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305:'s view, the book is essentially a romance, at the same time considerably realistic. The dialect is careful, the wordcraft generally sound. The movement is rapid, the incidents varied, and the piece as a whole absorbing. The reality of the piece comes chiefly from the reasoned presentation of the central issue: the conflict in Leather-Stocking between the forces which draw him to the woods and those which seek to attach him to his human kind. Van Doren calls Judith Hutter one of the few convincing young women in Cooper's works; of the minor characters only the ardent young Chingachgook and the silly Hetty Hutter call for his notice.
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father's identity, but her search reveals only that her late mother had been of aristocratic descent, and had married 'Floating Tom' after the collapse of an illicit affair. Later, Judith attempts and fails to rescue
Deerslayer. They are all saved at last when March returns with English reinforcements, who massacre the Hurons and mortally wound Hetty. After Hetty's death, Judith proposes marriage to Deerslayer, but is refused, and is last described as the paramour of a soldier. Fifteen years later, Bumppo and Chingachgook return to the site to find Hutter's house in ruins.
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Proponents of Cooper have criticized Twain's essay as unfair and distorted. Cooper scholars Lance
Schachterle and Kent Ljungquist write, "Twain's deliberate misreading of Cooper has been devastating....Twain valued economy of style (a possible but not necessary criterion), but such concision simply
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Hilarious though Twain's essay is, it is valid only within its own narrow and sometimes misapplied criteria. Whether Twain is attacking Cooper's diction or
Hawkeye's tracking feats, his strategy is to charge Cooper with one small inaccuracy, reconstruct the surrounding narrative or sentence around
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Wah-ta-Wah (alias 'Hist') from the Hurons, but while rescuing her, Bumppo is captured. In his absence, the Hurons invade Hutter's home, and Hutter is scalped alive. On his deathbed, he confesses that Judith and Hetty were not his daughters by birth, and Judith determines to discover her natural
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280:, and in the restricted space of two-thirds of a page, Cooper has scored 114 offenses against literary art out of a possible 115. It breaks the record." He then lists 18 out of 19 rules "governing literary art in domain of romantic fiction" that Cooper violates in
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Shortly before the rendezvous, Hutter's residence is besieged by the indigenous Hurons, and Hutter and March sneak into the camp of the besiegers to kill and scalp as many as they can, but they are captured in the act, and later
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to the rest of the series. Fenimore Cooper begins his work by relating the astonishing advance of civilization in New York State, which is the setting of four of his five
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Schachterle, Lance & Ljungquist, Kent (1988). Myerson, Joel (ed.). "Fenimore Cooper's
Literary Defenses: Twain and the Text of The Deerslayer".
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Vasile, P. (1975). Cooper’s “The
Deerslayer”: The Apotheosis of Man and Nature. Journal of the American Academy of Religion, 43(3), 485–507.
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by Bumppo, Chingachgook, and Hutter's daughters Judith and Hetty. Bumppo and
Chingachgook thereafter plan to rescue Chingachgook's kidnapped
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it, and then produce the whole as evidence that Cooper's kind of
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DARNELL, D. (1979). “THE DEERSLAYER”: COOPER’S TRAGEDY OF MANNERS. Studies in the Novel, 11(4), 406–415.
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to a rendezvous with the latter's lifelong friend
Chingachgook (who first appeared as "Indian John" in
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French comics artist Jean Ache adapted the story into a newspaper comic for Jeudi-Matin in 1949.
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Proceedings of the Naval Court-Martial in the Case of
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radio drama. It is directed and performed by
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was not a characteristic of many early nineteenth-century novelists' work." Similarly,
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Rowland Hughes: "The Deerslayer, or The First War Path". In: Christopher John Murry:
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Hurry struggles with the Native Americans, but is finally captured
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in early 18th-century New York, who objects to the practice of
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This novel introduces Natty Bumppo as "Deerslayer," a young
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The History of the Navy of the United States of America
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1109:Lives of Distinguished American Naval Officers
332:adapted the story for issue 17 of the series.
262:'s satire and criticism of Cooper's writing, "
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682:. Routledge, 2013, ISBN 9781135455798, pp.
680:Encyclopedia of the Romantic Era, 1760–1850
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376:. This was the first part of the two-part
579:. University of Virginia. Archived from
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93:1841 (Lea & Blanchard: Philadelphia)
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877:The Headsman: The Abbaye des Vignerons
849:Autobiography of a Pocket-Handkerchief
702:CliffsNotes on Cooper's The Deerslayer
636:. Cambridge University Press. p.
989:The Spy: A Tale of the Neutral Ground
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704:. HMH Books, 1970, ISBN 9780544181182
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523:"Fenimore Cooper's Literary Offenses"
146:The Deerslayer, or The First War-Path
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690:http://www.jstor.org/stable/29532000
632:D. H. Lawrence: Dying Game 1922-1930
562:Schachterle & Ljungquist, p. 410
1123:New York: or The Towns of Manhattan
696:http://www.jstor.org/stable/1461847
550:Studies in the American Renaissance
264:Fenimore Cooper's Literary Offenses
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420:Chingachgook, die große Schlange
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1300:Novels by James Fenimore Cooper
365:The Deerslayer and Chingachgook
205:The release of Hutter and Hurry
21:The Deerslayer (disambiguation)
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181:to be published (1823).
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39:First edition title page
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608:"Deerslayer, The"
527:Mark Twain in His Times
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151:James Fenimore Cooper's
614:Encyclopedia Americana
368:, a German film with
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1295:1841 American novels
1010:The Ways of the Hour
628:Ellis, Dave (1998).
486:Last of the Mohicans
444:, a Soviet version.
19:For other uses, see
919:Mercedes of Castile
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498:Richard Friedenberg
177:, the first of the
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926:Miles Wallingford
842:Afloat and Ashore
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456:, starring
433:Gojko Mitić
425:Red Western
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406:, starring
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389:, starring
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357:Otsego Lake
347:, starring
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165:Otsego Lake
149:(1841) was
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605:(1920).
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