1514:
1498:
1482:
1466:
548:. After one of the former SS officers cuts off the electricity to Max's apartment, Max and Lucia, respectively dressed in his Nazi uniform and a negligee resembling one he gave her in the concentration camp, leave the building and drive away, followed by a car driven by Max's former colleagues. Max parks on a bridge, and he and Lucia get out and walk along the bridge rail as dawn breaks. Two gunshots ring out, and the lovers fall dead.
688:
27:
540:
about her disappearance, and that no suspicion fell on him. Eventually, Max quits his job, devoting all of his time to Lucia. The former SS officers cut off the couple's supply of food from a nearby grocery store. When Max briefly walks along an outdoor terrace, Vogler shoots and wounds him. Max barricades the door to the apartment, and he and Lucia begin rationing.
532:
Lucia renew their past lovemaking in Max's apartment. Max confesses to
Countess Stein, another guest at his hotel, that he has found his "little girl" again. The Countess tells him that he is insane; Max replies that they are both "in the same boat." Meanwhile, Vogler has Max spied on by Adolph, a youth who works at the hotel.
539:
The former SS officers are infuriated at Max for hiding a key witness. Max refuses to proceed with the trial, calling it a "farce," and admits that he works as a night porter due to his sense of shame in daytime. He returns to Lucia, telling her that the police questioned him and others at the hotel
535:
Max is interviewed by the police about Mario's murder. He spends days with Lucia in his apartment, chaining her to the wall so that "they can't take her away", and sleeps little. Vogler, who wants Lucia to testify against Max in the mock trial—though he harbors more ambiguous long-term intentions
531:
Because she could testify against him, Lucia's existence is a threat to Max and his former comrades. He goes to see a former Nazi collaborator, Mario, who knows Lucia is still alive; Max murders him offscreen to protect his secret and Lucia. After Lucia's husband leaves town on business, Max and
873:, Cavani was both celebrated for her courage in dealing with the theme of sexual transgression and, simultaneously, castigated for the controversial manner in which she presented that transgression within the context of a Nazi Holocaust narrative.
543:
Max seeks help by phoning one of his old hotel friends, who refuses, and imploring his neighbour, who is unwilling to provide aid and harbouring Adolph in her apartment. Max retreats again to the apartment, where Lucia is almost unconscious from
523:
song, "Wenn ich mir was wĂĽnschen dĂĽrfte" ("If I Could Make a Wish"), to the camp guards while wearing pieces of an SS uniform, and Max "rewards" her with the severed head of a male inmate who had been bullying her, referencing
795:
The budget, which had been paid for by the
Italian distributor, ran out near the end of the shooting of the film's interiors at CinecittĂ . To ensure the film's completion, producer Robert Gordon Edwards instructed editor
969:
described the film as a "dated" but "intriguing period piece", adding, "Perhaps there is something in its very crassness, horror and tastelessness that does at least jolt us towards an acknowledgment of pure evil."
818:, before Charlotte Rampling was cast. Rampling shot the film only four months after giving birth to her son Barnaby. She and Dirk Bogarde re-wrote and ad-libbed much of their dialogue. Bogarde also enlisted
508:, and a reluctant member of a group of former SS comrades who have been carefully covering up their pasts by destroying documents and eliminating witnesses to their wartime activities. Max has an upcoming
536:
towards her—visits and informs her that Max is ill. He suggests that Lucia must also be ill to allow herself to be in this position, but she sends him away, claiming to be with Max of her own free will.
889:"as nasty as it is lubricious, a despicable attempt to titillate us by exploiting memories of persecution and suffering", while adding that he did not "object per se to the movie's subject matter." In
470:
imagery, have made the film controversial since its initial release, dividing critics over its artistic value. In July 2018, it was selected to be screened in the Venice
Classics section of the
959:. On the other hand, a closer reading of this English-language psychological thriller suggests a dark vision of compelling characters doomed by their World War II past." In his 2020 review for
519:
Memories of the past punctuate Max and Lucia's present with urgent frequency, suggesting that Lucia survived through her relationship with Max—in one such remembered scene, Lucia sings a
869:
salaciousness gives its exploration of historical trauma a bitter aftertaste, but audiences seeking provocation are unlikely to forget the sting of this erotic drama." In response to
822:
to help rewrite the script, uncredited. Bogarde seriously considered retiring from acting after the end of principal photography, which he considered a very draining experience.
