also that the tale's relegation deprives the main story of much of its

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Fantasy, Myth and the Measure of Truth : Tales of Pullman, Lewis, Tolkien, MacDonald and Hoffmann

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The foreword to the 1968 edition ends with the following note: "This one-volume, paperback edition of

816:, something that as she notes Tolkien much preferred, whether "true or feigned", in the same way that 70:. This creates a feeling of historical depth, in what scholars note is an approach similar to that of 7225: 7120: 7033: 6937: 6788: 6752: 6185: 5856: 5782: 5598: 5351: 5312: 5175: 4551: 4508: 4467: 4218: 3381: 3314: 3160: 3060: 1995:. 15 There and Back Again: Tolkien and the Greco–Roman World (eds. Alicia Matz and Maciej Paprocki). 2634:(2006). "King and Hobbit: the exalted and lowly in Tolkien's created worlds". In Hammond, Wayne G.; 2310: 994:

elf's choosing to die. West further shows how Tolkien subtly weaves the tale into the main story of

522: 7162: 7028: 6723: 6696: 6674: 6618: 6377: 5514: 4311: 3834: 3742: 3715: 3647: 3439: 2324: 2030: 1268: 930: 508:, Amy Amendt-Raduege states that Aragorn's death "follows the step-by-step process outlined by the 433: 428: 378: 5680: 4460: 6983: 6831: 6735: 6548: 6528: 6523: 5958: 5941: 5927: 5519: 4576: 3924: 3887: 3757: 3597: 3582: 3577: 2768: 1359: 3131: 7106: 6846: 6728: 6633: 6623: 6027: 5983: 5963: 5806: 5744: 5591: 5568: 4673: 4581: 4321: 4185: 4159: 3839: 3662: 3652: 3300: 3288: 2605: 1334: 1147: 804: 327: 175:

The process of the composition of the tale was explored by Tolkien's son and literary executor

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Old Norse Made New: Essays on the Post-Medieval Reception of Old Norse Literature and Culture

2151: 1623: 1597: 1466: 1354: 1102: 1079: 1021: 612: 592:: 'Such is oft the course of deeds that move the wheels of the world '". The Tolkien scholar 567: 349: 144: 29: 293:

Some years later, Aragorn helps the Fellowship and the forces of the West to victory in the

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The Lord of the Rings, 1954-2004 : Scholarship in Honor of Richard E. Blackwelder

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The Lord of the Rings, 1954-2004 : Scholarship in Honor of Richard E. Blackwelder

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The Lord of the Rings, 1954-2004 : Scholarship in Honor of Richard E. Blackwelder

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The Lord of the Rings, 1954-2004 : Scholarship in Honor of Richard E. Blackwelder

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Female Valour Without Renown: Memory, Mourning and Loss at the Center of Middle-earth

2240: 2226:(2007). "Tolkien and Old Norse Antiquity". In Clark, David; Phelpstead, Carl (eds.). 2189: 2155: 2113: 2078: 2039: 1965: 1917: 1863: 1821: 1779: 1749: 1671: 1637: 1569: 1531: 1496: 1408: 1363: 935: 859: 839: 6118: 1184: 7169: 5849: 5653: 5636: 5497: 4439: 4432: 4012: 3667: 3407: 3245: 3084: 2971: 2686: 2557: 2553: 2512: 2452: 2342: 2235:. Viking Society for Northern Research: University College London. pp. 84–99. 1996: 1907: 1899: 1841: 1799: 1731: 1705: 1695: 1691: 1667: 1655: 1628: 1612: 1592: 1461: 1428: 1390: 1349: 1329: 1121: 1003: 944: 924: 465:, analyses the tale for what it says about Tolkien's delicate balance between open 125: 24: 7155: 6826: 6241: 5888: 4905: 2962: 2792: 2690: 2682: 2635: 2561: 2448: 2333: 2000: 1855: 1813: 1735: 1033: 1016: 990: 870: 822: 679: 593: 294: 282:) in the East, and the Twilight (the fading of the Elves) in the West, and they " 217: 76: 6806: 2907:

Madsen, Catherine (2004). "'Light from an Invisible Lamp' | Natural Religion in

2252:

What is immediately obvious to the reader, then, is that Tolkien assigns to the

6931: 6796: 6316: 6113: 5584: 4564: 4352: 4144: 4022: 3517: 3359: 3281: 3088: 3008: 2631: 2601: 1565: 1527: 1492: 1116: 960: 952: 854: 493: 489: 446: 438: 317: 316:

Aragorn and Arwen live together as King and Queen of Gondor and Arnor for "six-

93: 5643: 2818: 1936: 211:, and that an abbreviated version of the tale was included in the copy of the 7255: 6882: 6821: 5367: 4007: 4002: 3132:""The effort to translate": Fan Film Culture and the Works of J.R.R. Tolkien" 3102: 3050: 2983: 2953: 2875: 2716: 2661: 2587: 2478: 2406: 2354: 2074: 2035: 1921: 1745: 1700: 1404: 1105:

In a 1968 BBC2 television documentary, Tolkien quoted the French philosopher

408:. That in turn influenced "The Tale of Aragorn and Arwen"". In Capra's view, 105: 6246: 4268: 2934: 753: 275: 6956: 6897: 6856: 6836: 6816: 6392: 6173: 5486: 4985: 4766: 4653: 4586: 4539: 4410: 4209: 4195: 4122: 3496: 3449: 2223: 1885:"The authors of Middle Earth: Tolkien and the mystery of literary creation" 1641: 1393:(1996). "The Making of Appendix A: (II) The Tale of Aragorn and Arwen". In 1161: 964: 812:

that Beren once desired". To Bowman, this blurs the line between story and

748: 510: 466: 203:

is that the tale was written after Aragorn's death by Barahir, grandson of

157: 133: 85: 67: 3398: 3155:

Donnelly, K. J. (2006). "Musical Middle Earth". In Mathijs, Ernest (ed.).

2975: 2516: 2346: 1903: 6861: 6048: 4608: 4591: 4017: 3374: 3042: 2420: 2066: 2025: 1209:

in the standard hardback edition where they occupy the last 130 pages of

539: 462: 458: 454: 306: 286:". Elrond tells Aragorn that they may marry only when he is King of both 200: 41: 6306: 6015: 6010: 4342: 4044: 4039: 3200: 2524: 6877: 6851: 6148: 5546: 4935: 4387: 4234: 3951: 2208: 1912: 716: 554: 393: 290:

and Arnor, the ancient southern and northern Kingdoms of Middle-earth.

283: 121: 6387: 6201: 4095: 2328: 1058: 239: 6328: 6276: 6266: 6196: 6153: 6138: 6123: 6078: 6068: 4863: 4659: 4244: 4239: 4190: 3990: 3978: 3946: 3844: 2843: 911: 835: 796: 623: 383: 355: 310: 248: 233: 117: 55:

reason for its exclusion, namely that the main text is told from the

51: 6063: 4132: 3056:

Understanding 'The Lord of the Rings': The Best of Tolkien Criticism

1168: 6801: 6407: 6321: 6251: 6236: 6221: 5973: 4400: 4357: 4293: 4273: 4067: 3956: 3897: 3464: 3369: 2181:

Unsung Heroes of the Lord of the Rings: From the Page to the Screen

1941: 1632: 1074: 1054: 907: 831: 792: 691: 302: 101: 6083: 4090: 4085: 1963:

Armstrong, Helen (1998). "There Are Two People in This Marriage".

208: 149: 6456: 6424: 6419: 6414: 6301: 6281: 6206: 6163: 6143: 6108: 6103: 6088: 6058: 5789: 5061: 4943: 4337: 4249: 4072: 4062: 4049: 3973: 3902: 3892: 3471: 2204: 1070: 1063: 813: 474: 322: 268: 229: 204: 37: 2839:

J.R.R. Tolkien Encyclopedia: Scholarship and Critical Assessment

2383:

Gray, William (2009). "J. R. R. Tolkien and the Love of Faery".

2103:

The Sweet and the Bitter: Death and Dying in J. R. R. Tolkien's

361: 6451: 6402: 6256: 6226: 6168: 6158: 6133: 5995: 5978: 5922: 5455: 4283: 4258: 4154: 4127: 4057: 3997: 3966: 3882: 3877: 3459: 2736:

The Lord of the Rings and Philosophy: One Book to Rule Them All

1595:"Appendix B: The Tale of Years (Chronology of the Westlands)". 1230:, Paris, Christian Bourgois), the Italian translation of 1970 ( 1133:". In their annotated and expanded edition of Tolkien's essay ( 1129:

and described the inevitability of death as the "key-spring of

1083: 551: 535: 478: 287: 279: 264: 56: 6446: 6231: 6005: 5951: 5934: 5917: 4263: 4034: 3961: 3869: 2427:(Third ed.). Grafton (HarperCollins). pp. 181–190. 1234:, Milan, Rusconi), and the Spanish translation of 1977-1980 ( 1050: 1046: 968: 865: 817: 788: 497: 470: 256: 168:

that appeared in 1968 omitted all the Appendices "except for

89: 71: 47: 7240:

The Ring of Words: Tolkien and the Oxford English Dictionary

550:, with Aragorn's sombre last words to Arwen in place of the 5213: 4164: 1631:. Foreword to the Second Edition. "But I cordially dislike 485:

because it "is absorbed into the story and the symbolism".

