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side wound suggests that he intended to strictly follow the text of Luke, which only mentions the wounds on Christ's hands and feet and not the side wound. By this act he also highlighted the contradictions between the various Gospel accounts of the
Resurrection. This reflects the skepticism prevalent among the Antwerp elite as to the ability to achieve certainty, in particular as regards religious issues. It has further been argued that this omission was intended by Rubens to highlight the need for true believers (such as the patrons themselves) to make a leap of faith when accepting the truth of the Resurrection of Christ rather than to seek corroboration in physical evidence.
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appearing in their midst was the resurrected Jesus. Confronted with this disbelief Christ showed them the
Crucifixion wounds on his hands and feet and encouraged them to handle the wounds and see the evidence for themselves. According to Luke, the disciples never took up this invitation to inspect the physical evidence of Christ's death. Only after Christ consumed a meal of broiled fish and a honeycomb did the disciples accept that the person was the resurrected Christ.
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An argument for the Rubens composition depicting the scene in Luke rather than the story of the doubting Thomas is that Rubens has intentionally omitted the wound on Christ's side while
Caravaggio's Saint Thomas is totally focused on Thomas' finger probing Christ's side wound. Rubens' omission of the
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Recent scholarship has argued that Rubens did not depict the disbelief of
Apostle Thomas but rather the scene of Christ's first appearance to the apostles in Jerusalem as described in the Gospel of Luke 24:36-51. In this story the 11 surviving Apostles initially refused to believe that the person
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The work is dated in the upper left corner of the left panel. The year was changed from '1613' to '1615', presumably because Rubens started the painting in 1613, but only finished it in 1615 and then hung in the Lady Chapel behind the choir in the
Recollects church in Antwerp. In any case, the
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The outer panels contain portraits of Rockox and his wife holding attributes of their faith: a bible and a rosary. The outer panels depict the coats of arms of the two families of the patrons.
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epitaph was commissioned before the death of the patrons. It often happened that funerary monuments were completed before – or vice versa: only some time after – a death.
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in
Antwerp. Rockox was a mayor of Antwerp and a close personal friend and important patron of Rubens. Adriana Perez was the granddaughter of Spanish
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in Paris. In 1815 the composition was returned to
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For the depiction of the body of Christ, Rubens was likely inspired by the famous
Antique sculpture of the
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146 cm × 233 cm (57 in × 92 in)
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The Virgin Mary and Saint
Francis Saving the World from Christ's Anger
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Ixion, King of the
Lapiths, Deceived by Juno, Who He Wished to Seduce
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The triptych was confiscated by the French invaders in 1794 for the
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Outer panels depicting the coats of arms of the patrons' families
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Saints Dominic and Francis Saving the World from Christ's Anger
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who had arrived in Antwerp during the early sixteenth century.
