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does not get very far before he is captured, drained of his blood and vampirised. After Shagal rises and attacks Magda, the tavern's beautiful maidservant and the object of his lust when he was still human, Abronsius and Alfred follow his trail in the snow, which leads them to
Krolock's ominous castle in the snow-blanketed hills nearby. They break into the castle but are trapped by the Count's hunchbacked servant, Koukol. They are taken to see the Count, who affects an air of aristocratic dignity while questioning Abronsius about why he has come to the castle. They also encounter the Count's son, the foppish (and homosexual) Herbert. Meanwhile, Shagal, no longer caring about his daughter's fate, sets up his plan to turn Magda into his vampire bride.
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Sarah. The crypt is guarded by the hunchback, so after some wandering they attempt to climb in through a roof window. However, Abronsius gets stuck in the aperture, and it falls to Alfred to complete the task of killing the Count in his slumber. At the last moment his nerve fails him and he cannot accomplish the deed. Alfred then has to go back outside to free
Abronsius, but on the way he comes upon Sarah having a bath in her room. She seems oblivious of her danger when he pleads for her to come away with him, and informs him that a ball is to take place this very night. After briefly taking his eyes off her, Alfred turns to find Sarah has vanished into thin air.
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Abronsius and Alfred flee from
Herbert through a dark stairway to safety, only to be trapped behind a locked door in a turret. As night is falling, they become horrified witnesses as the graves below open up to reveal a huge number of vampires of various past centuries at the castle, who hibernate and meet once a year only to feast upon any captives the Count has provided for them. The Count appears, mocking them and tells them their fate is sealed. He leaves them to attend the ball, where Sarah will be presented as the next vampire victim.
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Alfred bump into each other. The two shake hands and a green vampire pops out from a grave behind them. After the successful scare, the vampire laughs as the camera zooms in on him. This process is repeated twice. A bag falls from the sky; Abronsius reaches in and takes out a box containing garlic, which he and Alfred eat. They sneak up to the vampire (who has no idea where they are), tap his shoulder and breathe garlic breath on him, causing him to shrink and run off. The bag drops to them again and Alfred brings out a gold
660:. This was the version most commonly seen in the US until it vanished from circulation in the mid-1970s. In the early 1980s, MGM unearthed a print of Roman Polanski's original cut and sent it to various repertory & revival houses for screenings. Polanski's cut has garnered new interest and reevaluated opinions from critics and fans of Polanski's work, who have previously bashed the film in its mutilated US cut. Since then, the original version of the film is the one more commonly available today and has been released on
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bag appears one last time and
Abronsius takes out a mallet and a wooden stake. With Alfred's help, he kills the vampire, then places the lid on the coffin. In the pitch-black backdrop, Professor Abronsius and Alfred congratulate each other until the MGM logo appears, startling them. The lion in the logo roars as its fangs grow longer. Frightened, Abronsius and Alfred run away, and blood drips out of the lion's mouth.
462:. Abronsius is old and withering and barely able to survive the cold ride through the wintry forests, while Alfred is bumbling and introverted. The two hunters come to a small village seemingly at the end of a long search for signs of vampires. The two stay at a local inn full of angst-ridden townspeople who perform strange rituals to fend off an unseen evil.
481:—and come to the ball in disguise, where, although exposed by their reflections in a huge mirror, they are able to grab Sarah and escape. Fleeing in a horse-drawn sleigh, Abronsius and Alfred are unaware that it is too late for Sarah; she awakens in mid-flight as a vampire and bites Alfred, thus allowing vampires to be released into the world.
618:) had left us so little time to revise our shooting schedules. The fact that we were filming in Italy entailed the employment of a certain number of Italian technicians and that, in turn bred some international friction. Gene Gutowski (the film's European producer) rightly suspected that the Italians were robbing us blind."
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and gives it to
Abronsius. They sneak up on the now plugged-nose vampire, show him the crucifix, and again he shrinks and runs off. He hides behind the tree and tries to scare them again, but the sun replaces the moon, signaling the vampire to run, and Abronsius and Alfred chase him to a coffin. The
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Despite misgivings, Abronsius and Alfred accept the Count's invitation to stay in his ramshackle Gothic castle, where Alfred spends the night fitfully. The next morning, Abronsius plans to find the castle crypt and destroy the Count by staking him in the heart, seemingly forgetting about the fate of
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While staying at the inn, Alfred develops a fondness for Sarah, the overprotected daughter of the tavern keeper Yoine Shagal. Alfred witnesses Sarah being kidnapped by the local vampire lord Count von
Krolock. Crazed with grief and armed only with a bunch of garlic, Shagal attempts to rescue her but
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background to the story. Very few of the crew could see anything in it—they thought it old-fashioned nonsense. But I could see this background… I have a French background myself and could sense the
Central European atmosphere that surrounds it. The figure of Alfred is very much like Roman himself—a
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After freeing
Abronsius, who is half-frozen, they re-enter the castle. Alfred again seeks Sarah but meets Herbert instead, who first attempts to seduce him, and then, after Alfred realizes that Herbert's reflection does not show up in the mirror, reveals his vampire nature and attempts to bite him.
