929:, allowing later bands such as Dashboard Confessional to take much of the fan base that the Get Up Kids had previously earned. In an interview, Pryor confessed that he did not think that "anyone, including Vagrant, gave that record a chance". Even though they had avoided the term since its inception, it was at this point the band actively began trying to shed the term "emo", a word that had defined them for years but had come to be associated with more pop-oriented acts. Pryor commented on the album, saying "We really didn't give two shits if anyone liked the record or not, we were really confident that we were going to kill this 'emo' stigma that we had and take the people with open minds with us and leave everyone else in the dust."
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1024:, relationships between the band members continued to decline. The band's live shows had deteriorated, and Rob and Suptic had both threatened to quit multiple times. Finally, Matt Pryor had a breakdown in Australia from the stresses of being away from his newborn first child. "My daughter was 2 years old, and my oldest son was about 3 months away from being born, and I was in a really dark headspace about leaving," he reflected years later. "I needed a break just to be at home and ultimately... that's not what everyone else wanted. It was killing me."
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head when Ryan Pope confronted Pryor over his recent despondence, leading to a band meeting where Pryor confessed his desire to reduce his commitment to the rest of the group. After some discussion, the band agreed that their hearts were no longer in it and at the end of the tour they would quietly end the band. Once the tour ended, the band went on an unofficial hiatus, not playing as a group until the next
January, when they played a show at the
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1100:, a children's band that has released two albums on Vagrant Records. Regarding the decision to make a children's album directly after the split, Pryor said "I wanted to do it anyway because I have kids and I want to write songs for them, but nobody is going to be like 'this isn't as good as the old stuff.' It's immune to punk criticism." In July 2008, he refocused his efforts on a solo career with the release of
951:, a studio they renovated and went on to own with longtime producer Ed Rose. The writing process for the album was different from their past efforts, as most of the songs were written by only three of the band members. In the early stages of writing, Jim Suptic was on his honeymoon. James Dewees was involved in a difficult divorce, and much of his creative efforts inspired by those events went into the fourth
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Ryan Pope stayed behind to mix the album with Litt and Katis. The process became increasingly contentious, with Litt clashing with the band members. "There were some very questionable decisions in the mixing process. Engineering and tracking with Scott was hard for us, and then mixing with him was like, 'that's the reverb choice you're making on this snare? Which decade are we in?'"
551:. He convinced the band to sign to Vagrant instead, offering them $ 50,000 to record a second album, as well as their own imprint, Heroes & Villains Records. Reflecting on the decision in 2000, Rob Pope said, "...the more we thought about it, the more we realized that we wanted our band to have a career, not just one big shot where you put everything into one record."
718:; "Our musical tastes were expanding, and our songwriting reflected that. We were discovering older bands that were new to us," said Pryor in 2021. According to Rob Pope, "It was a weird time. We were a bunch of 19, 20, 21-year-old kids...It was this weird formative era where we were challenged by a totally different thing than
543:. The band made a decision to sign to Mojo, but before the contracts were signed, they began to have second thoughts. The main issue was over the label's insistence on owning merchandising rights, a large source of the band's income. Moreover, the band was insulted the label requested they re-record "Don't Hate Me" from
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After the Honda Civic tour ended, the band embarked on their world tour, including stops throughout Europe, Japan and
Australia. However, their live performance hit an all-time low, with Pryor sometimes refusing even to sing large portions of songs. At one tour date in England, the tensions came to a
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had been writing songs since he was a teenager, and was playing in a band called Secret
Decoder Ring. Following the demise of the two bands in 1995, the Get Up Kids were formed. The band originally planned on calling themselves the Suburban Get Up Kids until reasoning that there were fewer band names
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stated that the band had a significant impact on him and the rest of the band, saying "There should be a How To Be a Pop-Punk Kid starter kit with bands like Get Up Kids, so kids would know whose shoulders bands like us are standing on. Fall Out Boy would not be a band if it were not for The Get Up
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In the summer of 2009, they returned to Black Lodge studios to record their first new material in five years, recording twelve tracks intended to be released as three EPs over the course of a year. The band's reunion tour took place in Europe, followed by the US between mid-August and early
October
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quivers with the anxieties that must have arisen as the Get Up Kids left behind what originally made them. Straining vocals, racing tempos and walls of distortion give way to softer singing, spacious guitars and prominent keyboards . . . The Get Up Kids dig deeper into themselves. What they find is
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engineering. The band lived in the studio for the duration of the record, recording for four weeks. "It was freezing cold, and I don't think I left a one-block radius very often. It was kind of depressing," said Pope. Pryor had to leave after recording for the birth of his daughter, while Rob &
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This fractured approach to the writing process began to strain relationships in the band, at one point leading Suptic to consider quitting the band. Pryor drew lyrical inspiration from the lives of friends and people he knew, extracting stories of abuse, betrayal and guilt. The album's lyrics also
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Jim was starting to become more of a lead guitar player, we were thinking about it more. We were conceptualizing it more." The band spent a great deal more time than in the past demoing songs, eventually sending them to their manager Rich Egan, who was skeptical of the new sound. He told them "You
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in the country, selling over 140,000 copies after its release. Not only did the album make the Get Up Kids the poster children for emo, but it also launched the genre into a public consciousness broader than the scattered local scenes that had previously embraced it. The album gave
Vagrant Records
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The poor public reception of the album had a larger impact on the band's popularity as a whole. The band embarked on a tour to promote the album in the late spring soon after the album was released, only to find that they had far less support from both their fans and their record label. Using the
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said that "Along with bands like
Lifetime and Hot Water Music, The Get Up Kids developed a sound that was certainly responsible for the future of emo. These were the bands that picked up where Jawbreaker left off, and each in their own way contributed to shaping the future chart-topping genre."
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While the band was receiving rapidly increasing national and international attention, they became unhappy with
Doghouse Records' ability to keep up with the increasing popularity of the band. The Get Up Kids' announcement to leave Doghouse Records brought interest from prominent record labels
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Litt came to
Lawrence, Kansas to do extensive pre-production on the record, before going to Bridgeport, Connecticut in early February for the recording sessions at Litt's suggestion. The album was recorded at Tarquin Studios, with studio owner and later Grammy Award-winning producer
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beginning with the letter 'G' than there are with the letter 'S', and that therefore they were more likely to be noticed in a record store if their name began with a 'G'. The band was formed on
October 14, 1995, on Suptic's 18th birthday. They played their first show supporting
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The reunion show was officially announced on Friday, November 14, along with the official confirmation of the album re-release and a 2009 national tour. The tenth anniversary edition of the album includes a code to download bonus demo tracks from the original recording of
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have been vocal fans of the band and while on tour with Reggie and the Full Effect in 2007, two years after the breakup of the Get Up Kids, Hellogoodbye invited James Dewees and Matt Pryor onstage with them, and proceeded to back them in a cover of the Get Up Kids' song
666:. Their fanbase kept expanding through word of mouth. Venues booked months in advance could no longer hold the demand by the time the band arrived in town and fans were forced to stand outside to see them perform. The strength of the album's sales eventually led
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At the time the lineup consisted of Pryor on guitar and lead vocals, Suptic on guitar, Rob Pope on bass, and Thomas Becker on drums. However, Becker soon left for college in
California, and was replaced by Nathan Shay, who was attending school with Suptic at the
527:. The album sold over 40,000 copies in two years, a major feat for such a small label, which began to bring attention from larger labels. The band was invited to join Braid on their 1998 tour of Europe, their first tour outside of the contiguous United States.
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band members were all fans of, and influenced by, the Get Up Kids. The Early November song "Baby Blue" includes the line "I don't want you to love me anymore", a direct reference to the Get Up Kids song "No Love" both lyrically and melodically. The band
474:. The album was recorded in only two days, with the band leaving on Friday after Ryan Pope got out of school and finishing in the early hours of Sunday morning. Two months after recording the album, the band embarked on their first national tour with
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entitled "The Get Up Kids / Coalesce". For the split, each band covered one of the other's songs in their own style. Coalesce did a post-hardcore cover of "Second Place", and the Get Up Kids recorded a power-pop rendition of "Harvest of Maturity".
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this year and we felt really out of place... If this is the world we helped create, then I apologize." He went on to say they were grateful for the acknowledgments they have received, though explaining "the problem is most of aren't very good."
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largely failed to find an audience, the members of the Get Up Kids took another short hiatus working non-music industry jobs, interrupted only by brief weekend tours and one-off shows. While drinking at a bar before their performance at the 2017
588:, a five-track EP produced by Ed Rose to fulfill their two-record deal with Doghouse. The cleaner, more focused sound of the EP provided the chance to experiment with the inclusion of keyboards and acts as a sonic bridge between the raw sound of
1482:, Campbell said "I don't think I listen to any band more than I listen to . They really influence my songwriting, too. Every time I hear a Get Up Kids song, I think ‘Oh, that's really creative' or, ‘That's really cool that they did that.'"