516:. The group's leader, Hans Vogler, accuses Max of wanting to live "hidden away like a church mouse." Max wishes to remain hidden, but voices support for the group's activities.
1207:
140:
899:
praised the performances of
Bogarde and Rampling, and the "dark, rich tones" of the cinematography, but began her review by writing, "If you don't love pain, you won't find
1418:
Koven, Mikel J. (2004). "'The Film You Are About to See Is Based on
Documented Fact': Italian Nazi Sexploitation Cinema". In Mathijs, Ernest; Mendik, Xavier (eds.).
800:
to create a rough cut of the best scenes that had been shot, which he presented to an
American colleague who worked at Les Artistes Associés (the French arm of
662:
493:
officer who posed as a doctor to take sensational photographs in concentration camps, and Lucia, a teenage girl interned in one such camp due to her father's
621:
804:). On the basis of the rough cut, the company agreed to pay for the filming of the exterior scenes in Vienna in exchange for French distribution rights.
1391:
1274:
1128:
634:
862:, the film holds an approval rating of 67% based on 33 reviews, with an average rating of 5.8/10. The website's critics consensus reads, "
930:
categorised the film as "political pornography". Despite the poor German critical response, it grossed over $ 1.3 million. In the French
1813:
1838:
1833:
955:"a provocative and problematic film. ... t can be seen as an exercise in perversion and exploitation of the Holocaust for the sake of
1793:
1243:
1763:
1579:
504:
In 1957, Lucia, now married to an
American orchestra conductor, meets Max again by chance. He is now a night porter at a hotel in
1848:
1778:
471:
1788:
91:
1748:
1435:
785:
63:
1217:
1519:
1057:
1828:
1823:
1783:
70:
1753:
735:
709:
110:
44:
717:
1843:
1738:
77:
1305:
1009:
917:
1768:
713:
48:
1818:
59:
1808:
1803:
1758:
1572:
885:
thought the main roles were well-performed, but nonetheless gave the film one star out of four, and called
124:
1689:
1665:
1649:
424:
1798:
1136:
1733:
1150:
761:
1705:
1525:
1093:
944:
698:
1743:
1697:
1565:
1427:
769:
702:
667:
37:
1325:
1773:
1537:
1089:
84:
1681:
1509:
1132:
626:
1373:
1356:(July–August 1974). "« Anti-Rétro », entretiens avec P. Bonitzer et S. Toubiana".
1108:
1633:
1113:
826:
1358:
932:
777:
8:
1728:
1609:
1601:
1533:"The Uses of Memory and the Abuses of Fiction: Sexuality in Holocaust Fiction and Memoir"
993:
418:
1513:
1497:
1481:
1532:
1465:
1279:
1248:
1063:
981:
891:
838:
615:
582:
564:
460:
436:
255:
1673:
1460:
1431:
1212:
978:
881:
765:
576:
444:
265:
1367:
1557:
1423:
1068:
842:
757:
520:
410:
154:
1493:
1353:
1181:
1154:
1085:
948:
937:
859:
834:
819:
815:
456:
194:
1487:
1176:
1589:
1387:
1301:
996:
Awards, for Best
Director (Liliana Cavani) and for Best Screenplay (Cavani and
966:
956:
912:
807:
801:
797:
570:
440:
428:
288:
260:
173:
597:
1722:
1503:
1270:
997:
904:
830:
773:
639:
603:
498:
490:
278:
189:
1396:
1311:
961:
558:
545:
483:
432:
250:
749:
466:
The film's themes of sexual and sadomasochistic obsession, and its use of
1625:
1617:
1203:
876:
588:
448:
1471:
1454:
903:
erotic—and by now, even painbuffs may be satiated with Nazi decadence."
1330:
1239:
926:
921:
called it a "leazy, bizarre drama", awarding it two out of four stars.
896:
811:
789:
650:
609:
509:
924:
In Europe, the film was met with opposition as well. German magazine
781:
513:
494:
467:
1392:"The Night Porter review – descent into sex and Nazism still chills"
687:
501:
relationship. Max tormented Lucia, but also acted as her protector.
