272:. Gaining attention among students, he is unexpectedly seduced by a young woman protester. Later on, though, Linda returns, announcing her decision to remain with Simon. They spend an afternoon at the park, where they are accosted by a group of African-Americans, one of whom destroys Simon's camera. A furious Simon later expresses disillusionment, telling protesters that those they seek to help seem no different from the violent cops. But Simon revises his thinking during a hospital visit with George, the jock who earlier assaulted him. George now suffers from injuries sustained when attacked by right-wingers as the police stood and watched.
265:. He follows her into the protest, where they both join in. Together, they later rob a local grocer when the strikers become hungry. However, over time, as their relationship develops, Simon confesses to Linda his lack of commitment, as he worked so hard to gain college admission in the first place. Linda responds that she cannot date one who is not equally committed to the movement. Thus they part company, for now.
537:
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261:. Indifferent to student protests going on around him, Simon learns of plans by students to occupy a university building to protest construction of a gym against the wishes of the local minority community. His curiosity is aroused, and he makes his way to the protest. On the way, he spies a fellow student, Linda. It is
610:
life style as a member of the college crew, nor the political movement on campus is very interesting. Director Stuart Hagman , in his first feature effort, substitutes overly enthusiastic camera techniques and popular music played against the San
Francisco scenery for a more complete character definition."
622:
wrote, "I found 'The
Strawberry Statement' inconsistent and uneven, all too glossy and yet suddenly all too real and populated with children I have no trouble recognizing as my own. And it's the true measure of the film that we are all likely to remember its best moments: The moments when we are made
609:
gave the film two-and-a-half stars out of four and called it "a movie with its heart, if not always its intelligence, in the right place ... The major problem with the film is that during the period before Simon James, a 20-year old student at
Western Pacific university, is radicalized, neither his
391:
and asked if he had an idea how to adapt the book. Horovitz pitched the movie to MGM saying it should be shot at
Columbia (University). "At the time, there was a student group that had shot a lot of black and white documentary footage of the strikes at Columbia", he said. "I wanted to intercut this
703:
is basically a "shallow, pop version of the
Sixties", it still provides "a taste of the period's dreams and volatility." That's a reasonable take on the film, which is more accurate than it may seem at first glance, depicting an uncertain time when many aspiring rebels were motivated as much by
373:
a column James Kunen had written and told him it was going to be a book (it would be published in 1969). He read it and bought the film rights with partner Bob
Chartoff. "We thought it could create understanding – the schism was so great between the generations then", said Winkler. "It was an
430:
Irwin
Winkler later wrote in his memoirs that Hagman's directorial style, which involved "a great deal of camera movement" meant "the actors sometimes suffered from the crew's allocation of production time versus acting time. But they were game and young, though they required a lot of on-set
629:
stated that the violent climax "would be absurd even if it were well staged, because
Hagmann and Horowitz haven't earned their catharsis. There is something howlingly inappropriate about a movie that turns 'angry' after an hour-and-a-half of puppy love, puppy protest and the confectionery
418:
Horovitz says he struggled to write the film after MGM wanted to shift it to the west coast. He talked to Kunen for a few days then asked himself, "Who is this movie for really? What's the point of this? If it's to preach to the learned already--then it will have no worth"."
652:
is certain to be attacked for its patchiness and for hollow commercial opportunism; but while students are being killed on university campuses in
America, one can't help preferring its highly emotional, if faltering and uneven, tone to the slick reportage of a film like
675:
Horovitz says when he saw the film "I was really upset with it. I thought it was too cute and
Californian and too pretty." He came to accept the film "for what it is, what it was, and what it represented in the time in which it was made. I'm glad I got to write it."
598:
wrote that the film "only lacks an occasional, superimposed written message ... to look like a giant, 103-minute commercial, not for peace, or student activism, or community responsibility, but for the director himself."
434:"The scenario was cut by the director", said Horovitz, "but not by MGM. It was diluted by cutting – it should have been much stronger than it is. But then it would have lost most of its audience straight away."