353:

Tolkien's tale may have been inspired by the medieval poem

50:, telling the story of their first meeting, their eventual 2256:

Kingdom of Gondor a crown that resembles the Crown of the

6022: 5990: 4710: 4698: 4149: 3985: 2607:

Master of Middle-earth: The Achievement of J.R.R. Tolkien

1726: 1724: 783:

Mary Bowman compares the "feigned" historical echoing of

437:

Tolkien shared the Catholic hope that God had a plan for

3157:

The Lord of the Rings: Popular Culture in Global Context

2732:"Choosing to Die: The Gift of Mortality in Middle-earth" 2144:"Refracted Light: Peter Jackson's The Lord of the Rings" 1165:– a fan film that covers Aragorn's parents and childhood 1150:

and the story of Aragorn , you will have perceived that.

216:

history detailed in the Note on the Shire Records." The

142:

as the fifth part of the first section of Appendix A of

92:; and the resulting paradox that although Tolkien was a 2061: 2059: 2057: 2055: 846:

Tolkien, like Dante, provided "history" behind "story"

774: 2797:

Fantasies of time and death: Dunsany, Eddison, Tolkien

2413: 2096: 2094: 1721: 1530:. #181 to Michael Straight, January or February 1956. 600:

Timeline showing how the Tale brackets the main story

3077: 3047:

Another road to Middle-earth: Jackson's movie trilogy

2329:"Gilraen's Linnod : Function, Genre, Prototypes" 1658:(1993). "Part Four. Athrabeth Finrod ah Andreth". In 4503: 3014:

Interrupted Music: The Making of Tolkien's Mythology

2052: 2958:""Tolkien in Oxford" (BBC, 1968): A Reconstruction" 2091: 3035: 2913:Tolkien and the invention of myth : a reader 1958: 1956: 7253: 2548: 2546: 2544: 2542: 3003: 3001: 2785: 2317: 2272: 2270: 2268: 2020: 2018: 2016: 2014: 2012: 2010: 1840: 1798: 1549: 1547: 577:: in Walsh's view, death is the story's focus. 108:, shifting the book's emphasis towards action. 2795:(2020). "J. R. R. Tolkien: More Than Memory". 2498: 2496: 2494: 2492: 2490: 2488: 2100: 1953: 496:too", so that heroes like Aragorn would go to 492:, "thought, or hoped, that God had a plan for 263:". He falls in love with her. Arwen's father, 5471: 3216: 2869: 2867: 2865: 2863: 2734:. In Bassham, Gregory; Bronson, Eric (eds.). 2539: 2173: 2171: 2137: 2135: 2133: 2131: 2129: 1982: 1980: 1767: 1765: 1464:"Appendix A: The Tale of Aragorn and Arwen". 1421: 7191:Tolkien: A Look Behind The Lord of the Rings 3148: 3123: 2998: 2677: 2675: 2673: 2671: 2378: 2376: 2374: 2372: 2265: 2007: 1928: 1876: 1851:J. R. R. Tolkien: A Descriptive Bibliography 1809:J. R. R. Tolkien: A Descriptive Bibliography 1772:Hammond, Wayne G.; Scull, Christina (2005). 1771: 1730: 1544: 1509: 1474: 7149:The Lord of the Rings: A Reader's Companion 2948: 2946: 2944: 2900: 2832:Garbowski, Christopher (2006). "Death". In 2756: 2485: 1775:The Lord of the Rings: A Reader's Companion 1342: 5478: 5464: 3223: 3209: 2860: 2791: 2723: 2624: 2441: 2323: 2168: 2126: 1977: 1762: 1183:– a string quartet musical composition by 365: In Inglond an heiȝe lording. 3230: 2831: 2668: 2369: 1962: 1911: 1553: 1515: 1480: 1385: 1383: 1381: 1379: 1187:that is titled with a quote from the tale 1115:The medievalist and scholar of mythology 7184:Tolkien's Art: 'A Mythology for England' 7135:The J. R. R. Tolkien Companion and Guide 7061:Things named after Tolkien and his works 3154: 2941: 2552: 1611: 1587: 1585: 959:In this tale of decline and fall, notes 787:in the "Tale of Aragorn and Arwen" with 778: 709: 701: 689: 673: 521: 488:Shippey explains that Tolkien, a devout 432: 348: 7128:J. R. R. Tolkien: Author of the Century 5408:The Lord of the Rings Trading Card Game 3129: 3083: 3041: 3007: 2419: 2276: 2071:J. R. R. Tolkien: Author of the Century 2065: 2024: 1934: 1882: 1690: 1654: 1495:. #142 to R. Murray SJ, December 1953. 1456: 1454: 1452: 1450: 1448: 1431:"Prologue: Note on the Shire Records". 1389: 1348: 1328: 481:priest that he had cut religion out of 469:and his treatment of his characters as 400:s Elvish kingdom, and for his story in 88:and his treatment of his characters as 7254: 5320:The Lord of the Rings Roleplaying Game 3508:The Man in the Moon Stayed Up Too Late 3183: 2906: 2762: 2600: 2502: 2177: 1854:(2002 ed.). Delaware and London: 1812:(2002 ed.). Delaware and London: 1741:The J.R.R. Tolkien Companion and Guide 1376: 305:is destroyed, taking the power of the 23:" is a story within the Appendices of 5459: 4502: 3204: 2873: 2729: 2630: 2447: 2141: 1986: 1582: 985:Death and immortality in Middle-earth 297:against the forces of Mordor. At the 199:In Tolkien's fictional universe, the 62:The tale to some extent mirrors the " 5800:The History of The Lord of the Rings 5415:The Lord of the Rings: The Card Game 2681: 2382: 2222: 1445: 326:itself now dimmed as the elf-rulers 4638:Music Inspired by Lord of the Rings 2952: 1591: 1460: 1427: 1322: 1137:), Flieger and the textual scholar 517: 504:In her study of death and dying in 461:literature and its use in fantasy, 418: 13: 7212:Tolkien, Race and Cultural History 7086:The Complete Guide to Middle-earth 5401:Middle-earth Collectible Card Game 1238:, Barcelona, Ediciones Minotauro). 1015:The scholar of English literature 14: 7283: 7177:Tolkien and the Invention of Myth 5433:Middle-earth Strategy Battle Game 5363:Gondor: The Siege of Minas Tirith 3186:"Juilliard serves a musical stew" 3184:Pincus, Andrew L. (4 July 2006). 2610:. Penguin Books. pp. 14–15. 1287:Ode on Intimations of Immortality 974: 734:Aragorn dies "in glory undimmed". 663:Aragorn and Arwen become engaged. 652:Aragorn falls in love with Arwen. 387:, based on the classical tale of 5776:The Lost Road and Other Writings 5485: 3397: 2207:both present the most important 1267:The scholar of Germanic studies 1097: 1020:Aragorn serves to overcome what 379:Tolkien made use of the medieval 274:Aragorn and Arwen meet again in 179:in the 12th and final volume of 7093:A Companion to J. R. R. Tolkien 6970:Poems and Songs of Middle Earth 6692:Finnish language and literature 5662:The Letters of J. R. R. Tolkien 4447:The Letters of J. R. R. Tolkien 3177: 2825: 2594: 2216: 1684: 1648: 1605: 1560:The Letters of J. R. R. Tolkien 1522:The Letters of J. R. R. Tolkien 1487:The Letters of J. R. R. Tolkien 1293: 1274: 1261: 1251: 1241: 710:Aragorn and Arwen are married. 608:"The Tale of Aragorn and Arwen" 373:Tolkien and the classical world 340:Themes of The Lord of the Rings 136:, and was published in 1955 in 98:the book fundamentally Catholic 7233:The Worlds of J. R. R. Tolkien 7205:Tolkien: Maker of Middle-earth 6482:Ancestry as guide to character 5618:The Adventures of Tom Bombadil 5132:The Battle for Middle-earth II 4893:Peter Jackson's interpretation 4395:The Adventures of Tom Bombadil 3548:Ancestry as guide to character 2884:University of Notre Dame Press 1834: 1792: 1778:. HarperCollins. p. 681. 1562:: Revised and Expanded Edition 1524:: Revised and Expanded Edition 1489:: Revised and Expanded Edition 1216: 1198: 803:, here in an 1862 painting by 363: Orfeo was a king 344: 188: 100:, Middle-earth societies lack 33:. It narrates the love of the 16:Story in The Lord of the Rings 1: 7142:J. R. R. Tolkien Encyclopedia 5606:The Tale of Aragorn and Arwen 5327:The One Ring Roleplaying Game 3322:The Tale of Aragorn and Arwen 2283:. McFarland. pp. 87–88. 1311: 981:Time in The Lord of the Rings 299:Battle of the Pelennor Fields 170:The Tale of Aragorn and Arwen 21:The Tale of Aragorn and Arwen 5216:The Lord of the Rings Online 2917:University Press of Kentucky 2178:Porter, Lynnette R. (2005). 2101:Amendt-Raduege, Amy (2018). 2001:10.34679/THERSITES.VOL15.209 1715: 1280:Madsen is here quoting from 1222:Examples of translations of 723:They live as King and Queen. 582:interlacing of the narrative 425:Christianity in Middle-earth 66:", set in an earlier age of 7: 6665:Tolkien's impact on fantasy 5833:The Peoples of Middle-earth 5768:The Shaping of Middle-earth 5118:The Battle for Middle-earth 5025:Game Two: Shadows of Mordor 4454:The History of Middle-earth 3387:Tolkien's impact on fantasy 3137:Journal of Tolkien Research 3019:Kent State University Press 2455:; Scull, Christina (eds.). 2110:Kent State University Press 2034:(Third ed.). Grafton ( 1987:Capra, Elena Sofia (2022). 1935:Barkley, Christine (1996). 1892:Journal of Inklings Studies 1400:The Peoples of Middle-earth 1154: 1039:Athrabeth Finrod ah Andreth 747:Arwen, heartbroken, leaves 333: 182:The History of Middle-earth 10: 7288: 6339:List of weapons and armour 5872:The Nature of Middle-earth 5562:The Fellowship of the Ring 5440:Lego The Lord of the Rings 5334:Adventures in Middle-earth 5169:Lego The Lord of the Rings 5139:The Rise of the Witch-king 5076:The Fellowship of the Ring 4813:The Fellowship of the Ring 4489:The Nature of Middle-earth 4365:List of weapons and armour 3275:The Fellowship of the Ring 2911:". In Chance, Jane (ed.). 2699:Marquette University Press 2644:Marquette University Press 2570:Marquette University Press 2461:Marquette University Press 2186:Greenwood Publishing Group 1937:"Point of View in Tolkien" 1883:Pezzini, Giuseppe (2018). 