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The Oval Portrait

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179:"meekly for many weeks" in his turret chamber. The painter worked so diligently at his task that he did not recognize his wife's fading health, as she, being a loving wife, continually "smiled on and still on, uncomplainingly". As the painter neared the end of his work, he let no one enter the turret chamber and rarely took his eyes off the canvas, even to watch his wife. After many weeks had passed, he finally finished his work. As he looked at the completed image, however, he felt appalled, as he exclaimed, "This is indeed 464: 47: 494: 476: 205: 302:
takes Poe’s narrative and intriguingly transforms it into a dialogue between the Model and the Portrait. The mood of the piece is a bit different from the original Poe work, and it is unclear at the end whether the Model will actually die (literally or figuratively) as in Poe's tale but Tait is to be
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The book describes a tragic story involving a young maiden of "the rarest beauty". She loved and wedded an eccentric painter who cared more about his work than anything else in the world, including his wife. The painter eventually asked his wife to sit for him, and she obediently consented, sitting
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Upon moving the candle closer to the book, the narrator immediately discovers a before-unnoticed painting depicting the head and shoulders of a young girl. The picture inexplicably enthralls the narrator "for an hour perhaps". After steady reflection, he realizes that the painting's "absolute
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The central idea of the story resides in the confusing relationship between art and life. In "The Oval Portrait", art and the addiction to it are ultimately depicted as killers, responsible for the young bride's death. In this context, one can synonymously equate art with death, whereas the
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relationship between art and life is consequently considered as a rivalry. It takes Poe's theory that poetry as art is the rhythmical creation of beauty, and that the most poetical topic in the world is the death of a beautiful woman (see "
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life-likeliness" of expression is the captivating feature. The narrator eagerly consults the book for an explanation of the picture. The remainder of the story henceforth is a quote from this book â€“ a
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to relieve the pain. Poe probably excised this introduction because it was not particularly relevant, and it also gave the impression that the story was nothing more than a
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Pattillo, Laura Grace (2006). "Reviewed work: The Fall of the House of Usher and Other Plays Inspired by Edgar Allan Poe, Lance Tait".
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in 1842. "Life in Death" included a few introductory paragraphs explaining how the narrator had been wounded, and that he had eaten
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commended for creating dialogue that makes Poe’s tale come alive beyond the narrative limitations of the original prose.
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itself!" Thereafter, he turned suddenly to regard his bride and discovered that she had died.
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This article is about the short story. For the American post-hardcore band, see
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combined them in his 2012 adaptation after adapting each on their own.
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Illustration for "Tales and poems – vol. 2" published in the 1800s
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is based on Poe's tale. Laura Grace Pattillo wrote in
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Found in a Bottle 698:The Duc de L'Omelette 300: 207: 1631:Gothic short stories 1517:Dorian, an Imitation 1374:Dorian Grays Portræt 1285:The Man with a Cloak 1031:Eureka: A Prose Poem 1024:The Poetic Principle 922:The Purloined Letter 908:The Angel of the Odd 894:The Premature Burial 796:The Man of the Crowd 483:at Wikimedia Commons 411:Comic Book Resources 173:story within a story 1510:The Happy Hypocrite 1225:film and television 859:The Tell-Tale Heart 603:The City in the Sea 259:Nathaniel Hawthorne 200:Publication history 139:by American writer 57:Original title 29:"The Oval Portrait" 1626:1842 short stories 1597:Look Back in Anger 1220:In popular culture 1162:Eliza Poe (mother) 617:The Conqueror Worm 610:The Haunted Palace 214: 1613: 1612: 1574:The Oval Portrait 1541:Matthew Bourne's 1319: 1318: 1309:The Pale Blue Eye 831:The Oval Portrait 589:Sonnet to Science 511:Graham's Magazine 499:The Oval Portrait 481:The Oval Portrait 479:Media related to 469:The Oval Portrait 467:The full 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Index

The Oval Portrait (band)
Short story
Edgar Allan Poe

Horror
Graham's Magazine
periodical
short story
Edgar Allan Poe
portrait
château
narrator
Apennines
story within a story
The Philosophy of Composition

Graham's Magazine
opium
hallucination
Broadway Journal
The Picture of Dorian Gray
Oscar Wilde
Nathaniel Hawthorne
The Birth-Mark
The Fall of the House of Usher
Jean Epstein
Richard Corben
Lance Tait
ISBN
0-8071-2321-8

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