2661:
2645:
2629:
2613:
2597:
2581:
889:. We actually opened well in the big cities—we opened really well. A friend who had bought the video rights said he had never seen anything so weird—Columbia was spending their whole time looking at exit polls to prove the film would not work in the suburbs, and so it would be pointless to make any more prints. He said, "I've never seen anything like this." There it was. Then it becomes this kind of legend—which it deserves to be... even if it's the wrong legend.
462:
by
Jackson, and the Angel of Death appears for a final time to take the Baron's life. An emotional public funeral takes place, but the denouement reveals that this is merely the final scene of yet another story that the Baron is telling to the same theatregoers in the city. The Baron calls the foregoing "only one of the many occasions on which I met my death", and closes his tale by saying that "everyone who had a talent for it lived happily ever after".
880:
trying to get the books looking as good as possible. We weren't the only film that suffered, but we were the most visible one. And what happened—to complete the story in a neat and tidy way—was that they were not spending any money on advertising to promote any of the movies started by the previous regime—by Putnam's regime. They were burying films left right and center by spending no money on them—and the books looked really good at the end of that.
788:, who was nine years old at the time of filming, described it as a traumatic experience. "t definitely left me with a few scars... It was just so dangerous. There were so many explosions going off so close to me, which is traumatic for a kid whether it's dangerous or not. Being in freezing cold water for long periods of time and working endless hours. It was physically grueling and unsafe." She further elaborated on her experience in her 2022 memoir,
946:". While considering the film's special effects as "astonishing", Ebert also contended that "the movie is slow to get off the ground", and "sometimes the movie fails on the basic level of making itself clear. We're not always sure who is who, how they are related, or why we should care." But "allowing for the unsuccessful passages there is a lot here to treasure". Ebert concluded, "This is a vast and commodious work... the wit and the spectacle of
1363:
759:(1985). All are about the "craziness of our awkwardly ordered society and the desire to escape it through whatever means possible". Gilliam explained, "The one theme that runs through all three of these pictures is a consistently serious battle between fantasy and what people perceive as reality." All three films focus on these struggles, and attempt to escape them through imagination:
876:
friend and partner. I thought it was quite extraordinary, because the stories were doing two things—they were making me and the whole project look like it was completely out of control and all my fault, and that Film
Finance, the completion guarantors, were the only thing holding it together—the people trying to bring control to it... the fact was, they were absolutely useless.
419:
life-or-death wager with the Grand Turk, in which the younger Baron's life is saved only by his amazing luck, plus the assistance of his remarkable associates: Berthold, the world's fastest runner; Adolphus, a rifleman with superhuman eyesight; Gustavus, who possesses extraordinary hearing and powerful lungs; and the fantastically strong
Albrecht.
712:, a budget plan had been set up for $ 35 million, "and it's strange, the final cost was 35 .... We always had a budget of 34 or 35 million, the problem was when I started to discuss it with Columbia, Columbia would not go beyond 25.... Everybody knew from the very beginning that this cutting out was just a fake.... The problem was that
906:, the film holds an approval rating of 90% based on 60 reviews, with an average rating of 7.3/10. The website's critics consensus reads, "Bursting with Terry Gilliam's typically imaginative flourishes, this story of a possibly deranged Baron recounting his storied life is a flamboyant and witty visual treat."
809:
in spirit. Fellini is a wilder liar, but that's the only difference! Terry isn't a director so much as a film author. He is open to every single idea and opportunity to make the end result work. Often the best ideas have come out of something not working properly and coming up with a new concept as a
941:
gave the film 3 stars out of 4, and found that it was "told with a cheerfulness and a light touch that never betray the time and money it took to create them", appreciating "the sly wit and satire that sneaks in here and there from director Terry
Gilliam and his collaborators, who were mostly forged
797:
Nevertheless, on 29 October 2022, she tweeted, "You have my unconditional permission to still love this movie", to people who were wondering whether they could "still like this movie after hearing about horrible experiences working on it as a child"; adding in a second tweet, "Yes, it was traumatic
461:
The Baron firmly lectures them, but to no avail, so he storms off, intending to surrender to the Grand Turk. His companions rally to save the Baron, and, through a series of fantastic acts, they rout the
Turkish army and liberate the city. During the city's celebratory parade, the Baron is shot dead
879:
The ultimate fact was that when the film was ultimately released, there were only 117 prints made for
America—so it was never really released. 117 prints! ...an art film gets 400. We were ultimately the victim of Columbia Tri-Star being sold to Sony, because at that time all they were doing was
875:
The negative stories about the shoot that were turning up in the
Hollywood press were coming, we found out later, from a source at Film Finances—which was the completion bond company on the film. Their lawyer was a guy named Steve Ransohoff, whose father was Martin Ransohoff—who was Ray Stark's
434:
The balloon expedition proceeds to the Moon, where the Baron, who has grown younger, finds
Berthold, but angers the King of the Moon, a giant with separate minds in his head and body, and who resents the Baron for his romantic past with the Queen of the Moon. The death of the King's body and a
418:
The play is interrupted by an elderly man claiming to be the real Baron, protesting its many inaccuracies. Over the complaints of the audience, the theatre company and
Jackson, the "real" Baron gains the house's attention and narrates through flashback an account of one of his adventures, of a
465:
The Baron leads the citizens to the city gates to reveal that the city has indeed been saved, although it is unclear if the events of the battle occurred in a tall tale or in reality. Sally asks, "It wasn't just a story, was it?" The Baron grins, rides away on
Bucephalus, and disappears.
979:
deserves exclamation points, and not just to clear the air of the odor of corporate flop sweat. So here it is! A lavish fairy tale for bright children of all ages! Proof that eccentric films can survive in today's off-the-rack Hollywood! The most inventive fantasy since, well,
731:
that they were promised a bonus if they would finish the effects in time, but when they approached the person again when they were done, he was met with the reply, "I'm not gonna pay you, because I don't want to seem to be doing anything that could benefit Terry Gilliam."
426:
tries to take his life, but Sally Salt, the young daughter of the theatre company's leader, saves him and persuades him to remain living. Sally races to the wall, yelling for the Turkish army to leave. The Baron accidentally fires himself through the sky using a
727:, Gilliam added in the same documentary, "I was trying very hard to convince Dawn Steel that this was not a David Puttnam movie, it was a Terry Gilliam movie." Similarly, Kent Houston, head of Peerless Camera, which was doing the film's special effects, said in
1933:"I have seen some discussion about whether or not people can still like this movie after hearing about my horrible experiences working on it as a child. You may not be asking for it or care – but you have my unconditional permission to still love this movie"
1971:"Yes, it was traumatic for me. Yes, it should have been handled very differently. Yes, it is still a great movie. The joy that comes from it is the joy I am able to carry with me as well as the terrible memories. So go nuts. Enjoy it. You have my blessing"
431:, and returns riding a cannonball, narrowly escaping the Angel of Death again. Insisting that he alone can save the city, the Baron escapes over the city's walls in a hot air balloon constructed of women's underwear, accompanied by Sally as a stowaway.
