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380:. Limping from his injury and angry about his senseless near-death, Charlie plans to act nobly by telling the world the truth about what really happened, even if it means being imprisoned for cowardice while facing the enemy. However, by recounting to him what he had said to her previously, Emily is able to persuade Charlie to choose happiness with her instead, and to keep quiet and accept his new, unwanted role as a hero.
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1083:"'Has Pat been Americanized?' ... 'She carries a diaphragm in her kit-bag'", p. 23; Strawberries "too forbidden, too expensive", p. 31; "this dress... came from Saks Fifth Avenue in the diplomatic pouch", p. 54; "Whoring is a peacetime activity", p. 102; "how can I know whether I love you for yourself or for the strawberries?" p. 104.
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breakdown, Jessup is horrified by his part in
Charlie's death, but plans to use his death politically in support of the Navy's upcoming appropriations while testifying before the Senate's upcoming joint military affairs committee in Washington. Emily is devastated to have lost another person she loves to the war.
1096:, July 14, 1959, p. 27: "'The Americanization of Emily, William Bradford Huie's new novel, will be published Aug. 12 by Dutton.... It gives a picture of the war in London in 1944 as carried on from hotel suites with the help of good food, good liquor, expensive presents, and expensive-looking women".
727:
The filmâs 1967 rerelease hoped to benefit from the popularity of its stars; it was billed by MGM simply as âEmily.â An Metro spokesman explained that âin no way are we trying to delude the public. We felt all along that the original titleâthe title of the book by
William Bradford Huleâwas heavy and
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The novel briefly mentions that Mrs. Barham, Emily's mother, has been mentally affected by wartime stress, but she is not a major character. There is no mention of her self-deception or pretense that her husband and son are still alive. The film contains a long scene between
Charlie and Mrs. Barham,
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The screenplay implies, but never explicitly explains, what is meant by the term "Americanization". The novel uses "Americanized" to refer to a woman who accepts, as a normal condition of wartime, the exchange of her sexual favors for gifts of rare wartime commodities. Thus, in reply to the question
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driver from the motor pool who has lost her aviator husband, and brother and father to the war. Charlie's pleasure-seeking "American" lifestyle amid wartime rationing both fascinates and disgusts Emily who does not want to be âAmericanizedâ, but she does not want to lose another loved one to the war
353:
In 1944, during World War II, U.S. Navy Lt. Commander
Charlie Madison is a cynical and highly efficient "dog robber" (adjutant) to Rear Admiral William Jessup in London. Charlie's job is to keep his boss supplied with everything that he might need, including luxury goods and amiable women. He falls
362:
Profoundly despondent since the death of his wife, Jessup obsesses over the U.S. Army and its Air Force overshadowing the Navy in the forthcoming D-Day invasion, and decides that "the first dead man on Omaha Beach must be a sailor". A combat film will document the death, and the casualty will be
371:
pistol. Shortly after, a German artillery shell lands near the limping-running
Charlie, making him the first American casualty on Omaha Beach. Hundreds of newspapers and magazine covers reprint a photograph of Charlie running on the beach alone, making him a war hero. Having recovered from his
366:
Despite his best efforts to avoid the assignment, Charlie and his now gung-ho friend, Commander "Bus" Cummings, find themselves and a makeshift two-man film crew aboard a ship with the combat engineers, who will be the first sailors ashore on D-Day. When they land, Charlie tries to retreat, but
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believed the filmâs satire âdenigrates the Navy to the point of making it ridiculous and venalâ, that the
Chayefsky dialogue was âmore often a dissertation than the give and take of ordinary conversationâ, and that many of the pictureâs scenes were âin shockingly bad tasteâ. Writing for the
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was announced. Chayefsky's adaptation, while retaining the title, characters, situation, background and many specific plot incidents, told a very different story. He said, "I found the book, which is serious in tone, essentially a funny satire, and that's how I'm treating it."
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This theme runs throughout the novel. Another character says "We operate just like a whorehouse...except we don't sell it for cash. We swap it for Camels and nylons and steak and eggs and lipstick...this dress...came from
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Then comes unexpected news: Charlie is alive and now at the Allied 6th
Relocation Center in Southampton, England. A relieved Jessup plans to show him off during his Senate testimony as the "first man on Omaha Beach", a
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full of eloquent antiwar rhetoric, in which
Charlie breaks down Mrs. Barham's denial and reduces her to tears while insisting that he has performed an act of kindness. The novel has no parallel to this scene.
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did not relate as much to the film and to Julie
Andrews, who is the filmâs main attraction now, as âEmilyâ does. We simply think that we can do more business with the new title than with the old one.â
761:, Judith Crist found the film to be an âalmostâ movie: âit almost gets where it thinks itâs going before it changes its mind and gets nowhereâŚ.and thatâs a pity, because it has a lot going for it.â
676:. She asks that it be after dinner: she doesn't like it on an empty stomach. She admits she's better after steak than after fish. She requires that it be in a bed, and that the bed be in
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was meant to play the lead role of
Charlie Madison, with Garner to play Bus Cummings. When Holden withdrew, Garner took the lead role, and James Coburn was brought in to play Bus.
