25:
91:
273:.) The man is wearing an orange vest bound at the waist by a white sash. Under the vest is a white shirt, and he wears a large turban. At the foot of the tomb, another man is dropping the sheet under the body, with difficulty. He wears a military uniform covered by a blue mantle, also bound at the waist, and leather sandels.
285:
is also lifting the corpse, holding it by the torso, and placing it in the tomb. The daylight falling on him creates shadows around him. In the foreground and at right, Mary
Magdalene, hooded, also holds the abandoned hand of Christ. Her clothes are brightly colored: under her red cape, she wears a
244:, but all three predellas were removed and moved elsewhere. The three predella panels were stolen in 1650, returned, and then moved to the church's sacristy. In 1749, however, the three panels were split up and sold to different buyers, ending their shared history. Finally, in 193,
264:, Lotto depicts a dramatic scene with details of devotion. Christ, removed from his cross, is placed into a tomb where, in the foreground, the instruments of his martyrdom are displayed. Placed in shadow, however, he does not occupy the center of the scene.
280:
is fainting from grief and supported by a woman behind her. Mary's blue mantle covers her face and lies over her red dress. She is holding the hand of Christ, and both are supported by another woman, who directs her gaze towards Mary.
196:
210:
727:
735:
946:
670:
954:
230:
767:
267:
Instead, at center, a man seen from behind is carrying Christ's lifeless body while standing with one foot in the tomb. (A composition similar to
Caravaggio's
587:
970:
743:
839:
595:
537:
985:
717:
577:
1159:
791:
1068:
1154:
1100:
636:
995:
1010:
203:
831:
686:
1044:
914:
627:
560:
978:
930:
610:
506:
217:
391:
807:
570:
545:
269:
473:
Loiri
Locatelli, Andreina Franco (1998). "Le opere di Lorenzo Lotto nelle chiese della cittĂ : i contesti d'origine".
1164:
938:
906:
879:
710:
241:
172:
1060:
887:
815:
759:
346:
324:
68:
46:
799:
39:
1052:
298:. The brown carpet at the foreground of the altarpiece mirrors the reddish-brown tints of the hilly landscape of
1028:
662:
847:
1169:
1076:
962:
783:
499:
751:
421:
1092:
1084:
855:
235:
1003:
863:
694:
33:
1144:
1036:
775:
620:
702:
492:
50:
823:
654:
294:
277:
167:
1149:
922:
678:
8:
1020:
282:
150:
90:
603:
306:
and German art, although they still correspond to his personal artistic style overall.
399:
342:
320:
249:
158:
135:
553:
871:
187:
165:. It originally formed the central predella panel (one of three) to the artist's
447:
392:"Accademia Carrara | deposizione di Cristo Domenico resuscita Napoleone Orsini"
367:
1138:
1122:
515:
154:
101:
127:
51 cm Ă— 97 cm (20 in Ă— 38 in)
302:. The three paintings also reflect Lotto's encounter with the art of
736:
Madonna and Child with Saint Jerome and Saint
Nicholas of Tolentino
728:
Mystical
Marriage of St Catherine of Alexandria with NiccolĂł Bonghi
191:
303:
162:
484:
292:, and the other predella paintings, are painted to reflect the
368:"deposizione di Cristo nel sepolcro Lotto Lorenzo 58AC00071 |"
229:
When the church and its monastery were destroyed to build the
947:
Portrait of
Giovanni Agostino della Torre and his son Niccolò
448:"Deposizione di Cristo nel sepolcro, Lotto Lorenzo 58AC00071"
955:
Portrait of
Giovanni della Volta with his Wife and Children
186:
was commissioned by
Alessandro Martinengo Colleoni for the
240:
in 1561, the altarpiece was moved into the new church of
768:
Madonna and Child with Saint
Catherine and Saint James
671:
Madonna and Child with Saint Roch and Saint
Sebastian
588:
Madonna with Child between Sts. Flavian and Onuphrius
286:
yellow corset and a shirt with white puffed sleeves.
