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conforming to the prevailing stereotypes of the era. This is because the novel was published in the 1960s, shortly after many of the
African states became independent, and in fact Soyinka tried to build his narrative in order to oppose the stereotypes that were generally included in a post-colonial novel. The structure of the narrative also ultimately forms a comment on the events that occur in the lives of several characters.
133:. There are five main characters in the novel: the foreign ministry clerk Egbo, the university professor Bandele, the journalist Sagoe, the engineer turned sculptor Sekoni, and the artist Kola. They were friends at high school, then went abroad to study, and returned to start middle-class jobs in Nigeria.
145:
seems chaotic, with
Soyinka constantly returning to past events, and some effort is needed for the understanding of even the main characters, especially Egbo and Sagoe. Many other characters (university professors, editor board of the newspaper where Sagoe works at) are given schematically, fully
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160:, took issue with the "diffuse" construction of the novel. However, his review was positive, praising the combination of "esthetic and political problems". The novel has been referred to as "difficult" and as "never having received the attention it deserved".
117:. It is the first and one of the only three novels written by Soyinka; he is principally known as a playwright. The novel was written in English and later translated into a number of languages.
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Kinkead-Weekes, Mark (1980). "The
Interpreters - A Form of Criticism".
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238:"Wole Soyinka | Biography, Plays, Books, & Facts | Britannica"
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in 1965 and later republished as part of the influential
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469:The Bacchae of Euripides
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441:A Dance of the Forests
427:The Lion and the Jewel
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679:Postcolonial novels
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286:Dellal, Mohamed.
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164:References
560:Sixty Six
403:Works by
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632:áșžni ĂgĂșn
462:The Road
53:Language
294:18 July
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188:1842667
127:Nigeria
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121:Plot
78:1965
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