The Holy Modal Rounders

1104:. Michael Simmons also noted the band's trail-blazing aesthetics, saying that "the story of the Rounders is one of the grand secret histories of 20th-century American music. If music history is often a game of Who Came First?, then the Rounders can be said to be the first psychedelic hippie freak band and the first aggressively anti-purist folkies, making them a crucial missing link between early- and late-20th-century pop." The band's first two albums have been called early forerunners of the genre 206: 1147:, "greatly transcend" the New York folk scene they began in and that "next to Bob Dylan, Stampfel is the closest thing to a genius" to come out of the 1960s folk revival. Christgau also praised Weber, calling him an "ace guitarist" who "can just not give a fuck while remaining both charming and musical." Jason Weiss observed that "from the start, was recognized for his technique and divine spontaneity he brought to old-time music." 443:, the Holy Modal Rounders, and the Velvet Underground were the only authentic Lower East Side bands. We were real bands playing for real people in a real scene. We helped each other out if we could and generally hung out at the same places." Terri Thal, Dave Van Ronk's first wife and the Rounders' first manager, thought the songs they wrote were "brilliant." The duo was also friendly with and occasionally performed with 829:, which saw the band move away from the psychedelia of their past two albums. Not long before the album's recording, Robin Remaily joined the group as a multi-instrumentalist while bassist Dave Reisch replaced Annis in February 1971 after the album's recording. Later in the year, the band relocated to Boston, Massachusetts, where they added saxophonist Ted Deane and drummer Roger North (previously of 1163:, Eleanor Polak discussed how the band had not just had significant influence, but that they had also inspired "countless other musicians to take deep dives into American folk music to find the dark and weird within." In 1999, Dave Van Ronk reflected: "they were hugely influential in New York and on college campuses around the country. Those albums were played in dorms from coast to coast." 412:

casual segue to an unrelated fiddle tune and throwing in enough grunts, woofs, whistles and squeals to put both an aging steam engine and a seventh-grade classroom to shame. In short, they offered something to offend everyone." Despite their seemingly irreverent approach, however, Swartley noted the duo "pursued traditional American music with an archival passion to rival that of

287:, while Stampfel stayed behind in New York. Although Stampfel would describe Weber as his "long lost brother," they often had a hostile relationship and the two would only reunite sporadically following the band's Portland move. After Weber returned to the East Coast in 1995, the duo began a series of concert reunions starting in 1996 before breaking up for the last time in 2003. 306:

Yonder. It kept changing names. Then it was the Total Modal Rounders. Then when we were stoned on pot and someone else, Steve Close maybe, said Holy Modal Rounders by mistake. We kept putting out different names and wait until someone starts calling us that then. When we got to Holy Modal Rounders, everyone decided by accumulation [

602:. The Holy Modal Rounders were also hired to perform and joined the Fugs onstage during their set. Inspired by their political views, humorous and explicit songwriting, and do-it-yourself attitude to music, Stampfel and Weber officially joined the Fugs after the performance, with Stampfel noting that band previously had only 1077:, Paul Lovelace said "they really are like an old married couple. They love each other to death at times, but they also just can't stand being around each other at times." Peter Stampfel reflected that "there was just too much drugs, alcohol, and bad attitude in the band" to "capitalize on our positive aspects." 1058:

said "in the subculture of obscure music groups, the Rounders may be in a class of their own for deficiency of fame as well as longevity. For more than 40 years, this freakadelic folk-rock band... had lasting influence on fans wild and crazy enough to be in on the acquired-taste secret of their art."

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under the condition that Weber would join the recordings. Thus, Weber came with the Moray Eels, who by this time had added bassist John Annis (sometimes spelled Annas) and dropped Levi, as they briefly moved to California in March 1968 to record an album. During the band's time there, Antonia stopped

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Fiddle and banjo player Peter Stampfel and country-blues guitarist Steve Weber were introduced to each other in May 1963 by Stampfel's girlfriend Antonia Duren (or Antonia Stampfel), who was mononymously known as Antonia. Stampfel grew up in Wisconsin and moved to New York City in 1959, where he soon

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of New York City. Although they achieved only limited commercial and critical success in the 1960s and 1970s, they quickly earned a dedicated cult following and have been retrospectively praised for their groundbreaking reworking of early 20th century folk music as well as their pioneering innovation

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After leaving the Fugs and the Holy Modal Rounders, Stampfel decided to form a rock band with his girlfriend Antonia. Although Antonia did not play any instruments, she and Stampfel began a fruitful songwriting partnership during this time. An early attempt at Stampfel's rock band included Stampfel,

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perform folk music with a rock and roll phrasing. During this time, Stampfel also began to change the words and add new verses to the traditional songs they played, once noting "I made up new words... because it was easier than listening to the tape and writing words down." The duo's lyrical changes

356:"Everywhere we go people ask us what kind of music we play. Most people have not understood when we explained that no one has ever played music like us before, so of course no one ever bothered naming it. Steve calls it rockabilly and I call it progressive old-timey but I doubt if that helps much." 1085:

s commercially successful soundtrack. Dave Van Ronk thought similarly: "that was their moment right there. If they had been able to capitalize on , they would have been two very very wealthy men. But somehow or another it just didn't happen." In the early 2000s, the band's former road manager Jack

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kept changing the name. First it was the Total Quintessence Stomach Pumpers. Then the Temporal Worth High Steppers. Then The Motherfucker Creek Babyrapers. That was just a joke name. He was Rinky-Dink Steve the Tin Horn and I was Fast Lightning Cumquat. He was Teddy Boy Forever and I was Wild Blue

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used the Holy Modal Rounders as the earliest example of old-time music being reinvented with modern aesthetics, commenting that they were "incapable of taking anything seriously, but nevertheless to the bottom of folk songs other people sang as if they were obvious." The band has frequently been

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opinioned "that the band ever got to make a album is remarkable; that there was a second later that year smacks of complete madness on the part of their record label." Writing for AllMusic, Richie Unterberger called the band "almost the very definition of a cult act... Their audience was small

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retrospectively remarked that they stood out in the New York folk scene, in which performers were usually reverential to the material they covered, for "shoe-horning one old-time melody into the middle of another, slipping updated references into archaic laments, making scatological asides or a

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and all those guys were magically transported from the late 1920s to 1963? And then they were exposed to contemporary rock 'n' roll. What did they do? And that sounded way, way, way more interesting than" faithfully imitating the original arrangements. This realization was partially inspired by

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citing the fact that he, the rest of the band, and the producer used amphetamines excessively during recording and Weber again refused to rehearse any songs before entering the studio. When the album was completed, Weber and the Moray Eels officially combined to reform the Holy Modal Rounders.

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recalled that "they were stoned out of their birds all the time. Everybody knew it, they made no bones about it, and they were having fun." Although Stampfel would give up amphetamines in the late 1970s, he would later describe drugs as having initially been a learning tool for his musical

680:. Shepard was already a noted playwright when Stampfel met him in September 1966. This lineup never played live but Jeffries and Barth lived with Stampfel and Antonia for a few weeks before they moved into Luke Faust's building. Faust, Barth, and Jeffries went on to form 1086:

Gallagher recalled that "managing them was like herding snakes" but put the band's lack of success more squarely on Weber, questioning whether Weber would even complete the band's current tour and saying that Weber "never crashes until the money gets real good."

510:," during which Stampfel sings the first recorded use of the term "psychedelic" in popular music. Stampfel reportedly added these lyrics in hopes to achieve this feat. "Euphoria," written by Robin Remaily, was also featured on their debut. It was soon covered by 1094:

Despite the band's limited critical and commercial success during their initial run in the 1960s and 1970s, they have since earned significant praise, in particular for their groundbreaking reworking of early 20th century American folk music. Music journalist

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noted that they "twisted weathered folk standards with wobbly vocals, exuberantly strange arrangements, and interpretations that were liberal, to say the least." Stampfel himself described his approach to music at the time: "I got the idea in 1963: What if

901:, which was released in 1978. Also in 1978, the Portland incarnation of the Rounders broke up, but they continued to live in the Portland area and reunited annually. In 1979, Stampfel and Weber reunited when Weber visited the East Coast. They recorded 854:

Soon after the band's return from a three month tour of Europe in 1972 (which Stampfel did not participate in), Weber and the rest of the group relocated to Portland, Oregon. Stampfel stayed behind in New York, effectively leaving the group. In 1975,

965:, which was directed and produced by Paul Lovelace and Sam Douglas. Weber later explained that he did not show up because he felt misrepresented by the filmmakers and was disappointed at the lack of attention directed to the band's days in Portland. 980:

Weber died on February 7, 2020, aged 76, in Mount Clare, West Virginia. Stampfel noted after Weber's death that he hadn't seen Weber since 2002 and they had last corresponded via email in 2003 when they were arranging the 40th anniversary show.