26:
1657:
1477:
421:
784:
district of Rome. The film's costumes were designed by five-time
139:
1420:
Alternative Europe: Eurotrash and
Exploitation Cinema Since 1945
525:
505:
487:
452:
753:
911:, called it "romantic pornography" and "a piece of junk".
940:
criticised what he saw as a sexualised vision of Nazism.
1244:"' The Night Porter,' Portrait of Abuse, Stars Bogarde"
992:
The film was nominated in two categories at the 1975
463:
officer (Bogarde) and one of his inmates (Rampling).
1587:
51:. Unsourced material may be challenged and removed.
1056:
1307:Leonard Maltin's 2015 Movie Guide: The Modern Era
780:. The concentration camp scenes were shot in the
1720:
1521:The Night Porter: Power, Spectacle, and Desire
1573:
1275:"The Night Porter' Is Romantic Pornography"
1080:
1078:
716:. Unsourced material may be challenged and
1580:
1566:
1512:
1496:
1480:
1464:
1372:. Quarto (in French). Vol. 1. Paris:
138:
736:Learn how and when to remove this message
111:Learn how and when to remove this message
1386:
1365:
1352:
1151:"The restored films of Venezia Classici"
1075:
1027:
1025:
1084:
1000:), but did not win in either category.
472:75th Venice International Film Festival
1721:
1530:
1300:
1054:
1561:
1417:
1269:
1238:
1202:
1106:
1050:
1048:
1022:
1196:
853:
748:Filming took place in Vienna and at
714:adding citations to reliable sources
681:
49:adding citations to reliable sources
20:
825:Several of the actors' voices were
13:
1045:
512:at the hands of the group for his
14:
1860:
1839:Italian psychological drama films
1834:Italian nonlinear narrative films
1531:Scherr, Rebecca (February 2000).
1524:– an essay by Gaetana Marrone at
1448:
497:political ties, had an ambiguous
455:in 1957, the film centers on the
1794:Films directed by Liliana Cavani
686:
427:film co-written and directed by
25:
1814:Films shot at CinecittĂ Studios
1764:1970s psychological drama films
1411:
1380:
1346:
1318:
1294:
1263:
1107:Wolff, Zoë (2 September 2014).
1010:Sadism and masochism in fiction
829:, including Philippe Leroy (by
810:turned down the role of Lucia.
36:needs additional citations for
1849:1970s LGBT-related drama films
1779:English-language Italian films
1362:(in French). No. 251–252.
1232:
1169:
1143:
1121:
1100:
486:, Maximilian Theo Aldorfer, a
459:relationship between a former
1:
1789:Films about sexual repression
1038:
973:Mikel J. Koven characterised
677:
320:Ital-Noleggio Cinematografico
1749:1970s English-language films
1058:"In Germany Big Pics Do Biz"
1055:Kocian, Billy (7 May 1975).
987:
848:
656:Piero Mazzinghi as concierge
451:in supporting roles. Set in
398:$ 1.3 million (West Germany)
125:The Night Porter (1930 film)
7:
1369:Dits et écrits I: 1954–1975
1003:
814:was considered, as well as
561:as Maximilian Theo Aldorfer
16:1974 film by Liliana Cavani
10:
1865:
1829:Italian LGBT-related films
1824:Italian erotic drama films
1784:Films about Nazi fugitives
1067:. p. 275 – via
943:In her 2000 essay for the
122:
1596:
1366:Foucault, Michel (2001).
833:), Gabriele Ferzetti (by
762:Linke Wienzeile Buildings
756:. Locations included the
394:
377:
369:
359:
324:
316:
302:
294:
284:
274:
243:
226:
206:
179:
169:
165:
153:
149:
144:Theatrical release poster
137:
132:
1754:1970s erotic drama films
1526:The Criterion Collection
1094:The Criterion Collection
1015:
594:Nino Bignamini as Adolph
1844:Italian war drama films
1739:1974 LGBT-related films
1690:Where Are You? I'm Here
770:Vienna Central Cemetery
659:Kai S. Seefeld as Jacob
551:
477:
461:Nazi concentration camp
344:11 April 1974
123:For the 1930 film, see
647:Hilda Gunther as Greta
414:
333:3 April 1974
1769:1970s war drama films
1376:. pp. 1520–1521.