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must take with his documentaries. Moore doesn't talk to the people who are already in the know--he's talking to those who don't know. So I started to head in that direction with the re-write of the script."
374:
important subject. These youths who are looked upon as anarchists are really just American kids reacting to problems in our society. Here was a story about an ordinary guy becoming an anarchist."
275:
On leaving the hospital, Simon visits the dean's office, warning an administrative assistant to call off construction of the gymnasium or risk violence. Eventually, city police and the
291:. As Linda is carried away, kicking and screaming, Simon attacks a group of police all by himself and segments of his happier times in college flash before the viewers' eyes.
586:
The film was a commercial and critical flop. "The critics attacked the style instead of the substance", said Winkler. "Most disappointing was the dismissal by audiences."
464:
Kim Darby says the director "was very kind. He was lenient. He was a lot of fun too. He had done many commercials before, and there was the air of freedom around us."
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was offered the film to direct but turned it down. The job eventually went to Stuart Hagmann who had worked in television and advertising.
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for proper paragraphing. Excessively long, run-on paragraph needs to be split into multiple paragraphs of moderate length
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Guy Flatley (Sep 27, 1970). "So Truffaut Decided to Work His Own Miracle: So Truffaut Decided to Work His Own Miracle".
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287:. With the strikers choking, police and guardsmen haul the demonstrators from the building, beating them with
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Warga, Wayne (Aug 31, 1969). "Movies: Herbert Solow Strives to Leave His Mark at MGM Herbert Solow and MGM".
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The pitch was successful as MGM announced they would make it in May 1969. MGM's president at the time was
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D'Alessandro, Jill; Terry, Colleen; Binder, Victoria; McNally, Dennis; Selvin, Joel (11 April 2017).
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Afterwards, Simon is assaulted by a right-wing athlete, George; Simon uses his injuries to claim
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638:.' It's difficult to forget that the script has been fundamentally negligible and incompetent."
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Martin Kasindorf (Dec 4, 1977). "I'm Thought of More As an Actor Now Than As a Weirdo'".
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Warga, Wayne (May 23, 1971). "Chartoff and Winkler: Interchangeable Producing Partners".
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David Sterritt (22 July 1970). "Israel Horovitz: 'I feel a violent revolution coming'".
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1100:"Interview Series: Kim Darby Talks With TV Store Online About the Strawberry Statement"
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Canby, Vincent (June 16, 1970). "Screen: 'Strawberry Statement' Rash of Techniques".
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The film follows the radicalization of Simon, a student at a fictional university in
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were "such a joke. You can't stage that stuff. We've seen it all on television."
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to see the terrible and ironic costs of innocence and idealism." Gary Arnold of
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was signed to do the screenplay. He said he wrote ten drafts over two years.
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As a snapshot of its time, the film has collected many present-day fans, as
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Dick Adler (Dec 27, 1970). "Hi, Mom, Greetings, It's Brian In Hollywood!".
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and the student revolts of the era. The story is loosely based on the
1002:. Sacramento, California: newspapers.com. 13 November 1969. p. 12
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Kimmis Hendrick (Jan 12, 1970). "Filming a 'couple-week odyssey'".
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Israel Horovitz (Aug 16, 1970). "I Didn't Write It for Radicals!".
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Champlin, Charles (July 16, 1970). "'Strawberry' Looks at Truth".
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A. H. Weiler (May 25, 1969). "And Now the Strawberries of Wrath".
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Lewis Funke (Feb 23, 1969). "Langella -- Shakespeare To Hamlet".
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Welles, Chris (Aug 3, 1969). "Bo Polk and B School Moviemaking".
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In 1971, Bruce Davison was nominated for his performance for the
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documentary footage with the fiction that I planned to write. "
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rifles arrive and crush the university building takeover using
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Stockton City Hall, 425 N. El Dorado St. Stockton, California
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romance and excitement as by principles and ideologies.
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A Life in Movies: Stories from Fifty Years in Hollywood
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Pirie, David (July 1970). "The Strawberry Statement".