1618:The Fellowship of the Ring 1434:The Fellowship of the Ring 1316: 1066:, who had turned to evil. 978: 826:(5.121-138) narrates that 775:"History, true or feigned" 422: 370: 337: 192: 111: 7226:Tolkien and the Great War 7073: 7034:Works inspired by Tolkien 7016: 6949: 6938:Nightfall in Middle-Earth 6870: 6787: 6778: 6753:The Atlas of Middle-earth 6744: 6657: 6467: 6358: 6351: 6294: 6184: 6036: 5898: 5887: 5857:The History of The Hobbit 5842: 5729: 5720: 5627: 5599:The Scouring of the Shire 5535: 5528: 5493: 5424: 5392: 5343: 5313:Middle-earth Role Playing 5302: 5176:Guardians of Middle-earth 5000: 4969: 4919: 4873: 4839: 4807: 4796: 4753: 4744: 4685: 4627: 4600: 4550: 4515: 4498: 4468:The History of The Hobbit 4377: 4330: 4304: 4217: 4208: 4178: 4113: 3913: 3868: 3859: 3776: 3701: 3533: 3415: 3406: 3395: 3315:The Scouring of the Shire 3263: 3240: 3161:Columbia University Press 3061:Houghton Mifflin Harcourt 2880:Tolkien Among the Moderns 2325:Straubhaar, Sandra Ballif 2146:. In Baker, Brian (ed.). 1666:. Boston & New York: 1096: 1091: 902:Tale of Beren and Lúthien 883:Tale of Aragorn and Arwen 64:Tale of Beren and Lúthien 7163:The Road to Middle-Earth 7029:Middle-earth Enterprises 5675:The three "Great Tales" 3098:Tolkien On Fairy-stories 2763:Bowers, John M. (2019). 2425:The Road to Middle-Earth 2031:The Road to Middle-Earth 1744:. Vol. Chronology. 1706:George Allen & Unwin 1360:George Allen & Unwin 1269:Sandra Ballif Straubhaar 1191: 1181:The Loss and the Silence 1135:Tolkien On Fairy-stories 429:Paganism in Middle-earth 377:Elena Capra writes that 6984:An Evening in Rivendell 6857:Margrethe II of Denmark 6736:A mythology for England 5069:Vol. II: The Two Towers 4786:The War of the Rohirrim 4587:Margrethe II of Denmark 3758:A mythology for England 3130:Alberto, Maria (2016). 3049:". In Isaacs, Neil D.; 2769:Oxford University Press 2277:Workman, Sarah (2014). 1236:El señor de los anillos 1232:Il signore degli anelli 1228:Le Seigneur des anneaux 830:were trying to imitate 752:and dies in a deserted 362: 224: 195:Tolkien's frame stories 116:The tale is set in the 7107:Master of Middle-Earth 6629:Psychological journeys 6193:First and Second Ages 6045:First and Second Ages 5807:The Notion Club Papers 5745:The Book of Lost Tales 5592:The Return of the King 5569:The Shadow of the Past 5090:The Return of the King 4829:The Return of the King 4774:The Return of the King 4674:The Battle of Evermore 3658:Psychological journeys 3301:The Shadow of the Past 3289:The Return of the King 2765:Tolkien's Lost Chaucer 1335:The Return of the King 1211:The Return of the King 1152: 808: 805:Dante Gabriel Rossetti 702:Aragorn becomes King. 674:Aragorn is one of the 574:The Return of the King 543: 450: 441:like Aragorn. Woodcut 368: 328:Galadriel and Celeborn 139:The Return of the King 7267:British short stories 7262:The Lord of the Rings 7219:Tolkien's Legendarium 6963:The Road Goes Ever On 6905:The Lord of the Rings 6890:The Lord of the Rings 6766:A Map of Middle-earth 6509:Death and immortality 6312:Red Book of Westmarch 5825:The War of the Jewels 5760:The Lays of Beleriand 5681:The Children of Húrin 5576:The Council of Elrond 5555:The Lord of the Rings 4762:The Lord of the Rings 4726:The Lord of the Rings 4706:The Lord of the Rings 4694:The Lord of the Rings 4647:The Lord of the Rings 4560:A Map of Middle-earth 4461:The Children of Húrin 4419:The Road Goes Ever On 3563:Death and immortality 3513:The Road Goes Ever On 3490:A Elbereth Gilthoniel 3308:The Council of Elrond 3253:The Lord of the Rings 3233:The Lord of the Rings 2976:10.1353/tks.2018.0008 2909:The Lord of the Rings 2517:10.1353/nar.2006.0010 2347:10.1353/tks.2005.0032 2250:on 26 February 2020. 2152:University of Chester 2142:Walsh, Chris (2009). 2105:The Lord of the Rings 2038:). pp. 229–230. 1989:""Orfeo out of Care"" 1904:10.3366/ink.2018.0003 1624:The Lord of the Rings 1598:The Lord of the Rings 1467:The Lord of the Rings 1355:The Lord of the Rings 1224:The Lord of the Rings 1206:The Lord of the Rings 1174:The Lord of the Rings 1143: 1131:The Lord of the Rings 1030:The Lord of the Rings 996:The Lord of the Rings 979:Further information: 949:The Lord of the Rings 931:Tolkien's legendarium 782: 768:The Lord of the Rings 613:The Lord of the Rings 561:The Lord of The Rings 548:The Lord of the Rings 530:The Lord of The Rings 525: 506:The Lord of the Rings 483:The Lord of the Rings 443:The Three Good Pagans 436: 423:Further information: 371:Further information: 352: 338:Further information: 193:Further information: 166:The Lord of the Rings 145:The Lord of the Rings 30:The Lord of the Rings 6998:At Dawn in Rivendell 6991:A Night in Rivendell 6978:The Tolkien Ensemble 6812:Brothers Hildebrandt 6334:Two Trees of Valinor 5697:The Fall of Gondolin 5011:Journey to Rivendell 4718:Hordes of the Things 4482:The Fall of Gondolin 4170:Watcher in the Water 4138:Witch-king of Angmar 3335:List of translations 3093:Anderson, Douglas A. 2846:. pp. 119–120. 2834:Drout, Michael D. C. 2803:. pp. 153–228. 2771:. pp. 244–245. 2742:. pp. 123–136. 2730:Davis, Bill (2013). 2701:. pp. 317–329. 2646:. pp. 149–150. 2154:. pp. 243–244. 2077:. pp. 177–179. 1862:. pp. 389–410. 1846:Anderson, Douglas A. 1804:Anderson, Douglas A. 1670:. pp. 303–366. 1407:. pp. 262–270. 1352:(1968). "Foreword". 1032:, he introduces the 989:The Tolkien scholar 943:The Tolkien scholar 707:3019, Mid-year's Day 389:Orpheus and Eurydice 284:plighted their troth 253:marries a man, Beren 6502:Round World dilemma 6054:Eärendil and Elwing 5707:The Fall of Númenor 5032:War in Middle Earth 4978:The Hunt for Gollum 4532:The Last Ringbearer 3818:Narrative structure 3813:Impression of depth 3430:Company of the Ring 3191:The Berkshire Eagle 2572:. pp. 67–100. 1860:The British Library 1818:The British Library 1660:Christopher Tolkien 1555:Carpenter, Humphrey 1517:Carpenter, Humphrey 1482:Carpenter, Humphrey 1395:Christopher Tolkien 1139:Douglas A. Anderson 1103:'Tolkien in Oxford' 889:Paolo and Francesca 847: 828:Paolo and Francesca 801:Paolo and Francesca 601: 177:Christopher Tolkien 7272:1955 short stories 7121:A Question of Time 6923:The Rings of Power 6842:Alexander Korotich 6639:Sound and language 6519:Dreams and visions 5275:War of Three Peaks 4952:The Rings of Power 4886:Hobbiton Movie Set 4850:Concerning Hobbits 4734:Der Herr der Ringe 4667:Misty Mountain Hop 4524:Bored of the Rings 4348:Phial of Galadriel 3678:Sound and language 3573:Dreams and visions 3543:Addiction to power 2886:. pp. 30–31. 2801:Palgrave Macmillan 2389:Palgrave Macmillan 2112:. pp. 28–29. 