29:
216:
585:
247:, who said that in the piece "may be distinctly seen the progress of excellence of Raphael's style, which becomes much more subtle and refined, and surpasses the manner of Pietro. In this work," he continued, "there is a temple drawn in perspective with such evident care that it is marvellous to behold the difficulty of the problems which he has there set himself to solve."
238:
preceded
Raphael's, and some who have suggested the painting was not Perugino's at all but instead produced after Raphael's by one of Perugino's followers. However, a 16th century documentary evidence supports the conclusion that Perugino had begun working on the painting in 1499, though it was not
202:
beneath the completed art work. Molteni also undertook to clean the surface of the painting, which had been subjected to restoration before. He did not clean aggressively, as he wanted to be sure that elements of the original painting were preserved. The
183:. It has since then been displayed in the Pinacoteca di Brera, in spite of an 1859 proposal to gift the painting to France after that country's army had entered Milan, and liberated them from Austrian occupation.
242:
Although
Raphael was heavily inspired by Perugino in painting the piece, differences of the two were remarked upon within decades of the painting's completion by 16th-century Italian artist and art biographer
1711:
190:, retained to repair it in November 1857, chose to preserve the panel rather than transfer the painting to canvas and spent months flattening the panel and hydrating it to overcome the damage of
186:
Through these various relocations, the painting was damaged. The panel had several cracks in the upper half, while there was rippling and bowing throughout. Italian artist
163:
This particular work was commissioned by
Filippo degli Albezzini for his family's side altar in the church of San Francesco. It remained in its original home until General
167:
led forces to Città di
Castello to liberate it from Austrian occupation, when the painting was gifted to (or perhaps demanded by) the general. "Restoring Raphael" in the
179:
in Milan. By whatever means it arrived there, it was in the possession of the hospital for a short time, as in 1806 the hospital sold it to the
Italian state for 53,000
1597:
800:
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555:
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1772:
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1890:
1882:
1906:
1730:
1605:
1325:
1269:
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Caro figlio, stimato padre: famiglia, educazione e società nobiliare nel carteggio tra
Francesco e Luigi Mazzuchelli (1784-1793)
1090:
976:
916:
518:
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It is very likely that the domed building in the background of both
Perugino's and Raphael's works, which represents the
115:
1559:
886:
1874:
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states rather that Lechi sold the piece in 1801 to one
Giacomo Sannazaro, who himself sold the piece in 1804 to the
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171:(2005) reports that the painting remained with Lechi to his death in 1804, but Lechi died in 1836. The
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154:, was the last of these. Evidently inspired by one of Perugino's paintings, also known as
8:
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Jacob
Burckhardt, Peter Murray, James C. Palmes, University of Chicago Press, 1986, p. 81
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194:. This decision on the part of Molteni has permitted 20th-century art historians to use
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456:, exh. cat. ed. by C. Bertelli and M. Olivari, (Milan, Pinacoteca di Brera), Milan 1984
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wrote a composition for solo piano based on
Raphael's painting with the title "
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560:. Articult —2016.—October(№23(3)).—pp.26-33.— ISSN 2227-6165. Archived from
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174 cm × 121 cm (69 in × 48 in)
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1620:
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There have been several historians who have disputed that Perugino's
1712:
Portrait of Doña Isabel de Requesens y Enríquez de Cardona-Anglesola
557:
Antique Numismatics In Raphael's Creativity: Marriage Of The Virgin
195:
626:
507:
Mazzucchelli, Francesco; Luigi Mazzuchelli; Sergio Onger (1998).
107:
39:
465:
126:. It changed hands several times before settling in 1806 at the
584:
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79:
595:
146:
which, in Perugino's absence, were completed by Raphael.
254:, portraits the Temples as a Renaissance version of the
462:, exh. cat. ed. by E. Daffra and M. Ceriana, Milan 2009
207:
indicates that the painting is "somewhat discoloured."
239:
completed until some point after December 26, 1503.
138:In the later years of the 15th century, patrons in
118:, the painting depicts a marriage ceremony between
491:Masters in Art: a series of illustrated monographs
1598:Portrait of Andrea Navagero and Agostino Beazzano
460:Raffaello. Lo Sposalizio della Vergine restaurato
2268:
230:is believed to have been Raphael's inspiration.
