Knowledge

The Entombment of Christ (Lotto)

Source đź“ť

25: 91: 273:.) The man is wearing an orange vest bound at the waist by a white sash. Under the vest is a white shirt, and he wears a large turban. At the foot of the tomb, another man is dropping the sheet under the body, with difficulty. He wears a military uniform covered by a blue mantle, also bound at the waist, and leather sandels. 285:
is also lifting the corpse, holding it by the torso, and placing it in the tomb. The daylight falling on him creates shadows around him. In the foreground and at right, Mary Magdalene, hooded, also holds the abandoned hand of Christ. Her clothes are brightly colored: under her red cape, she wears a
244:, but all three predellas were removed and moved elsewhere. The three predella panels were stolen in 1650, returned, and then moved to the church's sacristy. In 1749, however, the three panels were split up and sold to different buyers, ending their shared history. Finally, in 193, 264:, Lotto depicts a dramatic scene with details of devotion. Christ, removed from his cross, is placed into a tomb where, in the foreground, the instruments of his martyrdom are displayed. Placed in shadow, however, he does not occupy the center of the scene. 280:
is fainting from grief and supported by a woman behind her. Mary's blue mantle covers her face and lies over her red dress. She is holding the hand of Christ, and both are supported by another woman, who directs her gaze towards Mary.
196: 210: 727: 735: 946: 670: 954: 230: 767: 267:
Instead, at center, a man seen from behind is carrying Christ's lifeless body while standing with one foot in the tomb. (A composition similar to Caravaggio's
587: 970: 743: 839: 595: 537: 985: 717: 577: 1159: 791: 1068: 1154: 1100: 636: 995: 1010: 203: 831: 686: 1044: 914: 627: 560: 978: 930: 610: 506: 217: 391: 807: 570: 545: 269: 473:
Loiri Locatelli, Andreina Franco (1998). "Le opere di Lorenzo Lotto nelle chiese della cittĂ  : i contesti d'origine".
1164: 938: 906: 879: 710: 241: 172: 1060: 887: 815: 759: 346: 324: 68: 46: 799: 39: 1052: 298:. The brown carpet at the foreground of the altarpiece mirrors the reddish-brown tints of the hilly landscape of 1028: 662: 847: 1169: 1076: 962: 783: 499: 751: 421: 1092: 1084: 855: 235: 1003: 863: 694: 33: 1144: 1036: 775: 620: 702: 492: 50: 823: 654: 294: 277: 167: 1149: 922: 678: 8: 1020: 282: 150: 90: 603: 306:
and German art, although they still correspond to his personal artistic style overall.
399: 342: 320: 249: 158: 135: 553: 871: 187: 165:. It originally formed the central predella panel (one of three) to the artist's 447: 392:"Accademia Carrara | deposizione di Cristo Domenico resuscita Napoleone Orsini" 367: 1138: 1122: 515: 154: 101: 127:
51 cm Ă— 97 cm (20 in Ă— 38 in)
302:. The three paintings also reflect Lotto's encounter with the art of 736:
Madonna and Child with Saint Jerome and Saint Nicholas of Tolentino
728:
Mystical Marriage of St Catherine of Alexandria with NiccolĂł Bonghi
191: 303: 162: 484: 292:, and the other predella paintings, are painted to reflect the 368:"deposizione di Cristo nel sepolcro Lotto Lorenzo 58AC00071 |" 229:
When the church and its monastery were destroyed to build the
947:
Portrait of Giovanni Agostino della Torre and his son Niccolò
448:"Deposizione di Cristo nel sepolcro, Lotto Lorenzo 58AC00071" 955:
Portrait of Giovanni della Volta with his Wife and Children
186:
was commissioned by Alessandro Martinengo Colleoni for the
