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256:, Dr. Jano, a participant in the conference and hotel guest, rubs up sexually against Amalia. She is upset but takes his inappropriate action as a sign that her Catholic faith has given her a mission: to save Dr. Jano from such inappropriate behavior. Afterward, the married middle-aged doctor becomes the object of Amalia's desire and she begins to spy on him. Amalia's story is partly about an adolescent girl's discovery of her sexual vulnerability and the sexual power she possesses.
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Film critic Ruthe Stein wrote, "Martel is especially good at capturing a claustrophobic environment, and she wisely leaves ambiguous the question of the doctor's complicity in Amalia's frenzied state. He fails to recognize her when she starts stalking him -- an indication of the randomness of the act
327:
Writer and director
Lucrecia Martel said, "The film isn't strictly autobiographical, but what I put in it is my personal experience in life, my memories. When I was in my teens, I was a very religious person. I thought I had a special relationship with God, or anything that was up there. Now, I don't
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wrote, " reveals the style, insight and confidence that are the marks of a major director." He also said of director Martel, " a subtle artist and a sharp observer, Martel manages a large cast with an ease that matches her skill at storytelling, within which psychological insight and social comment
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called the film an "elusive, feverish and altogether amazing second feature..." He also liked Martel's artistic directorial approach to films, and wrote, "Her visual style is similarly oblique, as she frames her characters through half-opened doors, at odd angles and in asymmetrical close-ups. To a
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At the Hotel Termas, a dilapidated
Argentine hotel in the small town of La Ciénaga, teenage girls and best friends Amalia and Josefina begin to explore their burgeoning sexuality while being fervently Catholic. Amalia lives with her attractive divorced mother, who owns the hotel, and her uncle
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degree that is sometimes disorienting, Ms. Martel explores the mysteries of the senses. They are our instruments for knowing ourselves, each other and the world, but they also mislead us, bringing pain, pleasure and confusion in equal measure."
444:, based on 62 reviews. The site's critics consensus reads, "This provocative, lyrical drama mixes themes of forbidden sexuality and redemptive faith with a touch of humanism in a memorable, if disorienting, visual style." On
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490:: Silver Condor; Best Cinematography, Félix Monti; Best Costume Design, Julio Suárez; Best New Actress, María Alche; Best Supporting Actress, Julieta Zylberberg; 2005.
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believe in miracles, but I do believe in the emotion you feel in front of a miracle - the emotion of something unexpected revealed to you."
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A medical conference converges at the hotel. One day, in the midst of a large crowd watching the performance of a musician playing the
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448:, it has a weighted average score of 75 out of 100 based on reviews from 22 critics, indicating "generally favorable".
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The film first opened in
Argentina on 6 May 2004. It was selected for competition and featured internationally at the
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Freddy. During this time, in Amalia's mind, spiritual and sexual impulses are getting mixed up with each other.
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465:: Clarin Award; Best Director, Lucrecia Martel; Best New Film Actress, Julieta Zylberberg; 2004.
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or transition shots in order to physically separate a space from its moment in the film.
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The film was also shown at various film festivals, including: the
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471:: Critics Award, Honorable Mention, Lucrecia Martel; 2004.
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607:"Interview with Lucrecia Martel: The Nature of Water"
760:"Hong Kong International Film Festival 47th Edition"
1015:"Five Things You Didn't Know about Lucrecia Martel"
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843:"The Holy Girl (2004) Awards & Festivals"
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437:done to the accompaniment of a theremin."
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384:In the United States it premiered at the
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232:. The film was executively produced by
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484:: Golden Palm, Lucrecia Martel; 2004.
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379:Reykjavík International Film Festival
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367:Helsinki International Film Festival
654:"Festival de Cannes: The Holy Girl"
390:Seattle International Film Festival
363:Toronto International Film Festival
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624:Matheou, Demetrios (14 May 2018).
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1231:Films directed by Lucrecia Martel
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931:"FILM CLIPS / Also opening today"
784:Brooks, Brian (12 October 2005).