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and the New Amsterdams, but dissolved sometime in 2008. The exact reasons why were never revealed, but Suptic said only that it "blew up in face." After the closure of the label, Suptic began working at Home Depot to support his family.
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On Tuesday, March 8, 2005, the Get Up Kids announced that after ten years, they were disbanding. They embarked on a national farewell tour, ending the band after a sold-out show on July 2, 2005, in their hometown of Kansas City at the
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has been singled out as the band's only 'true' emo album, as the album's aesthetic fit more into the contemporary definition of the genre. Furthermore, the album single-handedly turned the struggling Vagrant label into one of the top
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festival, the band began to talk about recommitting to the Get Up Kids as a full-time pursuit. That same year, the band went on tour in Latin America for the first time and played six concerts in Mexico, Chile, Argentina and Brazil.
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988:—which was titled after a misreading of a flier saying "Quilt show"—was very well received both critically and commercially. The more pop-driven tone of the album reunited the band with many fans who were disenchanted after
1151:. As he traveled relentlessly, his ongoing struggles with alcohol and drug abuse worsened. After moving to New York City, he began to attend rehab, a process which would inspire the fifth Reggie and the Full Effect album,
710:, the band was beginning to feel burned-out and wished to depart from the upbeat power-pop sound with which they had become associated. They also began to broaden their musical horizons, taking much greater influence from
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In late August and September 2008, while Dewees was touring with Reggie and the Full Effect, he began making hints that the Get Up Kids would be reuniting to commemorate the tenth anniversary of the band's second album
792:. "I remember we were like, 'we want to make the biggest record ever," recalls Rob Pope. "We had it in our heads at that point that we wanted to be on the radio. Scott Litt had a pretty good success rate with that."
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There should be a How To Be a Pop-Punk Kid starter kit with bands like Get Up Kids, so kids would know whose shoulders bands like us are standing on. Fall Out Boy would not be a band if it were not for The Get Up
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992:, while also staying close enough to the evolution of the last album to interest newer fans and critics. However, their return was overshadowed by the booming popularity of other contemporary emo bands such as
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The band decided to look for a new producer to work with on their third album, wanting to make a more cohesive, "produced" record than their previous material. They put together a list of producers, including
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Kansas City emo-pop players the Get Up Kids haven't yet revealed plans to deliver a follow-up to their 2011 comeback LP There Are Rules, but the band will reissue a pair of previously released platters this
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the financial backing to grow and sign a string of other bands. At the same time, the addition of keyboards alienated some fans who thought it moved the band away from the contemporary punk scene's
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is a vocal fan, having proposed to his wife to the Get Up Kids song "I'll Catch You." They were also a major influence on the rest of the band, even at their peak popularity around the release of
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leaned heavily on the use of synthesizer keyboards for its sound. Their work together on the Reggie and the Full Effect album led Pryor to invite Dewees to collaborate with the Get Up Kids on
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delve into incidents of adultery ("Wouldn't Believe It", "How Long Is Too Long") and the album's first single "The One You Want" was written about a woman who "Sucks the soul out of people".
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on Vagrant Records. The album's lyrics reflected the record label strife the band had experienced and their distance between friends and family back home after their move to Los Angeles.
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The Get Up Kids have had a lasting impact on the music scene, having been cited as inspirations to several prominent bands and artists, and one of the bands who shaped the sound of the
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Speaking about the change in the band's dynamic and artistry around this time, Pryor believes " musicianship and the way were, like, locking together took a much more mature jump from
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Despite their lasting influence on modern music, the band has attempted to disassociate themselves from many of the bands they inspired. Following the band's reformation, guitarist
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for their next record, feeling that the label believed it was "the best that write". Before the deal with Mojo was official, the band met Rich Egan, founder of Los Angeles-based
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has cited the band as one of the artists who made him want to become a musician, going so far as to name his company after the Get Up Kids' track "Forgive & Forget" from
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from the Vagrant Records website, and a DVD containing a band retrospective and other content, including archive footage, and their live performance from March 13, 2009, at
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300:, which saw the band take on a much more layered, alternative rock sound. Like many early emo bands, the Get Up Kids sought to dissociate themselves from the term "emo."
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The Get Up Kids toured nonstop for almost three years in promotion of the record. As well as touring Europe, Japan, and Australia, they shared bills with acts such as
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announced on their Instagram account that they had signed the band and that new music will be coming soon. The band released a thirteen-minute, four song EP entitled
961:. While this led to a less collaborative effort than in the past, it gave the Pope brothers a more substantial role in writing than ever before. In an interview with
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said "It sounds just as great as some of their older albums, reminding us why this band are still one of the greatest emo/alternative acts to come out of the '90s."
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521:, largely playing basement shows and building a dedicated fan base through word of mouth. In September 1997 the band released their debut full-length record
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on Flyover Records. Despite their reformation, obligations to other projects limited the amount of time the band could spend together. On their 2010 tour,
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remains their most widely acclaimed album, and is considered to be one of the quintessential albums of the second-wave emo movement. They are considered
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on the history of Emo music, Matt Pryor expanded on his recent view of the current scene more positively; “I will always owe a debt to Evan Weiss from
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borrowed money from his parents, who had mortgaged their house in order to fund the production of the album. On September 21, 1999, the band released
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We never really felt like we belonged to a genre. It seems like people put us into a genre. We wanted to play indie rock. We wanted to be Superchunk.
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In 2021, speaking on their stubbornness, Pryor admitted "I think if anyone told us we were making a bad decision, we would have fired them."
967:, Pryor confirmed the song "Never Be Alone" was written by Rob Pope about his 2003 divorce from Anniversary keyboardist Adrianne Verhoeven.
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The band became increasingly popular in the burgeoning underground Midwestern music scene, forming strong relationships with bands such as
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Due to internal conflicts, the band broke up in 2005. Three years later, the band reunited to support the tenth anniversary re-release of
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578:. While Dewees wrote the songs himself, he asked Matt Pryor and Rob Pope to help record some of the instrumentals. The resulting album,
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1135:, an independent label Suptic founded with former Get Up Kids collaborator and local musician Alex Brahl. The label released albums by
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1265:, who had released their previous three albums, but on their own Quality Hill Records. The album was produced by Ed Rose and mixed by
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283:. While the imprint was started to release albums by the Get Up Kids, it served as a launching pad for several side-projects such as
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While many fans were upset with this sudden change of direction, the album was generally well-received by mainstream publications.
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consisted of alternate takes, covers, and B-sides since the band's formation. Likewise, Doghouse released a re-mastered edition of
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to celebrate the band's tenth anniversary. The show was recorded and released the following May as the band's first live album,
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3928:"Polyvinyl Record Co. on Instagram: "🚨 WE JUST SIGNED @thegetupkids!!! New 🎶 coming soon... #thegetupkids #polyvinylrecords""
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the band decided to combine the remaining tracks—along with three more newly recorded songs—into a new full-length album,
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in Lawrence. The show took place Sunday, November 16, 2008, at the record bar in Kansas City. The band played their album
455:, Doghouse approached the band with a two-album contract, offering them $ 4,000 to record their first full-length album.
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A truly overlooked band from our hometown Lawrence, Kan. These guys were a big influence in the early days of our band.
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was criticized by fans who were disappointed with the album's softer musical direction. Specifically, the reviewer for
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genre ahead of its later mainstreaming with the "third wave" movement in the early 2000's. In a 2017 retrospective on
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guys can make an art record if you want to, but I'm just saying, this is a drastic turn from your previous material."
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in 2006, consisted largely of songs Suptic wrote for the Get Up Kids but never recorded. The album was released on
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In 2003 the band began recording their fourth studio album. The band used the label's advance money to purchase
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to purchase a minority stake in Vagrant, and cemented the label's credibility with other up-and-coming bands.
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has cited the Get Up Kids as a major influence, and covered their song Coming Clean for a split 7-inch with
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reflects the shift in tone and style from the band's previous works toward a more mature, alternative sound.
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and Ethel Meserve with the first date of the tour taking place the day after Ryan's high school graduation.
447:. Shortly afterward, Contrast Records released a 7-inch titled "A Newfound Interest in Massachusetts", with
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After signing to Doghouse, the band drove to Chicago to record their debut full-length album with producer
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To capitalize on anticipation for the band's next album, Vagrant Records released a rarities compilation
497:. After the show, the members of the two bands became close friends, eventually leading them to record a
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4182:"Coheed & Cambria Secretly Wrote 'Stairway To Heaven 2' On 'In Keeping Secrets Of Silent Earth: 3'"
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has stated in interviews that they were heavily influenced by the Get Up Kids, among other groups.
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The Get Up Kids' greatest influence came at the beginning of the 2000s with the rise of bands like
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wrote "Unfortunately, the visceral energy of their early days is lost in their newfound maturity."
