664:
is their jailer, they steal his keys, unlock their cell and, after locking him inside, attempt to flee. BĂ©gearss and soldiers appear to prevent their escape with the Queen, and BĂ©gearss viciously announces that
Wilhelm will be executed as well for his failure. Figaro denounces BĂ©gearss to the revolutionaries, revealing that he has kept the necklace rather than using it to feed the poor, and is backed up by Wilhelm. BĂ©gearss is arrested as a traitor to the Revolution and dragged off, the Almavivas leave and Beaumarchais, after bidding a fond farewell to his favorite creation (i.e. Figaro), is left with the keys to the Queen's cell and proceeds to complete his plan. But the Queen refuses to let Beaumarchais alter the course of history; the power of his love has helped her to accept her fate and he has, in fact, freed her from her own fear and grief which have kept her as a ghost on Earth and she is now free to declare her own love for Beaumarchais. Events proceed: the Queen is executed; Figaro, Susanna and the Almavivas escape to America; and Marie Antoinette and Beaumarchais are united in Paradise.
631:. Figaro appears, chased by his wife Susanna, his employer Count Almaviva, his many creditors and quite a lot of women claiming he is the father of their children. Figaro, now aging but still as wily and clever as ever, lists his many achievements in a lengthy aria. Meanwhile, Count Almaviva is engaged in a secret plan to sell Marie Antoinette's jeweled necklace to the English ambassador to buy the Queen's freedom. The Count, Beaumarchais explains, is estranged from his wife Rosina due to her affair, years earlier with Cherubino. Though Cherubino is now dead, Rosina bore him a son, Léon. Léon wants to marry Florestine, Almaviva's illegitimate daughter (by a lady of the Court well-known to Marie Antoinette, according to Beaumarchais), but the Count has forbidden the union as retribution for his wife's infidelity and has promised Florestine instead to his friend Patrick Honoré Bégearss.
1494:
2001:
643:
lovers sing a rapturous duet, echoed by
Beaumarchais and Marie Antoinette, who nearly kiss. They are interrupted by the King, who, enraged, challenges Beaumarchais to a duel. After a brief bit of swordplay, the King runs Beaumarchais through, but the wound has no effect because they are all already dead. The Ghosts find this hilarious, and have great fun stabbing each other.
697:
in 1992 and a
Constant Linear Velocity (CLV) LaserDisc of the same performance. The LaserDisc, published by Deutsche Grammophon, also includes a monochrome printed libretto. The LaserDisc version of the opera provides a digital sound track plus enhanced video resolution over the VHS recording. Graham
663:
In prison, the Count realizes his foolishness and becomes reconciled with his wife, Florestine and LĂ©on. Beaumarchais and Figaro arrive at the prison to try to rescue the
Almavivas, but it is the Countess, Susanna and Florestine who come up with a plan: using their feminine wiles on poor Wilhelm, who
638:
The Queen is still depressed, and
Beaumarchais explains his intentions: Figaro will thwart the villains, the young lovers will be allowed to marry, and she herself will be freed and put on a ship bound for the New World, where he, Beaumarchais, will be waiting to entertain her. The King takes offense
617:
The ghosts of the court of Louis XVI arrive at the theatre of
Versailles. Bored and listless, even the King is uninterested when Beaumarchais arrives and declares his love for the Queen. As Marie Antoinette is too haunted by her execution to reciprocate his love, Beaumarchais announces his intention
659:
The Count, swayed by his wife's wishes, rescinds his offer to BĂ©gearss of his daughter's hand. Even though Figaro gives him the necklace, BĂ©gearss is enraged and sends the
Spaniards to the prison where Marie Antoinette lingers. Because of his entering the opera, Beaumarchais' powers are gone and he
655:
Beaumarchais sets up the beginning of the second act. Figaro returns, but to
Beaumarchais' shock and the amusement of the Ghosts defies Beaumarchais's intention that he return the necklace to the queen, as he wants to sell it to help the Almavivas escape. To put the story back on course and despite
231:
as
Beaumarchais. However, the production was canceled in 2008 because the weakened US economy at the time required the cutting of costs instead of launching an expensive production like this. The Metropolitan Opera's 1991 production was streamed online on June 11, October 31, and December 13, 2020.