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Arnold, Gary (June 26, 1970). "Strawberry Statement".
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is a terrific time machine that's also fun to watch.
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969:(Kindle ed.). Abrams Press. p. 488/3917.
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693:Leonard Quart expressed a more measured view in
1044:Summer of Love: Art, Fashion, and Rock and Roll
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1272:"Festival de Cannes: The Strawberry Statement"
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798:Israel–Hamas war protests in the United States
479:" is featured on the soundtrack, along with "
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1143:Siskel, Gene (June 30, 1970). "Strawberry".
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665:said "big studio revolutionary movies" like
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2134:American coming-of-age comedy-drama films
574:Learn how and when to remove this message
461:and as indicated in the opening credits.
422:Horovitz says "I took the approach that
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459:University of California, Berkeley
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2174:Films produced by Robert Chartoff
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1242:"The Strawberry Statement (1970)"
858:"Interview with Israel Hororvitz"
630:audio-visual style pioneered by '
235:non-fiction book of the same name
2169:Films directed by Stuart Hagmann
2164:Films based on non-fiction books
1800:Don't Forget You're Going to Die
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497:Crosby, Stills, Nash & Young
328:: Elliot (the protest organizer)
2179:Films produced by Irwin Winkler
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385:It's the Called the Sugar Plum
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952:The Christian Science Monitor
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437:Some of the film was shot in
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2124:1970s English-language films
1400:Tarantulas: The Deadly Cargo
1047:. Univ of California Press.
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7:
1858:Songs from the Second Floor
1068:Salgado, Anneliese (2017).
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231:counterculture of the 1960s
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2184:Films set in San Francisco
1726:A Short Film About Killing
1119:Retrieved 23 February 2022
495:", performed by the cast;
380:The Indian Wants the Bronx
369:magazine, showed producer
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517:Crosby, Stills and Nash
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245:in the film) about the
170:June 15, 1970
1499:The Mystery of Picasso
996:"strawberry statement"
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457:Central Offices), and
319:Murray MacLeod: George
2159:Films about activists
1977:Like Father, Like Son
1250:Turner Classic Movies
783:Civil rights movement
699:, writing that while
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686:Turner Classic Movies
521:Suite: Judy Blue Eyes
445:(Gorilla Records and
2109:1970s American films
1475:We Are All Murderers
748:Port Huron Statement
477:Something in the Air
439:Stockton, California
322:Tom Foral: The Coach
229:film set during the
2065:The Eight Mountains
1991:Goodbye to Language
1877:Divine Intervention
1770:An Independent Life
1680:The Constant Factor
1647:Slaughterhouse-Five
1276:festival-cannes.com
1176:The Washington Post
626:The Washington Post
493:Give Peace A Chance
263:love at first sight
225:is a 1970 American
156:Metro-Goldwyn-Mayer
146:Ian Freebairn-Smith
1587:Woman in the Dunes
1362:Films directed by
1149:. Section 2, p. 5.
1131:The New York Times
1000:The Sacramento Bee
595:The New York Times
554:You can assist by
489:Buffy Sainte-Marie
473:Thunderclap Newman
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1969:The Angels' Share
1734:Jesus of Montreal
1579:The Cassandra Cat
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1240:Sterritt, David.
1164:. Part IV, p. 14.
1161:Los Angeles Times
1054:978-0-520-29482-0
892:Los Angeles Times
837:Los Angeles Times
819:Los Angeles Times
717:The film won the
632:A Man and a Woman
619:Los Angeles Times
584:
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513:Down By The River
449:on Grant Avenue,
441:, other parts in
413:François Truffaut
377:Winkler had seen
239:James Simon Kunen
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879:. p. D27.
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118:Cinematography
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64:James S. Kunen
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40:Stuart Hagmann
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1742:Hidden Agenda
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1543:Odd Obsession
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1467:All About Eve
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1384:Believe in Me
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1214:. p. 64.
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984:. p. 11.