611:
439:The Architecture of the Italian Renaissance,
142:sent three commissions to Raphael's teacher
2103:(1507–1520) (continued by other architects)
1891:The Expulsion of Heliodorus from the Temple
618:
604:
27:
1815:Portrait of Pope Leo X with Two Cardinals
403:
401:
210:
373:
371:
369:
367:
357:
355:
353:
333:Champlin and Perkins (1913), p. 380-381.
320:
318:
214:
2292:Paintings of the Marriage of the Virgin
1907:The Meeting of Leo the Great and Attila
1326:Portrait of Cardinal Alessandro Farnese
534:
343:
341:
339:
2269:
398:
1091:Portrait of Guidobaldo da Montefeltro
917:Portrait of Emilia Pia da Montefeltro
599:
553:
364:
350:
315:
2287:Paintings in the Pinacoteca di Brera
1575:Christ Falling on the Way to Calvary
473:Cyclopedia of Painters and Paintings
361:Champlin and Perkins (1913), p. 381.
336:
324:Champlin and Perkins (1913), p. 380.
306:
205:Cyclopedia of Painters and Paintings
173:Cyclopedia of Painters and Paintings
1224:Portrait of a Young Woman (La Muta)
1061:Madonna with Beardless Saint Joseph
13:
1560:Portrait of Baldassare Castiglione
14:
2303:
1875:Disputation of the Holy Sacrament
577:
1883:Cardinal and Theological Virtues
590:Marriage of the Virgin (Raphael)
583:
429:Quoted in McCurdy (1917), p. 84.
116:San Francesco, Città di Castello
2144:Antonio da Sangallo the Younger
1689:Saint Michael Vanquishing Satan
687:Madonna and Child with the Book
432:
423:
410:
2217:Multi-Purpose Logistics Module
2003:Saint Paul Preaching in Athens
902:Portrait of Elisabetta Gonzaga
389:
380:
327:
169:Cambridge Companion to Raphael
1:
2116:
2113:Palazzo Branconio dell'Aquila
2072:
2034:
1927:
1819:
1804:
1777:
1758:
1735:
1731:Saint Margaret and the Dragon
1720:
1701:
1670:
1655:
1640:
1625:
1610:
1606:Portrait of Cardinal Bibbiena
1579:
1564:
1549:
1526:
1511:
1496:
1481:
1466:
1451:
1436:
1421:
1398:
1375:
1360:
1345:
1330:
1315:
1300:
1296:Portrait of Tommaso Inghirami
1274:
1270:Saint Catherine of Alexandria
1243:
1228:
1213:
1198:
1171:
1148:
1133:
1110:
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691:
447:
150:, featuring the theme of the
1955:Miraculous Draught of Fishes
1666:Madonna with the Blue Diadem
1651:The Ecstasy of Saint Cecilia
282:List of paintings by Raphael
198:reflectography to study the
110:. Completed in 1504 for the
7:
2186:(disciple and collaborator)
1987:Conversion of the Proconsul
1838:Self-Portrait with a Friend
977:Saint George and the Dragon
625:
275:
10:
2308:
2142:(1518–1525) (completed by
2128:(1509–1575) (completed by
2030:Adoration of the Shepherds
1915:Deliverance of Saint Peter
1545:Portrait of Bindo Altoviti
1409:Portrait of Pope Julius II
1185:(1507–1508) (completed by
1167:Madonna of the Baldacchino
1106:Portrait of Maddalena Doni
763:The Marriage of the Virgin
494:. Bates and Guild Co. 1900
293:The Marriage of the Virgin
272:(Deuxième année: Italie).
148:The Marriage of the Virgin
133:
89:The Marriage of the Virgin
22:The Marriage of the Virgin
2243:
2159:
2126:Sant'Eligio degli Orefici
2107:Palazzo Jacopo da Brescia
2093:
2047:
2013:
1944:
1848:
1773:Portrait of a Young Woman
1462:Madonna of the Candelabra
1287:
863:
646:
633:
71:
63:
53:
45:
35:
26:
21:
2191:Raphael and La Fornarina
1963:Christ's Charge to Peter
1681:Holy Family of Francis I
1254:Niccolini-Cowper Madonna
1038:Young Woman with Unicorn
887:Portrait of Pietro Bembo
535:McCurdy, Edward (1917).