799:. While Michael McCarty, a friend of Annis, replaced him on drums that year, Shepard remained an occasional associate of the band. In November 1969, Shepard played drums with the Holy Modal Rounders at his wedding. In March 1970, Shepard's play 650:(later in 1965, Warhol would famously become the manager of the Velvet Underground). Warhol was a noted fan of the Fugs and frequented their shows. Featuring Weber performing with the Fugs, the reel was listed in the Warhol's filmography as 350:

and Robin Remaily, both of whom would collaborate with the Rounders. According to Stampfel, he and Weber began performing together in New York City not long after being introduced, eventually settling on the name the Holy Modal Rounders.

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Continuing to play with the group for several months, they both participated in an April studio session, but only Weber participated in a subsequent June session. These two sessions produced the material for the Fugs' debut studio album

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dismissed the debut as "parody of folk song and folk content... with a sort of fear written into it - fear of coming out into the open as serious performers"), the albums have since increased in status, with Michael Simmons of

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In July, Stampfel left the Fugs and quit the Holy Modal Rounders, later citing his frustration with Weber, who would not work on new songs. Soon after, possibly in July, the Fugs were filmed and photographed at Andy Warhol's

610:'s and Sanders's lyrics. Richie Unterberger later reflected that the Rounders joining the Fugs "instantly multipl the group's instrumental skills many times over... A real, albeit ragged, band was beginning to take shape." 1065:, John Swenson reflected that the Rounders "resolutely pursued their eccentric muses despite an almost complete lack of interest from the general public." While nevertheless praising the Rounders' early work, 1209:

was named partially as a tribute to the Holy Modal Rounders. The label would release several of the band's studio albums after its formation in 1970. In 2008, the Holy Modal Rounders were inducted into the

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who thought it would be perfect for the movie. However, it has also been reported that it was Hopper who first heard the song. The soundtrack charted at number 6 on the Billboard Top Ten and went gold.

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The band's frequent drug use as well as Stampfel and Weber's creative differences also hindered a breakthrough. After observing Stampfel and Weber's interactions during the filming of the documentary

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While Stampfel was dismissive of the Holy Modal Rounders' influence in the late 1990s, calling it "practically nonexistent" outside of the Portland music scene, others have disagreed. Writing for

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and the Jim Kweskin & the Jug Band utilized the duo's arrangement of "Blues in the Bottle." Stampfel and Antonia would write the liner notes for the Lovin' Spoonful's 1965 debut album

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is a thoroughly bizarre listening experience" with "neo-psychedelic fiddle-and-guitar freakouts and free-form (and often radically altered) interpretations of traditional folk tunes."

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describing the debut as a "classic of demented archaic country with rhythmic hints of rock, Stampfel's helium vocals, and his skewed lyrics." In 1972, the two albums were combined by

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circa 1966. By 1967, Stampfel's rock band, now called the Moray Eels, had a new lineup of Stampfel, Antonia, Shepard on drums, keyboardist Richard Tyler, and Dave Levi on guitar.

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called Stampfel and Weber the "cocreators and lone practitioners of the genre known as acid folk." The band's two psychedelic albums are also of historical significance, with

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from a 1976 radio show was released in 2006 by Frederick Productions/Red Newt Records. It is the only commercial album featuring Weber and the Portland band in its heyday.

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in April 1970 had the Rounders play a set during the intermission with Shepard on drums. In the same year, Shepard played a gig with them, after which he met future lover

237:. With a career spanning 40 years, the Holy Modal Rounders proved to be influential both in New York scene where they began and to generations of underground musicians. 990: 256:, which included the first use of "psychedelic" in popular music. After their first two studio albums, the duo briefly joined the newly formed underground rock band 915:

During the Rounders' time in Portland, Stampfel continued to stay active musically, most notably forming the Bottlecaps. Since 2000, he has formed the Du-Tels with

1143:: the patron saint of lost causes and good times in spite of them." Robert Christgau had similar high praise, believing that the Holy Modal Rounders, like 252:

brought support from fellow musicians but also caused controversy amongst folk traditionalists in the scene. In 1964, the Rounders made history with their

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noted that the band exhibited "self-destructive behavior" that led to an early breakup and an inability to capitalize on the inclusion of "Bird Song" on

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In 2003, the duo intended to reunite for a 40th anniversary show but Weber unexpectedly did not show up. This was captured in the 2006 documentary film

724:(which led to an uneven and unfocused project in the eyes of Stampfel), Stampfel did not intend to reunite with him. However, the Moray Eels signed to 4820: 4174: 271:

before they expanded their lineup to a full rock band by the end of 1968. The Holy Modal Rounders' expanded lineup notably included famed playwright

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in 1968. Stampfel believes this is the only film of Shepard playing with the band. In 1969, the Holy Modal Rounders' "Bird Song" was included in

506:. The album mainly featured covers of traditional songs with rewritten lyrics. Most notably, the album contained a rewriting of the lyrics of " 1848: 5060: 795:

in September 1969. Not long after the band returned to New York City in early 1969, Shepard left the group to focus on a movie meant to star

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From the beginning, the duo's unorthodox approach to covering old-time music was negatively received by some folk purists. Ariel Swartley of

4732: 4259: 739:. Richie Unterberger retrospectively reflected that "no acid folk album mixed inspiration and lunacy in as downright deranged a fashion as 570:, gave the reissue a four and half star rating, saying "it may have sounded weird way back when, but it sounds fresher than ever today." 4887: 1358: 731: 3694: 735:

was released in 1968 as the Rounders' fourth studio album and featured a similar combination of traditional music and psychedelia to

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document the band's visit. Weber continued performing with the group until he was fired by the end of 1965 for being unreliable.

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was an early fan, reminiscing the duo were "absolutely hilarious" and brought "a whole new level of authenticity" to the scene.

5040: 3441: 969:, shot primarily between 2000 and 2003, included appearances from fellow musicians Dave Van Ronk, Peter Tork, John Sebastian, 5070: 5030: 4813: 4605: 3224: 2883: 2384: 2324: 4301: 624:

in 1965. The album included Weber's cult classic "Boobs a Lot" (the Rounders would record their own version of the song on

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for the first time. Smith, not yet a musician herself, was there as a journalist to review the Holy Modal Rounders' show.

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because their music was too strange, idiosyncratic, and at times downright dissonant for mainstream listeners to abide."

4147: 3536: 874:, Jeffrey Frederick, and the Clamtones in the studio and recorded the collaborative and critically-acclaimed 1976 album 705:

also included contributions from Shepard and keyboardist (and ex-member of the Fugs) Lee Crabtree. A departure from the

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premiered and included music written and performed by the Holy Modal Rounders. A double bill performance of Shepard's

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In 1977, when the Holy Modal Rounders visited the East Coast for a funeral, Stampfel reunited with them and recorded

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Both Stampfel and Weber have been singled out for praise when reviewers discuss the Rounders' legacy. Music critic

1029:'s. From 1971 to 2022, Demento played it 167 times. "Boobs a Lot" was also featured on Demento's compilation album 929: 420:

echoed this, saying the band "wasn't doing parodies of old folk songs. Its members knew the music inside and out."

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after years of substance abuse issues. With Weber back on the East Coast, Stampfel and Weber reunited in 1996 at

775: 685: 497: 465: 374:, the duo quickly showed an inclination to "update old-time folk music with a contemporary spirit." Music critic 253: 2187: 5065: 2650: 2049: 3105: 566: 4018: 2227: 958:, with contributions from Dave Reisch and guest slide guitarist Don Rooke, under the Rounders name in 1999. 870:

In 1975, Stampfel and Reisch (without Weber) formed the short-lived Unholy Modal Rounders. The group joined

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similarly wrote that the band's music has served as inspiration to "generations of underground musicians."

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under Billboard's Hot 100 at 103. Sales were driven by a number of radio shows playing the song, including

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but it mostly featured recordings of just Stampfel and Weber. The album would not be released until 1975.

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lumped into what Marcus coined as "old weird America," which refers to the type of music collected on

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Urban Spacemen and Wayfaring Strangers: Overlooked Innovators and Eccentric Visionaries of '60s Rock

474:"Got my psychedelic feet in my psychedelic shoes/I believe, Lordy mama, got the psychedelic blues" 4230: 3782: 3514: 1858: 46: 4793: 989:

While Sam Shepard was still a drummer for the band, the Holy Modal Rounders played a brief set on

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in October. They continued playing shows of high notability after leaving California, opening for

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While some saw their approach as disrespectful, the band attracted a small and devoted following.