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was highly positive, writing that "This is the group at their best." In his review of the album,
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In the years since reuniting, the band has actively supported newer emo bands, taking acts like
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as one of the albums that the band listened to and during the recording of their breakout album
307:, and soon afterward entered the studio to write new material. In early 2010, the band released
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of the emo genre, and have been widely credited as being an influence, both by contemporaries
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The band departed heavily from their established style with the release of their 2002 album
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for a short stint, before splitting for different projects. Rob was a founding member of
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4305:""If this is the world we helped create, then I apologize." The Get Up Kids, Get Back"
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before becoming headliners themselves, eventually embarking on international tours of
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2331:"Vinyl File: Sex Pistols, the Draft, F*cked Up, Coliseum and a Get Up Kids spotlight"
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2041:"If this is the world we helped create, then I apologize." The Get Up Kids, get back"
2010:"Matt Pryor of The Get Up Kids on 'Problems,' Growing Up Musically & Asbury Park"
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Our Noise: The Story of Merge Records, the Indie Label That Got Big and Stayed Small
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was released on May 14, 2002, debuting a more measured, alternative style. Just as
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3267:"Interviews: James Dewees (Reggie and the Full Effect, The Get Up Kids, Coalesce)"
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podcasts.apple.com/us/podcast/vagrant-records-25-years-on-the-street/id1568066249
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was released on January 25, 2011, and was supported by a co-headlining tour with
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The Get Up Kids performing at their reunion show at The Record Bar in Kansas City
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4202:"The Depression Trilogy: How the Wonder Years Became the Voice of a Generation"
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as their full-time touring keyboardist and later becoming a full time member.
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in June 1999 with producer Alex Brahl. Before the album went into production,
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The band continued to tour relentlessly, making connections with the likes of
414:. In 1995, Pryor, Suptic, and friend Kevin Zelko saved money to self-release "
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3960:"The Get Up Kids Announce First New Album in 8 Years, Share New Song: Listen"
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Concert Review: The Get Up Kids at the Record Bar, Sunday, November 16, 2008
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as their touring keyboardist, having previously played on their 2003 album
1112:
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249:
189:
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that were, like— They had the same work ethic we had when we were young.”
4572:
4344:
3152:
2330:
1544:
1517:
1489:
states that the namesake of their band was partly influenced by the song
1406:
1219:
1124:
1078:
797:
751:
723:
655:
600:
498:
241:
227:
223:
65:
51:
574:
In 1998, James Dewees recorded his first solo album under the pseudonym
313:, their first release in six years, followed in 2011 by the full-length
4512:
4444:
4229:
1975:
1946:
1726:
1579:
1540:
1536:
1529:
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1395:
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976:
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467:
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329:
219:
160:
70:
1849:
4505:
4458:
4282:
2232:
1718:
1505:
1402:
1322:
on May 10, 2019, the group's first album in eight years. A review of
1209:
806:
767:
635:
296:
264:
168:
2352:"The Get up Kids' 'Four Minute Mile' Was the Bridge to Emo's Future"
1524:
for showing me that there was a new crop of bands like his band and
1143:
After the breakup of the Get Up Kids, James Dewees began performing
921:, lead singer Matt Pryor considered the dramatic change in style on
4451:
4186:
3903:"The Get Up Kids anuncia três shows no Brasil; veja datas e locais"
2868:"The Get Up Kids join Dashboard Confessional, Thrice on Civic Tour"
2262:
1588:
1327:
1237:
1148:
647:
390:
378:
328:
The Get Up Kids have cited numerous bands as influences, including
164:
86:
4394:
3987:"The Get Up Kids announce new album 'Problems,' share "Satellite""
1971:"Making Peace with an Emo Past: An Interview With The Get Up Kids"
1061:
alongside longtime producing partner Ed Rose. The brothers joined
1057:, the recording studio that the band formed with the recording of
1053:
After the band's split, the Pope brothers took over management of
4774:
2596:"Vagrant Records: 25 Years on the Street - The Get Up Kids pt. 2"
1764:"The Get Up Kids Prep Vinyl Reissues of 'Eudora' and 'On a Wire'"
663:
592:
and the more dynamic, produced style of their next studio album.
532:
502:
263:
As they gained prominence, they began touring with bands such as
80:
3838:
Exclusive: The Get Up Kids to Release First New Album Since 2004
2312:
Say Goodnight, Mean Goodbye: The Oral History of The Get Up Kids
4387:
4366:"The Get Up Kids Concert & Tour History (Updated for 2024)"
4104:
Save the World, Lose the Girl: Life Through the Eyes of Midtown
2895:"The Mental Journey - Spirituality Adventures Feat. Matt Pryor"
1248:, New Amsterdams regular Dustin Kinsey filled in on keyboards.
1127:
and the Creature Comforts. The band released their debut album
1070:
781:
651:
451:
releasing a CD-EP version which combined both 7-inches. After
419:
337:
276:
268:
1679:
1261:. They also confirmed that the album would not be released on
1171:
562:
272:
1016:
marquee on July 2, 2005, before the band's farewell concert.
901:, Vagrant signed several other headlining emo bands such as
554:
373:
226:. Formed in 1995, the band was a major act in the mid-1990s
1233:
1008:
974:
In March 2004, the band released their fourth studio album
3718:"Youth Group tapped to support the Get Up Kids' fall tour"
3378:"Fans Report In: Reggie and the Full Effect / Get Up Kids"
1085:
to moderate acclaim before becoming a full-time member of
925:
seriously dented the momentum the band had built up since
204:
4769:
2777:
2379:
1359:
1280:
628:
4080:
Get Up Kids Live Dates: Kansas Pop-Punk Outfit Hits U.K.
2229:
Post: A Look at the Influence of Post-Hardcore-1985-2007
1003:
730:
phase, and unfortunately we were doing that in public."
4070:
3431:"Get Up Kids Reunite, Jimmy Eat World Do Clarity gigs"
2258:"The Get Up Kids Have Made Their Peace With Being Emo"
1244:. In 2011 while James Dewees was on a world tour with
3548:
News Ticker: The Beatles, Get Up Kids, New York Dolls
2123:
2121:
1206:
from beginning to end, as well as a six-song encore.
762:
with offers, although both declined. They approached
3322:
3320:
3232:
2860:
2586:
2584:
1812:
1810:
1226:. On April 13, 2010, the band released the first EP
1166:
996:, who invited the band to open for them on the 2004
3764:"Mansions to support the Get Up Kids on some dates"
2774:"Get Up Kids Get All Up In Other People's Business"
2582:
2580:
2578:
2576:
2574:
2572:
2570:
2568:
2566:
2564:
4059:The Get Up Kids' James Dewees Talks Group Dynamics
3935:
3639:Get Up Kids Reunion Show - Record Bar, Kansas City
2118:
1582:– lead guitar, backing and occasional lead vocals
893:often subtle, less visceral but far more tender."
814:alienated some fans with its more produced sound,
3865:
3863:
3317:
2101:"The Hatchet interviews Get Up Kids' lead singer"
1820:Nothing Feels Good: Punk Rock, Teenagers, and Emo
1807:
4794:
4265:"1996-1997: The Oral History of New Found Glory"
3355:"Reggie Apparently Confirms Get Up Kids Reunion"
3113:
3111:
3109:
2561:
1637:Nathan Shay – drums, percussion, backing vocals
726:. "We were all going through our, like bullshit
437:. After the "Shorty" 7-inch, the band released "
4262:
4230:"The Wonder Years - Interview - Rockfreaks.net"
4153:"Massachusetts Rules and So Do The Get Up Kids"
2457:
984:with the frenetic style of their earlier work.
458:
3984:
3860:
1874:
1872:
691:, combining the two Doghouse-owned EPs on one
4410:
4122:
3761:
3689:"The Get Up Kids announce reunion tour dates"
3489:Get Up Kids Reunion Announced For This Sunday
3166:
3106:
2768:
2766:
1783:"After break, Matt Pryor back to songwriting"
406:on the same night as their high school prom.
4335:
4173:
3786:"The Get Up Kids discuss new release - News"
2886:
1240:, who was already committed to touring with
4244:"Chalkboard Confessional: The Wonder Years"
3738:
3715:
2944:
2942:
2921:"Matt Pryor: Why He "Quit" The Get Up Kids"
2892:
2829:
2365:
2363:
2361:
2305:
2303:
2301:
2007:
1934:
1869:
658:. Their 2000 tour with the Anniversary and
4417:
4403:
3872:"The Get Up Kids And Their Adult Problems"
3869:
3142:
3140:
2802:
2763:
2623:
2590:
2299:
2297:
2295:
2293:
2291:
2289:
2287:
2285:
2283:
2281:
1910:
1908:
397:formed a short-lived band called Kingpin.
368:
4302:
4296:
4179:
2711:
2617:
2480:
1816:
935:
489:while the bands were playing together in
3635:
3428:
3404:"Reggie and the Full Effect - Interview"
3149:"Q&A: Jim Suptic of The Get Up Kids"
3080:
2939:
2842:(4th ed.). Fireside Books. p.