240:
in 1561, the altarpiece was moved into the new church of
768:
Madonna and Child with Saint Catherine and Saint James
671:
Madonna and Child with Saint Roch and Saint Sebastian
588:
Madonna with Child between Sts. Flavian and Onuphrius
286:
yellow corset and a shirt with white puffed sleeves.
971:
Portrait of Marsilio Cassotti and His Bride Faustina
422:"Deposizione di Cristo nel sepolcro, Lotto Lorenzo" 840:Holy Family with the Family of St John the Baptist 538:Madonna and Child with St Peter Martyr and a Donor 1136: 472: 792:Holy Family with Saint Catherine of Alexandria 1069:Portrait of a Thirty-Seven-Year-Old Gentleman 500: 149:is a 1513–1516 oil-on-canvas painting by the 1101:Portrait of Brother Gregorio Belo of Vicenza 744:Mystical Marriage of St Catherine and Saints 309: 507: 493: 190:in the church of Santo Stefano. The other 89: 69:Learn how and when to remove this message 1045:Portrait of a Woman Inspired by Lucretia 32:This article includes a list of general 979:Portrait of a Gentleman with a Lion Paw 317:Il coro intarsiato di Lotto e Capoferri 197:Saint Dominic Reviving Napoleone Orsini 1137: 808:Holy Family with St Jerome and St Anne 1160:Paintings of the Entombment of Christ 915:Portrait of Bishop Bernardo de' Rossi 571:Santa Cristina al Tiverone Altarpiece 488: 18: 1155:Collection of the Accademia Carrara 996:Portrait of a Young Man with a Book 939:Portrait of a Young Man with a Lamp 13: 1061:Portrait of an Old Man with Gloves 596:Mystic Marriage of Saint Catherine 38:it lacks sufficient corresponding 14: 1181: 832:Madonna and Child with Two Donors 687:Christ Taking Leave of his Mother 514: 330:Andreina Franco Loiri Locatelli, 319:, edizioni Amilcare Pizzi, 1987, 880:San Giacomo dell'Orio Altarpiece 23: 1029:Triple Portrait of a Goldsmith 466: 440: 414: 384: 360: 255: 1: 719:Adoration of the Christ Child 579:Adoration of the Christ Child 546:Madonna and Child with Saints 353: 398:(in Italian). Archived from 211:The Stoning of Saint Stephen 7: 1077:Portrait of Febo da Brescia 963:Portrait of Lucina Brembati 907:Allegory of Virtue and Vice 784:Saint Lucy Before the Judge 711:Lament over the Dead Christ 10: 1186: 1165:Paintings by Lorenzo Lotto 888:Presentation in the Temple 816:Adoration of the Shepherds 242:Santi Bartolomeo e Stefano 178: 173:Santi Bartolomeo e Stefano 1115: 1085:Portrait of Laura da Pola 898: 856:Altarpiece of the Halberd 760:Christ Carrying the Cross 638:Saint Jerome in Penitence 629:Saint Jerome in Penitence 612:Saint Jerome in Penitence 562:Saint Jerome in Penitence 529: 522: 315:Francesca Cortesi Bosco, 310:Bibliography (in Italian) 231:Venetian walls of Bergamo 131: 123: 115: 107: 97: 88: 83: 16:Painting by Lorenzo Lotto 1004:Portrait of Andrea Odoni 864:St Antoninus Giving Alms 695:Santo Spirito Altarpiece 647:The Entombment of Christ 426:Lombardia Beni Culturali 224:The Entombment of Christ 184:The Entombment of Christ 146:The Entombment of Christ 84:The Entombment of Christ 1053:Portrait of a Gentleman 1012:Portrait of a Young Man 987:Portrait of a Young Man 931:Portrait of a Young Man 776:Saint Nicholas in Glory 53:more precise citations. 800:Crucifixion with PietĂ  703:Ponteranica Altarpiece 663:Susanna and the Elders 334:, 1998, p. 61–63. 276:Also near the center, 848:Madonna of the Rosary 824:Recanati Annunciation 655:Martinengo Altarpiece 475:La Rivista di Bergamo 339:Lotto, Milano, Electa 332:La Rivista di Bergamo 295:Martinengo Altarpiece 252:, where it is today. 