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Intervals for Tyler, Remaily, Deane, Reisch, North, and Shepard are included in the documentary

4894: 4788: 4280: 3485: 3351: 3248: 3135: 2933: 2605: 1433: 1366: 1022: 841:, whose name was partially inspired by the group, wanted to record a Stampfel and Weber album. 825: 780: 638: 626: 460: 436: 4662: 2707: 1789: 4778: 4515: 4460: 3100: 974: 970: 713:

later noted that "even by the standards of The Holy Modal Rounders' first two albums, 1967's

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Although neither of their first two albums received much attention upon release (a review in

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as a drummer (amongst others) before stabilizing in 1971, with a band that would later back

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Always in Trouble: An Oral History of ESP-Disk, the Most Outrageous Record Label in America

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also moved to Portland where he utilized the Rounders minus Weber as his backing band the

743:." The album opens with "Bird Song," which was written by Antonia and notably included in 630:). Outtakes from these sessions were released by ESP-Disk as the Fugs' third studio album 8: 5055: 4396: 2551: 2270: 1194: 770: 523: 333: 4915: 3975: 3953: 3854: 3323: 3281: 3170: 2291: 2088: 1958: 1665: 1390: 903: 796: 407: 375: 267:

Following their exit from the Fugs, the duo released two albums that experimented with

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In June 1967, Stampfel and Weber briefly reunited at the behest of ESP-Disk founder

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for their long stay in the state and their influence on the Portland music scene.

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often featured references to their frequent and open drug use. Fellow folk singer

312:] that we were the Holy Modal Rounders. That's the practical way to get named. 4520: 4347: 3786: 3442:"Last Night, Patti Smith Performed a Beautiful Tribute to Her Friend Sam Shepard" 2483: 2374: 1830: 1774: 1206: 1184: 1131: 863:. The band continued to play with Weber as the Holy Modal Rounders. A live album 838: 725: 607: 591: 549: 511: 229: 104: 100: 92: 4260:"Oddball Folkie Peter Stampfel's Spice Girls Cover Is a Daring Stunt That Works" 2832: 1226:. The list below is adapted from the list the film provides during the credits. 4841: 4783: 3923:"All the Time in the World: The Living End in Peter Stampfel and Willie Nelson" 3582:"Jeff 'Skunk' Baxter: From The Dan To The Doobies To The Department Of Defense" 1617: 1230: 934: 907:, their first album as a twosome in over 15 years, which was released in 1981. 892:

was "one of the most critically acclaimed folk records of the last 25 years."

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and replacing McCarty). During their time there, they also briefly played with

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As the Holy Modal Rounders, Stampfel and Weber began playing in and around the

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saying that they "still stand as extreme examples of acid-tinged folk music."

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magazine dubbed the Holy Modal Rounders "one of rock's greatest cult bands."

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and Remaily participated in the sessions that became the band's sixth album

765:

While in California, the band played a number of notable shows, opening for

4940: 3622: 3190: 3140: 3110: 2606:"Working Drafts and Notes For: [The New] Rolling Stone Album Guide" 1587: 1554: 1495: 1136: 1096: 945: 924: 830: 503: 444: 4798: 4664:

New York Rock: From the Rise of The Velvet Underground to the Fall of CBGB

773:

in Los Angeles, and performing a set on the sketch comedy television show

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and recorded another Holy Modal Rounders album. Released the same year,

4908: 3949:"Dylans, Father and Son, Gather Grammys; Shawn Colvin Wins for 'Sunny'" 1990: 1382: 1308: 1105: 1005: 916: 897: 842: 766: 753: 677: 655: 579: 448: 424: 217: 191: 96: 3695:"Steve Weber & The Holy Modal Rounders – Holy Modal Rounders B.C." 884:

ranked it his favorite album of the year for his ballot in the annual

518:. Ariel Swartley later observed that the song "did for marijuana what 469:, where the Spoonful's version of "Blues in the Bottle" was released. 1893: 1172: 1144: 1140: 938: 860: 788: 544: 537: 393: 280: 127: 64: 1013:. According to Stampfel, the song caught the attention of co-writer 636:

in 1967. Additional outtakes from the two sessions were released on

205: 5004: 4982: 4125: 3726: 3586: 3038:(3 ed.). London, England: Rough Guides Ltd. pp. 502–503. 2904:"The Insect Trust: Nancy Jeffries recalls the band from the inside" 2582: 2441: 1794: 1408: 952:, which began a series of reunions for the duo. They then released 710: 621: 583: 440: 257: 88: 757:

and its soundtrack. Stampfel later expressed dissatisfaction with

654:. Although it is unclear if the film still exists, photographs by 560:, with the addition of two unreleased songs, to positive reviews. 3698: 2792:"It Happened in 1966: Andy Warhol's Plastic Exploding Inevitable" 248:. Their sense of humor, irreverent attitude, and novel update of 1135:

in 1999, declared that "Stampfel has become to roots music what

3219:(1 ed.). London, England: Jawbone Press. pp. 68–71. 2878:(1 ed.). London, England: Jawbone Press. pp. 58–67. 2379:(1 ed.). London, England: Jawbone Press. pp. 34–38. 1661:"Steve Weber, 76, a Founder of an Influential Folk Band, Dies" 927:

for writing part of the liner notes for the CD reissue of the

1928:"Liner Notes for The Holy Modal Rounders Eat the Moray Eels" 4600:(1 ed.). London, England: Jawbone Press. p. 218. 4598:

Seasons They Change: The Story of Acid and Psychedelic Folk

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Seasons They Change: The Story of Acid and Psychedelic Folk

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Seasons They Change: The Story of Acid and Psychedelic Folk

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Seasons They Change: The Story of Acid and Psychedelic Folk

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also noted Weber's "mastery of traditional guitar styles."

4733:"Holy Modal Rounders Playing Fractured Country Music Here" 3210: 3208: 2869: 2867: 2865: 2863: 2368: 2366: 2313:

Sixties Rock: Garage, Psychedelic, and Other Satisfactions

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John Sebastian Musicians Hall of Fame Backstage, Part One

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Stampfel and Weber had previously played, Mark Deming of

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Stampfel explained the origin of the name in the webzine

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In 1995, Weber left Portland and returned to his native

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named the Rounders as an influence on their 2002 album

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Much has been made of the band's legacy as a cult act.

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Because Weber had refused to rehearse before recording

370:

Although taking inspiration from classic jug bands and

3529: 3155: 2501: 2414:(1 ed.). McNidder & Grace. pp. 120–125. 1021:

In early 1974, the Rounders' version of "Boobs A Lot"

532:, followed in 1965 and was also produced by Charters. 526:' did for LSD three years later." Their second album, 4248: 3883: 2456: 1820: 1818: 1816: 1814: 1812: 1576: 1574: 1572: 4346:(Liner notes). The Holy Modal Rounders and Friends. 2400: 2084:"MUSIC; Round They Go Again, as Full of Fun as Ever" 1987:

The Mojo Collection: The Greatest Albums of All Time

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has cited the band as an influence for his brand of

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The Mojo Collection: The Greatest Albums of All Time