2835:
2540:
2509:
2466:"An Essential Guide To: The Get Up Kids"
2399:
2358:
2255:
2222:
2220:
2218:
2216:
2214:
2212:
2210:
2208:
2206:
2204:
2202:
2200:
2198:
2196:
2071:"The Get Up Kids make Magnet a mix tape"
1500:undertook an interview with the website
1208:
1170:
1007:
698:
561:
372:
4145:
3811:"Philly Gets Down With The Get Up Kids"
3580:The Get Up Kids Reunite in Kansas City!
3326:
3284:
3146:
3137:
3117:
3086:
3058:
2948:
2740:
2346:
2344:
2328:
2278:
2194:
2192:
2190:
2188:
2186:
2184:
2182:
2180:
2178:
2176:
2098:
2038:
1905:
1878:
1847:
1780:
1333:
1269:, who produced the band's debut album.
1213:The band while on tour in Italy in 2009
1155:. After another brief tour opening for
4795:
4329:
4094:
4076:
4062:, The Loyola Greyhound, archived from
3603:
3576:
3205:
3172:
3001:
2541:Ballance, Laura (September 19, 2009).
2486:
2369:
2226:
1983:from the original on December 24, 2023
1968:
1942:"The Get Up Kids Writing New Material"
1914:
1316:on June 8, 2018. This was followed by
481:It was on that tour that the band met
4833:Musical groups disestablished in 2005
4823:Indie rock musical groups from Kansas
4610:Free Language Demons / Up On the Roof
4398:
4256:
4180:Kristobak, Ryan (September 7, 2014).
3834:
3828:
3544:
3290:
3052:
3007:
2836:Brackett, Nathan (November 2, 2004).
2249:
2131:Interview: The Get Up Kids - 16/08/08
1841:
1460:In Keeping Secrets of Silent Earth: 3
1004:Breakup and solo activity (2004–2008)
4843:Musical groups reestablished in 2008
4653:A Newfound Interest in Massachusetts
3667:The Get Up Kids Writing New Material
3663:
3636:Rockwell, Kent (November 17, 2008),
3429:Thompson, Paul (November 14, 2008).
3375:
3352:
3264:
3238:
2979:
2463:
2393:
2341:
2173:
2127:
2003:
2001:
1559:
1491:A Newfound Interest in Massachusetts
439:A Newfound Interest in Massachusetts
4808:Alternative rock groups from Kansas
4424:
4131:"Interview with The Early November"
4128:
4100:
4055:
4037:"Q&A: Mark Hoppus of Blink-182"
3604:Ladage, Aaron (November 17, 2008),
3577:Gaston, Peter (November 17, 2008),
3545:Kreps, Daniel (November 14, 2008),
3496:, November 13, 2008, archived from
3406:. MishMash Magazine. Archived from
3291:Hoard, Christian (April 20, 2005).
3147:McGrath, Jamie (January 29, 2011).
3010:"Koufax: Hard Times are In Fashion"
2624:Pappademas, Alex (April 19, 2004).
2503:
2099:Riesser, Dan (September 28, 2000).
1436:". The Canadian post-hardcore band
689:The EPs: Woodson and Red Letter Day
234:" of emo music. Their second album
13:
4838:Musical groups established in 1995
3882:from the original on June 19, 2022
3401:
3327:Gintowt, Richard (June 30, 2008).
3173:Ladage, Aaron (October 13, 2005).
3087:Gintowt, Richard (July 12, 2007).
3059:Milzoff, Rebecca (July 15, 2007).
3008:Crock, Jason (September 5, 2005).
2901:(Podcast). Spirituality Adventures
2487:Harlow, Luke (September 2, 2000).
2309:
2092:
2008:Crowther IV, Rob (July 24, 2019).
1915:Schild, Matt (September 6, 1999).
1848:McMahan, Tim (December 11, 2002).
1631:Thomas Becker – drums, percussion
1236:bassist Nate Harold filled in for
897:financial and critical success of
829:
566:The Get Up Kids performing at the
319:. Their most recent studio album,
37:The Get Up Kids performing in 2021
14:
4884:
4603:The Get Up Kids / The Anniversary
4379:
3520:Get Up Kids: The Pre-Show Routine
3462:Get Up Kids Reunion: Sunday Night
2949:Gintowt, Robert (March 5, 2005).
2839:The New Rolling Stone Album Guide
2803:Caramanica, Jon (March 1, 2004).
2516:. Relevant Media Group. pp.
2406:The New Rolling Stone Album Guide
2256:Pearlman, Mischa (May 13, 2019).
2051:from the original on July 9, 2023
1998:
1879:Edwards, Gavin (August 5, 2002).
1167:Reunion and new music (2008–2011)
1020:Over the course of the tour with
706:After three years of touring for
4077:Geddes, Clarke (June 11, 2009),
3985:Sacher, Andrew (March 7, 2019).
3900:
3642:, Pop Wreckoning, archived from
3353:Reid, Sean (September 8, 2008).
3118:Tankard, Frank (July 21, 2008).
2870:. April 23, 2004. Archived from
2547:. Algonquin Books. p. 226.
2437:
2039:Skinner, James (July 27, 2009).
1092:Matt Pryor continued as part of
867:Problems playing this file? See
845:
31:
4358:
4236:
4222:
4208:
4194:
4049:
4029:
4004:
3978:
3952:
3920:
3894:
3835:Karan, Tim (October 29, 2010),
3803:
3778:
3762:Shultz, Brian (July 20, 2009).
3755:
3732:
3709:
3681:
3657:
3629:
3597:
3570:
3538:
3511:
3480:
3453:
3422:
3395:
3376:Tate, Jason (August 28, 2008).
3369:
3346:
3258:
3206:Ladage, Aaron (June 15, 2006).
3199:
3027:
2980:Finn, Tim (November 17, 2008).
2973:
2913:
2893:Fred Herron (August 11, 2021).
2796:
2734:
2714:"The Get Up Kids – "On a Wire""
2705:
2677:
2661:. July 21, 2003. Archived from
2645:
2534:
2431:
2329:Conoley, Ben (August 1, 2007).
2322:
2145:
2063:
2032:
1969:Pensky, Nathan (May 23, 2011).
1554:
804:The band's third studio album,
780:, best known for his work with
776:. Finally, the band settled on
754:. The band formally approached
230:scene, otherwise known as the "
4263:Manley, Brendan (March 2010),
3664:Reid, Sean (August 19, 2009),
2805:"New CDs: Cee-Lo, Get Up Kids"
2626:"The Get Up Kids – Guilt Show"
2464:Reid, Sean (August 17, 2009).
2128:Reid, Sean (August 17, 2009),
1962:
1774:
1756:
1684:
1412:Take Off Your Pants and Jacket
377:The Get Up Kids performing at
1:
4873:1995 establishments in Kansas
4499:Something to Write Home About
4216:"Interview: The Wonder Years"
4056:Lam, Jason (March 23, 2004),
3870:Cohen, Ian (April 30, 2019).
3061:"Add Pizza, Beer; Shake Well"
2685:""On a Wire" The Get Up Kids"
2489:"Rob Pope of The Get Up Kids"
1750:
1711:Something to Write Home About
1573:– lead vocals, rhythm guitar
1456:Something to Write Home About
1204:Something To Write Home About
1196:Something To Write Home About
1182:Something to Write Home About
927:Something to Write Home About
899:Something to Write Home About
812:Something to Write Home About
735:Something to Write Home About
708:Something to Write Home About
619:Something to Write Home About
614:Something to Write Home About
556:Something to Write Home About
305:Something to Write Home About
237:Something to Write Home About
4848:Polyvinyl Record Co. artists
4273:, no. 260, p. 63,
3907:Tenhomaisdiscosqueamigos.com
3739:Paul, Aubin (July 8, 2009).
3716:Paul, Aubin (July 1, 2009).
2743:"The Get Up Kids: On a Wire"
2653:"Jets to Brazil/Get Up Kids"
1646:– keyboards, backing vocals
888:writer Barry Walters wrote "
7:
4813:American emo musical groups
3239:King, Tom (March 9, 2009).
2741:Walters, Barry (May 2002).
2712:Carmanica, Jon (May 2002).
2693:(August 2002): 71. May 2002
2370:Ashare, Matt (March 2000).
1691:The Get Up Kids discography
1674:
1485:New Found Glory's frontman
1478:. In a 2010 interview with
1388:. In a 2005 interview with
1119:Jim Suptic went on to form
1077:, releasing the 2006 album
1039:Live! @ The Granada Theater
958:Songs Not to Get Married To
687:and a compilation entitled
416:Shorty/The Breathing Method
10:
4891:
4724:Reggie and the Full Effect
4590:The Get Up Kids / Coalesce
4012:"The Get Up Kids Problems"
1688:
1613:Dustin Kinsey – keyboards
1106:. After his second album,
953:Reggie and the Full Effect
855:"Walking on a Wire", from
576:Reggie and the Full Effect
363:
289:Reggie and the Full Effect
4868:American punk rock groups
4757:
4716:
4690:
4637:
4619:
4582:
4536:
4483:
4432:
3265:kira (January 11, 2012).