1133:American Cinematheque
233:Robert Gordon Edwards
1819:Films shot in Vienna
1650:Beyond Good and Evil
1390:(27 November 2020).
1220:on 28 September 2012
1206:(10 February 1975).
1109:"Charlotte Rampling"
945:Criterion Collection
710:improve this section
663:Luigi Antonio Guerra
417:) is a 1974 Italian
415:Il portiere di notte
160:Il portiere di notte
45:improve this article
1809:Films set in Vienna
1804:Films set in hotels
1759:1970s Italian films
1602:Francesco di Assisi
1273:(13 October 1974).
1157:. 1 September 2018
1088:(10 January 2000).
907:, also writing for
1588:Films directed by
1510:TCM Movie Database
1326:"Der Nachtportier"
1280:The New York Times
1249:The New York Times
1242:(2 October 1974).
1208:"The Night Porter"
1177:"The Night Porter"
1139:on 7 January 2022.
1129:"The Night Porter"
1090:"The Night Porter"
909:The New York Times
892:The New York Times
839:Geoffrey Copleston
622:Manfred Freyberger
616:Geoffrey Copleston
583:Giuseppe Addobbati
565:Charlotte Rampling
437:Charlotte Rampling
256:Charlotte Rampling
60:"The Night Porter"
1799:Films set in 1957
1716:
1715:
1706:The Order of Time
1674:The Berlin Affair
1437:978-1-903364-93-2
1359:Cahiers du Cinéma
1213:Chicago Sun-Times
933:Cahiers du Cinéma
882:Chicago Sun-Times
854:Critical response
778:Schönbrunn Palace
750:CinecittĂ Studios
746:
745:
738:
591:as Countess Stein
577:Gabriele Ferzetti
445:Gabriele Ferzetti
402:
401:
266:Gabriele Ferzetti
121:
120:
113:
95:
1856:
1734:1974 drama films
1642:The Night Porter
1582:
1575:
1568:
1559:
1558:
1554:
1552:
1550:
1516:
1505:The Night Porter
1500:
1489:The Night Porter
1484:
1473:The Night Porter
1468:
1456:The Night Porter
1442:
1441:
1424:Wallflower Press
1415:
1409:
1408:
1406:
1404:
1384:
1378:
1377:
1363:
1354:Foucault, Michel
1350:
1344:
1343:
1341:
1339:
1322:
1316:
1315:
1298:
1292:
1291:
1289:
1287:
1267:
1261:
1260:
1258:
1256:
1236:
1230:
1229:
1227:
1225:
1216:. Archived from
1200:
1194:
1193:
1191:
1189:
1173:
1167:
1166:
1164:
1162:
1147:
1141:
1140:
1135:. Archived from
1125:
1119:
1118:
1104:
1098:
1097:
1086:Insdorf, Annette
1082:
1073:
1072:
1069:Internet Archive
1060:
1052:
1032:
1029:
994:Nastro d'Argento
975:The Night Porter
953:The Night Porter
901:The Night Porter
887:The Night Porter
871:The Night Porter
868:
864:The Night Porter
843:Charles Howerton
758:Vienna Volksoper
741:
734:
730:
727:
721:
690:
682:
671:
643:
630:
521:Marlene Dietrich
406:The Night Porter
351:
349:
340:
338:
142:
133:The Night Porter
130:
129:
116:
109:
105:
102:
96:
94:
53:
29:
21:
1864:
1863:
1859:
1858:
1857:
1855:
1854:
1853:
1719:
1718:
1717:
1712:
1666:Beyond the Door
1592:
1586:
1548:
1546:
1494:Rotten Tomatoes
1451:
1446:
1445:
1438:
1416:
1412:
1402:
1400:
1388:Bradshaw, Peter
1385:
1381:
1351:
1347:
1337:
1335:
1324:
1323:
1319:
1314:. p. 1008.