4044:"Stephen P. Weber June 22, 1943 ~ February 7, 2020" 3186:"The Moray Eels Eat the Holy Modal Rounders Review" 2975: 2973: 2826: 2824: 2822: 2820: 2818: 2816: 2814: 2812: 2701: 2699: 2697: 2695: 2693: 2691: 1921: 1919: 1917: 1915: 1913: 1911: 3776: 3774: 3772: 3770: 3537:"The Holy Modal Rounders – Good Taste Is Timeless" 2971: 2969: 2967: 2965: 2963: 2961: 2959: 2957: 2955: 2953: 2340: 2338: 2336: 1809: 1611: 1609: 1607: 1569: 321: 4112: 4095:"Rowan and Martin's Laugh-In Season 2, Episode 5" 3645: 3643: 3177: 2897: 2895: 2636: 2634: 2632: 2630: 2628: 2626: 2279: 2165:(1 ed.). McNidder & Grace. p. 176. 1284:Robin Remaily – vocals, guitar, mandolin, fiddle 823:In Nashville, the band recorded their 1971 album 586:performed their first gig, which was attended by 361:– Peter Stampfel in the original liner notes for 260:in 1965 and helped record the band's influential 5017: 4784:1996 Stampfel interview in Perfect Sound Forever 4019:"Review: The Holy Modal Rounders: Bound to Lose" 3127: 2809: 2688: 2077: 2075: 2073: 2071: 1908: 1651: 977:, Ed Sanders, Tuli Kupferberg, and Sam Shepard. 4789:2010 Stampfel interview on Outsight Radio Hours 3767: 3238: 3236: 2950: 2761: 2759: 2757: 2664: 2662: 2333: 2130: 2128: 2126: 1707: 1705: 1703: 1701: 1699: 1697: 1695: 1693: 1691: 1649: 1647: 1645: 1643: 1641: 1639: 1637: 1635: 1633: 1631: 1604: 1112:commenting "freak folk started here." In 1983, 479:– "Hesitation Blues" by the Holy Modal Rounders 4507: 3640: 3510:"Holy Modal Rounders – Good Taste Is Timeless" 3482:True West: Sam Shepard's Life, Work, and Times 3348:True West: Sam Shepard's Life, Work, and Times 3245:True West: Sam Shepard's Life, Work, and Times 2930:True West: Sam Shepard's Life, Work, and Times 2892: 2623: 2597: 2545: 2543: 2541: 1954:"Stampfel's Bottle Caps: A Merry Mix of Music" 1543: 1541: 1539: 1537: 1535: 661: 4814: 4293: 3687: 3502: 2714:. Wesleyan University Press. pp. 273–8. 2068: 1713:"Holy Modal Rounders: Oddly Influential Folk" 1511:Steve Weber and the Holy Modal Rounders, B.C. 865:Steve Weber and the Holy Modal Rounders, B.C. 439:praised the Rounders, similarly saying that " 4061: 3233: 2754: 2659: 2123: 1882: 1880: 1878: 1876: 1688: 1628: 888:poll. Richie Unterberger noted in 1998 that 564:, writing in 2004 for the fourth edition of 233:in several genres, including freak folk and 4828: 4756:: CS1 maint: numeric names: authors list ( 4646:: CS1 maint: numeric names: authors list ( 4581:: CS1 maint: numeric names: authors list ( 4541:: CS1 maint: numeric names: authors list ( 4428: 4420:: CS1 maint: numeric names: authors list ( 4327:: CS1 maint: numeric names: authors list ( 4285:: CS1 maint: numeric names: authors list ( 3875:: CS1 maint: numeric names: authors list ( 3807:: CS1 maint: numeric names: authors list ( 3660: 3607:: CS1 maint: numeric names: authors list ( 3465:: CS1 maint: numeric names: authors list ( 3425:: CS1 maint: numeric names: authors list ( 3302:: CS1 maint: numeric names: authors list ( 3078:. Vol. 16, no. 17. April 29, 1971 3066: 3064: 3062: 2640: 2538: 2344: 2251:: CS1 maint: numeric names: authors list ( 2211:: CS1 maint: numeric names: authors list ( 1532: 933:. Stampfel also took a day job at his wife 818: 4888:The Moray Eels Eat The Holy Modal Rounders 4821: 4807: 4549: 3824:"Some Holy Modal Rounders: Ain't Dead Yet" 3479: 3345: 3277:"The Holy Modal Rounders... Bound to Lose" 3270: 3268: 3242: 3008:"The Insect Trust: Hoboken Saturday Night" 2927: 2349:. Miller Freeman Books. pp. 224–229. 1945: 1359:The Moray Eels Eat The Holy Modal Rounders 732:The Moray Eels Eat The Holy Modal Rounders 459:were also fans and their respective bands 3095: 3093: 2645:. Miller Freeman Books. pp. 94–108. 1873: 1781: 1154: 1059:For the band's retrospective compilation 941:, which she became president of in 1985. 783:in Boston in January 1969 and playing at 209:Peter Stampfel of the Holy Modal Rounders 4513: 4480: 4302:"Born to Lose, Famous for Being Obscure" 4067: 3169:(Liner Notes). The Holy Modal Rounders. 3164: 3106:The Virgin Encyclopedia of Popular Music 3059: 3031: 2768:Billy Name: Stills from the Warhol Films 2412:My Greenwich Village: Dave, Bob & Me 2303: 2301: 2188:"Ordinary Songs Become Memorable Events" 2163:My Greenwich Village: Dave, Bob & Me 1829:(Liner Notes). The Holy Modal Rounders. 1773:(Liner Notes). The Holy Modal Rounders. 1768: 1203:in tribute to the Rounders' 1968 album. 1183:as newer bands influenced by the group. 993:of the sketch comedy television program 769:in August in San Francisco, opening for 492:for two albums. Recorded the day before 204: 4388: 4341: 3946: 3265: 2728: 2481: 2437:"Earth Music by the Youngbloods Review" 2285: 2108: 2106: 1980: 1978: 1976: 1925: 1655: 1547: 666: 283:. In 1972, Weber relocated the band to 5018: 4717:The Holy Modal Rounders: Bound to Lose 4558:"Peter Stampfel Brings the Unexpected" 4514:Weisbard, Eric (1999) (October 1999). 4381:The Holy Modal Rounders: Bound to Lose 4364:The Holy Modal Rounders: Bound to Lose 4003:The Holy Modal Rounders: Bound to Lose 3850:"Recordings; POP ECCENTRICS REVISITED" 3653:The Holy Modal Rounders: Bound to Lose 3566:The Holy Modal Rounders: Bound to Lose 3099: 3090: 2853:The Holy Modal Rounders: Bound to Lose 2765: 2116:The Holy Modal Rounders: Bound to Lose 2047: 2034:The Holy Modal Rounders: Bound to Lose 2017:The Holy Modal Rounders: Bound to Lose 1842: 1840: 1224:The Holy Modal Rounders: Bound to Lose 963:The Holy Modal Rounders: Bound to Lose 911:1982–2003: Later activity and reunions 4802: 4660: 4595: 4172: 3920: 3821: 3747: 3316: 3214: 3005: 2873: 2830: 2734: 2705: 2575: 2549: 2372: 2307: 2298: 2056:(Podcast). Spotify. 30-33 minutes in 1984: 1615: 984: 502:was released in 1964 and produced by 290: 5061:Musical groups from Portland, Oregon 4687: 4118: 3402:"Theater: A Sam Shepard Double Bill" 3183: 2979: 2901: 2518: 2409: 2290:(Liner notes). The Lovin' Spoonful. 2160: 2103: 2081: 1973: 1846: 1824: 1739: 1322: 1089: 652:The Fugs and the Holy Modal Rounders 4690:"I Make a Wish for a Potato Review" 4620: 4516:"Holy Modal Rounders: Too Much Fun" 4173:Smith, Howard (February 14, 1974). 2668: 2141:The Downtown Pop Underground Online 1886: 1837: 1550:"The Holy Modal Rounders Biography" 1200:The Moray Eels Eat the Space Needle 244:scene, at the heart of the ongoing 13: 4714:Lovelace, Paul (director) (2006). 4394: 4378:Lovelace, Paul (director) (2006). 4361:Lovelace, Paul (director) (2006). 4257: 4228: 4000:Lovelace, Paul (director) (2006). 