2982:"Review: The Get Up Kids"
1608:Current touring musicians
1602:(1996–2005; 2008–present)
1593:(1995–2005; 2008–present)
1584:(1995–2005; 2008–present)
1575:(1995–2005; 2008–present)
1516:In a 2020 interview with
1116:, a B-sides compilation.
766:, citing his work on the
412:Kansas City Art Institute
199:
195:
179:
175:
152:
148:
106:
96:
58:
47:
42:
30:
23:
4863:Defiance Records artists
4858:Doghouse Records artists
4818:American pop punk groups
4107:, Ink 19, archived from
1881:"The Get Up Kids Get Up"
1817:Greenwald, Andy (2003).
1766:– via exclaim.ca.
1654:Former touring musicians
248:and later bands such as
4853:Vagrant Records artists
4596:The Get Up Kids / Braid
3293:"Reggie Gets "Married""
2722:. No. May 31, 2002
2510:Van Pelt, Doug (2004).
2440:"About Vagrant Records"
1394:, Fall Out Boy bassist
1123:with former members of
917:. In an interview with
580:Greatest Hits 1984-1987
369:Early years (1995–1997)
102:1995–2005, 2008–present
4828:Hassle Records artists
4341:"Ep. 1 - What is Emo?"
4339:(September 13, 2020).
3241:"The Kids Are Alright"
1648:(1999–2005; 2008–2019)
1356:
1214:
1176:
1153:Last Stop: Crappy Town
1022:Dashboard Confessional
1017:
994:Dashboard Confessional
907:Dashboard Confessional
834:
773:Head Trip in Every Key
571:
485:, the new drummer for
427:Rocket Fuel Is the Key
385:While in high school,
382:
43:Background information
3815:Independentphilly.com
2951:"Stay Gold, Ponyboys"
2376:CMJ New Music Monthly
2354:. September 29, 2017.
2227:Grubbs, Eric (2008).
1418:New Jersey-based act
1337:
1251:After the release of
1212:
1174:
1011:
833:
595:After the release of
565:
376:
346:Sunny Day Real Estate
342:Rocket from the Crypt
4204:. September 2, 2020.
3940:on December 26, 2021
3849:on December 31, 2010
3646:on December 27, 2008
3559:on December 27, 2008
3500:on December 25, 2008
3441:on December 18, 2008
3410:on December 26, 2008
3305:on December 27, 2008
3035:"WWI by White Whale"
2719:Entertainment Weekly
2665:on November 26, 2009
2411:Simon & Schuster
2235:. pp. 224–266.
2153:"POP AND JAZZ GUIDE"
1893:on December 30, 2007
1615:(2011, 2019–present)
1600:– drums, percussion
1348:bassist Pete Wentz,
1334:Legacy and influence
1187:The Kansas City Star
1129:This Town's Disaster
879:Entertainment Weekly
4780:Black Lodge Studios
4674:Wouldn't Believe It
4667:Action & Action
4317:on November 3, 2019
4161:. November 16, 2006
4111:on December 5, 2008
4045:. February 5, 2004.
3527:, November 14, 2008
3469:, November 14, 2008
3329:"Full Metal Jacket"
3220:on January 31, 2013
3187:on January 31, 2013
2961:on January 25, 2007
2817:on October 10, 2007
2784:on January 29, 2013
2161:. December 14, 2001
1659:Nate Harold – bass
1510:the Bamboozle fests
1434:Action & Action
1405:bassist and singer
1378:My Chemical Romance
1304:On March 29, 2018,
1246:My Chemical Romance
1161:My Chemical Romance
1159:in 2006, he joined
1133:Curb Appeal Records
1055:Black Lodge Studios
945:Black Lodge Studios
841:"Walking on a Wire"
4729:The New Amsterdams
4620:Compilation albums
4285:on October 9, 2011
4158:The Boston Phoenix
4141:on January 8, 2009
3790:Killyourstereo.com
3357:. Alter The Press!
3066:The New York Times
2874:on January 2, 2010
2318:Issue No. 204
2158:The New York Times
1917:"Get Up, Stand Up"
1825:St. Martin's Press
1452:Coheed and Cambria
1310:Big Scary Monsters
1298:When We Were Young
1215:
1177:
1094:the New Amsterdams
1018:
835:
668:Interscope Records
572:
383:
285:the New Amsterdams
254:Taking Back Sunday
140:Big Scary Monsters
16:American rock band
4788:
4787:
4739:The Terrible Twos
4559:iTunes Session EP
4270:Alternative Press
4249:Alternative Press
4135:EmotionalPunk.com
4101:Libling, Margie,
3991:Brooklynvegan.com
3694:Alternative Press
3670:, Alter the Press
3525:Back to Rockville
3467:Back to Rockville
3120:"Pros & Cons"
2987:Back to Rockville
2690:Alternative Press
2513:Rock Stars on God
2468:. Alter the Press
2316:Alternative Press
2242:978-0-595-51835-7
2134:, Alter the Press
1950:. August 19, 2009
1850:"The Get Up Kids"
1795:on March 11, 2019
1788:The Baltimore Sun
1671:
1670:
1662:
1649:
1640:
1634:
1616:
1603:
1594:
1585:
1576:
1522:Into It. Over It.
1480:Alternative Press
1391:Alternative Press
1351:Alternative Press
1306:Polyvinyl Records
1098:the Terrible Twos
964:Alternative Press
919:Alternative Press
850:
821:Alternative Press
662:was sponsored by
213:
212:
4880:
4758:Related articles
4734:Blackpool Lights
4492:Four Minute Mile
4419:
4412:
4405:
4396:
4395:
4391:
4390:
4388:Official website
4374:
4373:
4370:Concert Archives
4362:
4356:
4355:
4353:
4351:
4333:
4327:
4326:
4324:
4322:
4313:. Archived from
4310:Drowned in Sound
4300:
4294:
4293:
4292:
4290:
4281:, archived from
4260:
4254:
4253:
4252:. March 8, 2010.
4240:
4234:
4233:
4226:
4220:
4219:
4212:
4206:
4205:
4198:
4192:
4191:
4177:
4171:
4170:
4168:
4166:
4149:
4143:
4142:
4137:, archived from
4126:
4120:
4119:
4118:
4116:
4098:
4092:
4091:
4090:
4088:
4074:
4068:
4067:
4066:on June 16, 2008
4053:
4047:
4046:
4033:
4027:
4026:
4024:
4022:
4008:
4002:
4001:
3999:
3997:
3982:
3976:
3975:
3973:
3971:
3956:
3950:
3949:
3947:
3945:
3939:
3934:. Archived from
3924:
3918:
3917:
3915:
3913:
3898:
3892:
3891:
3889:
3887:
3867:
3858:
3857:
3856:
3854:
3845:, archived from
3832:
3826:
3825:
3823:
3821:
3807:
3801:
3800:
3798:
3796:
3782:
3776:
3775:
3773:
3771:
3759:
3753:
3752:
3750:
3748:
3736:
3730:
3729:
3727:
3725:
3713:
3707:
3706:
3704:
3702:
3685:
3679:
3678:
3677:
3675:
3661:
3655:
3654:
3653:
3651:
3633:
3627:
3626:
3625:
3623:
3618:on July 28, 2011
3614:, archived from
3601:
3595:
3594:
3593:
3591:
3574:
3568:
3567:
3566:
3564:
3555:, archived from
3542:
3536:
3535:
3534:
3532:
3515:
3509:
3508:
3507:
3505:
3484:
3478:
3477:
3476:
3474:
3457:
3451:
3450:
3448:
3446:
3437:. Archived from
3426:
3420:
3419:
3417:
3415:
3399:
3393:
3392:
3390:
3388:
3373:
3367:
3366:
3364:
3362:
3350:
3344:
3343:
3341:
3339:
3324:
3315:
3314:
3312:
3310:
3301:. Archived from
3288:
3282:
3281:
3279:
3277:
3262:
3256:
3255:
3253:
3251:
3236:
3230:
3229:
3227:
3225:
3216:. Archived from
3203:
3197:
3196:
3194:
3192:
3183:. Archived from
3170:
3164:
3163:
3161:
3159:
3144:
3135:
3134:
3132:
3130:
3115:
3104:
3103:
3101:
3099:
3084:
3078:
3077:
3075:
3073:
3056:
3050:
3049:
3047:
3045:
3031:
3025:
3024:
3022:
3020:
3005:
2999:
2998:
2996:
2994:
2977:
2971:
2970:
2968:
2966:
2957:. Archived from
2946:
2937:
2936:
2934:
2932:
2927:. March 15, 2005
2917:
2911:
2910:
2908:
2906:
2890:
2884:
2883:
2881:
2879:
2864:
2858:
2857:
2833:
2827:
2826:
2824:
2822:
2813:. Archived from
2800:
2794:
2793:
2791:
2789:
2780:. Archived from
2770:
2761:
2760:
2758:
2756:
2738:
2732:
2731:
2729:
2727:
2709:
2703:
2702:
2700:
2698:
2681:
2675:
2674:
2672:
2670:
2649:
2643:
2642:
2640:
2638:
2621:
2615:
2614:
2612:
2610:
2594:(July 2, 2021).