226:placed between them. 168:Martinengo Altarpiece 923:Allegory of Chastity 1170:Joseph of Arimathea 1021:Triumph of Chastity 283:Joseph of Arimathea 151:Italian Renaissance 752:Life of the Virgin 604:Recanati Polyptych 477:(in Italian): 133. 402:on 7 February 2021 1132: 1131: 1111: 1110: 1093:Portrait of a Man 452:Accademia Carrara 396:Accademia Carrara 250:Accademia Carrara 171:at the church of 159:Accademia Carrara 142: 141: 136:Accademia Carrara 79: 78: 71: 1177: 989:(Gemäldegalerie) 554:Asolo Altarpiece 527: 526: 509: 502: 495: 486: 485: 479: 478: 470: 464: 463: 461: 459: 444: 438: 437: 435: 433: 418: 412: 411: 409: 407: 388: 382: 381: 379: 378: 372:www.lacarrara.it 364: 337:Carlo Pirovano, 248:was sold to the 239: 221: 207: 93: 81: 80: 74: 67: 63: 60: 54: 49:this article by 40:inline citations 27: 26: 19: 1185: 1184: 1180: 1179: 1178: 1176: 1175: 1174: 1135: 1134: 1133: 1128: 1107: 1037:Venus and Cupid 894: 621:Transfiguration 518: 513: 483: 482: 471: 467: 457: 455: 446: 445: 441: 431: 429: 420: 419: 415: 405: 403: 390: 389: 385: 376: 374: 366: 365: 361: 356: 312: 258: 233: 215: 201: 194:paintings were 181: 75: 64: 58: 55: 45:Please help to 44: 28: 24: 17: 12: 11: 5: 1183: 1173: 1172: 1167: 1162: 1157: 1152: 1147: 1145:1516 paintings 1130: 1129: 1127: 1126: 1119: 1117: 1113: 1112: 1109: 1108: 1106: 1105: 1097: 1089: 1081: 1073: 1065: 1057: 1049: 1041: 1033: 1025: 1017: 1008: 1000: 992: 983: 982:(c. 1524–1525) 975: 967: 959: 951: 943: 935: 927: 919: 911: 902: 900: 896: 895: 893: 892: 891:(c. 1552–1556) 884: 876: 868: 867:(c. 1540–1542) 860: 852: 844: 836: 835:(c. 1533–1535) 828: 820: 812: 804: 803:(c. 1529–1534) 796: 788: 780: 772: 764: 756: 748: 740: 732: 724: 715: 707: 699: 691: 683: 682:(c. 1519–1520) 675: 667: 659: 651: 643: 634: 633:(c. 1513–1514) 625: 617: 608: 600: 592: 584: 575: 574:(c. 1504–1506) 567: 558: 550: 542: 533: 531: 524: 520: 519: 512: 511: 504: 497: 489: 481: 480: 465: 439: 413: 383: 358: 357: 355: 352: 351: 350: 335: 328: 311: 308: 300:The Entombment 290:The Entombment 262:The Entombment 257: 254: 246:The Entombment 180: 177: 140: 139: 133: 129: 128: 125: 121: 120: 117: 113: 112: 109: 105: 104: 99: 95: 94: 86: 85: 77: 76: 31: 29: 22: 15: 9: 6: 4: 3: 2: 1182: 1171: 1168: 1166: 1163: 1161: 1158: 1156: 1153: 1151: 1148: 1146: 1143: 1142: 1140: 1124: 1123:Suardi Chapel 1121: 1120: 1118: 1114: 1103: 1102: 1098: 1095: 1094: 1090: 1087: 1086: 1082: 1079: 1078: 1074: 1071: 1070: 1066: 1063: 1062: 1058: 1055: 1054: 1050: 1047: 1046: 1042: 1039: 1038: 1034: 1031: 1030: 1026: 1023: 1022: 1018: 1015: 1013: 1009: 1006: 1005: 1001: 998: 997: 993: 990: 988: 984: 981: 980: 976: 973: 972: 968: 965: 964: 960: 957: 956: 952: 949: 948: 944: 941: 940: 936: 933: 932: 928: 925: 924: 920: 917: 916: 912: 909: 908: 904: 903: 901: 897: 890: 889: 885: 882: 881: 877: 874: 873: 869: 866: 865: 861: 858: 857: 853: 850: 849: 845: 842: 841: 837: 834: 833: 829: 826: 825: 821: 818: 817: 813: 810: 809: 805: 802: 801: 797: 794: 793: 789: 786: 785: 781: 778: 777: 773: 770: 769: 765: 762: 761: 757: 754: 753: 749: 746: 745: 741: 738: 737: 733: 730: 729: 725: 722: 720: 716: 713: 712: 708: 705: 704: 700: 697: 696: 692: 689: 688: 684: 681: 680: 676: 673: 672: 668: 665: 664: 660: 657: 656: 652: 649: 648: 644: 641: 639: 635: 632: 630: 626: 623: 622: 618: 615: 613: 609: 606: 605: 601: 598: 597: 593: 590: 589: 585: 582: 580: 576: 573: 572: 568: 565: 563: 559: 556: 555: 551: 548: 547: 543: 540: 539: 535: 534: 532: 528: 525: 521: 517: 516:Lorenzo Lotto 510: 505: 503: 498: 