3976:"Betsy Wollheim: The Family Trade" 3947:Pareles, Jon (February 26, 1998). 3894: 3847: 3750:"Pazz & Jop 1976: Dean's List" 3719: 3650:Lovelace, Paul (director) (2006). 3563:Lovelace, Paul (director) (2006). 3439: 3399: 3274: 3133: 2850:Lovelace, Paul (director) (2006). 2434: 2134: 2113:Lovelace, Paul (director) (2006). 2031:Lovelace, Paul (director) (2006). 2014:Lovelace, Paul (director) (2006). 1951: 1849:"Holy Modal Rounders Hit the Road" 1787: 1740:Vila, Benito (February 27, 2019). 1583:The New Rolling Stone Record Guide 1115:The New Rolling Stone Record Guide 556:. In 1999, Fantasy reissued it as 14: 5082: 4768: 4661:Blush, Steven (October 4, 2016). 4555: 4016: 3579: 3440:Bengal, Rebecca (December 2017). 2833:"Peter Stampfel Interview Part 2" 2267:Musicians Hall of Fame and Museum 2225: 1618:"Peter Stampfel Interview Part 1" 4730: 4724: 4707: 4681: 4654: 4614: 4589: 3317:Wally, David (October 1, 1969). 2603: 2521:"Stampfel & Weber Biography" 2347:Unknown Legends of Rock 'n' Roll 2345:Unterberger, Richie (May 1998). 2185: 1102:Anthology of American Folk Music 930:Anthology of American Folk Music 484:In 1963, the duo were signed to 451:during their initial iteration. 372:Anthology of American Folk Music 339:Anthology of American Folk Music 4453: 4436:"About the Holy Modal Rounders" 4371: 4354: 4335: 4299: 4231:"Dr. Demento's Delights Review" 4222: 4197: 4166: 4140: 4087: 4068:Stampfel, Peter (August 2020). 4036: 4010: 3993: 3968: 3940: 3914: 3841: 3815: 3780: 3741: 3713: 3615: 3573: 3556: 3473: 3433: 3393: 3368: 3339: 3319:"Stomping at the Carnegie Hall" 3310: 3025: 2999: 2982:"Sam Shepard Tribute, Part 1-3" 2921: 2843: 2831:Gross, Jason (September 1996). 2784: 2569: 2428: 2259: 2219: 2179: 2154: 2041: 2024: 2007: 1616:Gross, Jason (September 1996). 1217: 494:John F. Kennedy's assassination 322:1963–1965: Original incarnation 4720:(Documentary). 84 minutes in. 4461:"About 1 & 2 (Remastered)" 4384:(Documentary). 41 minutes in. 4367:(Documentary). 16 minutes in. 4154:. February 9, 1974. p. 31 4006:(Documentary). 29 minutes in. 3656:(Documentary). 25 minutes in. 3569:(Documentary). 22 minutes in. 3400:Barnes, Clive (2 April 1970). 2856:(Documentary). 11 minutes in. 2037:(Documentary). 49 minutes in. 1317: 1197:named their 1997 studio album 1041: 1: 5041:Transatlantic Records artists 3072:"Chronological Rounders Scam" 2119:(Documentary). 2 minutes in. 2050:"Episode 001: Peter Stampfel" 2020:(Documentary). 1 minutes in. 1525: 996:Rowan & Martin's Laugh-In 776:Rowan & Martin's Laugh-In 567:The Rolling Stone Album Guide 220:group, originally the duo of 5071:Don Giovanni Records artists 5031:American folk musical groups 4556:Polak, Eleanor (July 2023). 4148:"Bubbling Under the Hot 100" 3848:Palmer, Robert (June 1981). 3275:Leydon, Joe (January 2006). 2766:Miller, Debra (March 1994). 2641:Unterberger, Richie (2000). 2317:University of Illinois Press 2048:Heater, Brian (April 2013). 1411:featuring Stampfel and Weber 228:, who formed in 1963 on the 7: 4621:Cottell, Pete (June 2017). 4209:The Demented Music Database 3627:Music Museum of New England 3480:Greenfield, Robert (2023). 3346:Greenfield, Robert (2023). 3243:Greenfield, Robert (2023). 2928:Greenfield, Robert (2023). 2770:. Prestel Pub. p. 66. 809:Forensic and the Navigators 793:the Flying Burrito Brothers 729:performing with the group. 662:1966–1981: Lineup expansion 642:in 1975, also on ESP-Disk. 573: 326: 246:American folk music revival 10: 5089: 4966:I Make a Wish for a Potato 4667:. Macmillan. p. 369. 4344:I Make a Wish for a Potato 4300:Fry, Ted (November 2007). 3897:"Peter Stampfel Biography" 3032:Fontenoy, Richard (2003). 2484:"Peter Stampfel Interview" 1790:"Michael Hurley Biography" 1481:I Make a Wish for a Potato 1062:I Make a Wish for a Potato 516:the Nitty Gritty Dirt Band 414:the New Lost City Ramblers 344:Bucks County, Pennsylvania 316: 4975: 4957: 4932: 4902:Alleged in Their Own Time 4874:The Holy Modal Rounders 2 4858: 4836: 4677:– via Google Books. 4205:"Details for Boobs A Lot" 3673:Oregon Music Hall of Fame 3136:"Indian War Whoop Review" 2552:"The Holy Modal Rounders" 2186:Moon, Tom (August 2006). 1375:Alleged in Their Own Time 1343:The Holy Modal Rounders 2 1248:Lee Crabtree – keyboards 1212:Oregon Music Hall of Fame 1036: 848:Alleged in Their Own Time 529:The Holy Modal Rounders 2 392:Stampfel seeing an early 346:, where he met musicians 140: 136: 124:The Unholy Modal Rounders 114: 80: 70: 63:, Freak Folk, Acid Folk, 52: 30: 23: 5036:Prestige Records artists 4731:Jahn, Mike (June 1971). 4596:Leech, Jeanette (2010). 3215:Leech, Jeanette (2010). 3165:Stampfel, Peter (2003). 2874:Leech, Jeanette (2010). 2373:Leech, Jeanette (2010). 2226:Testa, Jim (Sep. 2013). 1985:Irvin, Jim, ed. (2001). 1769:Stampfel, Peter (1999). 1278:Michael McCarty – drums 1233:– vocals, fiddle, banjo 819:Boston and Portland move 620:, which was released on 606:'s hand drum to back up 582:'s bookstore Peace Eye, 578:On February 24, 1965 at 5051:Rounder Records artists 5046:Elektra Records artists 5026:Psychedelic folk groups 4867:The Holy Modal Rounders 4830:The Holy Modal Rounders 4775:The Holy Modal Rounders 3035:The Rough Guide to Rock 2288:Do You Believe in Magic 2054:Recommended If You Like 1335:The Holy Modal Rounders 499:The Holy Modal Rounders 466:Do You Believe in Magic 363:The Holy Modal Rounders 214:The Holy Modal Rounders 25:The Holy Modal Rounders 16:American folk music duo 4895:Good Taste Is Timeless 4395:Marcus, Greil (2007). 4342:Swenson, John (2001). 4258:Browne, David (2021). 3580:Speer, Debbie (2023). 3486:Crown Publishing Group 3376:"Operation Sidewinder" 3352:Crown Publishing Group 3249:Crown Publishing Group 3167:Good Taste Is Timeless 2934:Crown Publishing Group 1434:Fugs 4, Rounders Score 1367:Good Taste Is Timeless 1296:Ted Deane – saxophone 1274:(1968–1985, died 1985) 1272:Richard Tyler – piano 1155:Influence and tributes 1031:Dr. Demento's Delights 937:'s publishing company 919:and collaborated with 826:Good Taste Is Timeless 781:the Velvet Underground 676:, Nancy Jeffries, and 639:Fugs 4, Rounders Score 627:Good Taste Is Timeless 476: 437:the Velvet Underground 358: 332:became entranced with 210: 5066:Freak scene musicians 4562:New Haven Independent 4488:"Holy Modal Rounders" 4074:Perfect Sound Forever 3623:"Jeff "Skunk" Baxter" 2986:Perfect Sound Forever 2908:Perfect Sound Forever 2837:Perfect Sound Forever 2706:Weiss, Jason (2012). 2671:"History of the Fugs" 2488:richieunterberger.com 2482:Unterberger, Richie. 