794:, writing, "Though was magical and brilliant and made images and stories that will live for a long, long time, it's hard to calculate whether they were worth the price of the hell that so many went through over the years to help him make them."
458:" into the sea creature's cavernous interior, causing it to sneeze the heroes out through its whale-like blowhole. The Baron, young again, sails to where the Turkish army is located, but his associates are too elderly and tired to fight.
415:" Horatio Jackson, reinforces the city's commitment to reason by ordering the execution of a soldier who had just accomplished a near-superhuman feat of bravery, claiming that his bravery is demoralizing to other soldiers and citizens.
798:
for me. Yes, it should have been handled very differently. Yes, it is still a great movie. The joy that comes from it is the joy I am able to carry with me as well as the terrible memories. So go nuts. Enjoy it. You have my blessing."
853:, "It seemed actually appropriate that Munchausen—the greatest liar in the world—should be a victim of some of the greatest liars in the world." He compared the film's budget problems to the more serious problems of the film,
950:
are considerable achievements." Additionally, he considered John Neville's title role performance as appearing "sensible and matter-of-fact, as anyone would if they had spent a lifetime growing accustomed to the incredible".
2047:
2152:
688:
The film went over budget; what was originally $ 23.5 million grew to a reported $ 46.63 million. Gilliam, acknowledging that he had gone over budget, said that its final costs had been nowhere near $ 40 million.
619:
822:
was finally completed, David Puttnam, who had obtained the film's US distribution rights for Columbia Pictures, had been replaced as CEO of Columbia; coupled with Gilliam's prior quarrels with major studios over
1680:
A: These are all in-jokes related to Robin's cameo appearances. In The Adventures of Baron Munchausen, Robin's King of the Moon character proclaims himself "re di tutto" ("king of everything" in Italian).
1906:
2228:
2402:
31:
1641:
1510:
1274:
996:
called the film "consistently imaginative" and a "spectacle is indeed spectacular and worth the admission price and patches of boredom". He said that the "major credit must go to
2036:
925:: "For the absolute hell that the production of the film turned out to be, you really don't see any of that tension on the screen... the film is a fantastic, whimsical treat...
929:
is full of whimsy, fantasy, bright colors, and fabulous characters. None is as fantastic as the Baron himself as played, with a twinkle in his eye, by the grand John Neville."
2178:
2300:
454:. The Baron (who appears elderly again after being "expelled from a state of bliss") encounters the Angel of Death for the fourth time. They escape by blowing "a modicum of
2160:
917:
Regarding the gap between the film's troubled production and its eventual triumph of aesthetic cinematic form on the screen, Jeff Swindoll wrote in his 2008 DVD review of
583:
explained, "The deal was that we couldn't use his name because his agents said, 'We don't want you pimping his ass for your film.' so that's why Robin is not credited."
2492:
422:
When gunfire disrupts the elderly Baron's story, Jackson cancels the acting troupe's contract because of the Baron. The Baron wanders backstage, where the
782:, I'd always been very smart about Terry Gilliam films. You don't ever be in them. Go and see them by all means – but to be in them, fucking madness!!!"
1896:
1380:
3267:
2218:
2514:
963:
called the film a "wondrous feat of imagination", although, "except for Williams, the actors are never more than a detail in Gilliam's compositions".
3257:
827:, the film was given limited distribution in the United States. It grossed $ 8.1 million in the US and Canada, and ÂŁ1,917,499 in the United Kingdom.
591:
as a soldier executed for being a hero ("behaviour demoralizing to ordinary soldiers"), and Gilliam has an uncredited cameo as an irritating singer.
883:
The joke is, if you look back, we got the best reviews and we were doing the best business in the opening weeks of any film they had released since
3272:
3119:
613:
2460:
1631:
3237:
1532:
1500:
2254:
1093:
384:
1978:
1940:
1441:
on 8 April 2008. It included a new commentary with Gilliam and co-writer/actor McKeown, a three-part documentary on the making of the film,
627:
in 1786. These tales were frequently extended and translated throughout the 19th century, further fictionalized in the 1901 American novel,
1177:
2999:
1754:
774:
When the production finally came to a successful close, several of the actors commented on the rushed tightness of the whole project.
3207:
1195:
607:, loosely based on the German adventurer, Hieronymus Karl Friedrich Freiherr von MĂĽnchhausen, or Baron Munchausen, were compiled by
3247:
3217:
1865:"Capone Sits Down with the Lovely Sarah Polley To Talk About Her Directorial Debut, BARON MUNCHAUSEN, DAWN OF THE DEAD & More!"
1057:
376:
3277:
2693:
2073:
1600:
1482:, an ancient Greek novel (2nd century AD), in which the protagonist meets the king of the moon and is later swallowed by a whale.
1117:
1005:
443:, attempt a romantic interlude by waltzing in the air, prompting an irate Vulcan to expel the foursome from his kingdom into the
3252:
3227:
3182:
3131:
2722:
1164:
859:; he went on to declare its difficulties as a mixture of "trade press" still being upset about his battle with Universal over
3197:
2811:
2430:
1338:
1112:
1078:
388:
380:
2188:
849:
Regarding the contemporary press's perception of the film being a financial disaster, Gilliam said in a 2000 interview with
1540:
1312:
1151:
2330:
680:, who depicted Munchausen as a tragic character, struggling against the conformity and hypocrisy of the world around him.
3126:
2841:
1136:
871:
successfully trying to have Puttnam removed from Columbia, coupled with the fact the studio was being sold at the time:
3242:
1295:
2004:
1833:
439:. He hosts the group as his guests, and reveals that Albrecht is working as his servant. The Baron and Vulcan's wife,
1402:
1692:
1671:
3222:
3146:
2500:
1131:
838:
that Columbia produced, saying, " regime was leaving, the new one was going through this, and they said, 'This was
2005:"The Adventures of Baron Munchausen (1989) – Terry Gilliam – Synopsis, Characteristics, Moods, Themes and Related"
1874:
2902:
2741:
2290:
1745:"The Misadventures of 'Munchausen' : How a $ 23.5-Million Fantasy Film Turned into an Over-Budget Nightmare"
579:—credited as "Ray D. Tutto" (a play on "king of everything" in Italian)—portrays the King of the Moon. Director
3262:
2992:
2861:
1384:
1098:
855:
450:
Swallowed by an enormous sea creature, the travellers locate Gustavus, Adolphus and the Baron's trusty horse,
3187:
3076:
1325:
914:, assigned the film a score of 69 out of 100, based on 15 critics, indicating "generally favorable" reviews.