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In the film, Charlie is comically unprepared to make the documentary film demanded by Admiral Jessup, and he is assisted only by bumbling drunken servicemen played by
719:. In the novel, Charlie has been a public relations professional in civilian life, takes the assignment seriously, and leads a team of competent cinematographers.
771:, Nick Schager wrote "Though a bit overstuffed with long-winded speeches, Chayefsky's scabrously funny script brims with snappy, crackling dialogue." In
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656:(1963), also with James Garner as the male lead and with the same director and producer. In 1964, a Broadway musical with music written by
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The women's hairstyles, dress fashions, makeup, and shoes seen in the film have been criticized for being appropriate for 1964, not 1944.
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947:"Easygoing Garner Gets Nice Salute: Turner Classic Movies Honors the Star with a Review of His Career and by Showing 18 of His Movies"
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The screenplay's theme of cowardice as a virtue has no parallel in the novel; in fact, the novel does not mention cowardice at all.
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646:'s development of the novel into a screenplay was found worthy of note. A first draft of the film's screenplay was written by
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for Best Art Direction and Best Cinematography, and in 1966 Julie Andrews' portrayal of Emily earned her a nomination for a
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1177:ââAmericanization of Emilyâ Draws Mixed Film Reviewsâ (UPI). The Citizen-Advertiser (Auburn, NY), 29 October 1964, 16.
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to symbolize the luxuries enjoyed by Americans and their "Americanized" companions, but the novel uses strawberries.
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ran a brief news item mentioning Huie's novel prior to its publication, but never reviewed it, although in 1963
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anti-war film". Both James Garner and Julie Andrews have considered the film to be the favorite of their films.
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praised Chayefsky's screenplay as including "some remarkably good writing with some slashing irreverence".
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697:." Emily asks Jimmy, "Am I behaving like a whore?" Jimmy replies, "Whoring is a peacetime activity."
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Thoroughly. She carries a diaphragm in her kitbag. She has seen the ceilings of half the rooms in
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is mentioned as starring in the movie instead of Coburn in Metro-Goldwyn-Mayer's promotional film
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1142:âRe-runs of âEmily,â âUn-Americanized,â Begin Here Today.â New York Times, 6 September 1967, 40.
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has a 93% rating on Rotten Tomatoes, based on 14 reviews, with an average rating of 7.39/10. In
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Chayefsky's screenplay loosely was adapted from the 1959 novel of the same name by
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1964 black comedy war film written by Paddy Chayefsky and directed by Arthur Hiller
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buried in a "Tomb of the Unknown Sailor". He orders Charlie to get the film made.
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1081:. E. F. Dutton & Co., Inc. Library of Congress Catalog Card Number 59-5060.
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The hotel suite party scene was filmed on November 22, 1963, the same day as
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arranging and conducting on October 3, 1964 and included on the Reprise LP
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Haber, J. (Jan 14, 1968). "'Baggy pants' ransohoff changes suits, image".
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1013:, 1964 (segment starts at 4:55) â YouTube (via Wolf TV-Video).
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The New York Times Guide to the Best 1,000 Movies Ever Made
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Weiler, A. H. "Movie Panorama from a Local Vantage Point,
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and finds the "practicing coward" Charlie irresistible.
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Simon & Schuster; First Edition (November 1, 2011)
337:. Controversial for its stance during the dawn of the
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Nichols, Peter M.; Scott, A. O. Scott, eds. (2004).
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Online search of NYT archives for "huie" and "emily"
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980:Andrews as Maria a result of 'happy circumstances'
668:"Has Pat been Americanized?", a character answers:
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967:James Garner of Charlie Rose, ~6' from beginning
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2016:
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1047:"The Americanization of Emily (1964) - IMDb"
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1027:The Americanization of Emily (1964) - IMDb
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2326:Films with screenplays by Paddy Chayefsky
1980:An Alan Smithee Film: Burn Hollywood Burn
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909:SeaBees â They Build the Roads to Victory
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855:, 15 April 1965, page 17: Film review of
613:President John F. Kennedy's assassination
397:as Lt. Cmdr. Charles "Charlie" E. Madison
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1244:. Oxford University Press. p. 131.
1154:"'The Americanization of Emily' Arrives"
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367:Cummings shoots him in the leg with his
341:, the film has since been praised as a "
1298:Awards for The Americanization of Emily
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2004:
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1241:A Journey Through American Literature
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1188:"The Americanization of Emily (1964)"
1152:Crowther, Bosley (October 28, 1964).