2286:Edmonds, Ben (2002). 1932:richieunterberger.com 1926:Unterberger, Richie. 1622:Perfect Sound Forever 1590:. 1983. p. 230. 1548:Unterberger, Richie. 1161:New Haven Independent 971:Loudon Wainwright III 472: 354: 298:Perfect Sound Forever 208: 4948:Bird Song: Live 1971 3783:"What Goes Round..." 3781:Ham, Robert (2008). 3722:"Have Moicy! Review" 3488:. pp. 126–127. 3354:. pp. 112–113. 3109:(Concise ed.). 2410:Thal, Terri (2023). 2161:Thal, Terri (2023). 1861:on November 10, 2023 1825:Kelp, Larry (1999). 1504:Bird Song: Live 1971 1468:Stampfel & Weber 1447:Collaboration albums 1418:The Fugs First Album 1302:Roger North – drums 1263:Antonia – songwriter 1108:, with music critic 923:. In 1998, he won a 801:Operation Sidewinder 667:Psychedelic folk era 617:The Fugs First Album 554:Stampfel & Weber 496:, their first album 4688:Ruhlmann, William. 4119:Ruhlmann, William. 3927:robertchristgau.com 3921:Christgau, Robert. 3828:robertchristgau.com 3822:Christgau, Robert. 3754:robertchristgau.com 3748:Christgau, Robert. 3012:robertchristgau.com 3006:Christgau, Robert. 2741:robertchristgau.com 2735:Christgau, Robert. 2556:robertchristgau.com 2550:Christgau, Robert. 2519:Ruhlmann, William. 1290:Dave Reisch – bass 991:season 2, episode 5 835:Jeff "Skunk" Baxter 771:Ike and Tina Turner 461:the Lovin' Spoonful 342:. Weber grew up in 4916:Going Nowhere Fast 4048:Davis Funeral Home 3980:Locus Publications 3954:The New York Times 3855:The New York Times 3324:East Village Other 3251:. pp. 95–96. 3171:Metromedia Records 2796:Mind Smoke Records 2578:"1 & 2 Review" 2319:. pp. 59–60. 2292:Kama Sutra Records 2089:The New York Times 1959:The New York Times 1887:Simmons, Michael. 1666:The New York Times 1391:Going Nowhere Fast 1266:John Annis – bass 1149:The New York Times 1120:The New York Times 985:In popular culture 904:Going Nowhere Fast 797:the Rolling Stones 408:The New York Times 376:Richie Unterberger 291:Origin of the name 211: 5013: 5012: 4627:Willamette Weekly 4607:978-1-906002-67-1 4307:The Seattle Times 4179:The Village Voice 3226:978-1-906002-67-1 3076:The Village Voice 2980:Stampfel, Peter. 2902:Jeffries, Nancy. 2885:978-1-906002-67-1 2576:Henderson, Alex. 2435:Planer, Lindsay. 2386:978-1-906002-67-1 2326:978-0-25206-915-4 2275:. 11 minutes in. 2135:McLeod, Kembrew. 2082:Swartley, Ariel. 1659:(March 7, 2020). 1522: 1521: 1313: 1305: 1299: 1293: 1287: 1281: 1275: 1269: 1260: 1251: 1245: 1242:– vocals, guitar 1236: 1090:Critical analysis 1055:The Seattle Times 857:Jeffrey Frederick 596:William Burroughs 552:on the double-LP 490:Paul A. Rothchild 433:Sterling Morrison 277:Jeffrey Frederick 254:self-titled debut 242:Greenwich Village 203: 202: 5078: 4976:Related articles 4881:Indian War Whoop 4823: 4816: 4809: 4800: 4799: 4762: 4761: 4755: 4747: 4745: 4743: 4728: 4722: 4721: 4711: 4705: 4704: 4702: 4700: 4685: 4679: 4678: 4658: 4652: 4651: 4645: 4637: 4635: 4633: 4618: 4612: 4611: 4593: 4587: 4586: 4580: 4572: 4570: 4568: 4553: 4547: 4546: 4540: 4532: 4530: 4528: 4511: 4505: 4504: 4502: 4500: 4493:Sundazed Records 4484: 4478: 4477: 4475: 4473: 4457: 4451: 4450: 4448: 4446: 4432: 4426: 4425: 4419: 4411: 4409: 4407: 4392: 4386: 4385: 4375: 4369: 4368: 4358: 4352: 4351: 4339: 4333: 4332: 4326: 4318: 4316: 4314: 4297: 4291: 4290: 4284: 4276: 4274: 4272: 4255: 4246: 4245: 4243: 4241: 4226: 4220: 4219: 4217: 4215: 4201: 4195: 4194: 4192: 4190: 4170: 4164: 4163: 4161: 4159: 4144: 4138: 4137: 4135: 4133: 4116: 4110: 4109: 4107: 4105: 4091: 4085: 4084: 4082: 4080: 4065: 4059: 4058: 4056: 4054: 4040: 4034: 4033: 4031: 4029: 4014: 4008: 4007: 3997: 3991: 3990: 3988: 3986: 3972: 3966: 3965: 3963: 3961: 3944: 3938: 3937: 3935: 3933: 3918: 3912: 3911: 3909: 3907: 3892: 3881: 3880: 3874: 3866: 3864: 3862: 3845: 3839: 3838: 3836: 3834: 3819: 3813: 3812: 3806: 3798: 3796: 3794: 3778: 3765: 3764: 3762: 3760: 3745: 3739: 3738: 3736: 3734: 3717: 3711: 3710: 3708: 3706: 3691: 3685: 3684: 3682: 3680: 3668:"2011 Inductees" 3664: 3658: 3657: 3647: 3638: 3637: 3635: 3633: 3619: 3613: 3612: 3606: 3598: 3596: 3594: 3577: 3571: 3570: 3560: 3554: 3553: 3551: 3549: 3533: 3527: 3526: 3524: 3522: 3506: 3500: 3499: 3477: 3471: 3470: 3464: 3456: 3454: 3452: 3437: 3431: 3430: 3424: 3416: 3414: 3412: 3397: 3391: 3390: 3388: 3386: 3372: 3366: 3365: 3343: 3337: 3336: 3334: 3332: 3314: 3308: 3307: 3301: 3293: 3291: 3289: 3272: 3263: 3262: 3240: 3231: 3230: 3212: 3203: 3202: 3200: 3198: 3181: 3175: 3174: 3162: 3153: 3152: 3150: 3148: 3131: 3125: 3124: 3097: 3088: 3087: 3085: 3083: 3068: 3057: 3056: 3054: 3052: 3029: 3023: 3022: 3020: 3018: 3003: 2997: 2996: 2994: 2992: 2977: 2948: 2947: 2925: 2919: 2918: 2916: 2914: 2899: 2890: 2889: 2871: 2858: 2857: 2847: 2841: 2840: 2828: 2807: 2806: 2804: 2802: 2788: 2782: 2781: 2763: 2752: 2751: 2749: 2747: 2732: 2726: 2725: 2703: 2686: 2685: 2683: 2681: 2666: 2657: 2656: 2638: 2621: 2620: 2618: 2616: 2601: 2595: 2594: 2592: 2590: 2573: 2567: 2566: 2564: 2562: 2547: 2536: 2535: 2533: 2531: 2516: 2499: 2498: 2496: 2494: 2479: 2454: 2453: 2451: 2449: 2432: 2426: 2425: 2407: 2398: 2397: 2395: 2393: 2370: 2361: 2360: 2342: 2331: 2330: 2305: 2296: 2295: 2294:. 74465 99730 2. 2283: 2277: 2276: 2263: 2257: 2256: 2250: 2242: 2240: 2238: 2223: 2217: 2216: 2210: 2202: 2200: 2198: 2183: 2177: 2176: 2158: 2152: 2151: 2149: 2147: 2137:"Peter Stampfel" 2132: 2121: 2120: 2110: 2101: 2100: 2098: 2096: 2079: 2066: 2065: 2063: 2061: 2045: 2039: 2038: 2028: 2022: 2021: 2011: 2005: 2004: 1982: 1971: 1970: 1968: 1966: 1952:Palmer, Robert. 