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The Lichfield Festival

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From 1997–2007 the events in Lichfield were augmented by concerts in churches around Staffordshire, with the aim to provide exposure to the arts for as wide an audience as possible under the Lichfield Festival banner. It was then and remains policy to avoid, as much as possible, repetition of venues,
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and his band the Giants. The Ukulele Orchestra of Great Britain returned with their 'Ukulelescope' project in conjunction with the BFI, where the group performed specially composed music in accompaniment to a series of films from the BFI archives. The extraordinary vocal sounds of the Great Voices of
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Fellowship following 2009's Lichfield Literature. He was succeeded by Fiona Stuart, previously artistic director of the Chorlton Arts Festival in Manchester and the first female director in the Festival's near 30-year history. The 2010 Festival saw the introduction of several new programming stands.
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and Robert Hutchinson took place in the city's George Hotel. The Literature Weekend was soon established as an annual fixture in the city's calendar. A minor re-branding exercise saw the event renamed simply Lichfield Literature in 2009. A change motivated in no small part by the expansion in scope
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Since its inception the Festival has been closed with a firework display, attracting up to 10,000 attendees. For the first two decades or so these were held with the spectators arrayed around Stowe Pool. Health and Safety concerns from nearby residents forced a switch to Beacon Park in the early
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Town Hall during the festivals of 2002/2003, while film screenings were moved to the theatre at the Friary School in Lichfield. In 2003 the Lichfield Garrick theatre, which had arisen quite literally from the ashes of the Civic Hall, was opened on the same night as that year's Festival, with a
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were artists in residence and returned many times in subsequent years. There were also international contributions from the Japanese Suzuki Tour Company, the French Rouen Officium Pastorum and the German Antiqua Cologne. As Lang said, all were 'a foretaste of what was to become normal festival
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In 1995 the Festival organised the first Medieval Market, taking place in the Cathedral Close. Conceived originally as a one-off which coincided with the wider celebrations of the Cathedral's 800th anniversary, it proved successful – attracting up to 30,000 visitors – that it became an annual
282:, the longest serving Artistic Director to date. Spicer sought to 'cater for all tastes and provide something for everyone'. Different thematic strands were brought into the programme to encourage what Spicer called 'cohesion and unity'. The first of these were the music of 191:
processing from the market square in Lichfield to the west door of the Cathedral, which John Lang described as 'a kind of trumpet call to the City to be aware of our plans for pleasures to come'. Further highlights of the opening year included performances by the
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Other additions included a late-night Jazz series held at a new Festival venue, the George IV pub in the town centre. An eclectic mix of bands formed from Birmingham's cobweb collective played to sell-out houses on seven of the ten nights of the Festival.
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A new logo, typeface and corporate structure were introduced following Bowen's arrival, signalling a gentle loosening of the link between the Festival and the Cathedral. The closure of Lichfield Civic Hall in 2001 led to the use of venues including
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From 2008 the country church series was relabelled as FEAST (Festival Events Around Staffordshire), with the scope for venues, beyond churches and beyond the traditional understanding of what a venue can be, to be brought into the Festival fold.
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After a short three-year stint at Lichfield, Bowen left to take up a position with Aldeburgh Productions, and was succeeded in Lichfield by Richard Hawley, previously orchestra manager with the City of Birmingham Symphony Orchestra (CBSO).
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The 2007 Lichfield Festival was on a shortlist of 3 for a prestigious Royal Philharmonic Society 'concert series and Festivals' award. Alongside Philip Glass's recital was a unique collaborative performance between Tunisian Oud player
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Other events take place annually at Swinfen Hall Hotel, and within the city St Michael's church and St Chad's church are now regular venues. These events have tended to have a healthy bias towards chamber music and smaller recitals.
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The first instance of a local church being used as a concert venue for the Lichfield Festival occurred in 1992, when St. John's Hospital Chapel in Lichfield and St. Matthew's Hospital Chapel in Burntwood were added to the roster.