1282:William Wordsworth 1127:Simone de Beauvoir 1107:Simone de Beauvoir 845: 809: 599: 544: 451: 369: 130:fictional universe 7249: 7248: 7198:A Tolkien Compass 7114:Picturing Tolkien 7100:Interrupted Music 7069: 7068: 7005:Leaving Rivendell 6774: 6773: 6760:Journeys of Frodo 6614:Old Straight Road 6604:Naming of weapons 6347: 6346: 6094:Lúthien and Beren 5883: 5882: 5865:Carl F. Hostetter 5716: 5715: 5689:Beren and Lúthien 5670:Bilbo's Last Song 5453: 5452: 5449: 5448: 5376:Lord of the Rings 5298: 5297: 5289:Before the Shadow 5233:Siege of Mirkwood 4996: 4995: 4915: 4914: 4899:Picturing Tolkien 4617:Lord of the Rings 4570:Barbara Remington 4475:Beren and Lúthien 4426:Bilbo's Last Song 4373: 4372: 4204: 4203: 3855: 3854: 3806:Pseudotranslation 3796:Editorial framing 3791:Character pairing 3638:Naming of weapons 3170:978-1-90476-482-3 3116:978-0-00-724466-9 3085:Tolkien, J. R. R. 3051:Zimbardo, Rose A. 3028:978-0-87338-824-5 2893:978-0-268-15854-5 2810:978-1-137-51837-8 2749:978-0-8126-9806-0 2687:Hammond, Wayne G. 2558:Hammond, Wayne G. 2554:Rateliff, John D. 2453:Hammond, Wayne G. 2398:978-0-230-00505-1 2290:978-1-4766-1763-3 2195:978-0-275-98521-9 2161:978-1-908258-58-8 2148:Textual Revisions 2119:978-1-60635-305-9 1842:Hammond, Wayne G. 1800:Hammond, Wayne G. 1785:978-0-00-720907-1 1755:978-0-618-39113-4 1732:Hammond, Wayne G. 1692:Tolkien, J. R. R. 1656:Tolkien, J. R. R. 1613:Tolkien, J. R. R. 1593:Tolkien, J. R. R. 1575:978-0-35-865298-4 1537:978-0-35-865298-4 1502:978-0-35-865298-4 1462:Tolkien, J. R. R. 1429:Tolkien, J. R. R. 1391:Tolkien, J. R. R. 1350:Tolkien, J. R. R. 1330:Tolkien, J. R. R. 1302:A Very Easy Death 1113: 1112: 941: 940: 860:Lord of the Rings 785:Beren and Lúthien 763: 762: 641:(Aragorn is born) 406:Beren and Lúthien 307:three Elven-rings 59:' point of view. 7279: 7170:Splintered Light 6785: 6784: 6609:Northern courage 6534:Environmentalism 6514:Decline and fall 6437:Tolkien's poetry 6356: 6355: 6074:Finwë and Míriel 5896: 5895: 5850:John D. Rateliff 5727: 5726: 5654:Unfinished Tales 5637:The Silmarillion 5533: 5532: 5498:J. R. R. Tolkien 5480: 5473: 5466: 5457: 5456: 5282:Fate of Gundabad 5240:Rise of Isengard 5211: 5210: 5183:Shadow of Mordor 5162:War in the North 5110:Game Boy Advance 4805: 4804: 4751: 4750: 4509:derivative works 4500: 4499: 4440:Unfinished Tales 4433:The Silmarillion 4215: 4214: 3866: 3865: 3643:Northern courage 3588:Environmentalism 3568:Decline and fall 3503:Song of Eärendil 3413: 3412: 3401: 3246:J. R. R. Tolkien 3225: 3218: 3211: 3202: 3201: 3196: 3195: 3181: 3175: 3174: 3152: 3146: 3145: 3127: 3121: 3120: 3081: 3075: 3074: 3039: 3033: 3032: 3005: 2996: 2995: 2950: 2939: 2938: 2904: 2898: 2897: 2871: 2858: 2857: 2829: 2823: 2822: 2793:Vaninskaya, Anna 2789: 2783: 2782: 2760: 2754: 2753: 2727: 2721: 2720: 2691:Scull, Christina 2683:West, Richard C. 2679: 2666: 2665: 2636:Scull, Christina 2628: 2622: 2621: 2598: 2592: 2591: 2562:Scull, Christina 2550: 2537: 2536: 2500: 2483: 2482: 2449:Scull, Christina 2445: 2439: 2438: 2417: 2411: 2410: 2380: 2367: 2366: 2321: 2315: 2314: 2308: 2304: 2302: 2294: 2274: 2263: 2262: 2249: 2243:. Archived from 2234: 2220: 2214: 2213: 2175: 2166: 2165: 2139: 2124: 2123: 2098: 2089: 2088: 2084:978-0261-10401-3 2063: 2050: 2049: 2022: 2005: 2004: 1984: 1975: 1974: 1960: 1951: 1950: 1932: 1926: 1925: 1915: 1889: 1880: 1874: 1873: 1869:978-0938-76842-5 1838: 1832: 1831: 1827:978-0938-76842-5 1796: 1790: 1789: 1769: 1760: 1759: 1736:Scull, Christina 1728: 1710: 1709: 1696:On Fairy-Stories 1688: 1682: 1681: 1668:Houghton Mifflin 1652: 1646: 1645: 1629:Houghton Mifflin 1609: 1603: 1602: 1589: 1580: 1579: 1568:. #186, p. 246. 1551: 1542: 1541: 1513: 1507: 1506: 1478: 1472: 1471: 1458: 1443: 1442: 1425: 1419: 1418: 1387: 1374: 1373: 1346: 1340: 1339: 1326: 1305: 1297: 1291: 1278: 1272: 1265: 1259: 1255: 1249: 1245: 1239: 1220: 1214: 1202: 1122:On Fairy-Stories 1101: 1100: 1089: 1088: 1009:Canterbury Tales 1004:Geoffrey Chaucer 945:John D. Rateliff 936:Arthurian legend 925:The Silmarillion 848: 844: 840:Arthurian legend 602: 598: 559:Peter Jackson's 528:Peter Jackson's 518:Relegated ending 419:Missing religion 414: 402:The Silmarillion 399: 367: 126:J. R. R. Tolkien 25:J. R. R. Tolkien 7287: 7286: 7282: 7281: 7280: 7278: 7277: 7276: 7252: 7251: 7250: 7245: 7156:Perilous Realms 7076: 7065: 7012: 6945: 6888:Symphony No. 1 6866: 6827:Donato Giancola 6780: 6770: 6740: 6687:Classical world 6653: 6544:First World War 6463: 6343: 6290: 6242:Lonely Mountain 6180: 6032: 5903: 5890: 5879: 5838: 5783:The Etymologies 5733: 5722: 5712: 5623: 5537: 5524: 5489: 5484: 5454: 5445: 5420: 5388: 5383:War of the Ring 5358:War of the Ring 5339: 5304: 5294: 5247:Riders of Rohan 5209: 5204:Return to Moria 5155:Aragorn's Quest 5097:War of the Ring 5055:Riders of Rohan 4992: 4965: 4928:Sagan om ringen 4911: 4906:Tolkien on Film 4869: 4835: 4799: 4792: 4740: 4681: 4645:Symphony No. 1 4623: 4596: 4546: 4511: 4494: 4379: 4369: 4326: 4317:Pelennor Fields 4300: 4200: 4174: 4109: 3916: 3909: 3851: 3772: 3733:First World War 3728:Classical world 3697: 3529: 3402: 3393: 3259: 3258: 3236: 3229: 3199: 3182: 3178: 3171: 3163:. p. 309. 3153: 3149: 3128: 3124: 3117: 3089:Flieger, Verlyn 3082: 3078: 3071: 3063:. p. 242. 3040: 3036: 3029: 3009:Flieger, Verlyn 3006: 2999: 2963:Tolkien Studies 2951: 2942: 2927: 2905: 2901: 2894: 2872: 2861: 2854: 2830: 2826: 2811: 2790: 2786: 2779: 2761: 2757: 2750: 2728: 2724: 2709: 2680: 2669: 2654: 2632:Burns, Marjorie 2629: 2625: 2618: 2602:Kocher, Paul H. 2599: 2595: 2580: 2551: 2540: 2501: 2486: 2471: 2463:. p. 107. 2446: 2442: 2435: 2418: 2414: 2399: 2391:. p. 102. 2381: 2370: 2334:Tolkien Studies 2322: 2318: 2306: 2305: 2296: 2295: 2291: 2275: 2266: 2247: 2232: 2221: 2217: 2196: 2188:. p. 158. 2176: 2169: 2162: 2140: 2127: 2120: 2099: 2092: 2085: 2064: 2053: 2046: 2023: 2008: 1985: 1978: 1961: 1954: 1933: 1929: 1887: 1881: 1877: 1870: 1856:Oak Knoll Press 1839: 1835: 1828: 1820:. p. 142. 1814:Oak Knoll Press 1797: 1793: 1786: 1770: 1763: 1756: 1748:. p. 488. 1729: 1722: 1718: 1713: 1689: 1685: 1678: 1653: 1649: 1610: 1606: 1590: 1583: 1576: 1557:, ed. (2023) . 1552: 1545: 1538: 1519:, ed. (2023) . 1514: 1510: 1503: 1484:, ed. (2023) . 1479: 1475: 1459: 1446: 1426: 1422: 1415: 1388: 1377: 1370: 1347: 1343: 1327: 1323: 1319: 1314: 1309: 1308: 1298: 1294: 1279: 1275: 1266: 1262: 1256: 1252: 1248:interpretable." 1246: 1242: 1221: 1217: 1203: 1199: 1194: 1157: 1098: 1092:External videos 1017:Anna Vaninskaya 991:Richard C. West 987: 977: 929: 919: 897:"historic" tale 896: 868: 857: 799:in his tale of 777: 751: 743: 680:War of the Ring 630:(Arwen is born) 617:main narrative 616: 594:Christina Scull 520: 457:and scholar of 439:virtuous pagans 431: 421: 412: 397: 375: 364: 360: 347: 342: 336: 295:War of the Ring 227: 218:narrative voice 197: 191: 162:Sagan om ringen 114: 96:and considered 17: 12: 11: 5: 7285: 7275: 7274: 7269: 7264: 7247: 7246: 7244: 7243: 7236: 7229: 7222: 7215: 7208: 7201: 7194: 7187: 7180: 7173: 7166: 7159: 7152: 7145: 7138: 7131: 7124: 7117: 7110: 7103: 7096: 7089: 7081: 7079: 7071: 7070: 7067: 7066: 7064: 7063: 7058: 7057: 7056: 7051: 7046: 7041: 7031: 7026: 7020: 7018: 7014: 7013: 7011: 7010: 7009: 7008: 7001: 6994: 6987: 6975: 6974: 6973: 6966: 6953: 6951: 6947: 6946: 6944: 6943: 6942: 6941: 6932:Blind Guardian 6929: 6928: 6927: 6918: 6909: 6895: 6894: 6893: 6880: 6874: 6872: 6868: 6867: 6865: 6864: 6859: 6854: 6849: 6844: 6839: 6834: 6829: 6824: 6819: 6814: 6809: 6804: 6799: 6797:Pauline Baynes 6793: 6791: 6782: 6776: 6775: 6772: 6771: 6769: 6768: 6763: 6756: 6748: 6746: 6742: 6741: 6739: 6738: 6733: 6732: 6731: 6721: 6720: 6719: 6714: 6709: 6704: 6699: 6694: 6689: 6684: 6679: 6667: 6661: 6659: 6655: 6654: 6652: 6651: 6646: 6641: 6636: 6631: 6626: 6621: 6616: 6611: 6606: 6601: 6596: 6591: 6586: 6584:Mental illness 6581: 6576: 6571: 6566: 6561: 6556: 6551: 6546: 6541: 6536: 6531: 6526: 6521: 6516: 6511: 6506: 6505: 6504: 6494: 6489: 6484: 6479: 6473: 6471: 6465: 6464: 6462: 6461: 6460: 6459: 6454: 6449: 6439: 6434: 6429: 6428: 6427: 6422: 6417: 6412: 6411: 6410: 6405: 6395: 6390: 6380: 6375: 6370: 6364: 6362: 6353: 6349: 6348: 6345: 6344: 6342: 6341: 6336: 6331: 6326: 6325: 6324: 6317:Rings of Power 6314: 6309: 6304: 6298: 6296: 6292: 6291: 6289: 6288: 6287: 6286: 6285: 6284: 6274: 6269: 6264: 6259: 6254: 6249: 6244: 6239: 6234: 