971:
Portrait of Marsilio Cassotti and His Bride Faustina
422:"Deposizione di Cristo nel sepolcro, Lotto Lorenzo"
840:Holy Family with the Family of St John the Baptist
538:Madonna and Child with St Peter Martyr and a Donor
1136:
472:
792:Holy Family with Saint Catherine of Alexandria
1069:Portrait of a Thirty-Seven-Year-Old Gentleman
500:
149:is a 1513–1516 oil-on-canvas painting by the
1101:Portrait of Brother Gregorio Belo of Vicenza
744:Mystical Marriage of St Catherine and Saints
309:
507:
493:
190:in the church of Santo Stefano. The other
89:
69:Learn how and when to remove this message
1045:Portrait of a Woman Inspired by Lucretia
32:This article includes a list of general
979:Portrait of a Gentleman with a Lion Paw
317:Il coro intarsiato di Lotto e Capoferri
197:Saint Dominic Reviving Napoleone Orsini
1137:
808:Holy Family with St Jerome and St Anne
1160:Paintings of the Entombment of Christ
915:Portrait of Bishop Bernardo de' Rossi
571:Santa Cristina al Tiverone Altarpiece
488:
18:
1155:Collection of the Accademia Carrara
996:Portrait of a Young Man with a Book
939:Portrait of a Young Man with a Lamp
13:
1061:Portrait of an Old Man with Gloves
596:Mystic Marriage of Saint Catherine
38:it lacks sufficient corresponding
14:
1181:
832:Madonna and Child with Two Donors
687:Christ Taking Leave of his Mother
514:
330:Andreina Franco Loiri Locatelli,
319:, edizioni Amilcare Pizzi, 1987,
880:San Giacomo dell'Orio Altarpiece
23:
1029:Triple Portrait of a Goldsmith
466:
440:
414:
384:
360:
255:
1:
719:Adoration of the Christ Child
579:Adoration of the Christ Child
546:Madonna and Child with Saints
353:
398:(in Italian). Archived from
211:The Stoning of Saint Stephen
7:
1077:Portrait of Febo da Brescia
963:Portrait of Lucina Brembati
907:Allegory of Virtue and Vice
784:Saint Lucy Before the Judge
711:Lament over the Dead Christ
10:
1186:
1165:Paintings by Lorenzo Lotto
888:Presentation in the Temple
816:Adoration of the Shepherds
242:Santi Bartolomeo e Stefano
178:
173:Santi Bartolomeo e Stefano
1115:
1085:Portrait of Laura da Pola
898:
856:Altarpiece of the Halberd
760:Christ Carrying the Cross
638:Saint Jerome in Penitence
629:Saint Jerome in Penitence
612:Saint Jerome in Penitence
562:Saint Jerome in Penitence
529:
522:
315:Francesca Cortesi Bosco,
310:Bibliography (in Italian)
231:Venetian walls of Bergamo
131:
123:
115:
107:
97:
88:
83:
16:Painting by Lorenzo Lotto
1004:Portrait of Andrea Odoni
864:St Antoninus Giving Alms
695:Santo Spirito Altarpiece
647:The Entombment of Christ
426:Lombardia Beni Culturali
224:The Entombment of Christ
184:The Entombment of Christ
146:The Entombment of Christ
84:The Entombment of Christ
1053:Portrait of a Gentleman
1012:Portrait of a Young Man
987:Portrait of a Young Man
931:Portrait of a Young Man
776:Saint Nicholas in Glory
53:more precise citations.
800:Crucifixion with PietĂ
703:Ponteranica Altarpiece
663:Susanna and the Elders
334:, 1998, p. 61–63.
276:Also near the center,
848:Madonna of the Rosary
824:Recanati Annunciation
655:Martinengo Altarpiece
475:La Rivista di Bergamo
339:Lotto, Milano, Electa
332:La Rivista di Bergamo
295:Martinengo Altarpiece
252:, where it is today.
226:placed between them.
168:Martinengo Altarpiece
923:Allegory of Chastity
1170:Joseph of Arimathea
1021:Triumph of Chastity
283:Joseph of Arimathea
151:Italian Renaissance
752:Life of the Virgin
604:Recanati Polyptych
477:(in Italian): 133.