1302:Maltin, Leonard
1299:
1295:
1285:
1283:
1268:
1264:
1254:
1252:
1237:
1233:
1223:
1221:
1201:
1197:
1187:
1185:
1182:Rotten Tomatoes
1175:
1174:
1170:
1160:
1158:
1155:Venice Biennale
1149:
1148:
1144:
1127:
1126:
1122:
1105:
1101:
1083:
1076:
1053:
1046:
1041:
1036:
1035:
1030:
1023:
1018:
1006:
990:
949:Annette Insdorf
938:Michel Foucault
866:
860:Rotten Tomatoes
856:
851:
835:David de Keyser
820:Anthony Forwood
816:Dominique Sanda
742:
731:
725:
722:
707:
691:
680:
675:
665:
637:
624:
554:
499:sadomasochistic
480:
457:sadomasochistic
390:
362:
355:
347:
345:
336:
334:
327:
312:
307:
305:
270:
239:
222:
216:Barbara Alberti
202:
195:Barbara Alberti
145:
128:
117:
106:
100:
97:
54:
52:
42:
30:
17:
12:
11:
5:
1862:
1852:
1851:
1846:
1841:
1836:
1831:
1826:
1821:
1816:
1811:
1806:
1801:
1796:
1791:
1786:
1781:
1776:
1771:
1766:
1761:
1756:
1751:
1746:
1744:1974 war films
1741:
1736:
1731:
1714:
1713:
1711:
1710:
1702:
1694:
1686:
1678:
1670:
1662:
1654:
1646:
1638:
1630:
1622:
1614:
1606:
1597:
1594:
1593:
1590:Liliana Cavani
1585:
1584:
1577:
1570:
1562:
1556:
1555:
1528:
1517:
1501:
1485:
1469:
1450:
1449:External links
1447:
1444:
1443:
1436:
1410:
1379:
1345:
1317:
1304:, ed. (2014).
1293:
1271:Canby, Vincent
1262:
1231:
1195:
1168:
1142:
1120:
1099:
1074:
1043:
1042:
1040:
1037:
1034:
1033:
1020:
1019:
1017:
1014:
1013:
1012:
1005:
1002:
989:
986:
967:Peter Bradshaw
957:sensationalism
913:Leonard Maltin
855:
852:
850:
847:
808:Romy Schneider
802:United Artists
798:Franco Arcalli
744:
743:
694:
692:
685:
679:
676:
674:
673:
660:
657:
654:
648:
645:
632:
619:
613:
607:
601:
595:
592:
586:
580:
579:as Hans Vogler
574:
571:Philippe Leroy
568:
562:
555:
553:
550:
479:
476:
441:Philippe Leroy
429:Liliana Cavani
400:
399:
396:
392:
391:
389:
388:
385:
381:
379:
375:
374:
371:
367:
366:
363:
360:
357:
356:
354:
353:
342:
330:
328:
325:
322:
321:
318:
317:Distributed by
314:
313:
310:
308:
303:
300:
299:
296:
292:
291:
289:Franco Arcalli
286:
282:
281:
276:
275:Cinematography
272:
271:
269:
268:
263:
261:Philippe Leroy
258:
253:
247:
245:
241:
240:
238:
237:
234:
230:
228:
224:
223:
221:
220:
217:
214:
213:Liliana Cavani
210:
208:
204:
203:
201:
200:
197:
192:
187:
186:Liliana Cavani
183:
181:
177:
176:
174:Liliana Cavani
171:
167:
166:
163:
162:
157:
151:
150:
147:
146:
143:
135:
134:
119:
118:
33:
31:
24:
15:
9:
6:
4:
3:
2:
1861:
1850:
1847:
1845:
1842:
1840:
1837:
1835:
1832:
1830:
1827:
1825:
1822:
1820:
1817:
1815:
1812:
1810:
1807:
1805:
1802:
1800:
1797:
1795:
1792:
1790:
1787:
1785:
1782:
1780:
1777:
1775:
1774:BDSM in films
1772:
1770:
1767:
1765:
1762:
1760:
1757:
1755:
1752:
1750:
1747:
1745:
1742:
1740:
1737:
1735:
1732:
1730:
1727:
1726:
1724:
1708:
1707:
1703:
1700:
1699:
1698:Ripley's Game
1695:
1692:
1691:
1687:
1684:
1683:
1679:
1676:
1675:
1671:
1668:
1667:
1663:
1660:
1659:
1655:
1652:
1651:
1647:
1644:
1643:
1639:
1636:
1635:
1631:
1628:
1627:
1623:
1620:
1619:
1615:
1612:
1611:
1607:
1604:
1603:
1599:
1598:
1595:
1591:
1583:
1578:
1576:
1571:
1569:
1564:
1563:
1560:
1544:
1540:
1539:
1534:
1529:
1527:
1523:
1522:
1518:
1515:
1511:
1507:
1506:
1502:
1499:
1495:
1491:
1490:
1486:
1483:
1479:
1475:
1474:
1470:
1467:
1462:
1458:
1457:
1453:
1452:
1439:
1433:
1429:
1425:
1421:
1414:
1399:
1398:
1393:
1389:
1383:
1375:
1371:
1370:
1364:Reprinted in
1361:
1360:
1355:
1349:
1333:
1332:
1327:
1321:
1313:
1309:
1308:
1303:
1297:
1282:
1281:
1276:
1272:
1266:
1251:
1250:
1245:
1241:
1235:
1219:
1215:
1214:
1209:
1205:
1199:
1184:
1183:
1178:
1172:
1156:
1152:
1146:
1138:
1134:
1130:
1124:
1116:
1115:
1110:
1103:
1095:
1091:
1087:
1081:
1079:
1070:
1066:
1065:
1059:
1051:
1049:
1044:
1031:Collaboration
1028:
1026:
1021:
1011:
1008:
1007:
1001:
999:
998:Italo Moscati
995:
985:
983:
982:sexploitation
980:
976:
971:
968:
964:
963:
958:
954:
950:
946:
941:
939:
935:
934:
929:
928:
922:
920:
919:
914:
910:
906:
905:Vincent Canby
902:
898:
894:
893:
888:
884:
883:
878:
874:
872:
865:
861:
846:
844:
840:
836:
832:
831:Edmund Purdom
828:
823:
821:
817:
813:
809:
805:
803:
799:
793:
791:
787:
783:
779:
775:
774:Karl-Marx-Hof
771:
767:
763:
759:
755:
751:
740:
737:
729:
719:
715:
711:
705:
704:
700:
695:This section
693:
689:
684:
683:
669:
664:
661:
658:
655:
652:
649:
646:
641:
636:
633:
628:
623:
620:
617:
614:
612:as day porter
611:
608:
605:
604:Amedeo Amodio
602:
599:
596:
593:
590:
587:
584:
581:
578:
575:
572:
569:
566:
563:
560:
557:
556:
549:
547:
541:
537:
533:
529:
527:
522:
517:
515:
511:
507:
502:
500:
496:
492:
489:
485:
475:
473:
469:
464:
462:
458:
454:
450:
446:
442:
438:
434:
430:
426:
423:
420:
419:psychological
416:
412:
408:
407:
397:
393:
386:
383:
382:
380:
376:
372:
368:
364:
358:
343:
341: (France)
332:
331:
329:
326:Release dates
323:
319:
315:
309:
301:
298:Daniele Paris
297:
293:
290:
287:
283:
280:
279:Alfio Contini
277:
273:
267:
264:
262:
259:
257:
254:
252:
249:
248:
246:
242:
236:Esa De Simone
235:
232:
231:
229:
225:
219:Amedeo Pagani
218:
215:
212:
211:
209:
205:
199:Amedeo Pagani
198:
196:
193:
191:
190:Italo Moscati
188:
185:
184:
182:
180:Screenplay by
178:
175:
172:
168:
164:
161:
158:
156:
152:
148:
141:
136:
131:
126:
115:
112:
104:
93:
90:
86:
83:
79:
76:
72:
69:
65:
62: –
61:
57:
56:Find sources:
50:
46:
40:
39:
34:This article
32:
28:
23:
22:
19:
1704:
1696:
1688:
1680:
1672:
1664:
1656:
1648:
1641:
1640:
1632:
1624:
1616:
1608:
1600:
1547:. Retrieved
1542:
1538:Other Voices
1536:
1520:
1504:
1488:
1472:
1455:
1419:
1413:
1401:. Retrieved
1397:The Guardian
1395:
1382:
1368:
1357:
1348:
1336:. Retrieved
1329:
1320:
1310:. New York:
1306:
1296:
1284:. Retrieved
1278:
1265:
1253:. Retrieved
1247:
1234:
1222:. Retrieved
1218:the original
1211:
1204:Ebert, Roger
1198:
1186:. Retrieved
1180:
1171:
1159:. Retrieved
1145:
1137:the original
1123:
1112:
1102:
1062:
991:
974:
972:
962:The Guardian
960:
952:
942:
931:
925:
923:
916:
908:
900:
890:
886:
880:
875:
870:
863:
857:
824:
806:
794:
747:
732:
726:January 2024
723:
708:Please help
696:
672:(uncredited)
653:as neighbour
559:Dirk Bogarde
546:malnutrition
542:
538:
534:
530:
518:
503:
484:World War II
481:
465:
433:Dirk Bogarde
405:
404:
403:
361:Running time
352: (Italy)
251:Dirk Bogarde
159:
107:
101:January 2024
98:
88:
81:
74:
67:
55:
43:Please help
38:verification
35:
18:
1618:I cannibali
1334:(in German)
1240:Sayre, Nora
1224:23 December
918:Movie Guide
877:Roger Ebert
666: [
638: [
625: [
600:as Atherton
598:Marino Masè
589:Isa Miranda
449:Isa Miranda
431:. It stars
365:118 minutes
227:Produced by
170:Directed by
1729:1974 films
1723:Categories
1426:. p.