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The comedy mask disappears and the MGM lion turns into a cartoon vampire with blood dripping from its mouth. From its older airings in some
European countries, the MGM lion fades instead with a different-looking vampire design. Unlike its original version, the alternative version never appeared in
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The sequence begins on a sunny day when a bird is minding his own business when the sun behind him sinks and the crescent moon rises in its place, starting the night. The bird becomes alarmed and speeds away. Zooming out, the camera reveals the setting of a graveyard where
Professor Abronsius and
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and head of theatrical post-production Merle Chamberlain cut 12 minutes' worth of material, and along with adding the animated prologue among other changes, the character of Professor Abronsius was re-dubbed to give him a goofy, cartoony voice that would suit the "kooky" tone of the film. This
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based on 34 reviews, with an average rating of 6.3/10. The site's critics' consensus reads: "This uneven but amiable 1967 vampire picture is part horror spoof, part central European epic, and 100 percent Roman Polanski, whose signature sensibility colors every frame."
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title card. A region-free Brazilian DVD was issued by Cinemagia that, while using a dated 4:3 letterbox master of the original cut, has the US prologue as a bonus feature. Outside of
634:. It is very much a personal statement of his own humor as he used to chuckle all the way through the scenes." This film was the source material for the European stage musical
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432:), who is promptly abducted. Determined to save the buxom maiden, they confront the undead Count in his castle. The film has been adapted into a musical,
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than into any other film. It brought to light the fairy-tale interest that he has. One was conscious all along when making the picture of a
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on September 13, 2005 as a Region 1 widescreen DVD, and later in other territories. This version is Polanski's original cut bearing
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re-master of Polanski's original cut, along with the extras from the DVD release and the addition of the US animated prologue.
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and does not play on most North American Blu-ray players. In September 2019, Warner Archive announced a US Blu-ray for
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454:" and the story appears to take place sometime during the mid-19th century. Professor Abronsius, formerly of the
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19:"Fearless Vampire Killers" and "Dance of the Vampires" redirect here. For the band, see
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was Polanski's first feature to be photographed in color using a widescreen 2.35:1
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Cinematographer Douglas Slocombe said: "I think he put more of himself into
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The Fearless Vampire Killers, or Pardon Me, But Your Teeth Are in My Neck
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Roman Polanski talks about production difficulties in his autobiography,
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The film, using the same version as the 2005 DVD, was released by
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Sharon Tate about to kiss Roman Polanski in a scene of the film
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in France on December 20, 2013. This Blu-ray is locked to
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slight figure, young and a little defenseless—a touch of
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Comedy-Horror Films: A Chronological History, 1914–2008
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When the film was first released in the United States,
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849:. Released two months later, it utilizes a new 2019
438:(first adapted in German under the translated title
60:. Unsourced material may be challenged and removed.
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651:wanted to market it as a "farce". MGM head editor
640:. It is peppered with numerous references to King
477:The hunters escape by firing a cannon at the door—
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1899:Films with screenplays by Roman Polanski
1874:Films shot at Associated British Studios
583:Winifred Sabine as Deaf Vampire at House
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1894:Films with screenplays by GĂ©rard Brach
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450:The film is set "deep in the heart of
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988:"The Fearless Vampire Killers (1967)"
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1809:American supernatural horror films
1804:American supernatural comedy films
1702:Roman Polanski: Wanted and Desired
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964:"Turner Classic Movies - TCM.com"
871:Speculative fiction/Horror portal
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1909:LGBT-related comedy horror films
1849:Films scored by Krzysztof Komeda
1844:Films directed by Roman Polanski
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1864:Films set in the 19th century
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1070:Hallenbeck, Bruce G. (2009).
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574:Matthew Walters as woodcutter
146:Theatrical release poster by
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1814:American vampire films
1603:To Each His Own Cinema
1541:Two Men and a Wardrobe
1157:British Film Institute
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580:as Herbert von Krolock
544:as Herbert von Krolock
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1834:British vampire films
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1711:Polanski Unauthorized
1601:"Cinema Erotique" in
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734:United Kingdom/Europe
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435:Dance of the Vampires
378:Dance of the Vampires
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1919:Vampire comedy films
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1571:The Fat and the Lean
1480:An Officer and a Spy
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54:improve this article
1889:Films shot in Italy
1774:1960s British films
566:Andreas Malandrinos
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1649:Emmanuelle Seigner
1270:Knife in the Water
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1023:www.metacritic.com
767:. You can help by
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699:Knife in the Water
592:as Vampire at Ball
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1261:Feature films
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953:, p. 83.