646:
Beaumarchais changes the scene to the
Turkish embassy, to a wild party thrown by the Turkish ambassador Suleyman Pasha. BĂ©gearss readies his men to arrest the Count, but Figaro intercepts the plot by infiltrating the party dressed as a dancing girl. During the outrageous performance of the Turkish
642:
The Countess pleads with the Count on LĂ©on's and Florestine's behalf, "aided" hypocritically (and therefore uselessly) by BĂ©gearss, but the Count spurns her. Beaumarchais then enchants the Queen with a flashback, twenty years earlier, to Rosina's affair with Cherubino. In a beautiful garden, the
634:
Figaro and Susanna enrage the Count by warning him that the trusted BĂ©gearss is in fact a revolutionary spy. Figaro is fired, but overhears BĂ©gearss and his dimwitted servant Wilhelm hatching a plot to arrest the Count that evening at the Turkish embassy when he sells the Queen's necklace to the
678:
wrote that "many still differ as to whether 'Ghosts' has lived up to the hype and expense of its 1991 premiere at the Metropolitan Opera. But I love it, and I think it has a shot at immortality. It’s comic and serious, entertaining and erudite, silly and thoughtful, emotional and mysterious,
702:
for his performance as BĂ©gearss in this video. This recording was re-released on DVD on September 21, 2010, as part of the James Levine 40th anniversary DVD box set. It, like the other DVDs in the set, is now available separately. The enhanced video is also available for streaming with a
270:. This was a co-production with Cháteau de Versailles Spectacles, with a cast largely drawn from members of the Glimmerglass Young Artists program. It was presented again in December, 2019, at the Royal Opera in Versailles, and video-recorded.
211:
orchestra to make it suitable for performances in small houses. The world and European première performances of this version took place the following year with co-productions at OTSL and Wexford Festival Opera respectively.
195:
staged the opera in the 1995/1996 season in the first performances outside of the Metropolitan Opera, in a lightly revised version that cut some expensive aspects of the Met's production, including an onstage orchestra.
130:
had commissioned the work from Corigliano in 1980 in celebration of its 100th anniversary, with the premiere scheduled for 1983. Corigliano and Hoffman took as the starting point for the opera the 1792 play
145:. They took seven years to complete the opera, past the initial deadline. The opera received its premiere on December 19, 1991, at the Metropolitan Opera, with the production directed by
1862:
609:. When things go awry, Beaumarchais himself enters the opera and – with the invaluable help of Figaro and his wife Susanna – attempts to rescue the queen.
2031:
2041:
1054:
924:
895:
838:
813:
785:
719:
679:
harrowing and uplifting, intimate and over-the-top – and the more times you see it, the more you’ll find in it and the more you’ll get out of it."
656:
the danger to himself, Beaumarchais enters the opera and shocks Figaro into submission by forcing him to witness the unfair trial of Marie.
2051:
987:
647:
singer Samira, Figaro steals the necklace from the Count before the sale can take place and runs away, hotly pursued by everybody else.
1271:
1528:
1497:
1761:
1289:
1113:
1089:
723:
1204:
1794:
1649:
2046:
1844:
1836:
1820:
1800:
1701:
1677:
1633:
1625:
1617:
1597:
1564:
867:
1100:
2026:
693:
1010:
582:, although described by Beaumarchais as a new composition) using the characters and situations from his first two
236:
1641:
2036:
1956:
1363:
963:
743:
1736:
1264:
627:
20:
1547:
1521:
594:
200:
1219:
583:
1445:
1351:
1334:
1328:
1322:
1177:
263:'s 2015 season. The work was performed by the Miami Music Festival as part of their Summer 2018 season.
1991:
1357:
1948:
715:
1189:
1670:
1257:
711:
184:
style. Commentators have noted how the opera satirises and parodies accepted operatic conventions.
176:
Corigliano considers this work a "grand opera buffa" because it incorporates both elements of the
1964:
1514:
260:
1506:
1753:
1422:
1378:
204:
192:
1972:
1940:
1720:
1572:
1438:
710:
In April 2016, an audio recording of the Los Angeles Opera's 2015 production was released by
625:
The cast of the opera-within-the-opera is introduced. It is twenty years after the events of
336:
267:
2021:
1385:
555:
504:
387:
162:
1074:
8:
1537:
1455:
704:
446:
329:
319:
248:
154:
142:
73:
1902:
215:
The opera was supposed to be revived at the Metropolitan Opera in 2010. General Manager
1481:
1430:
1406:
1370:
1224:
1160:
590:
127:
123:
94:
48:
1885:
1685:
1591:
1463:
1017:
674:
606:
451:
240:
220:
137:
67:
1787:
1152:
809:
755:
602:
567:
302:
244:
224:
660:
is weakened and unable to prevent the arrest, but he and Figaro manage to escape.