1422:. London:
1338:15 January
1331:Filmdienst
1039:References
927:Filmdienst
897:Nora Sayre
812:Mia Farrow
790:Piero Tosi
766:Mozarthaus
678:Production
651:Nora Ricci
635:Ugo Cardea
610:Piero Vida
514:war crimes
510:mock trial
395:Box office
348:1974-04-11
337:1974-04-03
311:Lotar Film
304:Production
71:newspapers
1682:Francesco
1626:The Guest
1374:Gallimard
1114:Interview
988:Accolades
947:release,
849:Reception
788:-nominee
782:Tuscolano
697:does not
631:as Dobson
495:socialist
468:Holocaust
378:Languages
285:Edited by
1658:The Skin
1634:Milarepa
1478:AllMovie
1004:See also
984:" film.
915:'s 2015
644:as Mario
585:as Stumm
573:as Klaus
567:as Lucia
295:Music by
244:Starring
207:Story by
1610:Galileo
1508:at the
1403:4 March
1161:22 July
1064:Variety
951:called
879:of the
718:removed
703:sources
618:as Kurt
606:as Bert
482:During
439:, with
411:Italian
384:English
370:Country
346: (
335: (
306:company
155:Italian
85:scholar
1709:(2023)
1701:(2002)
1693:(1993)
1685:(1989)
1677:(1985)
1669:(1982)
1661:(1981)
1653:(1977)
1645:(1974)
1637:(1973)
1629:(1971)
1621:(1970)
1613:(1968)
1605:(1966)
1549:20 May
1463:
1434:
1312:Signet
1286:20 May
1255:20 May
1188:20 May
977:as a "
867:'s
837:) and
827:dubbed
776:, and
768:, the
764:, the
760:, the
526:Salome
506:Vienna
453:Vienna
387:German
87:
80:
73:
66:
58:
1016:Notes
786:Oscar
670:]
642:]
629:]
425:drama
373:Italy
92:JSTOR
78:books
1551:2024
1461:IMDb
1432:ISBN
1405:2024
1340:2024
1288:2024
1257:2024
1226:2008
1190:2024
1163:2018
979:Nazi
841:(by
754:Rome
701:any
699:cite
552:Cast
488:Nazi
478:Plot
447:and
435:and
64:news
1545:(1)
1492:at
1476:at
1459:at
858:On
845:).
752:in
712:by
422:war
47:by
1725::
1541:.
1535:.
1430:.
1428:20
1394:.
1328:.
1277:.
1246:.
1210:.
1179:.
1153:.
1131:.
1111:.
1092:.
1077:^
1061:.
1047:^
1024:^
965:,
936:,
895:,
792:.
772:,
668:it
640:it
627:fr
528:.
491:SS
474:.
443:,
413::
1581:e
1574:t
1567:v
1553:.
1543:2
1440:.
1407:.
1342:.
1290:.
1259:.
1228:.
1192:.
1165:.
1117:.
1096:.
1071:.
739:)
733:(
728:)
724:(
720:.
706:.
409:(
350:)
339:)
127:.
114:)
108:(
103:)
99:(
89:·
82:·
75:·
68:·
41:.
Text is available under the Creative Commons Attribution-ShareAlike License. Additional terms may apply.