2588:
2559:
2558:
2538:
2532:
2531:
2507:
2501:
2500:
2498:
2496:
2484:
2478:
2477:
2475:
2473:
2461:
2455:
2454:
2452:
2450:
2435:
2429:
2428:
2401:Brackett, Nathan
2397:
2391:
2390:
2388:
2386:
2367:
2356:
2355:
2348:
2339:
2338:
2326:
2320:
2319:
2310:Kelley, Trevor,
2307:
2276:
2275:
2273:
2271:
2253:
2247:
2246:
2224:
2171:
2170:
2168:
2166:
2149:
2143:
2142:
2141:
2139:
2125:
2116:
2115:
2113:
2111:
2096:
2090:
2089:
2084:
2082:
2077:. March 24, 2011
2067:
2061:
2060:
2058:
2056:
2045:Drowned In Sound
2036:
2030:
2029:
2027:
2025:
2016:. Archived from
2005:
1996:
1995:
1990:
1988:
1966:
1960:
1959:
1957:
1955:
1938:
1932:
1931:
1929:
1927:
1912:
1903:
1902:
1900:
1898:
1889:. Archived from
1876:
1867:
1866:
1864:
1862:
1855:The Omaha Weekly
1845:
1839:
1838:
1814:
1805:
1804:
1802:
1800:
1791:. Archived from
1778:
1772:
1771:
1760:
1703:Four Minute Mile
1660:
1647:
1638:
1632:
1614:
1601:
1592:
1583:
1574:
1560:
1502:Drowned in Sound
1470:the Wonder Years
1442:August Burns Red
1386:Four Minute Mile
1365:Four Minute Mile
1354:
1121:Blackpool Lights
1034:Lawrence, Kansas
998:Honda Civic Tour
852:
851:
832:
786:the Replacements
685:Four Minute Mile
590:Four Minute Mile
545:Four Minute Mile
524:Four Minute Mile
460:Four Minute Mile
449:Doghouse Records
258:the Wonder Years
218:are an American
209:
206:
182:
99:
89:
76:alternative rock
35:
21:
20:
4890:
4889:
4883:
4882:
4881:
4879:
4878:
4877:
4803:The Get Up Kids
4793:
4792:
4789:
4784:
4753:
4712:
4686:
4633:
4615:
4578:
4532:
4520:There Are Rules
4479:
4428:
4426:The Get Up Kids
4423:
4386:
4385:
4382:
4377:
4364:
4363:
4359:
4349:
4347:
4334:
4330:
4320:
4318:
4303:James Skinner.
4301:
4297:
4288:
4286:
4261:
4257:
4242:
4241:
4237:
4228:
4227:
4223:
4214:
4213:
4209:
4200:
4199:
4195:
4178:
4174:
4164:
4162:
4151:
4150:
4146:
4129:Dickson, John,
4127:
4123:
4114:
4112:
4099:
4095:
4086:
4084:
4075:
4071:
4054:
4050:
4035:
4034:
4030:
4020:
4018:
4010:
4009:
4005:
3995:
3993:
3983:
3979:
3969:
3967:
3966:. March 7, 2019
3958:
3957:
3953:
3943:
3941:
3926:
3925:
3921:
3911:
3909:
3899:
3895:
3885:
3883:
3868:
3861:
3852:
3850:
3833:
3829:
3819:
3817:
3809:
3808:
3804:
3794:
3792:
3784:
3783:
3779:
3769:
3767:
3760:
3756:
3746:
3744:
3737:
3733:
3723:
3721:
3714:
3710:
3700:
3698:
3697:. June 10, 2009
3687:
3686:
3682:
3673:
3671:
3662:
3658:
3649:
3647:
3634:
3630:
3621:
3619:
3602:
3598:
3589:
3587:
3575:
3571:
3562:
3560:
3543:
3539:
3530:
3528:
3517:
3516:
3512:
3503:
3501:
3486:
3485:
3481:
3472:
3470:
3459:
3458:
3454:
3444:
3442:
3435:Pitchfork Media
3427:
3423:
3413:
3411:
3400:
3396:
3386:
3384:
3374:
3370:
3360:
3358:
3351:
3347:
3337:
3335:
3325:
3318:
3308:
3306:
3289:
3285:
3275:
3273:
3263:
3259:
3249:
3247:
3237:
3233:
3223:
3221:
3204:
3200:
3190:
3188:
3175:"Bright Future"
3171:
3167:
3157:
3155:
3145:
3138:
3128:
3126:
3116:
3107:
3097:
3095:
3085:
3081:
3071:
3069:
3057:
3053:
3043:
3041:
3033:
3032:
3028:
3018:
3016:
3014:Pitchfork Media
3006:
3002:
2992:
2990:
2978:
2974:
2964:
2962:
2947:
2940:
2930:
2928:
2919:
2918:
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2904:
2902:
2891:
2887:
2877:
2875:
2866:
2865:
2861:
2854:
2834:
2830:
2820:
2818:
2801:
2797:
2787:
2785:
2772:
2771:
2764:
2754:
2752:
2739:
2735:
2725:
2723:
2710:
2706:
2696:
2694:
2683:
2682:
2678:
2668:
2666:
2651:
2650:
2646:
2636:
2634:
2622:
2618:
2608:
2606:
2604:Vagrant Records
2589:
2562:
2555:
2539:
2535:
2528:
2508:
2504:
2494:
2492:
2485:
2481:
2471:
2469:
2462:
2458:
2448:
2446:
2436:
2432:
2425:
2398:
2394:
2384:
2382:
2368:
2359:
2350:
2349:
2342:
2327:
2323:
2308:
2279:
2269:
2267:
2266:. Wasted Talent
2254:
2250:
2243:
2225:
2174:
2164:
2162:
2151:
2150:
2146:
2137:
2135:
2126:
2119:
2109:
2107:
2097:
2093:
2080:
2078:
2075:Magnet Magazine
2069:
2068:
2064:
2054:
2052:
2037:
2033:
2023:
2021:
2020:on May 21, 2023
2006:
1999:
1986:
1984:
1967:
1963:
1953:
1951:
1940:
1939:
1935:
1925:
1923:
1913:
1906:
1896:
1894:
1877:
1870:
1860:
1858:
1846:
1842:
1835:
1815:
1808:
1798:
1796:
1779:
1775:
1762:
1761:
1757:
1753:
1735:There Are Rules
1693:
1687:
1682:
1680:
1677:
1672:
1620:
1565:Current members
1557:
1526:Modern Baseball
1508:now. We played
1448:Claudio Sanchez
1355:
1344:
1336:
1292:There Are Rules
1287:
1281:Second hiatus,
1271:There Are Rules
1263:Vagrant Records
1258:There Are Rules
1253:Simple Science,
1169:
1145:New Found Glory
1030:Granada Theater
1006:
941:
874:
873:
865:
863:
862:
861:
860:
853:
846:
843:
836:
830:
704:
644:Hot Rod Circuit
640:the Anniversary
605:Vagrant Records
568:Bowery Ballroom
560:
549:Vagrant Records
511:Jimmy Eat World
464:
418:", their first
371:
366:
358:Jimmy Eat World
316:There Are Rules
281:Vagrant Records
216:The Get Up Kids
203:
188:
186:
180:
171:
167:
163:
159:
144:
127:Epitaph Records
97:
92:
85:
38:
26:
25:The Get Up Kids
17:
12:
11:
5:
4888:
4887:
4876:
4875:
4870:
4865:
4860:
4855:
4850:
4845:
4840:
4835:
4830:
4825:
4820:
4815:
4810:
4805:
4786:
4785:
4783:
4782:
4777:
4772:
4767:
4761:
4759:
4755:
4754:
4752:
4751:
4746:
4741:
4736:
4731:
4726:
4720:
4718:
4714:
4713:
4711:
4710:
4705:
4700:
4694:
4692:
4688:
4687:
4685:
4684:
4677:
4670:
4663:
4656:
4649:
4641:
4639:
4635:
4634:
4632:
4631:
4623:
4621:
4617:
4616:
4614:
4613:
4606:
4599:
4592:
4586:
4584:
4580:
4579:
4577:
4576:
4569:
4566:Simple Science
4562:
4555:
4552:Red Letter Day
4548:
4540:
4538:
4534:
4533:
4531:
4530:
4523:
4516:
4509:
4502:
4495:
4487:
4485:
4481:
4480:
4478:
4477:
4474:
4470:
4469:
4462:
4455:
4448:
4441:
4433:
4430:
4429:
4422:
4421:
4414:
4407:
4399:
4393:
4392:
4381:
4380:External links
4378:
4376:
4375:
4357:
4328:
4295:
4255:
4235:
4221:
4207:
4193:
4172:
4144:
4121:
4093:
4069:
4048:
4028:
4003:
3977:
3951:
3919:
3893:
3859:
3827:
3802:
3777:
3766:. Punknews.org
3754:
3743:. Punknews.org
3731:
3720:. Punknews.org
3708:
3680:
3656:
3628:
3596:
3569:
3537:
3510:
3479:
3452:
3421:
3402:Kruger, Adam.