590:. 25 January 2005. Archived from
317:Manuel Schaller as Thermin player
311:Mónica Villa as Madre de Josefina
1226:2000s coming-of-age drama films
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338:The film was shot entirely in
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506:List of Spanish films of 2004
433:flow easily and implicitly."
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1291:2000s Spanish-language films
929:Stein, Ruthe (13 May 2005).
555:"Film #22266: La niña santa"
388:on 10 October 2004, and the
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1236:Argentine independent films
679:"Holy Girl / La nina santa"
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463:Clarin Entertainment Awards
314:Leandro Stivelman as Julian
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398:limited theatrical release
359:Karlovy Vary Film Festival
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352:2004 Cannes Film Festival
308:Alejo Mango as Dr. Cuesta
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35:Theatrical release poster
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1221:2004 independent films
817:Film at Lincoln Center
386:New York Film Festival
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146:Cinemien (Netherlands)
140:Alfa Films (Argentina)
1276:2000s Argentine films
611:Combustible Celluloid
582:"Sex and the saintly"
284:María Alché as Amalia
279:Alejandro Urdapilleta
159:16 May 2004
81:Alejandro Urdapilleta
1271:Films about religion
482:Cannes Film Festival
371:London Film Festival
299:Marta Lubos as Mirta
144:Wanda Vision (Spain)
142:Teodora Film (Italy)
1286:2000s Italian films
1281:2000s Spanish films
1261:Films set in hotels
712:. 22 September 2004
658:festival-cannes.com
18:2004 Argentine film
1172:The Headless Woman
1142:Films directed by
879:The New York Times
872:(9 October 2004).
414:The New York Times
411:, film critic for
404:Critical reception
400:on 29 April 2005.
394:Fine Line Features
288:Julieta Zylberberg
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906:"'The Holy Girl'"
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425:, critic for the
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1107:(in Spanish)
1099:film trailer
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1090:(in Spanish)
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1022:. Retrieved
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916:the original
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870:Scott, A. O.
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333:establishing
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303:Arturo Goetz
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221:) is a 2004
209:
208:
207:
176:Running time
152:Release date
63:Lita Stantic
15:
663:30 November
476:Nominations
354:on 16 May.
294:Mía Maestro
290:as Josefina
275:as Dr. Jano
194:Netherlands
180:106 minutes
93:Félix Monti
84:María Alche
59:Produced by
41:Directed by
1211:2004 films
1205:Categories
1156:La Ciénaga
993:Metacritic
630:BFI.org.uk
512:References
446:Metacritic
409:A.O. Scott
396:gave it a
377:, and the
323:Background
163:2004-05-16
118:Production
51:Written by
888:0362-4331
791:IndieWire
709:IndieWire
683:kviff.com
281:as Freddy
269:as Helena
223:Argentine
188:Argentina
185:Countries
120:companies
99:Edited by
1188:Chocobar
1060:AllMovie
1024:23 March
999:23 March
972:21 March
942:21 March
854:23 March
848:mubi.com
822:23 March
797:23 March
769:23 March
744:23 March
716:23 March
688:23 March
635:23 March
566:15 April
495:See also
254:theremin
199:Language
126:El Deseo
109:Music by
69:Starring
1104:YouTube
560:Lumiere
346:Release
296:as Inés
215:Spanish
202:Spanish
161: (
1183:(2017)
1175:(2008)
1167:(2004)
1159:(2001)
886:
452:Awards
373:, the
369:, the
365:, the
361:, the
1191:(TBA)
340:Salta
226:drama
192:Spain
190:Italy
1180:Zama
1049:IMDb
1026:2023
1001:2023
974:2023
944:2023
884:ISSN
856:2023
824:2023
799:2023
771:2023
746:2023
718:2023
690:2023
665:2009
637:2023
568:2021
457:Wins
260:Cast
244:Plot
1102:on
1085:at
1069:at
1058:at
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538:at
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Text is available under the Creative Commons Attribution-ShareAlike License. Additional terms may apply.