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Christ Appointing Saint Roch as Patron Saint of Plague Victims
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The central panel was traditionally believed to show the
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Epitaaf van Nicolaas Rockox en zijn vrouw Adriana Perez
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The Head of Saint John the Baptist Presented to Salome
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between 1613 and 1615. It is in the collection of the
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The Virgin and Child Surrounded by the Holy Innocents
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Epitaph of Nicolaas Rockox and His Wife Adriana Perez
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Portrait of George Villiers, 1st Duke of Buckingham
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Erichthonius Discovered by the Daughters of Cecrops
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The Gonzaga Family in Adoration of the Holy Trinity
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402:Self-Portrait in a Circle of Friends from Mantua
304:Renaissance Quarterly 75, no. 3 (2022): 917–67
514:Portrait of Giovanni Carlo Doria on Horseback
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127:The triptych was commissioned around 1613 by
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1306:The Triumphal Entry of Henry IV into Paris
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506:Portrait of a Noblewoman with an Attendant
490:Portrait of Marchesa Brigida Spinola-Doria
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410:Equestrian Portrait of the Duke of Lerma
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18:The Incredulity of Saint Thomas (Rubens)
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954:The Garden of Eden with the Fall of Man
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818:The Hippopotamus and Crocodile Hunt
202:refused to believe the resurrected
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1624:Helena Fourment with a Carriage
1362:The Crowning of Saint Catherine
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111:painted by the Flemish painter
1880:Paintings by Peter Paul Rubens
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1514:Helena Fourment with Children
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324:The Rockox Triptych by Rubens
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220:treatment of the Thomas story
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1226:The Conversion of Saint Bavo
1074:St Mary Magdalene in Ecstasy
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1394:The Finding of Erichthonius
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1570:The Birth of the Milky Way
1434:The Dance of the Villagers
1210:The History of Constantine
1194:Portrait of Susanna Lunden
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378:The Descent from the Cross
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244:The incredulity of Thomas
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1592:Deianira Listens to Fame
1562:Assumption of the Virgin
1370:The Ildefonso Altarpiece
1282:Assumption of the Virgin
1090:Conversion of Saint Paul
1082:The Small Last Judgement
962:The Great Last Judgement
794:Daniel in the Lions' Den
594:Conversion of Saint Paul
570:Coronation of the Virgin
522:Madonna della Vallicella
1290:Angelica and the Hermit
914:Two Women with a Candle
722:Portrait of a Commander
1565:(Vienna; c. 1637)
1186:Marie de' Medici cycle
1098:The Fall of the Damned
922:Descent from the Cross
906:Saint Stephen Triptych
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666:Descent from the Cross
530:Susanna and the Elders
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1664:The Rainbow Landscape
1538:The Rainbow Landscape
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1402:The Rainbow Landscape
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1202:Perseus and Andromeda
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1042:Tigress with Her Cubs
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874:The Wolf and Fox Hunt
850:Florence Resurrection
626:The Four Philosophers
546:Adoration of the Magi
458:The Baptism of Christ
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669:(Antwerp; 1612–1614)
634:Antwerp Resurrection
586:Raising of the Cross
426:Hercules and Omphale
326:at Wikimedia Commons
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1603:(Madrid; 1636–1638)
1578:Consequences of War