662:
3232:
3192:
2602:
2522:
2037:"Back to the Future: The Fall and Rise of the British Film Industry in the 1980s – An Information Briefing"
3287:
3202:
3177:
3092:
3044:
2686:
2356:
1744:
638:
3292:
3282:
2470:
2124:
3068:
3027:
2619:
624:
3212:
3084:
2985:
2821:
2715:
1254:
846:
movies!' It was a bit like the new lion that comes in and kills all the cubs from the previous man."
672:
435:
bungled escape from the Moon bring the trio back to the Earth and into the volcano of the Roman god,
1544:
3060:
2912:
2518:
1800:
911:
2634:
2264:
2097:
1373:
423:
3141:
367:
The film was a box office bomb, grossing only $ 8 million domestically and losing millions for
3136:
2679:
2377:
2043:
1636:
1604:
790:
1434:
edition of the film, issued 27 April 1999, did not include any of these nor any other extras.
2656:
2552:
1869:
1711:
533:
349:
648:
1974:
1970:
1936:
1932:
1416:
1066:
705:
476:
412:
400:
321:
84:
3151:
8:
3172:
2963:
2660:
2644:
2628:
2612:
2596:
2223:
1897:"Sarah Polley: 'It took me years to see how responsible Terry Gilliam was for my terror'"
1212:
1049:
959:
810:
result. He is very elastic and that's one quality in a director that I admire the most."
643:
515:
407:
army prepares an invasion outside the city gates, a fanciful touring stage production of
2580:
3022:
2771:
2751:
2434:
2295:
1287:
1083:
992:
755:
608:
501:
436:
2083:
1608:
805:
afterwards compared Gilliam to his former director, saying, "Terry is very similar to
371:. Despite this, it received positive reviews from critics, and was nominated for four
2943:
2922:
2892:
2882:
2575:
2465:
2412:
2183:
2014:
1749:
1008:, who did the special effects, and Peerless Camera Company Ltd., responsible for the
937:
899:
709:
552:
521:
440:
368:
345:
186:
163:
114:
723:
Regarding the new regime's apparent animosity towards all of Puttnam's projects and
653:
3008:
2851:
1678:
Why is Robin credited in some projects as Ray D. Tutto, Marty Fromage and Sudy Nim?
1449:
1423:
1220:
997:
885:
806:
588:
584:
480:
408:
357:
127:
2671:
2438:
657:
2953:
2831:
2791:
2640:
2608:
2259:
2250:
2102:
1578:
1573:
1102:
1009:
971:
966:
903:
558:
506:
455:
428:
192:
57:
30:
2322:
3052:
2326:
2200:
1740:
1062:
1016:
would have looked about as big and as interesting as a 25-cent postage stamp."
1001:
802:
629:
576:
527:
404:
372:
361:
352:
of the United Kingdom, the United States and Germany, the film is based on the
341:
313:
109:
620:
Baron Munchausen's Narrative of His Marvellous Travels and Campaigns in Russia
3166:
2703:
2650:
2496:
2416:
2286:
1664:"Frequently Asked Questions: Films, Stand-Up, Comedy and TV Show Appearances"
1505:
1427:
987:
835:
713:
677:
580:
539:
317:
145:
44:
2761:
2352:
2153:"DVD Review: The Adventures of Baron Munchausen (20th Anniversary Edition)"
1966:
1928:
1901:
1841:
1781:
1478:
1121:
943:
785:
749:
491:
329:
310:
94:
2174:
1715:
1663:
932:
667:
568:
548:
497:
337:
333:
104:
99:
2569:
2801:
2666:
2624:
2381:
2214:
2129:
1864:
1461:
1442:
1387: in this section. Unsourced material may be challenged and removed.
1190:
954:
907:
717:
716:
got fired, and all these deals were oral deals.... Columbia's new CEO,
623:). The tales were further embellished and translated back to German by
564:
451:
444:
2586:
2544:
1813:
Sammon, Paul M.; Shay, Don (1989). "The Adventures of Terry Gilliam".
411:'s life and adventures is taking place. In a theatre box, the mayor, "
2407:
1419:
868:
775:
604:
485:
353:
325:
89:
1362:
720:, said, 'Whatever David Puttnam said before doesn't interest me'."
2977:
2667:
Celluloid Munchausen: The Cinematic Legacy of Baron von MĂĽnchhausen
2592:
2493:"Adventures of Baron Munchausen, The 20th Anniversary Edition – BD"
2009:
864:
543:
984:
You may not believe it, ladies and gentlemen, but it's all true."
1990:
1952:
1815:
1438:
1779:, included on the bonus DVD of the 25th Anniversary Edition of
2547:
The Adventures of Baron Munchausen – The Four-Part Mini-Series
1466:
The Adventures of Baron Munchausen – The Four-Part Mini-Series
1799:
Matthews, Jack (1996). "Dreaming Brazil" (essay accompanying
704:), producer Thomas SchĂĽhly said that, as part of a deal with
2078:
1431:
850:
697:
636:
The stories were adapted into various films, including
1259:
Best Family Motion Picture Family Musical or Fantasy
1460:
The film was adapted into a comic series in 1989 by
1452:
and Blu-ray on 3 January 2023, with bonus features.
2701:
1437:A 20th anniversary edition was released on DVD and
2431:"Eleventh Annual Youth in Film Awards (1988–1989)"
767:, through the eyes of a man in his thirties, and
3164:
3120:The Extraordinary Adventures of Baron Munchausen
834:, Robin Williams commented on the low number of
1275:Best Young Actress Starring in a Motion Picture
1448:The Criterion Collection released the film on
1156:Maggie Weston, Fabrizio Sforza and Pam Meager
2993:
2687:
1739:
614:The Surprising Adventures of Baron Munchausen
611:and published for English readers in 1785 as
399:In an unnamed war-torn European city in the "
2411:(in Italian). 25 February 1990. p. 31.
2405:[All the critics' winners of 1990].
2403:"Tutti i premiati dalla critica per il 1990"
2074:"Interview with Terry Gilliam (Part 3 of 4)"
1834:"Dreams: The Adventures of Baron Munchausen"
2515:"The Adventures of Baron Munchausen (1988)"
1601:"The Adventures of Baron Munchausen (1989)"
1574:"The Adventures of Baron Munchausen (1988)"
694:The Madness and Misadventures of Munchausen
35:Theatrical release poster by Lucinda Cowell
3000:
2986:
2694:
2680:
2659:
2643:
2627:
2611:
2595:
2579:
1812:
1777:The Directors – The Films of Terry Gilliam
29:
3268:Films with screenplays by Charles McKeown
1828:
1826:
1403:Learn how and when to remove this message
3258:Films set in 18th-century Ottoman Empire
2207:
2150:
1862:
1795:
1793:
1791:
1501:"Die Abenteuer des Baron von Munchausen"
3273:Films with screenplays by Terry Gilliam
2291:"How a Notorious Liar Might Have Lived"
2249:
360:, and his wartime exploits against the
3165:
2231:from the original on 25 September 2020
2213:
1965:
1927:
1823:
1629:
1568:
1566:
1564:
1562:
1422:was released with features, such as a
771:, through the eyes of an elderly man.
