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The Kid from Spain

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213: 31: 557:. Criticism arose when producer Sam Goldwyn introduced the film in "road shows" at select cities for a quick initial profit. At a time when the average admission price to a movie house was less than 25 cents, tickets to these advance screenings were two dollars . Film historian Wes D. Gehring notes that "neither McCarey nor Cantor was pleased with this less than egalitarian pricing." 460:, recalled how he and McCarey circumvented Goldwyn: "One afternoon we got to a scene that didn't play funny." Feigning illness, Cantor left the studio and absconded for the weekend to McCarey's beach house in Santa Barbara. There he and the director overhauled the scene. Cantor continues: "Monday we shot one of the best scenes of the picture. Goldwyn, seeing the 563:
magazine, in response, published a review of the film that included the following remark from Eddie Cantor regarding the $ 2 tickets: "A guy making a small salary must give up 10% of his income to see me in a picture. That's too tough nowadays."
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and engaged some of the finest artistic and technical talent available in Hollywood during the early 1930s. Eddie Cantor was ranked among the top box office stars in the US in 1933: in overseas popularity he out-performed
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Goldwyn, a notoriously "autocratic" producer, attempted to suppress any revisions to the story or script, treating director McCarey "brusquely" during filming. Cantor, in his 1957 autobiography
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Eddie (Eddie Cantor), recently expelled from college, is mistaken for the gangster getaway driver in a heist. He flees to Mexico, pursued relentlessly by a detective. There he masquerades as a
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Even today, with those expressive rolling eyes or his signature comic song shtick of skipping gait and clapping hands, the Cantor energy level still makes
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declared that "Leo McCarey's directions should land this fellow right on his feet in front of the ranks of the present-day hit directors."
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Gehring, 2002 p. 85: "believed in Hollywood caste system..." And p. 89: "...autocratic..." And p. 157: "...treated him so brusquely..."
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Gehring, 2005 p. 86-87, p. 89: "...Sidney Franklin's serious clinic on bullfighting..." And "screen stars" who were in attendance.
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Gehring, 2005 p. 87: For New York Post date, see Footnote no. 5 p. 98, For Hollywood Reporter date, see footnote no. 6, p. 98
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enjoyed widespread approval among critics, as well as box office success. Critic Thorton Delehanty in
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Gehring, 2005 p. 85: see here for quote. And see footnote no. 2 in Notes p. 98, Cantor memoir p. 158.
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Gehring, 2005 p. 86-87: Critics "almost unanimous" in their approval and a "commercial success."
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Gehring, 2005 p. 85: "...a challenging and crazy comedy..." And p. 87 for blockquote material.
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Movie Roadshows: A History and Filmography of Reserved-Seat Limited Showings, 1911–1973
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Gehring, 2005 p. 133: "...made a profit, due to the drawing power of Eddie Cantor..."
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Hooper and Poague, 1980 in Leo McCarey Filmography section, p. 305-306: Plot sketch
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as "a challenging and crazy comedy" for director Leo McCarey, comments on
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is credited with creating and directing the film's musical scenes. It was
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was profitable in general release even as the US was descending into the
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wrote "Eddie Cantor contributes some excruciatingly funny moments" and
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was provided in part by Eddie Cantor, who plugged the upcoming film on
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Hooper, Gary and Poague, Leland. 1980. Leo McCarey Filmography in
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Gehring, 2005 p. 86: Plot sketch: "...storyline is rather thin..."
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is highlighted in Hemingway's book, and makes his appearance in
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Gehring, 2005 p. 89: See here for prices reported by Gehring.
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The film also enjoyed the serendipitous release of author