1154:Christ on the Cross
778:Madonna della Cesta
746:The Death of Adonis
706:The Four Continents
597:(London; 1610–1612)
450:The Fall of Phaeton
381:(Siegen; 1600–1602)
278:Peter Paul Rubens,
194:, the story in the
36:The Rockox Triptych
1885:Paintings of Jesus
1694:(1622–1640) (with
1616:Diana and Callisto
1546:Pallas and Arachne
1482:The Feast of Herod
1466:The Feast of Venus
1410:The Garden of Love
1330:The Rape of Europa
1066:The Wild Boar Hunt
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842:The Wild Boar Hunt
554:Samson and Delilah
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1696:Pietro da Cortona
1672:Judgment of Paris
1498:Mercury and Argus
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981:(Lyon; 1617–1618)
890:Romulus and Remus
810:A Statue of Ceres
690:The Tribute Money
562:Honeysuckle Bower
386:Leda and the Swan
361:Peter Paul Rubens
322:Media related to
133:Recollects church
113:Peter Paul Rubens
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1783:Maria Pypelinckx
1600:The Three Graces
1490:The Village Fête
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1450:Venus and Adonis
1314:The Annunciation
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618:Prometheus Bound
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442:Virgin and Child
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650:Roman Charity
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246:by Caravaggio
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1850:(exhibition)
1834:
1755:(first wife)
1712:
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973:(c. 1617–18)
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762:St Sebastian
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389:(1601, 1602)
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370:and drawings
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73:Oil on panel
35:
29:
1890:Altarpieces
1839:(1977 film)
1651:(1639–1640)
1643:(1638–1640)
1619:(1637–1638)
1611:(1636–1638)
1557:(1636–1638)
1554:Het Pelsken
1549:(1636–1637)
1501:(1635–1638)
1493:(1635–1638)
1485:(1635–1638)
1477:(1636–1637)
1469:(1635–1636)
1397:(1632–1634)
1389:(1630–1635)
1381:(1630–1631)
1378:Last Supper
1373:(1630–1631)
1341:(1629–1630)
1333:(1628–1629)
1325:(1628–1629)
1317:(1627–1628)
1261:(1623–1626)
1237:(1623–1624)
1229:(1623–1624)
1213:(1622–1625)
1189:(1621–1630)
1077:(1619–1620)
1069:(1618–1620)
1061:(1618–1620)
989:(1617–1618)
933:(1616–1617)
917:(1616–1617)
909:(1616–1617)
901:(1616–1617)
893:(1615–1616)
845:(1615–1617)
837:(1615–1616)
829:(1615–1616)
821:(1615–1616)
802:Bacchanalia
741:(1613–1615)
733:(1613–1614)
717:(1612–1614)
701:(1612–1614)
693:(1612–1614)
637:(1611–1612)
629:(1611–1612)
621:(1611–1612)
589:(1610–1611)
573:(1609–1611)
565:(1609–1610)
557:(1609–1610)
525:(1606–1608)
477:(1604–1605)
469:(1604–1605)
461:(1604–1605)
405:(1602–1605)
198:of how the
154:Description
1864:Categories
1843:Rubenesque
1777:Jan Rubens
1732:Rubenshuis
1683:Tapestries
994:Two Satyrs
642:Visitation
262:References
216:Caravaggio
79:Dimensions
1895:Triptychs
1809:(teacher)
1803:(teacher)
1797:(teacher)
1791:(brother)
1675:(various)
1581:(c. 1638)
1573:(c. 1637)
1509:(c. 1636)
1429:(c. 1635)
1413:(c. 1633)
1357:(c. 1630)
1277:(c. 1625)
1205:(c. 1622)
1173:(c. 1621)
1125:(c. 1620)
1117:(c. 1620)
1109:(c. 1620)
1101:(c. 1620)
1037:(c. 1618)
1021:(c. 1618)
1013:(c. 1618)
885:(c. 1616)
877:(c. 1616)
869:(c. 1616)
813:(c. 1615)
805:(c. 1615)
773:(c. 1614)
765:(c. 1614)
658:Ecce Homo
605:(c. 1611)
541:(c. 1609)
445:(c. 1604)
368:Paintings
137:conversos
64:1613–1615
1815:(friend)
1785:(mother)
1779:(father)
109:triptych
87:Location
1823:Related
1725:Museums
1640:Bacchus
1093:(1620s)
709:(1610s)
283:, KMSKA
123:History
1836:Rubens
1741:People
1717:(1622)
1659:(1640)
1627:(1638)
1595:(1638)
1533:(1636)
1530:Saturn
1525:(1636)
1517:(1636)
1461:(1635)
1445:(1635)
1437:(1635)
1365:(1631)
1349:(1630)
1309:(1627)
1301:(1627)
1269:(1625)
1253:(1624)
1221:(1623)
1197:(1622)
1181:(1621)
1157:(1620)
1149:(1620)
1141:(1620)
1133:(1620)
1085:(1619)
1029:(1618)
1005:(1618)
1002:Medusa
997:(1618)
965:(1617)
957:(1617)
949:(1617)
941:(1617)
861:(1616)
853:(1616)
797:(1615)
789:(1615)
781:(1615)
757:(1614)
749:(1614)
725:(1613)
661:(1612)
653:(1612)
613:(1611)
581:(1610)
533:(1607)
517:(1606)
509:(1606)
501:(1606)
493:(1606)
485:(1605)
437:(1603)
429:(1603)
421:(1603)
413:(1603)
397:(1602)
51:Artist
1773:(son)
1767:(son)
1706:Books
204:Jesus
107:is a
206:had
99:The
69:Type
61:Year
218:'s
103:or
1866::
1589:/
288:^
270:^
119:.
1698:)
353:e
346:t
339:v
20:)
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