6229: 6224: 6219: 6211: 6210: 6209: 6204: 6199: 6190: 6188: 6182: 6181: 6179: 6178: 6177: 6176: 6171: 6166: 6161: 6156: 6151: 6146: 6141: 6136: 6128: 6127: 6126: 6121: 6119:Túrin Turambar 6116: 6114:Tuor and Idril 6111: 6106: 6101: 6096: 6091: 6086: 6081: 6076: 6071: 6066: 6061: 6056: 6051: 6042: 6040: 6034: 6033: 6031: 6030: 6025: 6020: 6019: 6018: 6013: 6008: 5998: 5993: 5988: 5987: 5986: 5981: 5976: 5966: 5961: 5956: 5955: 5954: 5949: 5939: 5938: 5937: 5932: 5931: 5930: 5925: 5909: 5907: 5893: 5885: 5884: 5881: 5880: 5878: 5877: 5876: 5875: 5862: 5861: 5860: 5846: 5844: 5840: 5839: 5837: 5836: 5828: 5820: 5817:Morgoth's Ring 5812: 5811: 5810: 5795: 5794: 5793: 5786: 5771: 5763: 5755: 5754: 5753: 5739: 5737: 5724: 5718: 5717: 5714: 5713: 5711: 5710: 5702: 5701: 5700: 5692: 5684: 5673: 5665: 5657: 5649: 5648: 5647: 5631: 5629: 5625: 5624: 5622: 5621: 5613: 5612: 5611: 5610: 5609: 5602: 5588: 5585:The Two Towers 5581: 5580: 5579: 5572: 5550: 5541: 5539: 5530: 5526: 5525: 5523: 5522: 5517: 5512: 5507: 5506: 5505: 5494: 5491: 5490: 5483: 5482: 5475: 5468: 5460: 5451: 5450: 5447: 5446: 5444: 5443: 5436: 5428: 5426: 5422: 5421: 5419: 5418: 5411: 5404: 5396: 5394: 5390: 5389: 5387: 5386: 5379: 5372: 5371: 5370: 5365: 5360: 5347: 5345: 5341: 5340: 5338: 5337: 5330: 5323: 5316: 5308: 5306: 5303:Tabletop role- 5300: 5299: 5296: 5295: 5293: 5292: 5285: 5278: 5271: 5264: 5257: 5250: 5243: 5236: 5229: 5226:Mines of Moria 5221: 5219: 5208: 5207: 5200: 5193: 5186: 5179: 5172: 5165: 5158: 5151: 5144: 5143: 5142: 5128: 5121: 5114: 5113: 5112: 5100: 5093: 5086: 5083:The Two Towers 5079: 5072: 5065: 5058: 5051: 5043: 5035: 5028: 5021: 5014: 5006: 5004: 4998: 4997: 4994: 4993: 4991: 4990: 4982: 4973: 4971: 4967: 4966: 4964: 4963: 4962: 4961: 4948: 4940: 4932: 4923: 4921: 4917: 4916: 4913: 4912: 4910: 4909: 4902: 4895: 4890: 4889: 4888: 4877: 4875: 4871: 4870: 4868: 4867: 4860: 4853: 4845: 4843: 4837: 4836: 4834: 4833: 4825: 4821:The Two Towers 4817: 4808: 4802: 4794: 4793: 4791: 4790: 4782: 4770: 4757: 4755: 4748: 4742: 4741: 4739: 4738: 4730: 4722: 4714: 4702: 4689: 4687: 4683: 4682: 4680: 4679: 4678: 4677: 4670: 4663: 4651: 4642: 4633: 4631: 4625: 4624: 4622: 4621: 4613: 4604: 4602: 4598: 4597: 4595: 4594: 4589: 4584: 4579: 4574: 4573: 4572: 4567: 4565:Pauline Baynes 4556: 4554: 4548: 4547: 4545: 4544: 4536: 4528: 4519: 4517: 4513: 4512: 4496: 4495: 4493: 4492: 4485: 4478: 4471: 4464: 4457: 4450: 4443: 4436: 4429: 4422: 4415: 4414: 4413: 4408: 4403: 4391: 4383: 4381: 4375: 4374: 4371: 4370: 4368: 4367: 4362: 4361: 4360: 4353:Rings of Power 4350: 4345: 4340: 4334: 4332: 4328: 4327: 4325: 4324: 4319: 4314: 4308: 4306: 4302: 4301: 4299: 4298: 4297: 4296: 4286: 4281: 4276: 4271: 4266: 4261: 4256: 4255: 4254: 4253: 4252: 4242: 4237: 4232: 4223: 4221: 4212: 4206: 4205: 4202: 4201: 4199: 4198: 4193: 4188: 4182: 4180: 4176: 4175: 4173: 4172: 4167: 4162: 4157: 4152: 4147: 4145:Old Man Willow 4142: 4141: 4140: 4130: 4125: 4119: 4117: 4111: 4110: 4108: 4107: 4106: 4105: 4104: 4103: 4098: 4093: 4088: 4077: 4076: 4075: 4070: 4065: 4054: 4053: 4052: 4042: 4037: 4027: 4026: 4025: 4020: 4015: 4010: 4005: 3995: 3994: 3993: 3983: 3982: 3981: 3976: 3971: 3970: 3969: 3964: 3954: 3949: 3939: 3938: 3937: 3932: 3921: 3919: 3911: 3910: 3908: 3907: 3906: 3905: 3900: 3895: 3885: 3880: 3874: 3872: 3863: 3857: 3856: 3853: 3852: 3850: 3849: 3848: 3847: 3842: 3832: 3831: 3830: 3825: 3815: 3810: 3809: 3808: 3803: 3793: 3788: 3782: 3780: 3774: 3773: 3771: 3770: 3765: 3760: 3755: 3750: 3748:Modern sources 3745: 3740: 3735: 3730: 3725: 3720: 3713: 3711:Antiquarianism 3707: 3705: 3699: 3698: 3696: 3695: 3690: 3685: 3680: 3675: 3670: 3665: 3660: 3655: 3650: 3645: 3640: 3635: 3630: 3625: 3623:Mental illness 3620: 3615: 3610: 3605: 3600: 3595: 3590: 3585: 3580: 3575: 3570: 3565: 3560: 3555: 3550: 3545: 3539: 3537: 3531: 3530: 3528: 3527: 3522: 3521: 3520: 3518:A Walking Song 3515: 3510: 3505: 3500: 3493: 3481: 3476: 3475: 3474: 3469: 3468: 3467: 3462: 3452: 3442: 3437: 3432: 3427: 3421: 3419: 3410: 3404: 3403: 3396: 3394: 3392: 3391: 3390: 3389: 3384: 3382:Works inspired 3379: 3378: 3377: 3372: 3367: 3357: 3352: 3344: 3343: 3342: 3337: 3327: 3326: 3325: 3318: 3311: 3304: 3294: 3293: 3292: 3285: 3282:The Two Towers 3278: 3267: 3265: 3261: 3260: 3257: 3256: 3248: 3242: 3241: 3238: 3237: 3228: 3227: 3220: 3213: 3205: 3198: 3197: 3176: 3169: 3147: 3122: 3115: 3076: 3069: 3034: 3027: 3021:. p. 46. 2997: 2954:Lee, Stuart D. 2940: 2925: 2919:. p. 42. 2899: 2892: 2876:Wood, Ralph C. 2859: 2852: 2824: 2809: 2784: 2777: 2755: 2748: 2722: 2707: 2667: 2652: 2623: 2616: 2593: 2578: 2538: 2511:(3): 272–293. 2484: 2469: 2440: 2434:978-0261102750 2433: 2412: 2397: 2368: 2316: 2289: 2264: 2215: 2194: 2167: 2160: 2125: 2118: 2090: 2083: 2051: 2045:978-0261102750 2044: 2006: 1976: 1952: 1927: 1875: 1868: 1833: 1826: 1791: 1784: 1761: 1754: 1719: 1717: 1714: 1712: 1711: 1683: 1676: 1664:Morgoth's Ring 1647: 1604: 1581: 1574: 1566:Harper Collins 1543: 1536: 1528:Harper Collins 1508: 1501: 1493:Harper Collins 1473: 1444: 1420: 1414:978-0261103481 1413: 1375: 1368: 1362:. p. 10. 1341: 1320: 1318: 1315: 1313: 1310: 1307: 1306: 1292: 1273: 1260: 1250: 1240: 1215: 1196: 1195: 1193: 1190: 1189: 1188: 1185:Ezequiel Viñao 1178: 1166: 1156: 1153: 1117:Verlyn Flieger 1111: 1110: 1094: 1093: 976: 975:Love and death 973: 961:Marjorie Burns 953:Paul H. Kocher 939: 938: 933: 921: 915: 914: 905: 898: 892: 891: 886: 879: 875: 874: 863: 852: 791:'s echoing of 776: 773: 761: 760: 757: 745: 739: 738: 735: 732: 728: 727: 724: 721: 712: 711: 708: 704: 703: 700: 696: 695: 694:is destroyed. 688: 687:3019, 25 March 684: 683: 672: 668: 667: 664: 661: 657: 656: 653: 650: 646: 645: 642: 639: 635: 634: 631: 628: 619: 618: 609: 606: 568:The Two Towers 519: 516: 490:Roman Catholic 447:Hans Burgkmair 420: 417: 359:, which begins 346: 343: 335: 332: 243:, an immortal 226: 223: 190: 187: 152:, the lady of 113: 110: 94:Roman Catholic 15: 9: 6: 4: 3: 2: 7284: 7273: 7270: 7268: 7265: 7263: 7260: 7259: 7257: 7242: 7241: 7237: 7235: 7234: 7230: 7228: 7227: 7223: 7221: 7220: 7216: 7214: 7213: 7209: 7207: 7206: 7202: 7200: 7199: 7195: 7193: 7192: 7188: 7186: 7185: 7181: 7179: 7178: 7174: 7172: 7171: 7167: 7165: 7164: 7160: 7158: 7157: 7153: 7151: 7150: 7146: 7144: 7143: 7139: 7137: 7136: 7132: 7130: 7129: 7125: 7123: 7122: 7118: 7116: 7115: 7111: 7109: 7108: 7104: 7102: 7101: 7097: 7095: 7094: 7090: 7088: 7087: 7083: 7082: 7080: 7078: 7072: 7062: 7059: 7055: 7052: 7050: 7047: 7045: 7042: 7040: 7037: 7036: 7035: 7032: 7030: 7027: 7025: 7022: 7021: 7019: 7015: 7007: 7006: 7002: 7000: 6999: 6995: 6993: 6992: 6988: 6986: 6985: 6981: 6980: 6979: 6976: 6972: 6971: 6967: 6965: 6964: 6960: 6959: 6958: 6955: 6954: 6952: 6948: 6940: 6939: 6935: 6934: 6933: 6930: 6926: 6924: 6919: 6917: 6915: 6910: 6908: 6906: 6901: 6900: 6899: 6896: 6892: 6891: 6886: 6885: 6884: 6883:Johan de Meij 6881: 6879: 6876: 6875: 6873: 6869: 6863: 6860: 6858: 6855: 6853: 6850: 6848: 6845: 6843: 6840: 6838: 6835: 6833: 6830: 6828: 6825: 6823: 6822:Mary Fairburn 6820: 6818: 6815: 6813: 6810: 6808: 6805: 6803: 6800: 6798: 6795: 6794: 6792: 6790: 6786: 6783: 6777: 6767: 6764: 6762: 6761: 6757: 6755: 6754: 6750: 6749: 6747: 6743: 6737: 6734: 6730: 6727: 6726: 6725: 6722: 6718: 6715: 6713: 6710: 6708: 6705: 6703: 6700: 6698: 6695: 6693: 6690: 6688: 6685: 6683: 6680: 6678: 6677: 6673: 6672: 6671: 6668: 6666: 6663: 6662: 6660: 6656: 6650: 6647: 6645: 6642: 6640: 6637: 6635: 6632: 6630: 6627: 6625: 6622: 6620: 6617: 6615: 6612: 6610: 