372:
266:
A new production directed by Jay Lesenger was mounted in July 2019 as part of the
158:
149:. The premiere run of seven performances was sold out. The original cast included
2056:
1780:
1693:
1280:
1143:
951:
891:
687:
Up until recently, the only recordings were a VHS of a televised production from
478:
426:
359:
115:
38:
1414:
312:
228:
150:
2015:
1828:
491:
439:
400:
354:
208:
170:
1241:
2005:
781:
601:
from Spain. Together with his trusty manservant Figaro, he tries to rescue
571:
344:
294:
256:
252:
166:
146:
1031:
1178:"The Met Celebrates the 40th Anniversary of James Levine's Company Debut"
181:
177:
1091:
THE GLIMMERGLASS FESTIVAL RELEASES DETAILS OF 2019 SEASON, May 30, 2019.
699:
598:
575:
413:
284:
216:
207:
in Ireland engaged composer John David Earnest to rework the score for
180:
style (large chorus numbers, special effects) and the silliness of the
1164:
559:
551:
173:. The Metropolitan Opera revived the opera in the 1994/1995 season.
1156:
324:
119:
1249:
1536:
1137:
Croissant, Charles (March 1994). "Video Review: John Corigliano,
307:
563:
382:
111:
34:
2000:
688:
1989:
618:
to change her fate through the plot of his new opera
19:For alleged supernatural events at Versailles, see
814:"For the Met's Centennial, A Gathering of Ghosts"
578:Beaumarchais stages an opera (obviously based on
2013:
922:
865:
808:
2032:Opera world premieres at the Metropolitan Opera
1933: Opera
1895: Opera
1114:"Opera 'Ghosts of Versailles' may live forever"
1052:
890:
1522:
1265:
2042:Operas based on works by Pierre Beaumarchais
836:
780:
1529:
1515:
1272:
1258:
1055:"MMF delivers a triumphant performance of
786:"Rushing in Where Copland Feared to Tread"
714:(PTC 5186538, a 2-SACD album). It won the
1180:, The Metropolitan Opera (10 August 2010)
1136:
843:Will Be Disembodied Until 1994–95 Season"
199:In 2008, on Corigliano's recommendation,
776:
774:
1762:The Crazy Day or The Marriage of Figaro
1102:Glimmerglass blog post, April 24, 2020.
2014:
1111:
259:. The chamber version was part of the
223:to play the part of Samira, alongside
187:
1932:
1894:
1510:
1253:
1032:"Ghosts15 Archives – Wolf Trap Opera"
771:
925:"At the Met, Ghosts Come to Applaud
900:Fills The Tumbrels With Conventions"
243:in a full-scale production starring
2052:Operas set in the French Revolution
1650:Adventures of the Barber of Seville
1279:
923:Edward Rothstein (5 January 1992).
868:"A Young Opera Heavy With the Past"
13:
672:In 2015, Richard S. Ginell of the
14:
2068:
1702:The Cat Above and the Mouse Below
1235:
1112:Ginell, Richard S. (2015-02-09).
1053:Lawrence Budmen (July 28, 2018).
866:Edward Rothstein (5 April 1995).
570:, who is upset about having been
1999:
1863:Fantasy on Themes from Mozart's
1795:Sull'aria...che soave zeffiretto
1493:
1492:
837:Allan Kozinn (13 January 1992).