468:Charles Callahan Perkins
466:Champlin, John Denison;
300:
58:Oil on roundheaded panel
2167:Giovanni Santi (father)
1971:Healing of the Lame Man
1522:Portrait of a Young Man
1076:Portrait of Agnolo Doni
992:Young Man with an Apple
554:Rogov, Mikhail (2016).
2084:Raffaello da Montelupo
1492:Madonna dell'Impannata
1447:Madonna della Seggiola
1341:Portrait of a Cardinal
1023:Madonna del Cardellino
671:Resurrection of Christ
541:. Hodder and Stoughton
407:McCurdy (1917), 89-90.
347:McCurdy (1917), p. 90.
312:McCurdy (1917), p. 84.
295:(Michelino da Besozzo)
236:Marriage of the Virgin
231:
211:Analysis and influence
157:Marriage of the Virgin
152:Marriage of the Virgin
1923:The Fire in the Borgo
1590:Creation of the World
1432:Madonna with the Fish
1194:Canigiani Holy Family
395:Hoeniger (2005), 298.
377:Hoeniger (2005), 297.
218:
2277:Paintings by Raphael
2180:(mistress and model)
2174:(mistress and model)
2146:and other disciples)
2134:Bastiano da Sangallo
2078:–1524) (executed by
2059:(1520) (executed by
1933:–1517) (executed by
1867:The School of Athens
1129:Madonna of the Pinks
962:Madonna del Granduca
932:Small Cowper Madonna
786:Portrait of Perugino
592:at Wikimedia Commons
476:. C. Scribner's sons
270:Années de pèlerinage
2248:Also attributed to
1995:Sacrifice at Lystra
1899:The Mass at Bolsena
1830:Madonna of the Rose
1507:Madonna della Tenda
1187:Ridolfo Ghirlandaio
1182:La belle jardinière
1144:Bridgewater Madonna
725:Conestabile Madonna
386:Maccuchelli, et al.
252:Temple of Jerusalem
128:Pinacoteca di Brera
76:Pinacoteca di Brera
16:Painting by Raphael
2130:Baldassare Peruzzi
1394:Madonna of Foligno
1386:The Prophet Isaiah
947:Terranuova Madonna
801:Colonna Altarpiece
771:Diotallevi Madonna
755:Vision of a Knight
655:Baronci Altarpiece
232:
2264:
2263:
1946:Tapestry cartoons
1800:Madonna de Bogota
1754:Small Holy Family
1371:Madonna of Loreto
1239:Esterhazy Madonna
1053:Madonna del Prato
864:Florentine period
740:Portrait of a Man
638:List of paintings
588:Media related to
520:978-88-7385-405-0
454:Raffaello e Brera
177:Ospedale Maggiore
140:Citta di Castello
85:
84:
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2250:Lorenzo di Credi
2230:Raphael (crater)
2121:
2118:
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1979:Death of Ananias
1932:
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1697:Ezekiel's Vision
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679:Mond Crucifixion
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188:Giuseppe Molteni
104:High Renaissance
92:, also known as
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2193:(1813 painting)
2172:Imperia Cognati
2155:
2150:Villa Farnesina
2119:
2089:
2075:
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2009:
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1792:Transfiguration
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1477:Sistine Madonna
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1311:Garvagh Madonna
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1209:Colonna Madonna
1201:
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1121:Ansidei Madonna
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872:Christ Blessing
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663:Saint Sebastian
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144:Pietro Perugino
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102:by the Italian
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2178:Margarita Luti
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564:on 3 July 2020
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2184:Giulio Romano
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1935:Giulio Romano
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2201:(1894 opera)