6607: 6605: 6602: 6600: 6597: 6595: 6594:Moral dilemma 6592: 6590: 6587: 6585: 6582: 6580: 6577: 6575: 6574:Luck and fate 6572: 6570: 6567: 6565: 6562: 6560: 6557: 6555: 6554:Frame stories 6552: 6550: 6547: 6545: 6542: 6540: 6537: 6535: 6532: 6530: 6527: 6525: 6522: 6520: 6517: 6515: 6512: 6510: 6507: 6503: 6500: 6499: 6498: 6495: 6493: 6490: 6488: 6485: 6483: 6480: 6478: 6475: 6474: 6472: 6470: 6466: 6458: 6455: 6453: 6450: 6448: 6445: 6444: 6443: 6440: 6438: 6435: 6433: 6430: 6426: 6423: 6421: 6418: 6416: 6413: 6409: 6406: 6404: 6401: 6400: 6399: 6396: 6394: 6391: 6389: 6386: 6385: 6384: 6381: 6379: 6376: 6374: 6371: 6369: 6366: 6365: 6363: 6361: 6357: 6354: 6350: 6340: 6337: 6335: 6332: 6330: 6327: 6323: 6320: 6319: 6318: 6315: 6313: 6310: 6308: 6305: 6303: 6300: 6299: 6297: 6293: 6283: 6280: 6279: 6278: 6275: 6273: 6270: 6268: 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5354: 5353: 5349: 5348: 5346: 5342: 5336: 5335: 5331: 5329: 5328: 5324: 5322: 5321: 5317: 5315: 5314: 5310: 5309: 5307: 5305:playing games 5301: 5291: 5290: 5286: 5284: 5283: 5279: 5277: 5276: 5272: 5270: 5269: 5265: 5263: 5262: 5258: 5256: 5255: 5251: 5249: 5248: 5244: 5242: 5241: 5237: 5235: 5234: 5230: 5228: 5227: 5223: 5222: 5220: 5218: 5217: 5212: 5206: 5205: 5201: 5199: 5198: 5194: 5192: 5191: 5190:Shadow of War 5187: 5185: 5184: 5180: 5178: 5177: 5173: 5171: 5170: 5166: 5164: 5163: 5159: 5157: 5156: 5152: 5150: 5149: 5145: 5141: 5140: 5136: 5135: 5134: 5133: 5129: 5127: 5126: 5122: 5120: 5119: 5115: 5111: 5108: 5107: 5106: 5105: 5104:The Third Age 5101: 5099: 5098: 5094: 5092: 5091: 5087: 5085: 5084: 5080: 5078: 5077: 5073: 5071: 5070: 5066: 5064: 5063: 5059: 5057: 5056: 5052: 5050: 5048: 5044: 5042: 5040: 5036: 5034: 5033: 5029: 5027: 5026: 5022: 5020: 5019: 5015: 5013: 5012: 5008: 5007: 5005: 5003: 4999: 4988: 4987: 4983: 4980: 4979: 4975: 4974: 4972: 4968: 4960: 4957: 4956: 4954: 4953: 4949: 4946: 4945: 4941: 4938: 4937: 4933: 4930: 4929: 4925: 4924: 4922: 4918: 4908: 4907: 4903: 4901: 4900: 4896: 4894: 4891: 4887: 4884: 4883: 4882: 4879: 4878: 4876: 4872: 4865: 4861: 4858: 4857:Into the West 4854: 4851: 4847: 4846: 4844: 4842: 4838: 4831: 4830: 4826: 4823: 4822: 4818: 4815: 4814: 4810: 4809: 4806: 4803: 4801: 4798:Peter Jackson 4795: 4788: 4787: 4783: 4780: 4776: 4775: 4771: 4768: 4764: 4763: 4759: 4758: 4756: 4752: 4749: 4747: 4743: 4736: 4735: 4731: 4728: 4727: 4723: 4720: 4719: 4715: 4712: 4708: 4707: 4703: 4700: 4696: 4695: 4691: 4690: 4688: 4684: 4675: 4671: 4668: 4664: 4661: 4657: 4656: 4655: 4652: 4649: 4648: 4643: 4640: 4639: 4635: 4634: 4632: 4630: 4626: 4619: 4618: 4614: 4611: 4610: 4606: 4605: 4603: 4599: 4593: 4590: 4588: 4585: 4583: 4580: 4578: 4575: 4571: 4568: 4566: 4563: 4562: 4561: 4558: 4557: 4555: 4553: 4552:Illustrations 4549: 4542: 4541: 4537: 4534: 4533: 4529: 4526: 4525: 4521: 4520: 4518: 4514: 4510: 4506: 4501: 4497: 4491: 4490: 4486: 4484: 4483: 4479: 4477: 4476: 4472: 4470: 4469: 4465: 4463: 4462: 4458: 4456: 4455: 4451: 4449: 4448: 4444: 4442: 4441: 4437: 4435: 4434: 4430: 4428: 4427: 4423: 4421: 4420: 4416: 4412: 4409: 4407: 4404: 4402: 4399: 4398: 4397: 4396: 4392: 4390: 4389: 4385: 4384: 4382: 4376: 4366: 4363: 4359: 4356: 4355: 4354: 4351: 4349: 4346: 4344: 4341: 4339: 4336: 4335: 4333: 4329: 4323: 4320: 4318: 4315: 4313: 4310: 4309: 4307: 4303: 4295: 4292: 4291: 4290: 4287: 4285: 4282: 4280: 4277: 4275: 4272: 4270: 4267: 4265: 4262: 4260: 4257: 4251: 4248: 4247: 4246: 4243: 4241: 4238: 4236: 4233: 4231: 4228: 4227: 4225: 4224: 4222: 4220: 4216: 4213: 4211: 4207: 4197: 4194: 4192: 4189: 4187: 4184: 4183: 4181: 4177: 4171: 4168: 4166: 4163: 4161: 4158: 4156: 4153: 4151: 4148: 4146: 4143: 4139: 4136: 4135: 4134: 4131: 4129: 4126: 4124: 4121: 4120: 4118: 4116: 4112: 4102: 4099: 4097: 4094: 4092: 4089: 4087: 4084: 4083: 4082: 4078: 4074: 4071: 4069: 4066: 4064: 4061: 4060: 4059: 4055: 4051: 4048: 4047: 4046: 4043: 4041: 4038: 4036: 4033: 4032: 4031: 4028: 4024: 4021: 4019: 4016: 4014: 4011: 4009: 4006: 4004: 4001: 4000: 3999: 3996: 3992: 3989: 3988: 3987: 3984: 3980: 3977: 3975: 3972: 3968: 3965: 3963: 3960: 3959: 3958: 3955: 3953: 3950: 3948: 3945: 3944: 3943: 3940: 3936: 3933: 3931: 3928: 3927: 3926: 3923: 3922: 3920: 3918: 3912: 3904: 3901: 3899: 3896: 3894: 3891: 3890: 3889: 3886: 3884: 3881: 3879: 3876: 3875: 3873: 3871: 3867: 3864: 3862: 3858: 3846: 3843: 3841: 3838: 3837: 3836: 3833: 3829: 3826: 3824: 3821: 3820: 3819: 3816: 3814: 3811: 3807: 3804: 3802: 3801:Frame stories 3799: 3798: 3797: 3794: 3792: 3789: 3787: 3784: 3783: 3781: 3779: 3775: 3769: 3766: 3764: 3761: 3759: 3756: 3754: 3751: 3749: 3746: 3744: 3741: 3739: 3736: 3734: 3731: 3729: 3726: 3724: 3721: 3719: 3718: 3714: 3712: 3709: 3708: 3706: 3704: 3700: 3694: 3691: 3689: 3686: 3684: 3681: 3679: 3676: 3674: 3671: 3669: 3666: 3664: 3661: 3659: 3656: 3654: 3651: 3649: 3646: 3644: 3641: 3639: 3636: 3634: 3631: 3629: 3628:Moral dilemma 3626: 3624: 3621: 3619: 3616: 3614: 3613:Luck and fate 3611: 3609: 3606: 3604: 3601: 3599: 3596: 3594: 3591: 3589: 3586: 3584: 3581: 3579: 3576: 3574: 3571: 3569: 3566: 3564: 3561: 3559: 3556: 3554: 3551: 3549: 3546: 3544: 3541: 3540: 3538: 3536: 3532: 3526: 3523: 3519: 3516: 3514: 3511: 3509: 3506: 3504: 3501: 3499: 3498: 3494: 3492: 3491: 3487: 3486: 3485: 3482: 3480: 3477: 3473: 3470: 3466: 3463: 3461: 3458: 3457: 3456: 3453: 3451: 3448: 3447: 3446: 3443: 3441: 3438: 3436: 3433: 3431: 3428: 3426: 3423: 3422: 3420: 3418: 3414: 3411: 3409: 3405: 3400: 3388: 3385: 3383: 3380: 3376: 3373: 3371: 3368: 3366: 3363: 3362: 3361: 3358: 3356: 3353: 3351: 3348: 3347: 3345: 3341: 3338: 3336: 3333: 3332: 3331: 3328: 3323: 3319: 3316: 3312: 3309: 3305: 3302: 3298: 3297: 3295: 3291: 3290: 3286: 3284: 3283: 3279: 3277: 3276: 3272: 3271: 3269: 3268: 3266: 3262: 3255: 3254: 3251:Constructing 3249: 3247: 3244: 3243: 3239: 3235: 3234: 3226: 3221: 3219: 3214: 3212: 3207: 3206: 3203: 3193: 3192: 3187: 3180: 3172: 3166: 3162: 3158: 3151: 3143: 3139: 3138: 3133: 3126: 3118: 3112: 3108: 3104: 3103:HarperCollins 3100: 3099: 3094: 3090: 3086: 3080: 3072: 3070:0-618-42253-6 3066: 3062: 3058: 3057: 3052: 3048: 3044: 3038: 3030: 3024: 3020: 3016: 3015: 3010: 3004: 3002: 2993: 2989: 2985: 2981: 2977: 2973: 2969: 2965: 2964: 2959: 2955: 2949: 2947: 2945: 2936: 2932: 2928: 2926:0-8131-2301-1 2922: 2918: 2915:. Lexington: 2914: 2910: 2903: 2895: 2889: 2885: 2881: 2877: 2870: 2868: 2866: 2864: 2855: 2853:1-135-88034-4 2849: 2845: 2841: 2840: 2835: 2828: 2820: 2816: 2812: 2806: 2802: 2798: 2794: 2788: 2780: 2778:9780198842675 2774: 2770: 2766: 2759: 2751: 2745: 2741: 2737: 2733: 2726: 2718: 2714: 2710: 2708:0-87462-018-X 2704: 2700: 2696: 2692: 2688: 2684: 2678: 2676: 2674: 2672: 2663: 2659: 2655: 2653:0-87462-018-X 2649: 2645: 2641: 2637: 2633: 2627: 2619: 2613: 2609: 2608: 2603: 2597: 2589: 2585: 2581: 2579:0-87462-018-X 2575: 2571: 2567: 2563: 2559: 2555: 2549: 2547: 2545: 2543: 2534: 2530: 2526: 2522: 2518: 2514: 2510: 2506: 2499: 2497: 2495: 2493: 2491: 2489: 2480: 2476: 2472: 2470:0-87462-018-X 2466: 2462: 2458: 2454: 2450: 2444: 2436: 2430: 2426: 2422: 2416: 2408: 2404: 2400: 2394: 2390: 2386: 2379: 2377: 2375: 2373: 2364: 2360: 2356: 2352: 2348: 2344: 2340: 2336: 2335: 2330: 2326: 2320: 2312: 2300: 2292: 2286: 2282: 2281: 2273: 2271: 2269: 2261: 2259: 2255: 2246: 2242: 2238: 2231: 2230: 2225: 2224:Fimi, Dimitra 2219: 2212: 2210: 2206: 2202: 2197: 2191: 2187: 2183: 2182: 2174: 2172: 2163: 2157: 2153: 2149: 2145: 2138: 2136: 2134: 2132: 2130: 2121: 2115: 2111: 2107: 2104: 2097: 2095: 2086: 2080: 2076: 2075:HarperCollins 2072: 2068: 2062: 2060: 2058: 2056: 2047: 2041: 2037: 2036:HarperCollins 2033: 2032: 2027: 2021: 2019: 2017: 2015: 2013: 2011: 2002: 1998: 1994: 1990: 1983: 1981: 1972: 1968: 1967: 1959: 1957: 1949:(2): 256–262. 