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Quigley Publishing Company "The All Time Best Sellers"
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Lantham, Maryland, Toronto, Oxford. 610: 584:-influenced contribution to the film: 2190: 1501: 942: 507:studios and attended by screen stars 2524:Films with screenplays by Harry Ruby 866:Leo McCarey: From Marx to McCarthy. 663: 13: 968: 14: 2560: 916: 2509:Samuel Goldwyn Productions films 2094:The Secret Life of Walter Mitty 1305:("I Got Rhythm" sequence, 1943) 845: 836: 827: 818: 809: 800: 791: 782: 773: 764: 755: 746: 439:. 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Retrieved 646: 637: 618: 612: 597: 595: 589: 587: 578:vaudevillian 573: 571: 558: 550: 549: 537: 531: 527: 526: 500: 490: 484: 477: 473: 471: 458:Take My Life 457: 455: 450:Citizen Kane 448: 445:Gregg Toland 423: 421: 388:Betty Grable 345: 334:Paul Porcasi 292:Robert Young 286:Lyda Roberti 280:Eddie Cantor 265: 238:directed by 226: 225: 224: 217: 178:Running time 154:Release date 101:Gregg Toland 91:Eddie Cantor 18: 2447:My Son John 2407:Love Affair 2287:Wrong Again 2271:We Faw Down 2219:Leo McCarey 2110:Enchantment 1878:These Three 1397:Night World 1373:Flying High 1086:In Caliente 1022:42nd Street 433:Greta Garbo 364:Paul Panzer 336:as Gonzales 304:John Miljan 248:Bert Kalmar 240:Leo McCarey 206:$ 2,621,000 120:Harry Ruby 77:Produced by 63:Bert Kalmar 45:Leo McCarey 41:Directed by 2494:1932 films 2488:Categories 2335:Indiscreet 2150:I Want You 2062:Wonder Man 2046:Up in Arms 1766:Arrowsmith 1750:Palmy Days 1686:The Rescue 1662:Two Lovers 1477:Rose Marie 1437:Wonder Bar 1389:Girl Crazy 1381:Sky Devils 1365:Palmy Days 1302:Girl Crazy 689:. imdb.com 418:Production 400:Jane Wyman 376:Leo Willis 294:as Ricardo 288:as Rosalie 256:Jane Wyman 244:Harry Ruby 203:Box office 182:96 minutes 165:1932-11-17 128:Production 68:Harry Ruby 51:Written by 2351:Duck Soup 1886:Dodsworth 1678:Condemned 655:August 6, 648:The Argus 604:Footnotes 582:burlesque 523:Reception 468:Promotion 396:Toby Wing 306:as Pancho 298:Ruth Hall 107:Edited by 16:1932 film 2439:Good Sam 1934:Dead End 1870:Splendor 1718:Whoopee! 1574:Cytherea 1542:The Pest 1349:Whoopee! 898:. 2003. 693:July 23, 318:as Pedro 232:pre-Code 195:Language 117:Music by 87:Starring 2279:Liberty 2239:All Wet 1710:Raffles 859:Sources 560:Variety 330:as Jose 268:matador 198:English 187:Country 163: ( 130:company 2474:(1962) 2466:(1958) 2458:(1957) 2450:(1952) 2442:(1948) 2434:(1945) 2426:(1944) 2418:(1942) 2410:(1939) 2402:(1937) 2394:(1937) 2386:(1936) 2378:(1935) 2370:(1934) 2362:(1934) 2354:(1933) 2346:(1932) 2338:(1931) 2330:(1930) 2322:(1930) 2314:(1930) 2306:(1929) 2298:(1929) 2290:(1929) 2282:(1929) 2274:(1928) 2266:(1926) 2258:(1926) 2250:(1925) 2242:(1924) 2234:(1921) 2177:(1959) 2169:(1955) 2161:(1952) 2153:(1951) 2145:(1950) 2137:(1950) 2129:(1949) 2121:(1949) 2113:(1948) 2105:(1948) 2097:(1947) 2089:(1947) 2081:(1946) 2073:(1946) 2065:(1945) 2057:(1944) 2049:(1944) 2041:(1943) 2033:(1943) 2025:(1942) 2017:(1941) 2009:(1941) 2001:(1940) 1993:(1939) 1985:(1939) 1977:(1939) 1969:(1938) 1961:(1938) 1953:(1938) 1945:(1937) 1937:(1937) 1929:(1937) 1921:(1937) 1913:(1936) 1905:(1936) 1897:(1936) 1889:(1936) 1881:(1936) 1873:(1935) 1865:(1935) 1857:(1935) 1849:(1935) 1841:(1934) 1833:(1934) 1825:(1934) 1817:(1933) 1809:(1933) 1801:(1932) 1798:Cynara 1793:(1932) 1785:(1932) 1777:(1931) 1769:(1931) 1761:(1931) 1753:(1931) 1745:(1931) 1737:(1931) 1729:(1930) 1721:(1930) 1713:(1930) 1705:(1929) 1697:(1929) 1689:(1929) 1681:(1929) 1673:(1928) 1665:(1928) 1657:(1927) 1649:(1927) 1641:(1927) 1633:(1926) 1625:(1926) 1617:(1925) 1609:(1925) 1601:(1925) 1593:(1925) 1585:(1924) 1577:(1924) 1569:(1923) 1561:(1923) 1553:(1923) 1545:(1919) 1488:(1962) 1480:(1954) 1472:(1953) 1464:(1952) 1456:(1951) 1448:(1948) 1440:(1934) 1432:(1933) 1424:(1933) 1416:(1932) 1408:(1932) 1400:(1932) 1392:(1932) 1384:(1932) 1376:(1931) 1368:(1931) 1360:(1931) 1352:(1930) 1321:(1949) 1313:(1946) 1297:(1943) 1273:(1942) 1265:(1941) 1241:(1941) 1233:(1940) 1225:(1940) 1209:(1939) 1201:(1939) 1193:(1939) 1177:(1938) 1169:(1938) 1153:(1938) 1145:(1937) 1137:(1937) 1105:(1936) 1081:(1935) 1073:(1935) 1065:(1935) 1033:(1933) 1006:(1930) 998:(1928) 990:(1927) 909:  889:  875:  625:  462:rushes 1337:Films 1046:Dames 590:Spain 1830:Nana 1357:Kiki 1341:only 929:IMDb 907:ISBN 887:ISBN 873:ISBN 695:2015 657:2012 623:ISBN 515:and 435:and 274:Cast 262:Plot 246:and 927:at 2490:: 672:, 645:. 519:. 511:, 410:, 406:, 402:, 398:, 394:, 378:, 374:, 370:, 366:, 362:, 358:, 354:, 350:, 242:. 2210:e 2203:t 2196:v 1521:e 1514:t 1507:v 962:e 955:t 948:v 697:. 631:. 167:)

Index


Leo McCarey
William Anthony McGuire
Bert Kalmar
Harry Ruby
Samuel Goldwyn
Eddie Cantor
Gregg Toland
Stuart Heisler
Samuel Goldwyn Productions
United Artists

The Film Daily
pre-Code
musical comedy film
Leo McCarey
Harry Ruby
Bert Kalmar
Busby Berkeley
Jane Wyman
matador
Eddie Cantor
Lyda Roberti
Robert Young
Ruth Hall
John Miljan
Noah Beery, Sr.
J. Carrol Naish
Robert Emmett O'Connor
Stanley Fields

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