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Bulgaria filled the Cathedral, as did Fyfe Hutchens – otherwise known as Fyfe Dangerfield – who performed the only late-night concert of that year, improvising on the Lady Chapel piano for exactly 60 minutes, uninterrupted.
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Highlights of the programme in the Nave included a performance of Vivaldi's four-seasons by former Young Musician of the Year Nicola Benedetti; The three-year-old Festival Chorus performed an evening of a cappella music.
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and the 21st century Lichfield Garrick theatre, alongside non-traditional venues across the County. The Festival also incorporates free community events such as the Festival Market and the Festival Fireworks.
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Beyond a small core team the Festival is staffed almost entirely by volunteers. In 2010 the age range of the volunteers was from 15 to 82. T-shirts became the standard uniform for all volunteers from 2009.
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Each year Lichfield schools participate in education projects, culminating in a performance in Lichfield Cathedral. Previous projects have included a Gamelan orchestra; cellist Matthew Barley's
298:. The Festival acquired a logo – a stylised cello headstock with 'The Lichfield Festival' encircling it – and a Fringe, with events taking place in sixteen venues around the city, in 1994. 533:
by candlelight. The venue also housed the return to prominence in the Festival of Lichfield Cathedral's musicians, in the form of the Cathedral Choir and the Cathedral Chamber Choir.
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Archives and a new score was commissioned and performed live by the Sabri Ensemble. The Ukulele Orchestra of Great Britain performed to an audience of 900 at Lichfield Cathedral, and
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which saw events held at multiple venues around the city and running for four days. The 2010 event encompassed a week for the first time and included talks from comedian
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One of the most popular was a 'Young Artist' series held at lunchtimes in St Chad's church and featuring performers from all the Royal Colleges of Music.
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in 1984 – a year which also saw the Festival's one and only foray into musical theatre, with the Lichfield Cathedral School's production of
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October 2006 saw the First Lichfield Literature Weekend, a spin-off from the summer Festival. 3 days of talks from authors including
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fixture. In 2009 the Market took on a Georgian theme, in recognition of the tercentenary of the birth of Lichfield-born
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in 1991. The bi-centenary of Mozart's death in this year also saw the Festival's first opera – a full production of
612:. 2010 saw the launch of the first, theme-free 'Festival Market', a showcase of arts and crafts across the region. 59: 794: 624:; Numerous workshops on everything from drama to close-harmony singing, amongst a huge range of other projects. 278:
Gordon Clark's tenure as Artistic Director ended with his untimely death in August 1989. Clark was succeeded by
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made an extremely rare visit to England to perform at Lichfield in 2006, alongside rising British jazz star
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Spicer also introduced the concept of having a composer-in-residence to Lichfield, the first of whom was
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and performances have taken place in Yoxall, Alrewas, Hawksyard, Hoar Cross, amongst many others.
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The 2009 Festival opened – unusually – in the Lichfield Garrick, with a performance by 'Chairman'
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event in 1989, which managed a reprise in 1990 but hasn't been heard of since. In 1985, conductor
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came along with his dancing sunshine band in 1987. The Festival also experimented with a two-day
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was called into use as a replacement performance space. Notable performances there came from
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performed a rare solo piano recital in 2007, while virtuoso double bass player
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performed at the Lichfield Garrick, along with jazz vocal group The Passion,
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Highlights from the rest of the eighties included the visit of sitar legend
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was not a composer-in-residence, but did send in his best wishes in 1992.
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The inaugural Festival opened on 3 July 1982 with the Band of the
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Owing to works being carried out on the masonry and windows of
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returned as part of Acoustic Triangle, who together with the
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2000s, but the fireworks display was discontinued in 2012.
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all received their UK debuts at the Lichfield Festival.
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The Lichfield Festival was founded in 1981 by the then
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and the team behind the BBC's smash-hit adaptation of
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Lichfield
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