1948: 1944: 1943: 1938: 1931: 1923: 1919: 1914: 1909: 1905: 1901: 1897: 1893: 1886: 1879: 1871: 1865: 1861: 1857: 1853: 1852: 1847: 1843: 1837: 1829: 1823: 1819: 1815: 1811: 1810: 1805: 1801: 1795: 1787: 1781: 1777: 1776: 1768: 1766: 1757: 1751: 1747: 1746:HarperCollins 1743: 1742: 1737: 1733: 1727: 1725: 1720: 1708:. p. 59. 1707: 1703: 1702: 1701:Tree and Leaf 1697: 1693: 1687: 1679: 1677:0-395-68092-1 1673: 1669: 1665: 1661: 1657: 1651: 1643: 1639: 1634: 1630: 1626: 1625: 1620: 1619: 1614: 1608: 1600: 1599: 1594: 1588: 1586: 1577: 1571: 1567: 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833: 829: 825: 824: 819: 815: 806: 802: 798: 794: 790: 786: 781: 772: 769: 758: 755: 750: 746: 741: 740: 736: 733: 730: 729: 725: 722: 719: 718: 714: 713: 706: 705: 698: 697: 693: 686: 685: 681: 677: 670: 669: 665: 662: 659: 658: 654: 651: 648: 647: 643: 640: 637: 636: 632: 629: 626: 625: 621: 620: 615: 614: 610: 607: 604: 603: 597: 595: 591: 585: 583: 578: 576: 575: 571:and again in 570: 569: 564: 562: 556: 553: 549: 541: 537: 533: 531: 524: 515: 513: 512: 507: 502: 499: 495: 494:pre-Catholics 491: 486: 484: 480: 476: 472: 468: 464: 460: 456: 448: 444: 440: 435: 430: 426: 416: 411: 407: 403: 396: 395: 390: 386: 385: 380: 374: 366: 358: 357: 351: 341: 331: 329: 324: 319: 314: 312: 308: 304: 300: 296: 291: 289: 285: 281: 277: 272: 270: 266: 262: 258: 254: 250: 246: 242: 241: 235: 231: 222: 219: 214: 210: 206: 202: 196: 186: 184: 183: 178: 173: 171: 167: 163: 159: 155: 151: 147: 146: 141: 140: 135: 131: 127: 123: 119: 109: 107: 106:love-interest 103: 99: 95: 91: 87: 81: 79: 78: 73: 69: 65: 60: 58: 53: 49: 46: 43: 39: 36: 32: 31: 26: 22: 7238: 7231: 7224: 7217: 7210: 7203: 7196: 7189: 7182: 7175: 7168: 7161: 7154: 7147: 7140: 7133: 7126: 7119: 7112: 7105: 7098: 7091: 7084: 7003: 6996: 6989: 6982: 6968: 6961: 6957:Donald Swann 6936: 6922: 6913: 6904: 6898:Howard Shore 6889: 6837:Tove Jansson 6817:Jenny Dolfen 6807:Anke Eißmann 6779:Adaptations, 6758: 6751: 6675: 6492:Christianity 6487:Architecture 6393:Black Speech 6373:Family trees 6174:Tom Bombadil 5870: 5855: 5831: 5823: 5815: 5805: 5798: 5788: 5781: 5774: 5766: 5758: 5743: 5734:Middle-earth 5730: 5705: 5695: 5687: 5679: 5668: 5660: 5652: 5635: 5616: 5605: 5590: 5583: 5560: 5553: 5545: 5536:In Tolkien's 5503:Bibliography 5487:Middle-earth 5438: 5431: 5413: 5406: 5399: 5381: 5374: 5352:Middle Earth 5350: 5332: 5325: 5318: 5311: 5288: 5281: 5274: 5268:Minas Morgul 5267: 5260: 5253: 5246: 5239: 5232: 5225: 5214: 5203: 5196: 5189: 5182: 5174: 5168: 5161: 5154: 5147: 5138: 5131: 5124: 5117: 5103: 5096: 5089: 5082: 5075: 5068: 5060: 5053: 5046: 5038: 5030: 5023: 5016: 5009: 4986:Born of Hope 4984: 4976: 4950: 4942: 4934: 4926: 4904: 4897: 4827: 4819: 4811: 4784: 4772: 4760: 4732: 4724: 4716: 4704: 4692: 4654:Led Zeppelin 4646: 4636: 4615: 4607: 4540:Muddle Earth 4538: 4530: 4522: 4487: 4480: 4473: 4466: 4459: 4452: 4445: 4438: 4431: 4424: 4417: 4411:The Sea-Bell 4406:Fastitocalon 4393: 4386: 4196:Tom Bombadil 4123:Barrow-wight 3828:Storytelling 3716: 3558:Christianity 3553:Architecture 3495: 3488: 3450:Black Speech 3435:Family trees 3321: 3287: 3280: 3273: 3252: 3231: 3189: 3179: 3156: 3150: 3141: 3135: 3125: 3097: 3079: 3055: 3043:Shippey, Tom 3037: 3013: 2967: 2961: 2912: 2908: 2902: 2879: 2837: 2827: 2796: 2787: 2764: 2758: 2735: 2725: 2694: 2639: 2626: 2606: 2596: 2565: 2508: 2504: 2456: 2443: 2424: 2421:Shippey, Tom 2415: 2384: 2338: 2332: 2319: 2279: 2257: 2253: 2251: 2245:the original 2228: 2218: 2199: 2180: 2147: 2106: 2102: 2070: 2067:Shippey, Tom 2029: 2026:Shippey, Tom 1992: 1970: 1964: 1946: 1940: 1930: 1898:(1): 31–64. 1895: 1891: 1878: 1849: 1836: 1807: 1794: 1774: 1739: 1699: 1686: 1663: 1650: 1622: 1616: 1607: 1596: 1564:. New York: 1558: 1526:. New York: 1520: 1511: 1491:. 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Boston: 1358:. London: 1312:References 1290:, line 76. 1059:Númenórean 754:Lothlórien 676:Fellowship 555:Sam Gamgee 394:The Hobbit 276:Lothlórien 245:Elf-maiden 45:Elf-maiden 35:mortal Man 7077:criticism 7049:Calendars 6925:TV series 6921:Music of 6912:Music of 6903:Music of 6871:Composers 6832:John Howe 6729:Ambiguity 6712:Philology 6589:Modernism 6497:Cosmology 6383:Languages 6329:Silmarils 6277:The Shire 6267:Rivendell 6197:Beleriand 6154:Goldberry 6139:Galadriel 6124:Ungoliant 6079:Gil-galad 6069:Fingolfin 6006:Beornings 5984:Sundering 5947:Ancalagon 5889:Fictional 4864:May It Be 4660:Ramble On 4577:John Howe 4343:Palantírs 4245:The Shire 4240:Rivendell 4219:Geography 4191:Goldberry 4035:Beornings 3991:Treebeard 3979:Thranduil 3947:Galadriel 3845:Epic Pooh 3840:Ambiguity 3763:Philology 3753:Modernism 3673:Sexuality 3445:Languages 3045:(2005). " 2992:171785254 2984:1547-3155 2844:Routledge 2717:298788493 2662:298788493 2604:(1974) . 2588:298788493 2533:162244172 2505:Narrative 2479:298788493 2423:(2005) . 2407:228503211 2363:170378314 2355:1547-3155 2309:ignored ( 2299:cite book 2241:163015967 2028:(2005) . 1993:Thersites 1922:2045-8797 1716:Secondary 1694:(1964). 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2956:(2018). 2935:54938267 2693:(eds.). 2638:(eds.). 2564:(eds.). 2525:20107391 2327:(2005). 2069:(2001). 1942:Mythlore 1848:(1993). 1806:(1993). 1738:(2006). 1633:allegory 1155:See also 1148:Vol. III 1075:Elbereth 1055:Achilles 908:Lancelot 832:Lancelot 793:Lancelot 692:One Ring 471:heathens 334:Analysis 303:One Ring 42:immortal 40:and the 6789:Artists 6676:Beowulf 6564:Heroism 6549:Forests 6529:England 6524:Economy 6457:Tengwar 6442:Scripts 6425:Westron 6420:Valarin 6415:Khuzdul 6388:Adûnaic 6368:Artwork 6302:Mithril 6295:Objects 6282:Bag End 6207:Valinor 6202:Númenor 6164:Saruman 6144:Gandalf 6109:Thingol 6104:Morgoth 6089:Isildur 6059:Elendil 5996:Hobbits 5959:Dwarves 5942:Dragons 5928:Wizards 5923:Balrogs 5900:Peoples 5790:Lhammas 5751:Ælfwine 5520:Outline 5125:Tactics 5062:Elendor 4955:(2022) 4944:Hobitit 4781:, 1980) 4769:, 1978) 4713:, 1979) 4701:, 1955) 4601:Theatre 4378:Related 4338:Mithril 4331:Objects 4305:Battles 4250:Bag End 4096:Théoden 4073:Faramir 4063:Boromir 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I 5041:(1990) 5039:Vol. I 4989:(2009) 4981:(2009) 4947:(1993) 4939:(1991) 4931:(1971) 4832:(2003) 4824:(2002) 4816:(2001) 4800:series 4789:(2024) 4767:Bakshi 4737:(1992) 4721:(1980) 4650:(1988) 4641:(1972) 4620:(2006) 4612:(2005) 4543:(2003) 4535:(1999) 4527:(1969) 4284:Mordor 4259:Gondor 4186:Eagles 4160:Trolls 4155:Shelob 4133:Nazgûl 4128:Gollum 4058:Gondor 4018:Pippin 3967:Elrond 3883:Sauron 3723:Celtic 3663:Quests 3653:Plants 3535:Themes 3484:Poetry 3460:Quenya 3455:Elvish 3360:Fandom 3350:Impact 3167: 3113: 3067: 3025: 2990: 2982: 2933: 2923: 2890: 2850: 2817: 2807: 2775: 2746: 2715: 2705: 2660: 2650: 2614: 2586: 2576: 2531: 2523: 2477: 2467: 2431: 2405: 2395: 2361: 2353: 2287: 2239: 2192: 2158: 2116: 2081: 2042: 1920: 1866: 1824: 1782: 1752: 1674: 1640: 1572: 1534: 1499: 1411: 1366: 1258:death. 1169:Aníron 1084:Niggle 671:3018-9 590:Vol. I 552:hobbit 536:Hedjet 479:Jesuit 449:, 1519 288:Gondor 280:Mordor 265:Elrond 6707:Norse 6649:Trees 6599:Music 6579:Magic 6569:Light 6447:Cirth 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The Tale of Aragorn and Arwen

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