720:Best Engineered Album, Classical
1856: Related
1213:
1198:
1183:
1171:
1130:
1105:
1094:
1083:
1046:
1029:
1023:
1004:
748:
736:
694:The Metropolitan Opera Presents
16:English-language American opera
1063:South Florida Classical Review
980:
956:
952:John David Earnest – Biography
945:
916:
884:
859:
830:
802:
744:Affair of the Diamond Necklace
1:
1389:for Saxophonist and Orchestra
1208:, Pentatone recording details
988:"Opera Streams: Weekly Guide"
682:
764:
729:
667:
201:Opera Theatre of Saint Louis
7:
1080:, Miami Music Festival 2018
698:Clark was nominated for an
562:. In order to cheer up the
545:
114:in two acts, with music by
10:
2073:
84:19 December 1991
18:
2047:Operas by John Corigliano
1957:Figaro läßt sich scheiden
1925:
1883:
1855:
1812:
1772:
1745:
1734:
1712:
1660:
1609:
1583:
1556:
1545:
1490:
1474:
1398:
1344:
1315:
1296:
1287:
79:
62:
54:
44:
33:
28:
21:Moberly–Jourdain incident
1911:The Ghosts of Versailles
1681:(Woody Woodpecker, 1944)
1671:Our Gang Follies of 1938
1305:The Ghosts of Versailles
1244:The Ghosts of Versailles
1206:The Ghosts of Versailles
1191:The Ghosts of Versailles
1139:The Ghosts of Versailles
1012:The Ghosts of Versailles
898:The Ghosts of Versailles
707:subscription or rental.
650:
612:
273:
227:as Marie Antoinette and
107:The Ghosts of Versailles
29:The Ghosts of Versailles
2027:English-language operas
1965:The Abduction of Figaro
1568:(Paisiello, 1782 opera)
1565:Il barbiere di Siviglia
1076:The Gosts of Versailles
550:The opera is set in an
261:Wolf Trap Opera Company
235:The work was given its
1845:The Marriage of Figaro
1837:The Marriage of Figaro
1821:The Marriage of Figaro
1802:The Marriage of Figaro
1754:The Marriage of Figaro
1737:The Marriage of Figaro
1195:, Met Opera on Demand.
628:The Marriage of Figaro
205:Wexford Festival Opera
193:Lyric Opera of Chicago
2037:Operas based on plays
1973:Figaro Gets a Divorce
1705:(Tom and Jerry, 1964)
1678:The Barber of Seville
1642:Le Barbier de SĂ©ville
1634:The Barber of Seville
1626:The Barber of Seville
1618:The Barber of Seville
1599:The Barber of Seville
1576:(Rossini, 1816 opera)
1573:The Barber of Seville
1548:The Barber of Seville
1220:"Grammy Winners 2017"
591:opera-within-an-opera
268:Glimmerglass Festival
1757:(Mozart, 1786 opera)
1290:List of compositions
1078:, production details
1057:Ghosts of Versailles
1014:, production details
894:(31 December 1991).
812:(21 December 1991).
784:(15 December 1991).
724:Best Opera Recording
635:English ambassador.
620:A Figaro for Antonia
239:premiere in 2015 at
219:had already invited
1538:Pierre Beaumarchais
1456:The Mannheim Rocket
754:For that name, see
705:Met Opera on Demand
574:, the ghost of the
533:English Ambassador
410:coloratura soprano
249:Christopher Maltman
188:Performance history
143:Pierre Beaumarchais
74:Pierre Beaumarchais
1952:(Mercadante, 1835)
1914:(Corigliano, 1991)
1689:(Bugs Bunny, 1950)
1482:Corigliano Quartet
1431:Campane di Ravello
1399:Other compositions
1371:Pied Piper Fantasy
1228:, 12 February 2017
1225:The New York Times
1193:, January 10, 1992
933:The New York Times
904:The New York Times
872:The New York Times
847:The New York Times
818:The New York Times
790:The New York Times
128:Metropolitan Opera
124:William M. Hoffman
95:Metropolitan Opera
49:William M. Hoffman
1987:
1986:
1983:
1982:
1968:(Schickele, 1984)
1921:
1920:
1886:The Guilty Mother
1879:
1878:
1730:
1729:
1686:Rabbit of Seville
1592:Largo al factotum
1540:'s Figaro Trilogy
1504:
1503:
1464:One Sweet Morning
1364:Clarinet Concerto
1242:US Opera page on
1147:. Second Series.