3238:Films about personifications of death
2981:
2675:
2285:
2173:
2071:
1788:
1286:
1253:
1211:
1130:
1048:
530:as The Right Ordinary Horatio Jackson
356:of the 18th-century German nobleman,
3007:
2219:"The Adventures of Baron Munchausen"
2179:"The Adventures of Baron Munchausen"
2125:"The Adventures of Baron Munchausen"
2098:"The Adventures of Baron Munchausen"
1714:: 1. 4 December 2001. Archived from
1674:from the original on 16 March 2017.
1632:"The Pain Behind 'Baron Munchausen'"
1541:British Board of Film Classification
1385:adding citations to reliable sources
1356:
2842:The Imaginarium of Doctor Parnassus
2303:from the original on 8 January 2024
2072:Plume, Kenneth (17 November 2000).
2065:
1981:from the original on 8 January 2024
1943:from the original on 6 January 2023
1743:; Mathews, Jack (14 January 1988).
1559:
700:of the 20th Anniversary Edition of
13:
3101:The Adventures of Baron Munchausen
2782:The Adventures of Baron Munchausen
2652:The Adventures of Baron Munchausen
2636:The Adventures of Baron Munchausen
2620:The Adventures of Baron Munchausen
2604:The Adventures of Baron Munchausen
2588:The Adventures of Baron Munchausen
2571:The Adventures of Baron Munchausen
1695:The Adventures of Baron Munchausen
1543:. 12 December 1988. Archived from
1535:The Adventures of Baron Munchausen
1513:from the original on 20 April 2021
1330:Maggie Weston and Fabrizio Sforza
1301:The Adventures of Baron Munchausen
1263:The Adventures of Baron Munchausen
1201:The Adventures of Baron Munchausen
820:The Adventures of Baron Munchausen
306:The Adventures of Baron Munchausen
24:The Adventures of Baron Munchausen
14:
3304:
2563:
2333:from the original on 2 April 2015
2053:from the original on 31 July 2021
1909:from the original on 12 June 2022
1838:Dreams: The Terry Gilliam Fanzine
1042:
743:is the third entry in Gilliam's "
3208:American fantasy adventure films
2323:"The 62nd Academy Awards | 1990"
1757:from the original on 4 June 2012
1644:from the original on 30 May 2022
1361:
1343:Richard Conway and Kent Houston
1182:Kent Houston and Richard Conway
3248:Films directed by Terry Gilliam
3218:British fantasy adventure films
2903:The Crimson Permanent Assurance
2742:Monty Python and the Holy Grail
2537:
2507:
2485:
2453:
2423:
2395:
2370:
2345:
2315:
2279:
2243:
2167:
2151:Swindoll, Jeff (9 April 2008).
2144:
2117:
2090:
2029:
1997:
1959:
1921:
1889:
1877:from the original on 9 May 2007
1856:
1806:
1445:sequences, and deleted scenes.
1372:needs additional citations for
867:, and an intrigue on behalf of
763:, through the eyes of a child,
512:Winston Dennis as Albrecht/Bill
3278:German fantasy adventure films
2862:The Man Who Killed Don Quixote
2812:Fear and Loathing in Las Vegas
2461:"1989–1990 17th Saturn Awards"
1769:
1733:
1685:
1656:
1630:Weiner, David (8 March 2019).
1623:
1593:
1525:
1493:
1:
3253:Films scored by Michael Kamen
3228:English-language German films
3183:1980s fantasy adventure films
3077:The Fabulous Baron Munchausen
1486:
1455:
1352:
735:
663:The Fabulous Baron Munchausen
599:
594:
3198:1980s English-language films
3132:Munchausen syndrome by proxy
2255:"Lying with A Straight Face"
1019:
893:
7:
3093:The Secret of the Selenites
1819:. Vol. 38, no. 7.
1471:
1178:Best Special Visual Effects
1132:British Academy Film Awards
1004:, the production designer;
350:international co-production
316:co-written and directed by
10:
3309:
1196:Best Dramatic Presentation
1053:
813:
16:1988 film by Terry Gilliam
3243:Films adapted into comics
3111:
3085:The Very Same Munchhausen
3036:
3015:
2934:
2873:
2732:
2710:
1704:The Buffalo Film Seminars
1307:
1291:
1269:
1227:
1189:
1146:
1073:
1041:
1038:
1035:
1032:
1029:
1026:
975:wrote, "Everything about
832:Madness and Misadventures
729:Madness and Misadventures
683:
673:The Very Same Munchhausen
294:
286:
278:
258:
248:
211:8 December 1988
202:
179:
151:
141:
133:
123:
77:
69:
50:
40:
28:
23:
3045:Baron Munchausen's Dream
2913:The Legend of Hallowdega
2519:The Criterion Collection
1801:The Criterion Collection
639:Baron Munchausen's Dream
3223:Columbia Pictures films
3028:Gottfried August BĂĽrger
1863:Moriarty (7 May 2007).
1232:Best Production Design
696:(included on the bonus
625:Gottfried August BĂĽrger
524:as Queen Ariadne/Violet
469:
394:
233:17 March 1989
222:10 March 1989
3137:Munchausen by Internet
2044:British Film Institute
1668:Robin Williams Fansite
1637:The Hollywood Reporter
1605:British Film Institute
1165:Best Production Design
891:
791:Run Towards the Danger
745:Trilogy of Imagination
3263:Films set on the Moon
2553:Grand Comics Database
1712:University at Buffalo
873:
241: (United Kingdom)
3188:1980s American films
3142:MĂĽnchhausen trilemma
2191:on 28 September 2012
2157:Monsters and Critics
2046:. 2005. p. 19.
1417:Criterion Collection
1381:improve this article
1339:Best Special Effects
1255:Youth in Film Awards
1243:Best Costume Design
1217:Best Cinematography
1152:Best Makeup and Hair
1067:Francesca Lo Schiavo
923:Monsters and Critics
842:movie, now let's do
801:Production designer
676:(1979), directed by
230: (United States)
193:Neue Constantin Film
3233:Films about old age
3193:1980s British films
3127:Munchausen syndrome
2964:He Dreams of Giants
2723:Unrealized projects
2525:on 27 November 2022
2435:Young Artist Awards
2224:The Washington Post
2163:on 25 October 2011.