496: 491: 490: 487: 476: 469: 453: 449: 443: 427: 423: 417: 401: 397: 393: 387: 373: 369: 363: 359: 348: 347:88-435-7550-3 344: 340: 336: 333: 329: 326: 325:88-366-0212-6 322: 318: 314: 313: 307: 305: 301: 297: 296: 291: 287: 284: 279: 274: 272: 271: 265: 263: 253: 251: 247: 243: 237: 232: 227: 225: 219: 214: 212: 205: 200: 198: 193: 189: 185: 176: 174: 170: 169: 164: 160: 157:, now in the 156: 155:Lorenzo Lotto 152: 148: 147: 137: 134: 130: 126: 122: 118: 114: 110: 106: 103: 102:Lorenzo Lotto 100: 96: 92: 87: 82: 73: 70: 62: 59:November 2018 52: 48: 42: 41: 35: 30: 21: 20: 1099: 1091: 1083: 1075: 1067: 1059: 1051: 1043: 1035: 1027: 1019: 1011: 1002: 994: 986: 977: 969: 961: 953: 945: 937: 929: 921: 913: 905: 886: 878: 870: 862: 854: 846: 838: 830: 822: 814: 806: 798: 790: 782: 774: 766: 758: 750: 742: 734: 726: 721:(Washington) 718: 709: 701: 693: 685: 679:Holy Trinity 677: 669: 661: 653: 646: 645: 637: 628: 619: 611: 602: 594: 586: 578: 569: 561: 552: 544: 536: 474: 468: 456:. Retrieved 454:(in Italian) 451: 442: 430:. Retrieved 428:(in Italian) 425: 416: 404:. Retrieved 400:the original 395: 386: 375:. Retrieved 371: 362: 338: 331: 316: 299: 293: 289: 288: 275: 268: 266: 261: 259: 245: 228: 223: 209: 195: 183: 182: 166: 145: 144: 143: 119:Oil on panel 65: 56: 37: 1150:Altarpieces 1088:(1543–1544) 1080:(1543–1544) 1014:(Accademia) 875:(1538–1545) 779:(1527–1529) 739:(1523–1524) 658:(1513–1516) 650:(1513–1516) 640:(Allentown) 624:(1510–1512) 607:(1506–1508) 599:(1506–1508) 256:Description 234: [ 216: [ 202: [ 51:introducing 1139:Categories 458:3 February 432:3 February 406:3 February 377:2020-01-26 354:References 270:Entombment 188:Dominicans 124:Dimensions 34:references 1096:(c. 1545) 1072:(c. 1543) 1064:(c. 1543) 1056:(c. 1535) 1048:(c. 1533) 1040:(c. 1530) 1032:(c. 1530) 1024:(c. 1530) 1016:(c. 1530) 999:(c. 1526) 991:(c. 1526) 966:(c. 1518) 942:(c. 1506) 934:(c. 1506) 926:(c. 1505) 859:(c. 1539) 843:(c. 1536) 827:(c. 1534) 819:(c. 1534) 771:(c. 1527) 714:(c. 1522) 674:(c. 1518) 616:(c. 1509) 566:(c. 1506) 549:(c. 1505) 530:Religious 523:Paintings 138:, Bergamo 111:1513–1516 581:(KrakĂłw) 341:, 2002, 192:predella 132:Location 1116:Chapels 899:Secular 631:(Sibiu) 564:(Paris) 304:Raphael 222:, with 213:  199:  179:History 163:Bergamo 153:artist 47:improve 1125:(1524) 1104:(1547) 1007:(1527) 974:(1523) 958:(1515) 950:(1515) 918:(1505) 910:(1505) 883:(1546) 851:(1539) 811:(1534) 795:(1533) 787:(1532) 763:(1526) 755:(1525) 747:(1524) 731:(1523) 723:(1523) 706:(1522) 698:(1521) 690:(1521) 666:(1517) 642:(1515) 614:(Rome) 591:(1508) 583:(1508) 557:(1506) 541:(1503) 345:  323:  116:Medium 98:Artist 36:, but 872:PietĂ  238:] 220:] 206:] 460:2021 434:2021 408:2021 343:ISBN 321:ISBN 278:Mary 208:and 108:Year 260:In 161:in 1141:: 450:. 424:. 394:. 370:. 236:it 218:it 204:it 175:. 508:e 501:t 494:v 462:. 436:. 410:. 380:. 349:. 327:. 72:) 66:( 61:) 57:( 43:.

Index

references
inline citations
improve
introducing
Learn how and when to remove this message

Lorenzo Lotto
Accademia Carrara
Italian Renaissance
Lorenzo Lotto
Accademia Carrara
Bergamo
Martinengo Altarpiece
Santi Bartolomeo e Stefano
Dominicans
predella
Saint Dominic Reviving Napoleone Orsini
it
The Stoning of Saint Stephen
it
Venetian walls of Bergamo
it
Santi Bartolomeo e Stefano
Accademia Carrara
Entombment
Mary
Joseph of Arimathea
Martinengo Altarpiece
Raphael
ISBN

Text is available under the Creative Commons Attribution-ShareAlike License. Additional terms may apply.

↑