1118:Los Angeles Times
1034:. Wolf Trap Opera
1018:Los Angeles Opera
716:2017 Grammy Award
675:Los Angeles Times
607:French Revolution
554:existence of the
543:
542:
539:Philip Cokorinos
241:Los Angeles Opera
221:Kristin Chenoweth
138:The Guilty Mother
103:
102:
2064:
2004:
2003:
1995:
1930:
1929:
1903:La mère coupable
1892:
1891:
1743:
1742:
1554:
1553:
1531:
1524:
1517:
1508:
1507:
1496:
1495:
1274:
1267:
1260:
1251:
1250:
1229:
1217:
1211:
1202:
1196:
1187:
1181:
1175:
1169:
1168:
1151:(3): 1057–1058.
1134:
1128:
1127:
1125:
1124:
1109:
1103:
1098:
1092:
1087:
1081:
1072:
1070:
1069:
1050:
1044:
1043:
1041:
1039:
1027:
1021:
1020:, February 2015.
1008:
1002:
1001:
999:
998:
992:www.metopera.org
984:
978:
977:
975:
974:
968:www.metopera.org
960:
954:
949:
943:
942:
940:
939:
920:
914:
913:
911:
910:
888:
882:
881:
879:
878:
863:
857:
856:
854:
853:
834:
828:
827:
825:
824:
810:Edward Rothstein
806:
800:
799:
797:
796:
778:
758:
756:Nicolas Bergasse
752:
746:
740:
603:Marie Antoinette
580:La Mère coupable
568:Marie Antoinette
366:Countess Rosina
303:Marie Antoinette
291:19 December 1991
278:
277:
245:Patricia Racette
225:Angela Gheorghiu
133:La Mère coupable
91:
89:
68:La Mère coupable
26:
25:
2072:
2071:
2067:
2066:
2065:
2063:
2062:
2061:
2012:
2011:
2010:
1998:
1990:
1988:
1979:
1917:
1906:(Milhaud, 1966)
1875:
1851:
1808:
1781:Se vuol ballare
1768:
1726:
1708:
1694:Magical Maestro
1662:
1656:
1605:
1579:
1541:
1535:
1505:
1500:
1486:
1470:
1394:
1340:
1311:
1292:
1283:
1281:John Corigliano
1278:
1238:
1233:
1232:
1218:
1214:
1203:
1199:
1188:
1184:
1176:
1172:
1135:
1131:
1122:
1120:
1110:
1106:
1099:
1095:
1088:
1084:
1067:
1065:
1051:
1047:
1037:
1035:
1028:
1024:
1009:
1005:
996:
994:
986:
985:
981:
972:
970:
962:
961:
957:
950:
946:
937:
935:
921:
917:
908:
906:
892:Bernard Holland
889:
885:
876:
874:
864:
860:
851:
849:
835:
831:
822:
820:
807:
803:
794:
792:
779:
772:
767:
762:
761:
753:
749:
741:
737:
732:
685:
670:
653:
615:
597:is in Paris as
548:
485:Suleyman Pasha
479:Stella Zambalis
461:Woman in a Hat
456:James Courtney
427:Neil Rosenshein
394:Count Almaviva
360:Judith Christin
292:
290:
276:
255:, conducted by
190:
116:John Corigliano
99:
98:
92:
87:
85:
71:
39:John Corigliano
24:
17:
12:
11:
5:
2070:
2060:
2059:
2054:
2049:
2044:
2039:
2034:
2029:
2024:
2009:
2008:
1985:
1984:
1981:
1980:
1978:
1977:
1976:(Langer, 2016)
1969:
1961:
1953:
1945:
1944:(Carafa, 1820)
1936:
1934:
1927:
1923:
1922:
1919:
1918:
1916:
1915:
1907:
1898:
1896:
1889:
1881:
1880:
1877:
1876:
1874:
1873:
1859:
1857:
1853:
1852:
1850:
1849:
1841:
1833:
1825:
1816:
1814:
1810:
1809:
1807:
1806:
1798:
1791:
1788:Non piĂą andrai
1784:
1776:
1774:
1770:
1769:
1767:
1766:
1765:(2004 musical)
1758:
1749:
1747:
1740:
1732:
1731:
1728:
1727:
1725:
1724:
1716:
1714:
1710:
1709:
1707:
1706:
1698:
1690:
1682:
1674:
1666:
1664:
1658:
1657:
1655:
1654:
1646:
1638:
1630:
1622:
1613:
1611:
1607:
1606:
1604:
1603:
1595:
1587:
1585:
1581:
1580:
1578:
1577:
1569:
1560:
1558:
1551:
1543:
1542:
1534:
1533:
1526:
1519:
1511:
1502:
1501:
1491:
1488:
1487:
1485:
1484:
1478:
1476:
1472:
1471:
1469:
1468:
1460:
1452:
1447:The Red Violin
1443:
1435:
1427:
1419:
1415:Altered States
1411:
1402:
1400:
1396:
1395:
1393:
1392:
1383:
1375:
1367:
1361:
1355:
1352:Piano Concerto
1348:
1346:
1342:
1341:
1339:
1338:
1335:Symphony No. 3
1332:
1329:Symphony No. 2
1326:
1323:Symphony No. 1
1319:
1317:
1313:
1312:
1310:
1309:
1300:
1298:
1294:
1293:
1288:
1285:
1284:
1277:
1276:
1269:
1262:
1254:
1248:
1247:
1237:
1236:External links
1234:
1231:
1230:
1212:
1197:
1182:
1170:
1157:10.2307/898596
1129:
1104:
1093:
1082:
1045:
1022:
1003:
979:
955:
944:
915:
883:
858:
829:
801:
769:
768:
766:
763:
760:
759:
747:
734:
733:
731:
728:
684:
681:
669:
666:
652:
649:
614:
611:
595:Count Almaviva
547:
544:
541:
540:
537:
534:
530:
529:
528:Richard Drews
526:
523:
519:
518:
517:Wilbur Pauley
515:
512:
508:
507:
502:
499:
495:
494:
489:
486:
482:
481:
476:
475:mezzo-soprano
473:
469:
468:
465:
464:mezzo-soprano
462:
458:
457:
454:
449:
443:
442:
437:
436:mezzo-soprano
434:
430:
429:
424:
421:
417:
416:
411:
408:
404:
403:
398:
395:
391:
390:
385:
380:
376:
375:
370:
367:
363:
362:
357:
352:
348:
347:
342:
339:
333:
332:
330:HĂĄkan HagegĂĄrd
327:
322:
316:
315:
313:Teresa Stratas
310:
305:
299:
298:
289:Premiere cast,
287:
282:
275:
272:
229:Thomas Hampson
189:
186:
155:HĂĄkan HagegĂĄrd
151:Teresa Stratas
118:to an English
101:
100:
93:
83:
81:
77:
76:
64:
60:
59:
56:
52:
51:
46:
42:
41:
31:
30:
15:
9:
6:
4:
3:
2:
2069:
2058:
2055:
2053:
2050:
2048:
2045:
2043:
2040:
2038:
2035:
2033:
2030:
2028:
2025:
2023:
2020:
2019:
2017:
2007:
2002:
1997:
1996:
1993:
1975:
1974:
1970:
1967:
1966:
1962:
1960:(Klebe, 1963)
1959:
1958:
1954:
1951:
1950:
1946:
1943:
1942:
1938:
1937:
1935:
1931:
1928:
1924:
1913:
1912:
1908:
1905:
1904:
1900:
1899:
1897:
1893:
1890:
1888:
1887:
1882:
1871:
1870:
1866:
1861:
1860:
1858:
1854:
1847:
1846:
1842:
1839:
1838:
1834:
1831:
1830:
1826:
1823:
1822:
1818:
1817:
1815:
1811:
1805:
1803:
1799:
1796:
1792:
1789:
1785:
1782:
1778:
1777:
1775:
1771:
1764:
1763:
1759:
1756:
1755:
1751:
1750:
1748:
1744:
1741:
1739:
1738:
1733:
1722:
1718:
1717:
1715:
1711:
1704:
1703:
1699:
1696:
1695:
1691:
1688:
1687:
1683:
1680:
1679:
1675:
1673:
1672:
1668:
1667:
1665:
1659:
1652:
1651:
1647:
1644:
1643:
1639:
1636:
1635:
1631:
1628:
1627:
1623:
1620:
1619:
1615:
1614:
1612:
1608:
1602:
1600:
1596:
1593:
1589:
1588:
1586:
1582:
1575:
1574:
1570:
1567:
1566:
1562:
1561:
1559:
1555:
1552:
1550:
1549:
1544:
1539:
1532:
1527:
1525:
1520:
1518:
1513:
1512:
1509:
1499:
1489:
1483:
1480:
1479:
1477:
1473:
1466:
1465:
1461:
1458:
1457:
1453:
1450:
1448:
1444:
1441:
1440:
1436:
1433:
1432:
1428:
1425:
1424:
1420:
1417:
1416:
1412:
1409:
1408:
1404:
1403:
1401:
1397:
1390:
1388:
1384:
1381:
1380:
1376:
1373:
1372:
1368:
1365:
1362:
1359:
1358:Oboe Concerto
1356:
1353:
1350:
1349:
1347:
1343:
1336:
1333:
1330:
1327:
1324:
1321:
1320:
1318:
1314:
1307:
1306:
1302:
1301:
1299:
1295:
1291:
1286:
1282:
1275:
1270:
1268:
1263:
1261:
1256:
1255:
1252:
1246:
1245:
1240:
1239:
1227:
1226:
1221:
1216:
1209:
1207:
1201:
1194:
1192:
1186:
1179:
1174:
1166:
1162:
1158:
1154:
1150:
1146:
1145:
1140:
1133:
1119:
1115:
1108:
1101:
1097:
1090:
1086:
1079:
1077:
1064:
1060:
1058:
1049:
1033:
1026:
1019:
1015:
1013:
1007:
993:
989:
983:
969:
965:
959:
953:
948:
934:
930:
928:
919:
905:
901:
899:
893:
887:
873:
869:
862:
848:
844:
842:
833:
819:
815:
811:
805:
791:
787:
783:
777:
775:
770:
757:
751:
745:
739:
735:
727:
725:
721:
717:
713:
708:
706:
701:
696:
695:
690:
680:
677:
676:
665:
661:
657:
648:
644:
640:
636:
632:
630:
629:
623:
621:
610:
608:
604:
600:
596:
592:
587:
585:
581:
577:
573:
569:
565:
561:
557:
553:
538:
535:
532:
531:
527:
524:
521:
520:
516:
513:
510:
509:
506:
503:
500:
497:
496:
493:
492:Ara Berberian
490:
487:
484:
483:
480:
477:
474:
471:
470:
467:Jane Shaulis
466:
463:
460:
459:
455:
453:
450:
448:
445:
444:
441:
440:Marilyn Horne
438:
435:
432:
431:
428:
425:
422:
419:
418:
415:
412:
409:
406:
405:
402:
401:Peter Kazaras
399:
396:
393:
392:
389:
386:
384:
381:
378:
377:
374:
373:Renée Fleming
371:
368:
365:
364:
361:
358:
356:
355:mezzo-soprano
353:
350:
349:
346:
343:
340:
338:
335:
334:
331:
328:
326:
323:
321:
318:
317:
314:
311:
309:
306:
304:
301:
300:
296:
288:
286:
283:
280:
279:
271:
269:
264:
262:
258:
254:
250:
246:
242:
238:
233:
230:
226:
222:
218:
213:
210:
206:
202:
197:
194:
185:
183:
179:
174:
172:
171:Marilyn Horne
168:
164:
160:
159:Renée Fleming
156:
152:
148:
144:
140:
139:
134:
129:
125:
121:
117:
113:
109:
108:
96:
82:
78:
75:
70:
69:
65:
61:
57:
53:
50:
47:
43:
40:
36:
32:
27:
22:
1971:
1963:
1955:
1949:I due Figaro
1947:
1941:I due Figaro
1939:
1910:
1909:
1901:
1884:
1869:Don Giovanni
1868:
1864:
1843:
1835:
1827:
1819:
1801:
1760:
1752:
1735:
1700:
1692:
1684:
1676:
1669:
1648:
1640:
1632:
1624:
1616:
1598:
1571:
1563:
1546:
1462:
1454:
1449:(soundtrack)
1446:
1437:
1429:
1421:
1413:
1405:
1386:
1377:
1369:
1304:
1303:
1243:
1223:
1215:
1205:
1200:
1190:
1185:
1173:
1148:
1142:
1138:
1132:
1121:. Retrieved
1117:
1107:
1096:
1085:
1075:
1066:. Retrieved
1062:
1056:
1048:
1036:. Retrieved
1025:
1011:
1006:
995:. Retrieved
991:
982:
971:. Retrieved
967:
958:
947:
936:. Retrieved
932:
926:
918:
907:. Retrieved
903:
897:
886:
875:. Retrieved
871:
861:
850:. Retrieved
846:
840:
832:
821:. Retrieved
817:
804:
793:. Retrieved
789:
782:Allan Kozinn
750:
738:
709:
692:
686:
673:
671:
662:
658:
654:
645:
641:
637:
633:
626:
624:
619:
616:
589:In this new
588:
584:Figaro plays
579:
549:
522:The Marquis
514:spoken role
388:Graham Clark
345:Gino Quilico
320:Beaumarchais
295:James Levine
293:(Conductor:
265:
257:James Conlon
253:Patti LuPone
234:
214:
198:
191:
175:
167:Gino Quilico
163:Graham Clark
147:Colin Graham
136:
132:
106:
105:
104:
66:
2022:1991 operas
1804:discography
1601:discography
839:"Why Met's
505:Kevin Short
407:Florestine
203:(OTSL) and
182:opera buffa
178:grand opera
2016:Categories
1721:The Barber
1661:Shorts and
1423:Revolution
1316:Symphonies
1123:2020-02-11
1068:2018-10-22
997:2020-10-28
973:2020-10-28
938:2008-06-20
909:2008-06-20
877:2008-06-20
852:2008-06-20
823:2008-06-20
795:2008-06-20
742:See also:
700:Emmy Award
683:Recordings
599:ambassador
576:playwright
556:Versailles
472:Cherubino
414:Tracy Dahl
285:Voice type
237:West Coast
217:Peter Gelb
97:, New York
88:1991-12-19
45:Librettist
1663:animation
1387:Triathlon
1345:Concertos
1210:May 2016.
964:"Week 13"
765:Citations
730:Footnotes
712:Pentatone
668:Reception
639:at this.
605:from the
560:Louis XVI
558:court of
552:afterlife
501:baritone
447:Louis XVI
379:BĂ©gearss
341:baritone
1723:" (1993)
1498:Category
1439:Vocalise
1379:Conjurer
1038:16 April
722:and for
572:beheaded
546:Synopsis
511:Wilhelm
369:soprano
351:Susanna
325:baritone
120:libretto
80:Premiere
63:Based on
55:Language
1926:Related
1872:(Liszt)
1713:Related
1475:Related
498:Joseph
433:Samira
308:soprano
209:chamber
86: (
58:English
2057:Operas
1992:Portal
1865:Figaro
1848:(1960)
1840:(1949)
1832:(1929)
1829:Figaro
1824:(1920)
1697:(1952)
1653:(1954)
1645:(1948)
1637:(1947)
1629:(1938)
1621:(1904)
1467:(2010)
1459:(2000)
1451:(1999)
1442:(1999)
1434:(1987)
1426:(1985)
1418:(1980)
1410:(1965)
1391:(2020)
1382:(2007)
1374:(1982)
1366:(1977)
1360:(1975)
1354:(1968)
1337:(2004)
1331:(2000)
1325:(1989)
1308:(1991)
1165:898596
1163:
927:Ghosts
841:Ghosts
525:tenor
423:tenor
397:tenor
337:Figaro
169:, and
126:. The
110:is an
2006:Opera
1773:Music
1746:Stage
1584:Music
1557:Stage
1407:Elegy
1297:Opera
1161:JSTOR
1144:Notes
1030:Kim.
651:Act 2
613:Act 1
564:ghost
536:bass
488:bass
420:LĂ©on
383:tenor
281:Role
274:Roles
141:) by
112:opera
35:Opera
1867:and
1813:Film
1610:Film
1040:2016
718:for
452:bass
251:and
1153:doi
1141:".
689:PBS
566:of
122:by
72:by
37:by
2018::
1222:,
1159:.
1149:50
1116:.
1073:;
1061:.
1016:,
990:.
966:.
931:.
902:.
870:.
845:.
816:.
788:.
773:^
726:.
691:'
622:.
593:,
586:.
297:)
247:,
165:,
161:,
157:,
153:,
1994::
1797:"
1793:"
1790:"
1786:"
1783:"
1779:"
1719:"
1594:"
1590:"
1530:e
1523:t
1516:v
1273:e
1266:t
1259:v
1167:.
1155::
1126:.
1071:.
1059:"
1042:.
1000:.
976:.
941:.
929:"
912:.
896:"
880:.
855:.
826:.
798:.
135:(
90:)
23:.
Text is available under the Creative Commons Attribution-ShareAlike License. Additional terms may apply.