1949: 1943: 1942: 1940: 1938: 1923: 1906: 1905: 1903: 1901: 1884: 1871: 1870: 1868: 1866: 1857:. Archived from 1847:Predoehl, Eric. 1844: 1835: 1834: 1822: 1807: 1806: 1804: 1802: 1785: 1779: 1778: 1766: 1757: 1756: 1754: 1752: 1737: 1728: 1727: 1725: 1723: 1709: 1686: 1685: 1683: 1681: 1653: 1626: 1625: 1613: 1602: 1601: 1578: 1567: 1566: 1564: 1562: 1545: 1351:Indian War Whoop 1323: 1311: 1303: 1297: 1291: 1285: 1279: 1273: 1267: 1258: 1249: 1243: 1234: 1175:. NPR mentioned 1110:Robert Christgau 1009:and the movie's 882:Robert Christgau 737:Indian War Whoop 722:Indian War Whoop 715:Indian War Whoop 702:Indian War Whoop 697:Bernard Stollman 682:the Insect Trust 508:Hesitation Blues 486:Prestige Records 480: 389:Uncle Dave Macon 366: 285:Portland, Oregon 269:psychedelic folk 235:psychedelic folk 216:was an American 143: 73: 61:Psychedelic folk 21: 20: 5088: 5087: 5081: 5080: 5079: 5077: 5076: 5075: 5016: 5015: 5014: 5009: 4971: 4953: 4928: 4854: 4832: 4827: 4771: 4766: 4765: 4749: 4748: 4741: 4739: 4729: 4725: 4713: 4712: 4708: 4698: 4696: 4686: 4682: 4675: 4659: 4655: 4639: 4638: 4631: 4629: 4619: 4615: 4608: 4594: 4590: 4574: 4573: 4566: 4564: 4554: 4550: 4534: 4533: 4526: 4524: 4512: 4508: 4498: 4496: 4486: 4485: 4481: 4471: 4469: 4459: 4458: 4454: 4444: 4442: 4434: 4433: 4429: 4413: 4412: 4405: 4403: 4401:greilmarcus.net 4397:"Death Letters" 4393: 4389: 4377: 4376: 4372: 4360: 4359: 4355: 4348:Rounder Records 4340: 4336: 4320: 4319: 4312: 4310: 4298: 4294: 4278: 4277: 4270: 4268: 4256: 4249: 4239: 4237: 4227: 4223: 4213: 4211: 4203: 4202: 4198: 4188: 4186: 4171: 4167: 4157: 4155: 4146: 4145: 4141: 4131: 4129: 4117: 4113: 4103: 4101: 4093: 4092: 4088: 4078: 4076: 4066: 4062: 4052: 4050: 4042: 4041: 4037: 4027: 4025: 4015: 4011: 3999: 3998: 3994: 3984: 3982: 3974: 3973: 3969: 3959: 3957: 3945: 3941: 3931: 3929: 3919: 3915: 3905: 3903: 3893: 3884: 3868: 3867: 3860: 3858: 3846: 3842: 3832: 3830: 3820: 3816: 3800: 3799: 3792: 3790: 3787:Willamette Week 3779: 3768: 3758: 3756: 3746: 3742: 3732: 3730: 3718: 3714: 3704: 3702: 3693: 3692: 3688: 3678: 3676: 3666: 3665: 3661: 3649: 3648: 3641: 3631: 3629: 3621: 3620: 3616: 3600: 3599: 3592: 3590: 3578: 3574: 3562: 3561: 3557: 3547: 3545: 3535: 3534: 3530: 3520: 3518: 3508: 3507: 3503: 3496: 3478: 3474: 3458: 3457: 3450: 3448: 3438: 3434: 3418: 3417: 3410: 3408: 3398: 3394: 3384: 3382: 3380:sam-shepard.com 3374: 3373: 3369: 3362: 3344: 3340: 3330: 3328: 3315: 3311: 3295: 3294: 3287: 3285: 3273: 3266: 3259: 3241: 3234: 3227: 3213: 3206: 3196: 3194: 3182: 3178: 3163: 3156: 3146: 3144: 3132: 3128: 3121: 3113:. p. 616. 3098: 3091: 3081: 3079: 3070: 3069: 3060: 3050: 3048: 3046: 3030: 3026: 3016: 3014: 3004: 3000: 2990: 2988: 2978: 2951: 2944: 2926: 2922: 2912: 2910: 2900: 2893: 2886: 2872: 2861: 2849: 2848: 2844: 2829: 2810: 2800: 2798: 2790: 2789: 2785: 2778: 2764: 2755: 2745: 2743: 2733: 2729: 2722: 2704: 2689: 2679: 2677: 2667: 2660: 2653: 2639: 2624: 2614: 2612: 2602: 2598: 2588: 2586: 2574: 2570: 2560: 2558: 2548: 2539: 2529: 2527: 2517: 2502: 2492: 2490: 2480: 2457: 2447: 2445: 2433: 2429: 2422: 2408: 2401: 2391: 2389: 2387: 2371: 2364: 2357: 2343: 2334: 2327: 2306: 2299: 2284: 2280: 2265: 2264: 2260: 2244: 2243: 2236: 2234: 2224: 2220: 2204: 2203: 2196: 2194: 2184: 2180: 2173: 2159: 2155: 2145: 2143: 2133: 2124: 2112: 2111: 2104: 2094: 2092: 2080: 2069: 2059: 2057: 2046: 2042: 2030: 2029: 2025: 2013: 2012: 2008: 2001: 1983: 1974: 1964: 1962: 1950: 1946: 1936: 1934: 1924: 1909: 1899: 1897: 1889:"Grin 'n' Spin" 1885: 1874: 1864: 1862: 1845: 1838: 1831:Fantasy Records 1823: 1810: 1800: 1798: 1786: 1782: 1775:Rounder Records 1767: 1760: 1750: 1748: 1738: 1731: 1721: 1719: 1711: 1710: 1689: 1679: 1677: 1654: 1629: 1614: 1605: 1598: 1580: 1579: 1570: 1560: 1558: 1546: 1533: 1528: 1523: 1441: 1320: 1220: 1207:Rounder Records 1185:The Anniversary 1157: 1092: 1044: 1039: 987: 950:the Bottom Line 913: 839:Rounder Records 821: 805:The Unseen Hand 726:Elektra Records 669: 664: 608:Tuli Kupferberg 592:George Plimpton 576: 550:Fantasy Records 512:the Youngbloods 482: 478: 368: 360: 329: 324: 319: 293: 230:Lower East Side 199: 197: 176:Michael McCarty 141: 132: 71: 35:Lower East Side 26: 17: 12: 11: 5: 5086: 5085: 5074: 5073: 5068: 5063: 5058: 5053: 5048: 5043: 5038: 5033: 5028: 5011: 5010: 5008: 5007: 5002: 4997: 4995:Michael Hurley 4992: 4985: 4979: 4977: 4973: 4972: 4970: 4969: 4961: 4959: 4955: 4954: 4952: 4951: 4944: 4936: 4934: 4930: 4929: 4927: 4926: 4919: 4912: 4905: 4898: 4891: 4884: 4877: 4870: 4862: 4860: 4856: 4855: 4853: 4852: 4845: 4842:Peter Stampfel 4837: 4834: 4833: 4826: 4825: 4818: 4811: 4803: 4797: 4796: 4791: 4786: 4781: 4770: 4769:External links 4767: 4764: 4763: 4737:New York Times 4723: 4706: 4680: 4673: 4653: 4613: 4606: 4588: 4548: 4506: 4479: 4452: 4427: 4387: 4370: 4353: 4334: 4292: 4247: 4221: 4196: 4165: 4139: 4111: 4086: 4060: 4035: 4023:Slant Magazine 4009: 3992: 3967: 3939: 3913: 3895:Deming, Mark. 3882: 3840: 3814: 3766: 3740: 3720:Deming, Mark. 3712: 3686: 3659: 3639: 3614: 3572: 3555: 3528: 3501: 3494: 3472: 3432: 3406:New York Times 3392: 3367: 3360: 3338: 3309: 3264: 3257: 3232: 3225: 3204: 3184:Campbell, Al. 3176: 3154: 3134:Deming, Mark. 3126: 3119: 3103:, ed. (1997). 3089: 3058: 3044: 3024: 2998: 2949: 2942: 2936:. p. 84. 2920: 2891: 2884: 2859: 2842: 2808: 2783: 2776: 2753: 2727: 2720: 2687: 2658: 2651: 2622: 2596: 2568: 2537: 2500: 2455: 2427: 2420: 2399: 2385: 2362: 2355: 2332: 2325: 2315:. Urbana, IL: 2309:Hicks, Michael 2297: 2278: 2258: 2218: 2178: 2171: 2153: 2122: 2102: 2067: 2040: 2023: 2006: 1999: 1993:. p. 39. 1972: 1944: 1907: 1872: 1836: 1808: 1788:Deming, Mark. 1780: 1758: 1746:Please Kill Me 1729: 1687: 1627: 1603: 1596: 1568: 1530: 1529: 1527: 1524: 1520: 1519: 1515: 1514: 1508: 1500: 1491: 1490: 1486: 1485: 1477: 1471: 1464: 1463: 1459: 1458: 1449: 1448: 1443: 1439: 1438: 1430: 1422: 1413: 1412: 1404: 1403: 1395: 1387: 1379: 1371: 1363: 1355: 1347: 1339: 1330: 1329: 1321: 1319: 1316: 1315: 1314: 1306: 1300: 1294: 1288: 1282: 1276: 1270: 1264: 1261: 1252: 1246: 1237: 1231:Peter Stampfel 1219: 1216: 1156: 1153: 1129:, writing for 1091: 1088: 1043: 1040: 1038: 1035: 986: 983: 935:Betsy Wollheim 912: 909: 886:Pazz & Jop 880:. Rock critic 872:Michael Hurley 820: 817: 759:The Moray Eels 749:counterculture 741:The Moray Eels 707:old-time music 690:Trevor Koehler 668: 665: 663: 660: 600:James Michener 575: 572: 471: 453:John Sebastian 385:Charley Patton 353: 348:Michael Hurley 328: 325: 323: 320: 318: 315: 314: 313: 292: 289: 250:old-time music 222:Peter Stampfel 201: 200: 195: 194: 189: 186: 183: 180: 177: 174: 171: 168: 165: 160: 157: 152: 150:Peter Stampfel 146: 144: 138: 137: 134: 133: 131: 130: 125: 122: 121:The Moray Eels 118: 116: 112: 111: 82: 78: 77: 74: 68: 67: 54: 50: 49: 32: 28: 27: 24: 15: 9: 6: 4: 3: 2: 5084: 5083: 5072: 5069: 5067: 5064: 5062: 5059: 5057: 5054: 5052: 5049: 5047: 5044: 5042: 5039: 5037: 5034: 5032: 5029: 5027: 5024: 5023: 5021: 5006: 5003: 5001: 4998: 4996: 4993: 4991: 4990: 4986: 4984: 4981: 4980: 4978: 4974: 4968: 4967: 4963: 4962: 4960: 4956: 4950: 4949: 4945: 4943: 4942: 4938: 4937: 4935: 4931: 4925: 4924: 4923:Too Much Fun! 4920: 4918: 4917: 4913: 4911: 4910: 4906: 4904: 4903: 4899: 4897: 4896: 4892: 4890: 4889: 4885: 4883: 4882: 4878: 4876: 4875: 4871: 4869: 4868: 4864: 4863: 4861: 4859:Studio albums 4857: 4851: 4850: 4846: 4844: 4843: 4839: 4838: 4835: 4831: 4824: 4819: 4817: 4812: 4810: 