402:on 7 February 2021
1132:
1131:
1111:
1110:
1093:Portrait of a Man
452:Accademia Carrara
396:Accademia Carrara
250:Accademia Carrara
171:at the church of
159:Accademia Carrara
142:
141:
136:Accademia Carrara
79:
78:
71:
1177:
989:(Gemäldegalerie)
554:Asolo Altarpiece
527:
526:
509:
502:
495:
486:
485:
479:
478:
470:
464:
463:
461:
459:
444:
438:
437:
435:
433:
418:
412:
411:
409:
407:
388:
382:
381:
379:
378:
372:www.lacarrara.it
364:
337:Carlo Pirovano,
248:was sold to the
239:
221:
207:
93:
81:
80:
74:
67:
63:
60:
54:
49:this article by
40:inline citations
27:
26:
19:
1185:
1184:
1180:
1179:
1178:
1176:
1175:
1174:
1135:
1134:
1133:
1128:
1107:
1037:Venus and Cupid
894:
621:Transfiguration
518:
513:
483:
482:
471:
467:
457:
455:
446:
445:
441:
431:
429:
420:
419:
415:
405:
403:
390:
389:
385:
376:
374:
366:
365:
361:
356:
312:
258:
233:
215:
201:
194:paintings were
181:
75:
64:
58:
55:
45:Please help to
44:
28:
24:
17:
12:
11:
5:
1183:
1173:
1172:
1167:
1162:
1157:
1152:
1147:
1145:1516 paintings
1130:
1129:
1127:
1126:
1119:
1117:
1113:
1112:
1109:
1108:
1106:
1105:
1097:
1089:
1081:
1073:
1065:
1057:
1049:
1041:
1033:
1025:
1017:
1008:
1000:
992:
983:
982:(c. 1524–1525)
975:
967:
959:
951:
943:
935:
927:
919:
911:
902:
900:
896:
895:
893:
892:
891:(c. 1552–1556)
884:
876:
868:
867:(c. 1540–1542)
860:
852:
844:
836:
835:(c. 1533–1535)
828:
820:
812:
804:
803:(c. 1529–1534)
796:
788:
780:
772:
764:
756:
748:
740:
732:
724:
715:
707:
699:
691:
683:
682:(c. 1519–1520)
675:
667:
659:
651:
643:
634:
633:(c. 1513–1514)
625:
617:
608:
600:
592:
584:
575:
574:(c. 1504–1506)
567:
558:
550:
542:
533:
531:
524:
520:
519:
512:
511:
504:
497:
489:
481:
480:
465:
439:
413:
383:
358:
357:
355:
352:
351:
350:
335:
328:
311:
308:
300:The Entombment
290:The Entombment
262:The Entombment
257:
254:
246:The Entombment
180:
177:
140:
139:
133:
129:
128:
125:
121:
120:
117:
113:
112:
109:
105:
104:
99:
95:
94:
86:
85:
77:
76:
31:
29:
22:
15:
9:
6:
4:
3:
2:
1182:
1171:
1168:
1166:
1163:
1161:
1158:
1156:
1153:
1151:
1148:
1146:
1143:
1142:
1140:
1124:
1123:Suardi Chapel
1121:
1120:
1118:
1114:
1103:
1102:
1098:
1095:
1094:
1090:
1087:
1086:
1082:
1079:
1078:
1074:
1071:
1070:
1066:
1063:
1062:
1058:
1055:
1054:
1050:
1047:
1046:
1042:
1039:
1038:
1034:
1031:
1030:
1026:
1023:
1022:
1018:
1015:
1013:
1009:
1006:
1005:
1001:
998:
997:
993:
990:
988:
984:
981:
980:
976:
973:
972:
968:
965:
964:
960:
957:
956:
952:
949:
948:
944:
941:
940:
936:
933:
932:
928:
925:
924:
920:
917:
916:
912:
909:
908:
904:
903:
901:
897:
890:
889:
885:
882:
881:
877:
874:
873:
869:
866:
865:
861:
858:
857:
853:
850:
849:
845:
842:
841:
837:
834:
833:
829:
826:
825:
821:
818:
817:
813:
810:
809:
805:
802:
801:
797:
794:
793:
789:
786:
785:
781:
778:
777:
773:
770:
769:
765:
762:
761:
757:
754:
753:
749:
746:
745:
741:
738:
737:
733:
730:
729:
725:
722:
720:
716:
713:
712:
708:
705:
704:
700:
697:
696:
692:
689:
688:
684:
681:
680:
676:
673:
672:
668:
665:
664:
660:
657:
656:
652:
649:
648:
644:
641:
639:
635:
632:
630:
626:
623:
622:
618:
615:
613:
609:
606:
605:
601:
598:
597:
593:
590:
589:
585:
582:
580:
576:
573:
572:
568:
565:
563:
559:
556:
555:
551:
548:
547:
543:
540:
539:
535:
534:
532:
528:
525:
521:
517:
516:Lorenzo Lotto
510:
505:
503:
498:
496:
491:
490:
487:
476:
469:
453:
449:
443:
427:
423:
417:
401:
397:
393:
387:
373:
369:
363:
359:
348:
347:88-435-7550-3
344:
340:
336:
333:
329:
326:
325:88-366-0212-6
322:
318:
314:
313:
307:
305:
301:
297:
296:
291:
287:
284:
279:
274:
272:
271:
265:
263:
253:
251:
247:
243:
237:
232:
227:
225:
219:
214:
212:
205:
200:
198:
193:
189:
185:
176:
174:
170:
169:
164:
160:
157:, now in the
156:
155:Lorenzo Lotto
152:
148:
147:
137:
134:
130:
126:
122:
118:
114:
110:
106:
103:
102:Lorenzo Lotto
100:
96:
92:
87:
82:
73:
70:
62:
59:November 2018
52:
48:
42:
41:
35:
30:
21:
20:
1099:
1091:
1083:
1075:
1067:
1059:
1051:
1043:
1035:
1027:
1019:
1011:
1002:
994:
986:
977:
969:
961:
953:
945:
937:
929:
921:
913:
905:
886:
878:
870:
862:
854:
846:
838:
830:
822:
814:
806:
798:
790:
782:
774:
766:
758:
750:
742:
734:
726:
721:(Washington)
718:
709:
701:
693:
685:
679:Holy Trinity
677:
669:
661:
653:
646:
645:
637:
628:
619:
611:
602:
594:
586:
578:
569:
561:
552:
544:
536:
474:
468:
456:. Retrieved
454:(in Italian)
451:
442:
430:. Retrieved
428:(in Italian)
425:
416:
404:. Retrieved
400:the original
395:
386:
375:. Retrieved
371:
362:
338:
331:
316:
299:
293:
289:
288:
275:
268:
266:
261:
259:
245:
228:
223:
209:
195:
183:
182:
166:
145:
144:
143:
119:Oil on panel
65:
56:
37:
1150:Altarpieces
1088:(1543–1544)
1080:(1543–1544)
1014:(Accademia)
875:(1538–1545)
779:(1527–1529)
739:(1523–1524)
658:(1513–1516)
650:(1513–1516)
640:(Allentown)
624:(1510–1512)
607:(1506–1508)
599:(1506–1508)
256:Description
234: [
216: [
202: [
51:introducing
1139:Categories
458:3 February
432:3 February
406:3 February
377:2020-01-26
354:References
270:Entombment
188:Dominicans
124:Dimensions
34:references
1096:(c. 1545)
1072:(c. 1543)
1064:(c. 1543)
1056:(c. 1535)
1048:(c. 1533)
1040:(c. 1530)
1032:(c. 1530)
1024:(c. 1530)
1016:(c. 1530)
999:(c. 1526)
991:(c. 1526)
966:(c. 1518)
942:(c. 1506)
934:(c. 1506)
926:(c. 1505)
859:(c. 1539)
843:(c. 1536)
827:(c. 1534)
819:(c. 1534)
771:(c. 1527)
714:(c. 1522)
674:(c. 1518)
616:(c. 1509)
566:(c. 1506)
549:(c. 1505)
530:Religious
523:Paintings
138:, Bergamo
111:1513–1516
581:(KrakĂłw)
341:, 2002,
192:predella
132:Location
1116:Chapels
899:Secular
631:(Sibiu)
564:(Paris)
304:Raphael
222:, with
213:
199:
179:History
163:Bergamo
153:artist
47:improve
1125:(1524)
1104:(1547)
1007:(1527)
974:(1523)
958:(1515)
950:(1515)
918:(1505)
910:(1505)
883:(1546)
851:(1539)
811:(1534)
795:(1533)
787:(1532)
763:(1526)
755:(1525)
747:(1524)
731:(1523)
723:(1523)
706:(1522)
698:(1521)
690:(1521)
666:(1517)
642:(1515)
614:(Rome)
591:(1508)
583:(1508)
557:(1506)
541:(1503)
345:
323:
116:Medium
98:Artist
36:, but
872:PietĂ
238:]
220:]
206:]
460:2021
434:2021
408:2021
343:ISBN
321:ISBN
278:Mary
208:and
108:Year
260:In
161:in
1141::
450:.
424:.
394:.
370:.
236:it
218:it
204:it
175:.
508:e
501:t
494:v
462:.
436:.
410:.
380:.
349:.
327:.
72:)
66:(
61:)
57:(
43:.
Text is available under the Creative Commons Attribution-ShareAlike License. Additional terms may apply.