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912:Vampire films
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899:Comedy portal
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763:This section
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720:United States
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568:as woodcutter
567:
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548:Jessie Robins
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542:Iain Quarrier
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401:, along with
400:
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395:Gene Gutowski
392:
389:, written by
388:
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383:comedy horror
380:
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347:United States
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294:Release dates
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188:Gene Gutowski
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71: –
70:
66:
65:Find sources:
59:
55:
49:
48:
43:This article
41:
37:
32:
31:
26:
22:
1727:
1718:
1709:
1700:
1682:
1651:(third wife)
1635:(first wife)
1611:
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1591:
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1569:
1559:
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1539:
1529:
1519:
1509:
1488:
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1460:Venus in Fur
1458:
1448:
1438:
1430:Oliver Twist
1428:
1418:
1408:
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1368:
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1318:
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1299:
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1288:
1278:
1268:
1244:Bibliography
1187:
1179:
1162:
1151:
1133:
1117:
1100:
1071:
1064:Bibliography
1050:. Retrieved
1046:
1037:
1026:. Retrieved
1022:
1013:
1001:. Retrieved
991:
982:
971:. Retrieved
967:
958:
931:
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846:
836:
823:
811:
810:
787:
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773:
769:adding to it
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737:
723:
706:
692:
684:aspect ratio
679:
678:
657:
646:
635:
622:
620:
603:
601:
554:Ronald Lacey
530:Terry Downes
476:
472:
468:
464:
452:Transylvania
449:
439:
433:
415:
391:GĂ©rard Brach
381:) is a 1967
377:
376:
371:
370:
365:
364:
363:
329:Running time
175:GĂ©rard Brach
116:
107:
97:
90:
83:
76:
64:
52:Please help
47:verification
44:
1641:Sharon Tate
1502:Short films
1420:The Pianist
1390:Bitter Moon
1251:Filmography
968:www.tcm.com
885:Film portal
536:Fiona Lewis
524:Ferdy Mayne
512:Sharon Tate
430:Sharon Tate
411:Ferdy Mayne
399:Sharon Tate
333:108 minutes
269:Cadre Films
219:Ferdy Mayne
209:Sharon Tate
184:Produced by
155:Directed by
110:August 2021
1759:1967 films
1753:Categories
1659:(daughter)
1531:Morderstwo
1490:The Palace
1350:The Tenant
1290:Cul-de-Sac
1188:Film Scope
1180:DVD Savant
1052:2019-09-19
1028:2024-08-27
973:2023-07-30
918:References
807:Home media
797:Metacritic
703:Cul-de-sac
598:Production
518:Alfie Bass
407:Alfie Bass
316:1968-12-05
305:1967-11-13
259:Production
214:Alfie Bass
165:Written by
80:newspapers
1613:A Therapy
1340:Chinatown
1280:Repulsion
1237:Accolades
776:July 2020
666:LaserDisc
616:Dolomites
590:Roy Evans
426:vampirism
338:Countries
261:companies
238:Edited by
1123:AllMovie
1003:July 10,
857:See also
843:Region B
727:crucifix
701:(1962),
460:vampires
355:Language
273:Filmways
248:Music by
194:Starring
1693:Roman P
1668:Related
1450:Carnage
1380:Frantic
1370:Pirates
1320:Macbeth
1166:at the
1155:at the
1137:at the
935:at the
743:Release
674:Blu-ray
612:Urtijëi
608:Austria
358:English
314: (
303: (
94:scholar
1625:Family
1616:(2012)
1606:(2007)
1595:(1964)
1584:(1962)
1574:(1961)
1564:(1959)
1554:(1959)
1544:(1958)
1534:(1957)
1524:(1957)
1514:(1957)
1493:(2023)
1483:(2019)
1473:(2017)
1463:(2013)
1453:(2011)
1443:(2010)
1433:(2005)
1423:(2002)
1413:(1999)
1403:(1994)
1393:(1992)
1383:(1988)
1373:(1986)
1363:(1979)
1353:(1976)
1343:(1974)
1333:(1972)
1323:(1971)
1313:(1968)
1303:(1967)
1293:(1966)
1283:(1965)
1273:(1962)
1108:
1082:
688:skiing
96:
89:
82:
75:
67:
1581:Ssaki
1551:Lampa
1330:What?
832:35 mm
828:16 mm
632:Kafka
604:Roman
101:JSTOR
87:books
1360:Tess
1106:IMDb
1080:ISBN
1005:2020
705:and
672:and
485:Cast
446:Plot
405:and
73:news
1121:at
1104:at
830:or
818:by
816:DVD
771:.
670:DVD
662:VHS
649:MGM
442:).
56:by
1755::
1078:.
1045:.
1021:.
996:.
990:.
966:.
943:^
851:HD
711:.
690:.
668:,
664:,
413:.
1695:"
1691:"
1217:e
1210:t
1203:v
1088:.
1055:.
1031:.
1007:.
976:.
778:)
774:(
318:)
307:)
123:)
117:(
112:)
108:(
98:·
91:·
84:·
77:·
50:.
27:.
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