1969:(29 October 2022).
1931:(29 October 2022).
1844:on 21 February 1999
1317:Gabriella Pescucci
1246:Gabriella Pescucci
1141:Gabriella Pescucci
1137:Best Costume Design
1113:Best Visual Effects
1079:Best Costume Design
960:The Washington Post
656:, with a script by
488:as Berthold/Desmond
389:Best Visual Effects
381:Best Costume Design
219: (West Germany)
3288:Vulcan (mythology)
3203:1980s German films
3178:1988 fantasy films
3023:Rudolf Erich Raspe
2822:The Brothers Grimm
2702:Films directed by
2657:TCM Movie Database
2473:on 17 October 2006
2378:"1990 Hugo Awards"
2296:The New York Times
2267:on 22 October 2010
2086:on 31 August 2011.
1870:Ain't It Cool News
1084:Gabriella Pescucci
1058:Best Art Direction
993:The New York Times
708:before it went to
609:Rudolf Erich Raspe
518:as Gustavus/Jeremy
509:as Adolphus/Rupert
413:The Right Ordinary
377:Best Art Direction
171:Prominent Features
3293:West German films
3283:Venus (mythology)
3160:
3159:
3152:14014 MĂĽnchhausen
3147:Munchausen number
2975:
2974:
2944:Lost in La Mancha
2923:The Wholly Family
2883:Miracle of Flight
2466:Los Angeles Times
2289:(10 March 1989).
2253:(13 March 1989).
2217:(24 March 1989).
2184:Chicago Sun-Times
2177:(10 March 1989).
1750:Los Angeles Times
1611:on 1 January 2018
1413:
1412:
1405:
1350:
1349:
1296:Best Fantasy Film
1000:, the cameraman;
938:Chicago Sun-Times
900:review aggregator
522:Valentina Cortese
369:Columbia Pictures
346:Valentina Cortese
302:
301:
187:Columbia Pictures
164:Allied Filmmakers
115:Valentina Cortese
3300:
3213:Baron Munchausen
3009:Baron Munchausen
3002:
2995:
2988:
2979:
2978:
2968:
2958:
2948:
2927:
2917:
2907:
2897:
2887:
2866:
2856:
2852:The Zero Theorem
2846:
2836:
2826:
2816:
2806:
2796:
2786:
2776:
2766:
2756:
2746:
2725:
2718:
2696:
2689:
2682:
2673:
2672:
2663:
2647:
2631:
2615:
2599:
2583:
2557:
2556:
2541:
2535:
2534:
2532:
2530:
2521:. Archived from
2511:
2505:
2504:
2499:. Archived from
2489:
2483:
2482:
2480:
2478:
2469:. Archived from
2457:
2451:
2450:
2448:
2446:
2437:. Archived from
2427:
2421:
2420:
2399:
2393:
2392:
2390:
2388:
2374:
2368:
2367:
2365:
2363:
2349:
2343:
2342:
2340:
2338:
2319:
2313:
2312:
2310:
2308:
2283:
2277:
2276:
2274:
2272:
2263:. Archived from
2251:Corliss, Richard
2247:
2241:
2240:
2238:
2236:
2211:
2205:
2204:
2198:
2196:
2187:. Archived from
2171:
2165:
2164:
2159:. Archived from
2148:
2142:
2141:
2139:
2137:
2121:
2115:
2114:
2112:
2110:
2094:
2088:
2087:
2082:. Archived from
2069:
2063:
2062:
2060:
2058:
2052:
2041:
2033:
2027:
2026:
2024:
2022:
2017:on 26 April 2006
2013:. Archived from
2001:
1995:
1994:
1988:
1986:
1963:
1957:
1956:
1950:
1948:
1925:
1919:
1918:
1916:
1914:
1905:. 12 June 2022.
1893:
1887:
1886:
1884:
1882:
1860:
1854:
1853:
1851:
1849:
1840:. Archived from
1830:
1821:
1820:
1810:
1804:
1797:
1786:
1773:
1767:
1766:
1764:
1762:
1737:
1731:
1730:
1728:
1726:
1720:
1701:
1689:
1683:
1682:
1660:
1654:
1653:
1651:
1649:
1627:
1621:
1620:
1618:
1616:
1607:. Archived from
1597:
1591:
1590:
1588:
1586:
1570:
1557:
1556:
1554:
1552:
1529:
1523:
1522:
1520:
1518:
1497:
1424:commentary track
1408:
1401:
1397:
1394:
1388:
1365:
1357:
1221:Giuseppe Rotunno
1213:Nastro d'Argento
1044:
1024:
1023:
1014:Baron Munchausen
1012:. Without them,
998:Giuseppe Rotunno
948:Baron Munchausen
927:Baron Munchausen
912:weighted average
778:said, "Up until
706:20th Century Fox
481:Baron Munchausen
409:Baron Munchausen
358:Baron Munchausen
240:
238:
229:
227:
218:
216:
128:Giuseppe Rotunno
33:
21:
20:
3308:
3307:
3303:
3302:
3301:
3299:
3298:
3297:
3163:
3162:
3161:
3156:
3107:
3032:
3011:
3006:
2976:
2971:
2961:
2954:Getting Gilliam
2951:
2941:
2930:
2920:
2910:
2900:
2890:
2880:
2869:
2859:
2849:
2839:
2829:
2819:
2809:
2799:
2792:The Fisher King
2789:
2779:
2769:
2759:
2749:
2739:
2728:
2721:
2714:
2706:
2700:
2641:Rotten Tomatoes
2609:Box Office Mojo
2566:
2561:
2560:
2543:
2542:
2538:
2528:
2526:
2513:
2512:
2508:
2503:on 13 May 2008.