1131:Plays and Players, volume 16, page 10
859:â found via The Times Digital Archive
773:A Journey Through American Literature
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354:in love with Emily Barham, a British
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816:on March 11, 2014 via its on-demand
789:BAFTA Award for Best British Actress
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2381:English-language comedy-drama films
1485:The Desert Fox: The Story of Rommel
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2331:Films shot at MGM-British Studios
2301:Anti-war films about World War II
1844:The Crazy World of Julius Vrooder
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996:Garner, James & Winokur, Jon
797:was among the films selected for
461:as Chief Petty Officer Paul Adams
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638:'s 1959 novel of the same name.
497:as "Beautiful Girl" (uncredited)
421:as Lt. Cmdr. Paul "Bus" Cummings
2316:Films directed by Arthur Hiller
1314:The Best 1,000 Movies Ever Made
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891:"Big Rental Pictures of 1965",
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2306:Films based on American novels
2291:American romantic comedy films
2286:American black-and-white films
1740:Miracle of the White Stallions
1417:Archive of American Television
1398:James Garner Interview on the
1266:"The Americanization of Emily"
1214:"The Americanization of Emily"
1212:Schager, Nick (May 24, 2005).
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945:Boedeke, Hal (July 29, 2001).
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924:"The Americanization of Emily"
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830:List of American films of 1964
549:The film introduced the song "
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2321:Films scored by Johnny Mandel
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741:In a contemporary review for
723:1967 Re-Release and Re-Naming
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310:who is roped into a reckless
2276:1960s English-language films
2096:The Americanization of Emily
1756:The Americanization of Emily
1635:The World at War, Episode 17
1517:The Americanization of Emily
1388:The Americanization of Emily
1377:The Americanization of Emily
1366:The Americanization of Emily
1355:The Americanization of Emily
1348:AFI Catalog of Feature Films
1342:The Americanization of Emily
1079:The Americanization of Emily
926:. Turner Classic Movies, Inc
857:The Americanization of Emily
810:The Americanization of Emily
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765:The Americanization of Emily
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2281:American comedy-drama films
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812:was released on Blu-ray by
783:The film was nominated for
575:. It later was recorded by
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2376:American war romance films
2271:1964 romantic comedy films
1852:The Man in the Glass Booth
998:The Garner Files: A Memoir
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467:as Captain Marvin Ellender
455:as Captain Harry Spaulding
179:October 27, 1964
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1988:National Lampoon's Pucked
1940:See No Evil, Hear No Evil
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1317:. Macmillan. p. 40.
1015:Retrieved August 4, 2022.
985:Pittsburgh Tribune-Review
818:Warner Archive Collection
619:Comparison with the novel
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409:as Admiral William Jessup
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2296:American war drama films
1268:. Movies & TV Dept.
1238:Hayes, Kevin J. (2011).
1077:Huie, William Bradford.
485:as Petty Officer Enright
190:April 15, 1965
2361:1950s war romance films
2266:1964 comedy-drama films
2238:The Latent Heterosexual
2230:The Passion of Josef D.
2196:The Great American Hoax
1948:Taking Care of Business
1597:Ike: Countdown to D-Day
1493:D-Day the Sixth of June
1121:, April 7, 1963, p. X15
897:, 5 January 1966, pg 6.
759:New York Herald Tribune
503:as Soldier (uncredited)
491:as "2nd Nameless Broad"
439:as Admiral Thomas Healy
383:
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2351:Military humor in film
1700:Massacre at Sand Creek
1541:A Matter of Resistance
1413:James Garner interview
1274:. 2012. Archived from
835:List of anti-war films
785:Academy Awards in 1965
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572:Softly, as I Leave You
1716:The Edge of Innocence
1469:I See a Dark Stranger
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636:William Bradford Huie
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561:. It was recorded by
327:William Bradford Huie
303:, the film follows a
75:William Bradford Huie
2371:1960s American films
2056:As Young as You Feel
1764:Promise Her Anything
951:The Orlando Sentinel
700:The screenplay uses
684:, or the Dorchester.
312:interservice rivalry
2341:Films set in London
2088:Middle of the Night
1860:W. C. Fields and Me
1788:The Tiger Makes Out
1748:The Wheeler Dealers
1589:Saving Private Ryan
1011:MGM Is on the Move!
987:. 17 November 2005.
754:New York Daily News
653:The Wheeler Dealers
539:MGM Is on the Move!
257:is a 1964 American
165:Metro-Goldwyn-Mayer
2189:The Catered Affair
2168:The Bachelor Party
2072:The Bachelor Party
1932:Outrageous Fortune
1804:The Out-of-Towners
1724:The Careless Years
1686:Films directed by
1454:Operation Overlord
1406:2008-01-03 at the
1371:TCM Movie Database
1271:The New York Times
1192:RottenTomatoes.com
1158:The New York Times
1119:The New York Times
1094:The New York Times
922:Feaster, Felicia.
