454:. It had a tone, that city room. I had no idea news reporters were that sloppy.” However, Borsos would have preferred to adopt a more stylized look. He said, “I preferred to have it look somewhat stylized and slightly unreal, more what you would call a 1950's film-noir type of picture. I think making it slightly abstract can be a way of reaching more people. When something is too real, that can almost be a way of limiting you.” Katzenbach was also a regular on the set as a consultant.
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393:, based on his years of experiences and of stories told to him by fellow reporters he knew. He tried to examine what he described as “the nature of reporting and the ambiguity and ambivalence of the job. There's a fundamental dilemma in, on the one hand, thinking 'How can I intrude on these people at the moment of exquisite agony?' and, on the other hand thinking 'My God, I'm sitting on a terrific story!'”
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and photographer Tim
Chapman. At first, he couldn’t figure out "how they justify what they do. But I found out that these are very caring people. They may be callous about how they do their jobs, but they're not callous about people. That allowed me, from a reporter's point of view, to have the truth
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after the term of the same name that refers to a pattern of weather that occurs in
Florida during the late summer months. Hot mornings with sticky weather lead into violent thunderstorms that blow in from the Caribbean and the Gulf of Mexico in the afternoon. However, the rain doesn't alleviate the
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offices in April 1984, Christopher
Bernard Wilder, a man suspected of kidnapping and killing several young women, shot himself in a confrontation with the police at a gas station in New Hampshire. Borsos remembers “it seemed as though there were about 500 reporters in the office, and everybody was
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Malcolm
Anderson is a reporter for a Miami newspaper, who is burned out from years of covering the worst crimes in the city. He promises his girlfriend Christine that they will move away from the city, but he ends up covering a series of grisly murders by a serial killer who calls him telling the
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The actual City of Miami Police
Department's SWAT team appeared in a scene where Russell's character enters the house of a victim. Many interiors were also filmed inside the City of Miami Police Department Headquarters as well as the Richard E. Gerstein Criminal Justice Building.
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newsroom between the hours of 10:30 p.m. and 6:30 a.m. as opposed to recreating it on a soundstage. None of the actual clutter and look of the place was changed for the film. Foster said, “I don't think we could have had the aroma, the feel we had at the
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Producer David Foster, who was also a graduate of the journalism school at the
University of Southern California, was given Katzenbach’s manuscript and agreed to bring it to the big screen along with fellow producer Lawrence Turman. The film was named
490:, Janet Maslin wrote that the film "has a brisk pace and a lot of momentum. It also has a few more surprises than the material needed, since Mr. Borsos, who for the most part works in a tense, streamlined style, likes red herrings." Jack Kroll in
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reporters as on-set consultants and extras. Katzenbach told Foster, “that if he made a film about newspapers it was extremely important not to cut corners when presenting the journalistic aspects.” To that end, the production shot in the actual
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The film was named after the term of the same name that refers to a pattern of weather that occurs in
Florida during the late summer months. In order to achieve accuracy for the scenes that take place in the busy newsroom, the filmmakers used
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reporter that he will kill again. The lines between covering the story and becoming part of it are blurred.
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heat and only makes things hotter that evening. This cycle repeats every day for a month.
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Foster and director
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fumbles with its weightier themes, but does so in a generally watchable way."
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of why
Malcolm was able to press on when some people thought he shouldn't."
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Gross, Jane (February 10, 1985). "An Actor
Explores the Fourth Estate".
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In order to prepare for the role, Kurt Russell followed around veteran
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prepared for his role as an editor by spending several days at the
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was released on February 15, 1985 in 876 theaters and grossed
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under the pseudonym Leon Piedmont, is based on the 1982 novel
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Films with screenplays by Christopher Crowe (screenwriter)
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Coincidentally, when Borsos and his crew arrived at the
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Kroll, Jack (February 25, 1985). "Hot and Bothered".
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1147:1985 independent films
500:, the moral stance of
334:as Christine Connelly
1242:1980s American films
1237:Orion Pictures films
960:Whispers in the Dark
1227:Films shot in Miami
873:One Magic Christmas
514:The Washington Post
328:as Malcolm Anderson
254:is a 1985 American
1222:Films set in Miami
1052:B. J. and the Bear
819:Films directed by
658:The New York Times
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488:The New York Times
486:In her review for
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232:$ 10 million
204:Running time
181:Release date
102:Kurt Russell
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1105:(1998–2001)
1092:The Watcher
1085:(1993–1994)
1065:(1989–1990)
1055:(1979–1981)
651:Mean Season
362:Andy GarcĂa
284:Andy GarcĂa
208:103 minutes
74:Produced by
39:Directed by
1142:1985 films
1136:Categories
1102:Seven Days
991:Nightmares
950:Off Limits
664:2007-09-28
633:2008-04-15
603:2010-02-17
531:References
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376:Production
237:Box office
192:1985-02-15
157:Production
130:Frank Tidy
932:Works by
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509:Tightrope
497:Body Heat
462:Reception
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1072:H.E.L.P.
841:Spartree
762:AllMovie
681:Newsweek
492:Newsweek
221:Language
146:Music by
95:Starring
59:Based on
224:English
213:Country
190: (
159:company
1095:(1995)
1075:(1990)
1034:(2004)
1024:(1996)
1014:(1992)
1004:(1985)
994:(1983)
984:(1981)
963:(1992)
953:(1988)
892:(1995)
884:(1990)
876:(1985)
868:(1985)
860:(1982)
852:(1979)
844:(1977)
836:(1976)
697:Season
452:Herald
447:Herald
442:Herald
435:Herald
422:Herald
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407:Herald
229:Budget
849:Nails
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751:IMDb
319:Cast
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Text is available under the Creative Commons Attribution-ShareAlike License. Additional terms may apply.