983:
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924:. p. 89.
923:
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909:. p. D1.
908:
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894:. p. 16.
893:
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839:. p. q1.
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590:Vincent Canby
587:
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549:
544:This section
542:
533:
532:
524:
522:
518:
514:
510:
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502:
499:contributed "
498:
494:
490:
486:
485:Joni Mitchell
482:
478:
474:
465:
462:
460:
456:
452:
448:
447:Caffe Trieste
444:
443:San Francisco
440:
435:
432:
428:
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424:Michael Moore
420:
416:
414:
410:
408:
404:
402:
398:
393:
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386:
382:
381:
375:
372:
371:Irwin Winkler
368:
364:
351:
348:
345:
342:
339:
338:Danny Goldman
336:
334:: Song Leader
333:
330:
327:
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321:
318:
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312:
309:
306:
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302:Bruce Davison
300:
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273:
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214:$ 1.5 million
213:
209:
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201:
198:United States
197:
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189:
183:
169:
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166:
160:
157:
154:
150:
147:
144:
140:
137:
133:Roger J. Roth
130:
126:
123:
122:Ralph Woolsey
120:
116:
113:
109:
105:
101:
97:
93:
89:
88:Bruce Davison
86:
82:
79:
78:Irwin Winkler
75:
72:
68:
65:
61:
58:
54:
51:
48:
44:
41:
38:
34:
30:
25:
20:
2194:Hippie films
2081:Emilia PĂ©rez
2079:
2071:
2063:
2057:
2049:
2043:
2035:
2029:
2021:
2013:
2005:
1997:
1989:
1983:
1975:
1967:
1959:
1951:
1943:
1937:
1929:
1923:Silent Light
1921:
1915:
1907:
1899:
1891:
1883:
1875:
1869:2002–present
1856:
1850:
1842:
1834:
1828:
1820:
1812:
1804:
1798:
1790:
1782:
1776:
1768:
1762:
1754:
1748:
1740:
1732:
1724:
1716:
1710:
1702:
1696:Colonel Redl
1694:
1686:
1678:
1659:
1653:
1645:
1637:
1631:
1624:
1623:
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1609:
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1481:
1473:
1465:
1457:
1398:
1390:
1382:
1375:
1374:
1321:
1310:
1299:
1279:. Retrieved
1275:
1266:
1254:. Retrieved
1245:
1235:
1226:
1220:
1211:
1205:
1196:
1190:
1184:
1174:
1169:
1159:
1154:
1144:
1139:
1129:
1124:
1112:
1103:
1094:
1084:12 September
1082:. Retrieved
1070:
1063:
1043:
1036:
1027:
1016:
1004:. Retrieved
999:
990:
981:
975:
966:
960:
954:. p. 6.
951:
945:
936:
930:
921:
915:
906:
900:
891:
885:
876:
870:
861:
836:
818:
812:
733:
726:
716:
705:
700:
694:
692:
684:
678:
674:
671:
666:
661:
654:
649:
643:
636:The Graduate
624:
617:
612:
604:
593:
588:
585:
570:
561:
548:copy editing
546:may require
545:
471:
463:
451:Alamo Square
436:
433:
429:
421:
417:
411:
405:
394:
384:
378:
376:
366:
365:, editor of
361:
352:: The Grocer
274:
267:
256:
227:comedy-drama
221:
220:
219:
186:Running time
163:Release date
131:Marje Fowler
100:Andrew Parks
2045:Ahed's Knee
1999:The Lobster
1852:Blackboards
1756:Out of Life
1619:The Falcons
1537:L'Avventura
1199:(438): 142.
1006:8 September
778:Vietnam War
728:Magasiskola
683:writes for
656:Medium Cool
640:David Pirie
601:Gene Siskel
564:August 2024
363:Clay Felker
326:Bob Balaban
241:(who has a
190:109 minutes
112:Bob Balaban
70:Produced by
36:Directed by
2104:1970 films
2098:Categories
1917:Persepolis
1844:The Letter
1830:Class Trip
1806:Carrington
1392:She Lives!