3394:
3368:
3345:
3316:
3283:
3257:
3231:
3208:"Lookin' Good"
3198:
3165:
3136:
3105:
3079:
3051:
3039:Metacritic.com
3026:
3000:
2972:
2938:
2912:
2885:
2859:
2852:
2828:
2795:
2762:
2751:. No. 898
2733:
2704:
2676:
2644:
2616:
2560:
2554:978-1565126244
2553:
2533:
2526:
2502:
2479:
2456:
2430:
2423:
2392:
2357:
2340:
2321:
2277:
2248:
2241:
2172:
2144:
2117:
2105:The GW Hatchet
2091:
2062:
2031:
1997:
1961:
1933:
1904:
1868:
1840:
1833:
1806:
1773:
1754:
1752:
1749:
1748:
1747:
1739:
1731:
1723:
1715:
1707:
1698:
1697:
1689:Main article:
1686:
1683:
1678:
1676:
1673:
1669:
1668:
1664:
1663:
1651:
1650:
1641:
1635:
1626:Former members
1622:
1618:
1617:
1605:
1604:
1595:
1586:
1577:
1558:
1556:
1553:
1424:Early November
1342:
1335:
1332:
1286:
1285:(2012–present)
1279:
1229:Simple Science
1168:
1165:
1103:Confidence Man
1048:Uptown Theater
1014:Uptown Theater
1005:
1002:
949:Eudora, Kansas
940:
934:
864:
854:
844:
839:
838:
837:
828:
827:
826:
748:Stephen Street
720:Thurston Moore
703:
697:
597:Red Letter Day
585:Red Letter Day
559:
553:
463:
457:
370:
367:
365:
362:
354:Vitreous Humor
310:Simple Science
211:
210:
201:
197:
196:
193:
192:
183:
177:
176:
173:
172:
154:
150:
149:
146:
145:
143:
142:
137:
132:
129:
124:
123:Simple Psyence
121:
116:
110:
108:
104:
103:
100:
94:
93:
91:
90:
83:
78:
73:
68:
62:
60:
56:
55:
49:
45:
44:
40:
39:
36:
28:
27:
24:
15:
9:
6:
4:
3:
2:
4886:
4885:
4874:
4871:
4869:
4866:
4864:
4861:
4859:
4856:
4854:
4851:
4849:
4846:
4844:
4841:
4839:
4836:
4834:
4831:
4829:
4826:
4824:
4821:
4819:
4816:
4814:
4811:
4809:
4806:
4804:
4801:
4800:
4798:
4791:
4781:
4778:
4776:
4773:
4771:
4768:
4766:
4763:
4762:
4760:
4756:
4750:
4747:
4745:
4742:
4740:
4737:
4735:
4732:
4730:
4727:
4725:
4722:
4721:
4719:
4717:Side projects
4715:
4709:
4706:
4704:
4701:
4699:
4696:
4695:
4693:
4689:
4682:
4678:
4675:
4671:
4668:
4664:
4661:
4657:
4654:
4650:
4647:
4643:
4642:
4640:
4636:
4630:
4629:
4625:
4624:
4622:
4618:
4612:
4611:
4607:
4605:
4604:
4600:
4598:
4597:
4593:
4591:
4588:
4587:
4585:
4581:
4575:
4574:
4570:
4568:
4567:
4563:
4561:
4560:
4556:
4554:
4553:
4549:
4547:
4546:
4542:
4541:
4539:
4535:
4529:
4528:
4524:
4522:
4521:
4517:
4515:
4514:
4510:
4508:
4507:
4503:
4501:
4500:
4496:
4494:
4493:
4489:
4488:
4486:
4484:Studio albums
4482:
4476:Thomas Becker
4475:
4472:
4471:
4468:
4467:
4463:
4461:
4460:
4456:
4454:
4453:
4449:
4447:
4446:
4442:
4440:
4439:
4438:Matthew Pryor
4435:
4434:
4431:
4427:
4420:
4415:
4413:
4408:
4406:
4401:
4400:
4397:
4389:
4384:
4383:
4371:
4367:
4361:
4346:
4342:
4338:
4332:
4316:
4312:
4311:
4306:
4299:
4284:
4280:
4276:
4272:
4271:
4266:
4259:
4251:
4250:
4245:
4239:
4231:
4225:
4217:
4211:
4203:
4197:
4189:
4188:
4183:
4176:
4160:
4159:
4154:
4148:
4140:
4136:
4132:
4125:
4110:
4106:
4105:
4097:
4083:, Clash Music
4082:
4081:
4073:
4065:
4061:
4060:
4052:
4044:
4043:
4042:Rolling Stone
4038:
4032:
4017:
4013:
4007:
3992:
3988:
3981:
3965:
3961:
3955:
3938:
3933:
3932:Instagram.com
3929:
3923:
3908:
3904:
3897:
3881:
3877:
3873:
3866:
3864:
3848:
3844:
3840:
3839:
3831:
3816:
3812:
3806:
3791:
3787:
3781:
3765:
3758:
3742:
3741:"Get Up Kids"
3735:
3719:
3712:
3696:
3695:
3690:
3684:
3669:
3668:
3660:
3645:
3641:
3640:
3632:
3617:
3613:
3609:
3608:
3600:
3586:
3585:Spin Magazine
3582:
3581:
3573:
3558:
3554:
3553:Rolling Stone
3550:
3549:
3541:
3526:
3522:
3521:
3514:
3499:
3495:
3491:
3490:
3483:
3468:
3464:
3463:
3456:
3440:
3436:
3432:
3425:
3409:
3405:
3398:
3383:
3382:Absolute Punk
3379:
3372:
3356:
3349:
3334:
3330:
3323:
3321:
3304:
3300:
3299:
3298:Rolling Stone
3294:
3287:
3272:
3268:
3261:
3246:
3242:
3235:
3219:
3215:
3214:
3209:
3202:
3186:
3182:
3181:
3176:
3169:
3154:
3150:
3143:
3141:
3125:
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2810:Rolling Stone
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2019:
2015:
2014:The Pop Break
2011:
2004:
2002:
1994:
1982:
1978:
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1972:
1965:
1949:
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1937:
1922:
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1886:Rolling Stone
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1834:0-312-30863-9
1830:
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1781:Wesley Case.
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1275:Saves the Day
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911:Saves the Day
908:
904:
903:Alkaline Trio
900:
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885:Rolling Stone
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756:Nigel Godrich
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714:artists like
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187:Thomas Becker
184:
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4466:James Dewees
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4360:
4348:. Retrieved
4337:Travis Mills
4331:
4319:. Retrieved
4315:the original
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4283:the original
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4064:the original
4058:
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3954:
3942:. Retrieved
3937:the original
3931:
3922:
3910:. Retrieved
3906:
3901:Aiex, Tony.