4805: 4804: 4801: 4795: 4794:NPR interview 4792: 4790: 4787: 4785: 4782: 4780: 4776: 4773: 4772: 4759: 4753: 4738: 4734: 4727: 4719: 4718: 4710: 4695: 4691: 4684: 4676: 4674:9781250083616 4670: 4666: 4665: 4657: 4649: 4643: 4628: 4624: 4617: 4609: 4603: 4599: 4592: 4584: 4578: 4563: 4559: 4552: 4544: 4538: 4523: 4522: 4517: 4510: 4495: 4494: 4489: 4483: 4468: 4467: 4462: 4456: 4441: 4437: 4431: 4423: 4417: 4402: 4398: 4391: 4383: 4382: 4374: 4366: 4365: 4357: 4349: 4345: 4338: 4330: 4324: 4309: 4308: 4303: 4296: 4288: 4282: 4281:cite magazine 4267: 4266: 4265:Rolling Stone 4261: 4254: 4252: 4236: 4232: 4229:Dryden, Ken. 4225: 4210: 4206: 4200: 4184: 4180: 4176: 4175:"Boobs A Lot" 4169: 4153: 4149: 4143: 4128: 4127: 4122: 4115: 4100: 4096: 4090: 4075: 4071: 4070:"Steve Weber" 4064: 4049: 4045: 4039: 4024: 4020: 4017:Weber, Bill. 4013: 4005: 4004: 3996: 3981: 3977: 3971: 3956: 3955: 3950: 3943: 3928: 3924: 3917: 3902: 3898: 3891: 3889: 3887: 3878: 3872: 3857: 3856: 3851: 3844: 3829: 3825: 3818: 3810: 3804: 3789: 3788: 3784: 3777: 3775: 3773: 3771: 3755: 3751: 3744: 3729: 3728: 3723: 3716: 3701: 3700: 3696: 3690: 3675: 3674: 3669: 3663: 3655: 3654: 3646: 3644: 3628: 3624: 3618: 3610: 3604: 3589: 3588: 3583: 3576: 3568: 3567: 3559: 3544: 3543: 3538: 3532: 3517: 3516: 3515:No Depression 3511: 3505: 3497: 3495:9780525575955 3491: 3487: 3483: 3476: 3468: 3462: 3447: 3443: 3436: 3428: 3422: 3407: 3403: 3396: 3381: 3377: 3371: 3363: 3361:9780525575955 3357: 3353: 3349: 3342: 3327:. No. 44 3326: 3325: 3320: 3313: 3305: 3299: 3284: 3283: 3278: 3271: 3269: 3260: 3258:9780525575955 3254: 3250: 3246: 3239: 3237: 3228: 3222: 3218: 3211: 3209: 3193: 3192: 3187: 3180: 3172: 3168: 3161: 3159: 3143: 3142: 3137: 3130: 3122: 3120:1-85227-745-9 3116: 3112: 3108: 3107: 3102: 3101:Larkin, Colin 3096: 3094: 3077: 3073: 3067: 3065: 3063: 3047: 3045:1-85828-457-0 3041: 3037: 3036: 3028: 3013: 3009: 3002: 2987: 2983: 2976: 2974: 2972: 2970: 2968: 2966: 2964: 2962: 2960: 2958: 2956: 2954: 2945: 2943:9780525575955 2939: 2935: 2931: 2924: 2909: 2905: 2898: 2896: 2887: 2881: 2877: 2870: 2868: 2866: 2864: 2855: 2854: 2846: 2838: 2834: 2827: 2825: 2823: 2821: 2819: 2817: 2815: 2813: 2797: 2793: 2787: 2779: 2777:3-7913-1367-3 2773: 2769: 2762: 2760: 2758: 2742: 2738: 2731: 2723: 2721:9780819571601 2717: 2713: 2709: 2708:"Steve Weber" 2702: 2700: 2698: 2696: 2694: 2692: 2676: 2672: 2669:Sanders, Ed. 2665: 2663: 2654: 2648: 2644: 2637: 2635: 2633: 2631: 2629: 2627: 2611: 2607: 2600: 2585: 2584: 2579: 2572: 2557: 2553: 2546: 2544: 2542: 2526: 2522: 2515: 2513: 2511: 2509: 2507: 2505: 2489: 2485: 2478: 2476: 2474: 2472: 2470: 2468: 2466: 2464: 2462: 2460: 2444: 2443: 2438: 2431: 2423: 2421:9780857162489 2417: 2413: 2406: 2404: 2388: 2382: 2378: 2377: 2369: 2367: 2358: 2356:0-87930-534-7 2352: 2348: 2341: 2339: 2337: 2328: 2322: 2318: 2314: 2310: 2304: 2302: 2293: 2289: 2282: 2274: 2273: 2268: 2262: 2254: 2248: 2233: 2229: 2222: 2214: 2208: 2193: 2189: 2182: 2174: 2172:9780857162489 2168: 2164: 2157: 2142: 2138: 2131: 2129: 2127: 2118: 2117: 2109: 2107: 2091: 2090: 2085: 2078: 2076: 2074: 2072: 2055: 2051: 2044: 2036: 2035: 2027: 2019: 2018: 2010: 2002: 1996: 1992: 1988: 1981: 1979: 1977: 1961: 1960: 1955: 1948: 1933: 1929: 1922: 1920: 1918: 1916: 1914: 1912: 1896: 1895: 1890: 1883: 1881: 1879: 1877: 1860: 1856: 1855: 1850: 1843: 1841: 1832: 1828: 1821: 1819: 1817: 1815: 1813: 1797: 1796: 1791: 1784: 1776: 1772: 1771:Too Much Fun! 1765: 1763: 1747: 1743: 1736: 1734: 1718: 1714: 1708: 1706: 1704: 1702: 1700: 1698: 1696: 1694: 1692: 1676: 1672: 1668: 1667: 1662: 1658: 1652: 1650: 1648: 1646: 1644: 1642: 1640: 1638: 1636: 1634: 1632: 1623: 1619: 1612: 1610: 1608: 1599: 1597:0-394-72107-1 1593: 1589: 1585: 1584: 1577: 1575: 1573: 1557: 1556: 1551: 1544: 1542: 1540: 1538: 1536: 1531: 1518: 1512: 1509: 1506: 1505: 1501: 1498: 1497: 1493: 1492: 1488: 1487: 1483: 1482: 1478: 1475: 1472: 1469: 1466: 1465: 1461: 1460: 1456: 1455: 1451: 1450: 1446: 1445: 1444: 1442: 1436: 1435: 1431: 1428: 1427: 1423: 1420: 1419: 1415: 1414: 1410: 1406: 1405: 1401: 1400: 1399:Too Much Fun! 1396: 1393: 1392: 1388: 1385: 1384: 1380: 1377: 1376: 1372: 1369: 1368: 1364: 1361: 1360: 1356: 1353: 1352: 1348: 1345: 1344: 1340: 1337: 1336: 1332: 1331: 1328:Studio albums 1327: 1326: 1325: 1324: 1310: 1307: 1301: 1295: 1289: 1283: 1277: 1271: 1265: 1262: 1256: 1253: 1247: 1241: 1238: 1232: 1229: 1228: 1227: 1225: 1215: 1213: 1208: 1204: 1202: 1201: 1196: 1192: 1191: 1186: 1182: 1178: 1174: 1170: 1169:Jeffrey Lewis 1166: 1162: 1152: 1150: 1146: 1142: 1138: 1134: 1133: 1128: 1127:Eric Weisbard 1123: 1121: 1117: 1116: 1111: 1107: 1103: 1098: 1087: 1084: 1080: 1076: 1075:Bound to Lose 1071: 1068: 1064: 1063: 1057: 1056: 1051: 1050: 1049:Rolling Stone 1034: 1032: 1028: 1024: 1019: 1016: 1012: 1008: 1007: 1002: 1001:Dennis Hopper 998: 997: 992: 982: 978: 976: 972: 968: 967:Bound to Lose 964: 959: 957: 956: 955:Too Much Fun! 951: 947: 942: 940: 936: 932: 931: 926: 922: 921:Jeffrey Lewis 918: 908: 906: 905: 900: 899: 893: 891: 887: 883: 879: 878: 873: 868: 866: 862: 858: 852: 850: 849: 844: 840: 836: 832: 828: 827: 816: 814: 810: 806: 802: 798: 794: 790: 786: 785:Carnegie Hall 782: 778: 777: 772: 768: 763: 760: 756: 755: 750: 746: 745:Dennis Hopper 742: 738: 734: 733: 727: 723: 718: 716: 712: 708: 704: 703: 698: 693: 691: 687: 686:Robert Palmer 683: 679: 675: 659: 657: 653: 649: 643: 641: 640: 635: 634: 629: 628: 623: 619: 618: 611: 609: 605: 601: 597: 593: 589: 585: 581: 571: 569: 568: 563: 559: 555: 551: 547: 546: 540: 539: 533: 531: 530: 525: 521: 517: 513: 509: 505: 501: 500: 495: 491: 487: 481: 475: 470: 468: 467: 462: 458: 454: 450: 446: 442: 438: 434: 430: 426: 421: 419: 415: 410: 409: 403: 402:development. 400: 399:Dave Van Ronk 395: 390: 386: 382: 381:Charlie Poole 377: 373: 367: 364: 357: 352: 349: 345: 341: 340: 335: 311: 310: 304: 303: 302: 300: 299: 288: 286: 282: 278: 274: 270: 265: 263: 259: 255: 251: 247: 243: 238: 236: 231: 227: 223: 219: 215: 207: 198: 193: 190: 187: 184: 181: 179:Robin Remaily 178: 175: 173:Richard Tyler 172: 169: 166: 164: 161: 158: 156: 153: 151: 148: 147: 145: 139: 135: 129: 126: 123: 120: 119: 117: 113: 110: 106: 102: 98: 94: 90: 86: 83: 79: 75: 69: 66: 62: 58: 55: 51: 48: 44: 40: 36: 33: 29: 22: 19: 4987: 4964: 4958:Compilations 4946: 4941:Live in 1965 4939: 4921: 4914: 4907: 4900: 4893: 4886: 4879: 4872: 4865: 4847: 4840: 4829: 4742:November 17, 4740:. 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