1281:2009-04-11
1256:8 December
804:References
719:Jury Prize
667:Strawberry
556:editing it
401:Herb Solow
358:Production
350:James Coco
332:Greta Pope
174:1970-06-15
46:Written by
2023:Capernaum
1945:Fish Tank
1672:1980–2000
1565:L'Eclisse
1521:Mon Oncle
1451:1946–1973
527:Reception
519:perform "
509:The Loner
505:Our House
397:"Bo" Polk
340:: Charlie
308:Kim Darby
281:bayoneted
128:Edited by
92:Kim Darby
16:1970 film
2015:Loveless
1909:Red Road
1639:Joe Hill
1573:Harakiri
1316:AllMovie
793:Pacifism
742:See also
696:Cineaste
648:wrote, "
501:Helpless
367:New York
314:Bud Cort
285:tear gas
203:Language
142:Music by
96:Bud Cort
84:Starring
56:Based on
2051:Memoria
2031:Bacurau
1961:Polisse
1931:Il Divo
1822:Western
1704:Thérèse
1595:Kwaidan
1246:TCM.com
768:Beatnik
721:at the
634:' and '
616:of the
603:of the
511:" and "
346:: Lucas
310:: Linda
304:: Simon
206:English
195:Country
172: (
2084:(2024)
2076:(2023)
2068:(2022)
2054:(2021)
2040:(2019)
2026:(2018)
2018:(2017)
2010:(2016)
2002:(2015)
1994:(2014)
1980:(2013)
1972:(2012)
1964:(2011)
1956:(2010)
1948:(2009)
1939:Thirst
1934:(2008)
1926:(2007)
1912:(2006)
1904:(2005)
1896:(2004)
1888:(2003)
1880:(2002)
1861:(2000)
1847:(1999)
1839:(1998)
1836:Festen
1825:(1997)
1817:(1996)
1809:(1995)
1795:(1994)
1787:(1993)
1773:(1992)
1759:(1991)
1750:Europa
1745:(1990)
1737:(1989)
1729:(1988)
1721:(1987)
1712:Yeelen
1707:(1986)
1699:(1985)
1691:(1983)
1688:Kharij
1683:(1980)
1664:(1973)
1650:(1972)
1642:(1971)
1628:(1970)
1614:(1969)
1606:(1966)
1598:(1965)
1590:(1964)
1582:(1963)
1568:(1962)
1554:(1961)
1546:(1960)
1532:(1959)
1524:(1958)
1516:(1957)
1502:(1956)
1494:(1955)
1486:(1954)
1478:(1952)
1470:(1951)
1462:(1946)
1403:(1977)
1395:(1973)
1387:(1971)
1379:(1970)
1051:
763:Hippie
713:Awards
289:batons
211:Budget
1985:Mommy
1814:Crash
1603:Alfie
1529:Stars
1507:Kanał
1252:(TCM)
1179:. D7.
1134:. 54.
1075:(PDF)
468:Music
279:with
1633:Love
1305:IMDb
1258:2018
1086:2022
1049:ISBN
1008:2022
515:".
507:", "
503:", "
491:. "
475:'s "
383:and
295:Cast
253:Plot
1325:at
1314:at
1303:at
659:."
642:of
592:of
523:".
387:by
237:by
62:by
2100::
2062:/
2059:EO
2048:/
2034:/
1988:/
1942:/
1920:/
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1833:/
1803:/
1781:/
1767:/
1753:/
1715:/
1658:/
1636:/
1622:/
1576:/
1562:/
1540:/
1510:/
1274:.
1248:.
1244:.
1197:37
1195:.
1102:.
1077:.
998:.
860:.
845:^
827:^
731:.
403:.
249:.
1611:Z
1436:e
1429:t
1422:v
1355:e
1348:t
1341:v
1284:.
1260:.
1088:.
1057:.
1010:.
689::
577:)
571:(
566:)
562:(
558:.
552:.
176:)
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