3896:
3884:. Retrieved
3875:
3851:, retrieved
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3818:. Retrieved
3814:
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3793:. Retrieved
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3780:
3768:. Retrieved
3757:
3745:. Retrieved
3734:
3722:. Retrieved
3711:
3699:. Retrieved
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3650:November 17,
3648:, retrieved
3644:the original
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3620:, retrieved
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3563:November 15,
3561:, retrieved
3557:the original
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3531:November 15,
3529:, retrieved
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3513:
3504:November 14,
3502:, retrieved
3498:the original
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3473:November 13,
3471:, retrieved
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3455:
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3439:the original
3424:
3412:. Retrieved
3408:the original
3397:
3385:. Retrieved
3371:
3359:. Retrieved
3348:
3336:. Retrieved
3333:Lawrence.com
3332:
3307:. Retrieved
3303:the original
3296:
3286:
3276:September 1,
3274:. Retrieved
3271:Punknews.org
3270:
3260:
3248:. Retrieved
3245:Lawrence.com
3244:
3234:
3222:. Retrieved
3218:the original
3211:
3201:
3189:. Retrieved
3185:the original
3178:
3168:
3156:. Retrieved
3127:. Retrieved
3124:Lawrence.com
3123:
3096:. Retrieved
3093:Lawrence.com
3092:
3082:
3070:. Retrieved
3064:
3054:
3042:. Retrieved
3038:
3029:
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3003:
2991:. Retrieved
2985:
2975:
2963:. Retrieved
2959:the original
2955:Lawrence.com
2954:
2929:. Retrieved
2925:Lawrence.com
2924:
2915:
2903:. Retrieved
2898:
2888:
2876:. Retrieved
2872:the original
2862:
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2831:
2819:. Retrieved
2815:the original
2808:
2798:
2786:. Retrieved
2782:the original
2755:February 24,
2753:. Retrieved
2746:
2736:
2726:February 24,
2724:. Retrieved
2717:
2707:
2697:February 24,
2695:. Retrieved
2688:
2679:
2667:. Retrieved
2663:the original
2656:
2647:
2635:. Retrieved
2629:
2619:
2609:November 12,
2607:. Retrieved
2599:
2543:
2536:
2512:
2505:
2493:. Retrieved
2482:
2470:. Retrieved
2459:
2447:. Retrieved
2444:Punknews.org
2443:
2433:
2405:
2395:
2383:. Retrieved
2375:
2335:Punknews.org
2334:
2324:
2311:
2268:. Retrieved
2261:
2251:
2228:
2163:. Retrieved
2156:
2147:
2136:, retrieved
2130:
2108:. Retrieved
2104:
2094:
2086:
2079:. Retrieved
2074:
2065:
2055:November 30,
2053:. Retrieved
2044:
2034:
2022:. Retrieved
2018:the original
2013:
1992:
1985:. Retrieved
1974:
1964:
1952:. Retrieved
1945:
1936:
1924:. Retrieved
1921:Aversion.com
1920:
1895:. Retrieved
1891:the original
1884:
1859:. Retrieved
1853:
1843:
1818:
1797:. Retrieved
1793:the original
1786:
1776:
1767:
1758:
1741:
1733:
1725:
1717:
1709:
1701:
1665:
1653:
1652:
1644:James Dewees
1625:
1624:
1619:
1607:
1606:
1564:
1563:
1555:Band members
1549:The Hotelier
1534:
1515:
1495:
1484:
1479:
1473:
1466:Dan Campbell
1464:
1455:
1446:
1429:Hellogoodbye
1417:
1410:
1401:
1389:
1385:
1382:Fall Out Boy
1375:
1363:
1357:
1349:
1346:Fall Out Boy
1338:
1323:
1317:
1313:
1303:
1290:
1288:
1282:
1270:
1256:
1252:
1250:
1227:
1216:
1203:
1200:Liberty Hall
1195:
1192:
1185:
1181:
1178:
1157:Hellogoodbye
1142:
1118:
1113:Outroduction
1111:
1101:
1091:
1058:
1052:
1044:
1037:
1026:
1019:
989:
985:
981:
975:
973:
969:
962:
956:
942:
936:
931:
926:
922:
918:
914:
898:
895:
889:
883:
877:
875:
866:
856:
819:
815:
811:
805:
803:
794:
771:
744:
738:
734:
732:
716:Led Zeppelin
712:classic rock
707:
705:
699:
693:compact disc
688:
684:
680:
674:
672:
633:
624:indie labels
618:
612:
596:
594:
589:
583:
573:
555:
544:
541:Mojo Records
529:
522:
508:
501:produced by
499:split 7-inch
495:Pennsylvania
491:Wilkes-Barre
483:James Dewees
480:
465:
459:
452:
442:
424:
408:
384:
327:
320:
314:
308:
304:
302:
295:
293:
262:
250:Fall Out Boy
235:
215:
214:
205:thegetupkids
190:James Dewees
181:Past members
131:Quality Hill
98:Years active
18:
4765:Discography
4749:White Whale
4660:Ten Minutes
4473:Nathan Shay
4345:Apple Music
4343:(Podcast).
4289:January 31,
4165:December 4,
3912:October 31,
3853:October 29,
3843:AP Magazine
3770:October 10,
3747:October 10,
3724:October 10,
3590:December 9,
3445:December 4,
3414:December 4,
3387:December 4,
3361:December 4,
3153:Idobi Radio
2993:December 9,
2931:December 9,
2602:(Podcast).
2491:. Decapolis
2413:. pp.
2372:"Magic Bus"
2110:January 30,
2081:January 30,
2024:January 16,
1685:Discography
1545:Steel Train
1518:Apple Music
1438:Silverstein
1407:Mark Hoppus
1220:Youth Group
1125:Butterglory
1075:White Whale
1059:Guilt Show,
939:(2003–2004)
798:Peter Katis
752:John Leckie
724:Ian Mackaye
702:(2002–2003)
601:Los Angeles
558:(1999–2001)
462:(1997–1998)
242:forefathers
232:second wave
228:Midwest emo
224:Kansas City
185:Nathan Shay
66:Midwest emo
52:Kansas City
4797:Categories
4513:Guilt Show
4445:Jim Suptic
4016:exclaim.ca
3701:August 10,
3674:August 20,
3089:"Spoonman"
2878:January 5,
2788:October 3,
2592:Matt Pryor
2472:August 20,
2138:August 20,
1976:PopMatters
1954:August 20,
1947:Rock Sound
1751:References
1727:Guilt Show
1580:Jim Suptic
1571:Matt Pryor
1537:Tigers Jaw
1498:Jim Suptic
1396:Pete Wentz
1370:Vice Media
1267:Bob Weston
986:Guilt Show
977:Guilt Show
937:Guilt Show
869:media help
778:Scott Litt
764:Jerry Finn
760:Gil Norton
739:On a Wire,
609:John Cohen
531:including
468:Bob Weston
399:Matt Pryor
395:Jim Suptic
350:Cap'n Jazz
334:Jawbreaker
330:Superchunk
222:band from
161:Jim Suptic
157:Matt Pryor
71:indie rock
4708:Polyvinyl
4681:Automatic
4506:On a Wire
4459:Ryan Pope
4350:March 18,
4321:August 4,
4279:1065-1667
3964:Pitchfork
3876:Stereogum
3612:The Pitch
3494:The Pitch
3213:The Pitch
3180:The Pitch
2965:April 25,
2233:iUniverse
1719:On a Wire
1598:Ryan Pope
1551:on tour.
1506:glam rock
1444:in 2013.
1403:Blink-182
990:On a Wire
982:On a Wire
923:On a Wire
915:On a Wire
890:On a Wire
857:On a Wire
816:On a Wire
807:On a Wire
768:Superdrag
700:On a Wire
679:in 2001.
636:Green Day
607:co-owner
519:Boys Life
387:Ryan Pope
297:On a Wire
265:Green Day
169:Ryan Pope
135:Polyvinyl
4703:Doghouse
4583:Split 7"
4527:Problems
4452:Rob Pope
4187:HuffPost
4087:June 20,
3996:March 7,
3886:June 24,
3880:Archived
3338:June 20,
3309:March 2,
3250:July 30,
3224:June 20,
3191:June 20,
3158:July 30,
3129:June 20,
3098:June 20,
3072:June 20,
3019:June 20,
2905:June 18,
2821:March 2,
2669:March 2,
2637:March 2,
2449:March 2,
2403:(2004).
2385:June 21,
2263:Kerrang!
2165:March 2,
2049:Archived
1981:Archived
1926:March 2,
1897:March 2,
1861:March 2,
1743:Problems
1675:Timeline
1589:Rob Pope
1343:—
1328:Exclaim!
1324:Problems
1319:Problems
1283:Problems
1238:Rob Pope
1224:Mansions
1149:Catalyst
1067:Lawrence
648:Jebediah
487:Coalesce
431:Coalesce
391:Rob Pope
322:Problems
165:Rob Pope
114:Doghouse
87:pop-punk
4775:Ed Rose
4698:Vagrant
4638:Singles
4545:Woodson
4115:June 7,
4021:May 29,
3970:May 29,
3944:May 11,
3820:May 11,
3795:May 11,
3044:May 11,
2899:website
2518:123–128
2495:June 2,
2270:July 6,
1987:June 8,
1799:May 11,
1591:– bass
1420:Midtown
1399:Kids."
1108:May Day
790:Nirvana
728:Beatles
664:Napster
631:ethic.
570:in 2000
533:Sub Pop
515:Mineral
503:Ed Rose
472:Shellac
453:Woodson
444:Woodson
404:Mineral
381:in 1997
364:History
200:Website
153:Members
119:Vagrant
81:emo pop
4691:Labels
4646:Shorty
4628:Eudora
4573:Kicker
4277:
2850:
2551:
2524:
2421:
2239:
1831:
1746:(2019)
1738:(2011)
1730:(2004)
1722:(2002)
1714:(1999)
1706:(1997)
1666:
1661:(2010)
1639:(1996)
1633:(1995)
1475:Eudora
1454:cited
1314:Kicker
1289:After
1073:group
1071:Kansas
1063:Koufax
955:album
909:, and
782:R.E.M.
770:album
750:&
681:Eudora
676:Eudora
660:Koufax
652:Weezer
537:Geffen
517:, and
420:7-inch
393:, and
356:, and
338:Fugazi
277:Europe
269:Weezer
107:Labels
59:Genres
54:, U.S.
48:Origin
4744:Spoon
1769:fall.
1340:Kids.
1242:Spoon
1218:with
1087:Spoon
476:Braid
435:Braid
379:Emo's
273:Japan
4352:2024
4323:2009
4291:2010
4275:ISSN
4167:2008
4117:2008
4089:2009
4023:2019
3998:2019
3972:2019
3946:2019
3914:2017
3888:2022
3855:2010
3822:2019
3797:2019
3772:2022
3749:2022
3726:2022
3703:2017
3676:2009
3652:2008
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