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566:. Retrieved
562:the original
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543:. Retrieved
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524:. Retrieved
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496:. Retrieved
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478:. Retrieved
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220:This version
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200:underdrawing
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100:oil painting
94:
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2209:(1944 film)
2120: 1520
2109:(1515–1519)
2076: 1520
2038: 1508
2006:(1514–1516)
1998:(1514–1516)
1990:(1514–1516)
1982:(1514–1516)
1974:(1514–1516)
1966:(1514–1516)
1958:(1514–1516)
1931: 1514
1910:(1513–1514)
1902:(1512–1514)
1894:(1511–1512)
1878:(1510–1511)
1870:(1509–1511)
1862:(1509–1511)
1841:(1518–1520)
1833:(1518–1520)
1823: 1518
1808: 1517
1795:(1516–1520)
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1724: 1518
1705: 1518
1674: 1510
1659: 1514
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1500: 1513
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1470: 1513
1455: 1513
1440: 1512
1425: 1512
1402: 1511
1389:(1511–1512)
1379: 1511
1364: 1511
1349: 1510
1334: 1509
1319: 1509
1304: 1509
1278: 1507
1247: 1508
1232: 1507
1217: 1507
1202: 1507
1175: 1506
1152: 1507
1137: 1506
1124:(1505–1507)
1114: 1506
1099: 1506
1084: 1506
1069: 1506
1046: 1505
1031: 1505
1018:(1505–1506)
1010:(1504–1506)
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985: 1505
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910: 1504
895: 1504
880: 1502
854: 1504
839: 1503
824: 1503
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794: 1504
779: 1504
758:(1503–1504)
748: 1503
733: 1502
720:(1502–1504)
710: 1500
695: 1503
682:(1502–1503)
674:(1499–1502)
666:(1501–1502)
658:(1500–1501)
647:Early works
287:Sprezzatura
262:Franz Liszt
192:desiccation
2271:Categories
2256:Attributed
2080:Lorenzetto
2061:Lorenzetto
2048:Sculptures
1636:Visitation
717:Oddi Altar
448:References
266:Sposalizio
114:church of
112:Franciscan
64:Dimensions
2224:Raffaello
2215:Raffaello
2094:Buildings
1621:La velata
513:. Grafo.
268:" in his
224:the theme
2022:Lucretia
2014:Drawings
920: (
905: (
789: (
568:12 April
470:(1913).
420:, p. 31.
276:See also
196:infrared
98:, is an
72:Location
2199:Raphael
2160:Related
2025:(1500s)
1417:Galatea
627:Raphael
134:History
108:Raphael
106:artist
40:Raphael
2068:Elijah
1918:(1514)
1886:(1511)
1825:–1520)
1810:–1520)
1715:(with
1692:(1518)
1684:(1518)
1676:–1518)
1661:–1517)
1601:(1516)
1593:(1516)
1585:–1516)
1570:–1515)
1555:–1515)
1540:(1514)
1537:Sibyls
1532:–1514)
1517:–1514)
1502:–1514)
1487:–1514)
1472:–1514)
1457:–1514)
1442:–1514)
1404:–1512)
1351:–1511)
1336:–1511)
1321:–1510)
1280:–1509)
1265:(1508)
1257:(1508)
1234:–1508)
1219:–1508)
1204:–1508)
1177:–1508)
1162:(1507)
1154:–1508)
1139:–1507)
1056:(1506)
1048:–1506)
1033:–1506)
957:–1505)
942:–1505)
927:–1505)
912:–1505)
882:–1504)
856:–1505)
841:–1505)
826:–1505)
811:–1505)
766:(1504)
750:–1504)
735:–1504)
712:–1504)
545:5 July
526:5 July
517:
498:5 July
480:5 July
181:francs
124:Joseph
36:Artist
2056:Jonah
301:Notes
80:Milan
2132:and
2082:and
570:2017
547:2010
528:2010
515:ISBN
500:2010
482:2010
416:cf.
122:and
120:Mary
54:Type
49:1504
46:Year
2222:SS
1719:) (
226:by
222:of
2273::
2117:c.
2073:c.
2035:c.
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791:c.
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707:c.
692:c.
400:^
366:^
352:^
338:^
317:^
258:.
130:.
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549:.
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502:.
484:.
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