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The Space Vampires

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also discover the potential for energy vampirism—and more generalised voluntary energy transfer—that exists in all humans, and the parallels between vampirism, criminality, and sexual fetishisation. At last Carlsen tracks down the vampires in London, their leader having possessed the body of the Prime Minister; but their confrontation is averted when representatives from the Nioth-Korghai, the vampires' original race, appear and offer the vampires (the Ubbo-Sathla, as they call themselves) the chance to regain their original nature as higher-dimension energy-beings. The vampires accept joyfully, but destroy themselves upon regaining the ability to see themselves for what they had become.
197:. Wilson mentioned Lovecraft's influence and said that "Lovecraft's favorite idea of incubi who can steal a human body, expelling its rightful owner" was central to the story. Other Lovecraftian elements noted by Carol Margaret Davison include "an ancient race of creatures who inhabited Earth long before the human race and who lurk out of sight, usually in dark nasty corners, plotting to reclaim it." Lovecraft's stories with similar themes include " 249:
Carlsen joins forces with Dr. Hans Fallada, a scientist researching energy vampirism and longevity, to find the escaped vampire and recapture her. In the course of their investigations they discover that the aliens can transfer from one body to another, and that the other two have also escaped; they
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is given a much more prominent place, and the story's vampirism is more evocative of traditional vampire legends in its details, most specifically in how the vampires can be killed (a leaded iron shaft through the "energy centre two inches below the heart", a possible allusion to Eastern-mysticism
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An epilogue, set nearly a century later, reveals that Carlsen has used the techniques of benevolent energy transference he learned via his encounters with the vampires to live an extraordinarily long life, and possibly (it is implied) to have achieved a kind of transcendence upon his death.
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Returning to Earth with the preserved humanoids, Carlsen discovers the true nature of the beings when one of them kills a young reporter (and the son of a friend of Carlsen) whom Carlsen illicitly allowed to view the body. The woman kills her victim by completely draining his life-force (a
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commanded by Captain Olof Carlsen. Investigating the spacecraft's interior, the astronauts first discover the desiccated corpses of giant bat-like creatures, then three glass coffins containing three immobilised humanoids—two male and one female—preserved in a state of
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quantifiable energy measured by devices called "lambda-field scanners") and when Carlsen attempts to intervene, partially draining him of energy as well. Carlsen survives, but is unable to prevent the woman from escaping from the hospital.
173:. Though the aliens initially appear to be humanoid bat-like creatures, they are subsequently shown to be squidlike, then ultimately revealed to be insubstantial energy-beings from a higher dimension. The novel's 307:
as a plot element), and the character of Carlsen (an American colonel named Tom) is much weaker, with a more obsessive relationship to the female vampire. The character of Colonel Caine of the
169:, rather than the familiar undead bloodsucking revenants from Earth folklore. They consume the "life force" by seducing living beings with a deadly kiss and also have the ability to 180:
The novel was mildly successful and was translated into many languages including Spanish, Japanese, German, French, Italian, Dutch and Swedish. In 1985 it was adapted into a film,
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to be so Lovecraftian that authors such as Daniel Harms and John Wisdom Gonce have classed it as actually being a part of the Cthulhu Mythos. Rosemary Guiley describes
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is Captain Olof Carlsen, the commanding officer of the space exploration vehicle that discovered the vampires' spacecraft.
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Bram Stoker's Dracula: Sucking Through the Century, 1897-1997 edited by Carol Margaret Davison, pg. 227
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The film differs in many respects from the novel; it is set in the modern day (using the 1986 flyby of
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to accompany the film's original theatrical release, under the same title as its movie counterpart.
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called it a "new slant on horror...unique rendering of the age-old enigma of the kiss of death."
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The entire premise and shape of the story is heavily indebted to, and influenced by, the work of
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Around the Outsider: Essays presented to Colin Wilson on the occasion of his 80th birthday
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in 1976. Wilson's fifty-first book, it is about the remnants of a race of intergalactic
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who are brought back from outer space and are inadvertently let loose on Earth.
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The Encyclopedia of Vampires, Werewolves, and Other Monsters
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The Necronomicon Files: The Truth Behind Lovecraft's Legend
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regarded the novel as "Thoroughly intriguing", while the
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take control of the willing host bodies of their victims
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In the late twenty-first century, far out in a nearby
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Index


Colin Wilson
Paul Bacon
Science fiction
Random House
Hardcover
ISBN
0-394-40093-3
science fiction
horror novel
Colin Wilson
Random House
vampires
energy vampires
take control of the willing host bodies of their victims
protagonist
Lifeforce
H.P. Lovecraft
Cthulhu Mythos
The Call of Cthulhu
The Colour Out of Space
The Whisperer in Darkness
The Case of Charles Dexter Ward
asteroid belt
suspended animation
Chicago Sun-Times
Chicago Tribune
Dan O'Bannon
Lifeforce
Tobe Hooper

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