743:The New York Times
737:Critical reception
640:The New York Times
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627:Cover of the novel
335:Operation Overlord
305:United States Navy
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1533:Up from the Beach
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1092:"BooksâAuthors",
912:Linked 2013-08-09
871:Los Angeles Times
814:Warner Home Video
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235:$ 2.7 million
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2147:Holiday Song
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2112:The Hospital
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1828:The Hospital
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1738:
1732:Before I Die
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1477:Breakthrough
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1297:
1291:
1280:. Retrieved
1276:the original
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1240:
1233:
1221:. Retrieved
1217:
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1195:. Retrieved
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1173:
1161:. Retrieved
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1054:. Retrieved
1051:www.imdb.com
1050:
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1031:, retrieved
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928:. Retrieved
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639:
634:is based on
631:
630:
610:
602:
590:
580:
570:
548:
538:
527:James Garner
524:
506:
437:Edward Binns
419:James Coburn
395:James Garner
377:
374:
365:
361:
352:
324:
301:World War II
289:James Coburn
277:James Garner
267:directed by
262:black comedy
253:
252:
251:
243:$ 4,000,000
207:Running time
98:James Garner
67:
2080:The Goddess
1892:Making Love
1876:The In-Laws
1820:Plaza Suite
1223:February 4,
1163:February 4,
977:Blank, Ed.
713:Keenan Wynn
495:Sharon Tate
431:Keenan Wynn
413:Paul Newlan
339:Vietnam War
297:Keenan Wynn
211:115 minutes
81:Produced by
44:Directed by
2261:1964 films
2255:Categories
2182:The Mother
1812:Love Story
1324:0312326114
1282:2008-12-25
1056:2021-05-24
1033:2021-05-24
841:References
805:Home media
678:Claridge's
658:John Barry
582:Dear Heart
545:Soundtrack
535:Lee Marvin
516:Production
489:Judy Carne
471:Edmon Ryan
443:Liz Fraser
369:Colt M1911
240:Box office
194:1965-04-15
183:1964-10-27
146:Production
130:Tom McAdoo
71:1959 novel
2031:Works by
1884:Nightwing
1627:TV series
879:155791666
853:The Times
745:, critic
732:Reception
682:the Savoy
483:Alan Sues
445:as Sheila
245:(rentals)
198: (UK)
187: (US)
127:Edited by
2198:" (1956)
2191:" (1955)
2184:" (1954)
2177:" (1953)
2170:" (1953)
2163:" (1953)
2156:" (1953)
2149:" (1952)
1964:The Babe
1924:Teachers
1772:Penelope
1616:Pressure
1557:Overlord
1525:36 Hours
1404:Archived
1382:AllMovie
1197:July 17,
875:ProQuest
824:See also
595:(2003).
501:Red West
343:vanguard
316:war hero
308:adjutant
224:Language
154:Filmways
135:Music by
91:Starring
64:Based on
2120:Network
1972:Carpool
1369:at the
1345:at the
894:Variety
693:in the
607:Filming
599:Fashion
541:(1964)
521:Casting
227:English
216:Country
192: (
181: (
148:company
2241:(1968)
2233:(1964)
2225:(1961)
2222:Gideon
2217:(1959)
2131:(1980)
2123:(1976)
2115:(1971)
2107:(1969)
2099:(1964)
2091:(1959)
2083:(1958)
2075:(1957)
2067:(1955)
2059:(1951)
2051:(1945)
1780:Tobruk
1735:(1958)
1719:(1957)
1711:(1957)
1646:(2001)
1638:(1974)
1619:(2014)
1600:(2004)
1592:(1998)
1584:(1994)
1576:(1981)
1568:(1980)
1560:(1975)
1552:(1968)
1544:(1966)
1536:(1965)
1528:(1964)
1520:(1964)
1512:(1962)
1504:(1956)
1496:(1956)
1488:(1951)
1480:(1950)
1472:(1946)
1321:
1296:IMDb:
1248:
877:
507:
378:sailor
331:Seabee
295:, and
232:Budget
2206:Plays
2161:Marty
2064:Marty
1608:Plays
1461:Films
1218:Slant
769:Slant
565:with
551:Emily
320:D-Day
1796:Popi
1360:IMDb
1319:ISBN
1246:ISBN
1225:2017
1199:2019
1165:2017
932:2017
752:The
715:and
589:for
579:for
384:Cast
349:Plot
1415:at
1391:at
1380:at
1358:at
356:ATS
73:by
35:by
2257::
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2024:e
2017:t
2010:v
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1327:.
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881:.
196:)
185:)
Text is available under the Creative Commons Attribution-ShareAlike License. Additional terms may apply.
