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and he and she become romantically involved. Joe tells Father James that he is thinking of cleaning up his act, and wants to turn over a new leaf and take his daughter away to start a new life together, but the priest warns him that he already has too many sins on his soul weighing him down. Joe learns that his daughter is planning to get married, and on the day of the wedding, he sneaks inside the church, and is shocked to find that her intended husband-to-be is "The
Admiral".
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product is a great film waiting to be rediscovered. Sadly, it is not. THE ROAD TO MANDALAY is probably the worst of the Chaney/Browning features done at MGM. It is predominantly style with little substance, and even lacks many of the odd
Browning touches that add to most of his other pictures of the era. Still, Chaney's make-up and performance are fascinating to watch. He . . . used
364:"It's a story of the underworld of Singapore. Chaney has another of those characteristic roles. This time, his deformity is a sightless white eye.... The picture is Chaney, who unquestionably has a big following...The picture undoubtedly will go over big. It appeals to the modern taste for what is called 'morbid,' but which nowadays is spoken of as 'sensational.'" ---
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when Joe enters and stops him. The
Admiral arrives and fights with Joe, and during the fight the girl fatally stabs Joe, not realizing he is her father. Joe tells The Admiral to take her far away, and he holds Charlie Wing at bay while the two lovers escape. Father James arrives just in time to see Singapore Joe die from his knife wound.
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Whenever he finds himself in
Mandalay, Joe has always makes a point of visiting his daughter, who is an adult now and runs a religious curio shop in town. She does not know that Joe is her father and is repulsed by the crude one-eyed man whenever he stops by. The Admiral wanders into her shop one day
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Joe prevents the priest from carrying out the ceremony, then his men kidnap The
Admiral and smuggle him back to Joe's whorehouse in Singapore. The girl suspects Joe has abducted her fiancé and travels to the brothel to rescue him. Charlie Wing lures the young girl upstairs and is about to rape her
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with his wife, who lies gravely ill in her cabin. His wife dies giving birth to a daughter, and the
Captain leaves the child in the care of his brother Father James, a priest who raises the girl as his own. Twenty years pass, and the captain is now a hardened criminal with a blind eye who runs a
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Archivist Jon
Mirsalis (who restored the film) opined, "The English-to-French-back-to-English intertitles lost something in the translation, but I was able to restore the original intertitles from the original MGM cutting continuity. After all that work, one would like to say that the finished
421:"KIPLING said that East and West would never meet. But they have met in this powerful picture of white men-and a girl-in the languid tropics.....The road to adventure! The road to romance! The road to fascinating mystery! --- A THRILLING THROBBING FILM ROMANCE OF SINGAPORE THE MYSTERIOUS!"
404:"This picture cannot be called any "great shakes". Chaney saves it however. He appears as a one-eyed derelict of Singapore who rises from the depths only whenever he comes in contact with his pure and undefiled offspring....a girl reared in the sanctuary of sweetness and light." ---
370:"In an intensely dramatic story, Lon Chaney...again demonstrates that he is without a peer as a genius of make-up... THE ROAD TO MANDALAY is one of the most stirringly dramatic and virile that Chaney has ever had and adds another laurel to his masterful characterizations." ---
415:"Lon Chaney in His Greatest Hit! Lon Chaney, The Man of a Thousand Faces, now brings the greatest of his amazing characterizations to the screen! East meets West -- you'll meet thrills such as you've never imagined possible in this powerful film, Chaney's greatest role!"
376:"There is, for instance, Lon Chaney, whose performance is not to be compared with his acting in other films. This picture is quite tedious, and it strikes one that Mr. Browning did not quite know what to do with the players in a number of scenes." ---
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Dr. Hugo Kiefer, a Los
Angeles optician, designed the white glass contact lens that Chaney wore to simulate the blind eye. Two of these contact lenses can still be found in Chaney's make-up case at the Natural History Museum in Los Angeles.
220:, Owen Moore, and Lois Moran. It was written by Elliott Clawson (with Joseph Farmham doing the intertitles), based on a story idea by Tod Browning and Herman Mankiewicz. The script's original shooting title was
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to form a deep gash across his forehead, and put several large tattoos on his arms. He spends much of the film sneering and growling, and comes across as one of the most distasteful characters of his career."
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along with a vile
Chinese associate named English Charlie Wing (Kamiyama Sojin). A third partner in their shady dealings is known as "The Admiral," a fallen young man who was once a well-to-do Englishman.
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until a 9.5mm abridged version, of about 35 minutes, with French intertitles surfaced in Paris and was transferred to 16mm. This fair quality French abridgement is all that survives of
382:"Not much as a story, but lifted to melodramatic interest by the highly colored performance of Lon Chaney as Singapore Joe. Chaney affects another of those bizarre make-ups." ---
224:. The film took 28 days to complete at a cost of $ 209,000. The worldwide box office gross was $ 724,000. Some stills exist showing Chaney's makeup as Singapore Joe.
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Singapore Joe (Lon Chaney) is a captain on board a ship bound for
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392:, but this picture cleared away any doubt. He can!" ---
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Originally a 7-reel feature, the film was considered
507:"Progressive Silent Film List: The Road to Mandalay"
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451:"Silent Era : Progressive Silent Film List"
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163:Running time
140:Release date
75:Tod Browning
57:(screenplay)
45:Tod Browning
18:
1685:Grand Hotel
1605:A Free Soul
1589:Trader Horn
1581:Inspiration
1413:Show People
1063:The Unknown
1031:Dollar Down
991:White Tiger
556:January 10,
330:Willie Fung
318:John George
192:intertitles
105:John George
80:Produced by
41:Directed by
35:Film poster
1980:1926 films
1974:Categories
1813:China Seas
1509:Redemption
1477:Hallelujah
1023:The Mystic
780:Jim Bludso
511:Silent Era
425:References
400:Film Daily
345:Eric Mayne
320:as Servant
297:Owen Moore
291:Lois Moran
285:Lon Chaney
261:Singapore
218:Lon Chaney
210:drama film
151:1926-06-28
101:Owen Moore
98:Lois Moran
94:Lon Chaney
51:Written by
1757:Bombshell
1661:Mata Hari
1645:Possessed
1637:The Champ
1389:The Crowd
1317:La Bohème
796:Hands Up!
384:Photoplay
350:Sam Baker
241:collodion
222:Singapore
190:(English
121:Edited by
1912:The Trap
1837:Riffraff
1725:Red Dust
1493:The Kiss
1349:Valencia
1253:His Hour
1229:Producer
1138:Iron Man
1055:The Show
975:Drifting
868:Set Free
616:AllMovie
611:Synopsis
527:cite web
411:Taglines
258:Mandalay
184:Language
90:Starring
72:Story by
62:(titles)
1950:Related
1861:Maytime
1853:Camille
1773:Riptide
1309:Torrent
1130:Dracula
836:Revenge
772:Puppets
517:May 17,
489:(1926)"
366:Variety
263:brothel
176:Country
149: (
67:(story)
1933:(wife)
1923:People
1915:(1922)
1904:Writer
1896:(1938)
1888:(1937)
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207:silent
188:Silent
1941:(son)
1114:1930s
919:1920s
660:1910s
169:reels
605:IMDb
579:ISBN
558:2014
533:link
519:2016
465:ISBN
278:Cast
252:Plot
229:lost
614:at
603:at
390:act
133:MGM
1976::
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153:)
Text is available under the Creative Commons Attribution-ShareAlike License. Additional terms may apply.