2491:
2490:
2486:
2476:
2474:
2459:
2458:
2454:
2444:
2442:
2441:on 2 April 2011
2429:
2428:
2424:
2401:
2400:
2396:
2386:
2384:
2376:
2375:
2371:
2361:
2359:
2351:
2350:
2346:
2336:
2334:
2321:
2320:
2316:
2306:
2304:
2284:
2280:
2270:
2268:
2248:
2244:
2234:
2232:
2212:
2208:
2194:
2192:
2172:
2168:
2149:
2145:
2135:
2133:
2123:
2122:
2118:
2108:
2106:
2103:Rotten Tomatoes
2096:
2095:
2091:
2070:
2066:
2056:
2054:
2050:
2039:
2035:
2034:
2030:
2020:
2018:
2003:
2002:
1998:
1984:
1982:
1964:
1960:
1946:
1944:
1926:
1922:
1912:
1910:
1895:
1894:
1890:
1880:
1878:
1861:
1857:
1847:
1845:
1832:
1831:
1824:
1811:
1807:
1798:
1789:
1774:
1770:
1760:
1758:
1741:Cieply, Michael
1738:
1734:
1724:
1722:
1721:on 3 March 2016
1718:
1699:
1691:
1690:
1686:
1662:
1661:
1657:
1647:
1645:
1628:
1624:
1614:
1612:
1599:
1598:
1594:
1584:
1582:
1579:Box Office Mojo
1572:
1571:
1560:
1550:
1548:
1547:on 4 April 2017
1531:
1530:
1526:
1516:
1514:
1499:
1498:
1494:
1489:
1474:
1458:
1426:by Gilliam and
1409:
1398:
1392:
1389:
1378:
1366:
1355:
1235:Dante Ferretti
1169:Dante Ferretti
1103:Fabrizio Sforza
1022:
1010:optical effects
967:Richard Corliss
942:in the mill of
910:, which uses a
904:Rotten Tomatoes
896:
856:We're No Angels
816:
747:", preceded by
738:
686:
602:
597:
587:has a credited
573:
559:Alison Steadman
507:Charles McKeown
472:
397:
274:
251:
244:
236:
234:
225:
223:
214:
212:
205:
198:
175:
174:
156:
154:
137:Peter Hollywood
119:
65:
58:Charles McKeown
36:
17:
12:
11:
5:
3306:
3296:
3295:
3290:
3285:
3280:
3275:
3270:
3265:
3260:
3255:
3250:
3245:
3240:
3235:
3230:
3225:
3220:
3215:
3210:
3205:
3200:
3195:
3190:
3185:
3180:
3175:
3158:
3157:
3155:
3154:
3149:
3144:
3139:
3134:
3129:
3124:
3115:
3113:
3109:
3108:
3106:
3105:
3097:
3089:
3081:
3073:
3065:
3057:
3053:Meet the Baron
3049:
3040:
3038:
3034:
3033:
3031:
3030:
3025:
3019:
3017:
3013:
3012:
3005:
3004:
2997:
2990:
2982:
2973:
2972:
2970:
2969:
2959:
2949:
2938:
2936:
2932:
2931:
2929:
2928:
2918:
2908:
2898:
2888:
2877:
2875:
2871:
2870:
2868:
2867:
2857:
2847:
2837:
2827:
2817:
2807:
2797:
2787:
2777:
2767:
2757:
2747:
2736:
2734:
2730:
2729:
2727:
2726:
2719:
2711:
2708:
2707:
2699:
2698:
2691:
2684:
2676:
2670:
2669:
2664:
2648:
2632:
2616:
2600:
2584:
2565:
2564:External links
2562:
2559:
2558:
2536:
2506:
2484:
2452:
2422:
2394:
2369:
2353:"Film in 1990"
2344:
2327:Academy Awards
2314:
2287:Canby, Vincent
2278:
2242:
2206:
2201:RogerEbert.com
2166:
2143:
2116:
2089:
2064:
2028:
1996:
1967:Polley, Sarah
1958:
1929:Polley, Sarah
1920:
1888:
1855:
1822:
1805:
1787:
1775:Interview for
1768:
1732:
1684:
1655:
1622:
1592:
1558:
1524:
1491:
1490:
1488:
1485:
1484:
1483:
1473:
1470:
1457:
1454:
1428:deleted scenes
1411:
1410:
1369:
1367:
1360:
1354:
1351:
1348:
1347:
1344:
1341:
1335:
1334:
1331:
1328:
1322:
1321:
1318:
1315:
1309:
1308:
1306:
1303:
1298:
1293:
1290:
1284:
1283:
1280:
1277:
1271:
1270:
1268:
1265:
1260:
1257:
1251:
1250:
1247:
1244:
1240:
1239:
1236:
1233:
1229:
1228:
1226:
1223:
1218:
1215:
1209:
1208:
1206:
1203:
1198:
1193:
1187:
1186:
1183:
1180:
1174:
1173:
1170:
1167:
1161:
1160:
1157:
1154:
1148:
1147:
1145:
1142:
1139:
1134:
1128:
1127:
1124:
1118:Richard Conway
1115:
1109:
1108:
1105:
1096:
1090:
1089:
1086:
1081:
1075:
1074:
1072:
1069:
1063:Dante Ferretti
1060:
1055:
1052:
1050:Academy Awards
1046:
1045:
1040:
1037:
1034:
1031:
1028:
1021:
1018:
1006:Richard Conway
1002:Dante Ferretti
895:
892:
836:release prints
815:
812:
803:Dante Ferretti
737:
734:
685:
682:
654:Josef von Báky
644:Georges Méliès
630:Mr. Munchausen
601:
598:
596:
593:
577:Robin Williams
572:
571:
562:
556:
546:
537:
531:
528:Jonathan Pryce
525:
519:
513:
510:
504:
495:
489:
483:
473:
471:
468:
424:Angel of Death
403:", as a large
396:
393:
373:Academy Awards
362:Ottoman Empire
342:Jonathan Pryce
314:adventure film
300:
299:
296:
292:
291:
290:$ 46.6 million
288:
284:
283:
280:
276:
275:
273:
272:
269:
266:
265:United Kingdom
262:
260:
256:
255:
252:
249:
246:
245:
243:
242:
231:
220:
208:
206:
203:
200:
199:
197:
196:
195:(West Germany)
190:
183:
181:
180:Distributed by
177:
176:
173:
172:
169:
166:
160:
159:
157:
152:
149:
148:
143:
139:
138:
135:
131:
130:
125:
124:Cinematography
121:
120:
118:
117:
112:
110:Jonathan Pryce
107:
102:
97:
92:
87:
81:
79:
75:
74:
73:Thomas SchĂĽhly
71:
67:
66:
64:
63:
60:
54:
52:
48:
47:
42:
38:
37:
34:
26:
25:
15:
9:
6:
4:
3:
2:
3305:
3294:
3291:
3289:
3286:
3284:
3281:
3279:
3276:
3274:
3271:
3269:
3266:
3264:
3261:
3259:
3256:
3254:
3251:
3249:
3246:
3244:
3241:
3239:
3236:
3234:
3231:
3229:
3226:
3224:
3221:
3219:
3216:
3214:
3211:
3209:
3206:
3204:
3201:
3199:
3196:
3194:
3191:
3189:
3186:
3184:
3181:
3179:
3176:
3174:
3171:
3170:
3168:
3153:
3150:
3148:
3145:
3143:
3140:
3138:
3135:
3133:
3130:
3128:
3125:
3122:
3121:
3117:
3116:
3114:
3110:
3103:
3102:
3098:
3095:
3094:
3090:
3087:
3086:
3082:
3079:
3078:
3074:
3071:
3070:
3066:
3063:
3062:
3058:
3055:
3054:
3050:
3047:
3046:
3042:
3041:
3039:
3035:
3029:
3026:
3024:
3021:
3020:
3018:
3014:
3010:
3003:
2998:
2996:
2991:
2989:
2984:
2983:
2980:
2966:
2965:
2960:
2956:
2955:
2950:
2946:
2945:
2940:
2939:
2937:
2933:
2925:
2924:
2919:
2915:
2914:
2909:
2905:
2904:
2899:
2895:
2894:
2889:
2885:
2884:
2879:
2878:
2876:
2872:
2864:
2863:
2858:
2854:
2853:
2848:
2844:
2843:
2838:
2834:
2833:
2828:
2824:
2823:
2818:
2814:
2813:
2808:
2804:
2803:
2798:
2794:
2793:
2788:
2784:
2783:
2778:
2774:
2773:
2768:
2764:
2763:
2758:
2754:
2753:
2748:
2744:
2743:
2738:
2737:
2735:
2733:Feature films
2731:
2724:
2720:
2717:
2713:
2712:
2709:
2705:
2704:Terry Gilliam
2697:
2692:
2690:
2685:
2683:
2678:
2677:
2674:
2668:
2665:
2662:
2658:
2654:
2653:
2649:
2646:
2642:
2638:
2637:
2633:
2630:
2626:
2622:
2621:
2617:
2614:
2610:
2606:
2605:
2601:
2598:
2594:
2590:
2589:
2585:
2582:
2577:
2573:
2572:
2568:
2567:
2554:
2550:
2548:
2545:"NOW Comics:
2540:
2524:
2520:
2516:
2510:
2502:
2498:
2497:Sony Pictures
2494:
2488:
2472:
2468:
2467:
2462:
2456:
2440:
2436:
2432:
2426:
2418:
2414:
2410:
2409:
2404:
2398:
2383:
2379:
2373:
2358:
2354:
2348:
2332:
2328:
2324:
2318:
2302:
2298:
2297:
2292:
2288:
2282:
2266:
2262:
2261:
2256:
2252:
2246:
2230:
2226:
2225:
2220:
2216:
2210:
2202:
2190:
2186:
2185:
2180:
2176:
2170:
2162:
2158:
2154:
2147:
2132:
2131:
2126:
2120:
2105:
2104:
2099:
2093:
2085:
2081:
2080:
2075:
2068:
2049:
2045:
2038:
2032:
2016:
2012:
2011:
2006:
2000:
1992:
1980:
1976:
1972:
1968:
1962:
1954:
1942:
1938:
1934:
1930:
1924:
1908:
1904:
1903:
1898:
1892:
1876:
1872:
1871:
1866:
1859:
1843:
1839:
1835:
1829:
1827:
1818:
1817:
1809:
1803:DVD release).
1802:
1796:
1794:
1792:
1784:
1783:
1778:
1772:
1756:
1752:
1751:
1746:
1742:
1736:
1717:
1713:
1709:
1705:
1698:
1696:
1688:
1681:
1679:
1673:
1669:
1665:
1659:
1643:
1639:
1638:
1633:
1626:
1610:
1606:
1602:
1596:
1581:
1580:
1575:
1569:
1567:
1565:
1563:
1546:
1542:
1538:
1536:
1528:
1512:
1508:
1507:
1506:filmportal.de
1502:
1496:
1492:
1481:
1480:
1476:
1475:
1469:
1467:
1463:
1453:
1451:
1446:
1444:
1440:
1435:
1433:
1429:
1425:
1421:
1418:
1407:
1404:
1396:
1386:
1382:
1376:
1375:
1370:This section
1368:
1364:
1359:
1358:
1345:
1342:
1340:
1337:
1336:
1332:
1329:
1327:
1324:
1323:
1319:
1316:
1314:
1313:Best Costumes
1311:
1310:
1304:
1302:
1299:
1297:
1294:
1289:
1288:Saturn Awards
1285:
1281:
1279:Sarah Polley
1278:
1276:
1273:
1272:
1266:
1264:
1261:
1258:
1256:
1252:
1248:
1245:
1242:
1241:
1237:
1234:
1231:
1230:
1224:
1222:
1219:
1216:
1214:
1210:
1207:
1204:
1202:
1199:
1197:
1194:
1192:
1188:
1184:
1181:
1179:
1176:
1175:
1171:
1168:
1166:
1163:
1162:
1158:
1155:
1153:
1150:
1149:
1143:
1140:
1138:
1135:
1133:
1129:
1125:
1123:
1119:
1116:
1114:
1111:
1110:
1106:
1104:
1100:
1099:Maggie Weston
1097:
1095:
1092:
1091:
1087:
1085:
1082:
1080:
1077:
1076:
1070:
1068:
1064:
1061:
1059:
1056:
1051:
1047:
1036:Recipient(s)
1025:
1017:
1015:
1011:
1007:
1003:
999:
995:
994:
989:
988:Vincent Canby
985:
983:
978:
974:
973:
968:
964:
962:
961:
956:
952:
949:
945:
940:
939:
934:
930:
928:
924:
920:
915:
913:
909:
905:
901:
890:
888:
887:
881:
877:
872:
870:
866:
862:
858:
857:
852:
847:
845:
841:
837:
833:
828:
826:
821:
811:
808:
804:
799:
795:
793:
792:
787:
783:
781:
777:
772:
770:
766:
762:
758:
757:
752:
751:
746:
742:
733:
730:
726:
721:
719:
715:
714:David Puttnam
711:
707:
703:
699:
695:
690:
681:
679:
678:Mark Zakharov
675:
674:
669:
665:
664:
659:
658:Erich Kästner
655:
651:
650:
645:
641:
640:
634:
632:
631:
626:
622:
621:
616:
615:
610:
606:
592:
590:
586:
582:
581:Terry Gilliam
578:
575:In addition,
570:
566:
563:
560:
557:
554:
550:
547:
545:
541:
540:Peter Jeffrey
538:
536:as Henry Salt
535:
534:Bill Paterson
532:
529:
526:
523:
520:
517:
514:
511:
508:
505:
503:
499:
496:
494:as Sally Salt
493:
490:
487:
484:
482:
478:
475:
474:
467:
463:
459:
457:
453:
448:
446:
442:
438:
432:
430:
425:
420:
416:
414:
410:
406:
402:
401:Age of Reason
392:
390:
386:
382:
378:
374:
370:
365:
363:
359:
355:
351:
347:
343:
339:
335:
331:
327:
323:
319:
318:Terry Gilliam
315:
312:
308:
307:
298:$ 8.1 million
297:
293:
289:
285:
281:
277:
270:
268:United States
267:
264:
263:
261:
257:
253:
247:
232:
221:
210:
209:
207:
204:Release dates
201:
194:
191:
188:
185:
184:
182:
178:
170:
167:
165:
162:
161:
158:
150:
147:
146:Michael Kamen
144:
140:
136:
132:
129:
126:
122:
116:
113:
111:
108:
106:
103:
101:
98:
96:
93:
91:
88:
86:
83:
82:
80:
76:
72:
68:
62:Terry Gilliam
61:
59:
56:
55:
53:
49:
46:
45:Terry Gilliam
43:
39:
32:
27:
22:
19:
3118:
3100:
3099:
3091:
3083:
3075:
3067:
3061:Baron Prášil
3059:
3051:
3043:
2962:
2952:
2942:
2921:
2911:
2901:
2891:
2881:
2860:
2850:
2840:
2830:
2820:
2810:
2800:
2790:
2781:
2780:
2770:
2762:Time Bandits
2760:
2750:
2740:
2651:
2635:
2618:
2603:
2587:
2570:
2546:
2539:
2527:. Retrieved
2523:the original
2509:
2501:the original
2487:
2475:. Retrieved
2471:the original
2464:
2455:
2443:. Retrieved
2439:the original
2425:
2406:
2397:
2385:. Retrieved
2372:
2360:. Retrieved
2357:BAFTA Awards
2347:
2335:. Retrieved
2317:
2305:. Retrieved
2294:
2281:
2269:. Retrieved
2265:the original
2258:
2245:
2233:. Retrieved
2222:
2209:
2199:– via
2193:. Retrieved
2189:the original
2182:
2175:Ebert, Roger
2169:
2161:the original
2156:
2146:
2134:. Retrieved
2128:
2119:
2107:. Retrieved
2101:
2092:
2084:the original
2077:
2067:
2055:. Retrieved
2031:
2019:. Retrieved
2015:the original
2008:
1999:
1989:– via
1983:. Retrieved
1961:
1951:– via
1945:. Retrieved
1923:
1911:. Retrieved
1902:The Guardian
1900:
1891:
1879:. Retrieved
1868:
1858:
1846:. Retrieved
1842:the original
1837:
1814:
1808:
1782:Time Bandits
1780:
1776:
1771:
1759:. Retrieved
1748:
1735:
1723:. Retrieved
1716:the original
1707:
1703:
1694:
1687:
1677:
1675:
1667:
1658:
1646:. Retrieved
1635:
1625:
1613:. Retrieved
1609:the original
1595:
1583:. Retrieved
1577:
1549:. Retrieved
1545:the original
1534:
1527:
1515:. Retrieved
1504:
1495:
1479:A True Story
1477:
1465:
1459:
1447:
1436:
1430:. The first
1414:
1399:
1393:January 2023
1390:
1379:Please help
1374:verification
1371:
1300:
1262:
1200:
1122:Kent Houston
1013:
991:
986:
981:
976:
970:
965:
958:
953:
947:
944:Monty Python
936:
931:
926:
922:
918:
916:
897:
886:Last Emperor
884:
882:
878:
874:
860:
854:
848:
843:
839:
831:
829:
824:
819:
817:
800:
796:
789:
786:Sarah Polley
784:
779:
773:
768:
764:
761:Time Bandits
760:
754:
750:Time Bandits
748:
744:
740:
739:
728:
724:
722:
701:
693:
691:
687:
671:
661:
647:
637:
635:
628:
618:
612:
603:
574:
492:Sarah Polley
477:John Neville
464:
460:
449:
433:
421:
417:
398:
366:
330:Sarah Polley
322:John Neville
305:
304:
303:
271:West Germany
250:Running time
95:Sarah Polley
85:John Neville
18:
3069:MĂĽnchhausen
2874:Short films
2752:Jabberwocky
2716:Filmography
2382:Hugo Awards
2215:Hinson, Hal
2057:28 November
1848:24 December
1450:4K Ultra HD
1326:Best Makeup
1191:Hugo Awards
1094:Best Makeup
933:Roger Ebert
753:(1981) and
668:Karel Zeman
649:MĂĽnchhausen
569:Functionary
549:Uma Thurman
516:Jack Purvis
498:Oliver Reed
385:Best Makeup
338:Uma Thurman
334:Oliver Reed
320:, starring
254:126 minutes
189:(worldwide)
105:Uma Thurman
100:Oliver Reed
70:Produced by
41:Directed by
3173:1988 films
3167:Categories
2893:Story Time
2802:12 Monkeys
2625:Metacritic
2307:30 October
2271:30 October
2235:30 October
2130:Metacritic
1985:30 October
1947:30 October
1761:30 October
1725:25 January
1487:References
1462:NOW Comics
1456:Comic book
1443:storyboard
1353:Home media
1346:Nominated
1333:Nominated
1320:Nominated
1305:Nominated
1282:Nominated
1267:Nominated
1205:Nominated
1185:Nominated
1126:Nominated
1107:Nominated
1088:Nominated
1071:Nominated
977:Munchausen
955:Hal Hinson
919:Munchausen
908:Metacritic
780:Munchausen
769:Munchausen
741:Munchausen
736:Experience
725:Munchausen
718:Dawn Steel
702:Munchausen
666:(1961, by
652:(1943, by
642:(1911, by
605:Tall tales
600:Background
595:Production
565:Ray Cooper
542:as Sultan
452:Bucephalus
445:South Seas
354:tall tales
309:is a 1988
295:Box office
237:1989-03-17
226:1989-03-10
215:1988-12-08
168:Laura Film
153:Production
51:Written by
2417:1122-1763
2408:La Stampa
1420:LaserDisc
1033:Category
1020:Accolades
894:Reception
869:Ray Stark
776:Eric Idle
486:Eric Idle
326:Eric Idle
259:Countries
155:companies
134:Edited by
90:Eric Idle
2832:Tideland
2593:AllMovie
2337:1 August
2331:Archived
2301:Archived
2229:Archived
2048:Archived
2010:AllMovie
1979:Archived
1941:Archived
1907:Archived
1875:Archived
1755:Archived
1672:Archived
1642:Archived
1511:Archived
1472:See also
902:website
865:nepotism
710:Columbia
561:as Daisy
544:Mahmud I
279:Language
142:Music by
78:Starring
3112:Related
3016:Authors
2655:at the
2195:25 June
2136:6 March
1991:Twitter
1953:Twitter
1913:12 June
1816:Cinefex
1517:22 July
1439:Blu-ray
1039:Result
982:Brazil!
935:of the
898:On the
814:Release
807:Fellini
405:Ottoman
311:fantasy
282:English
235: (
224: (
213: (
3123:(game)
3104:(1988)
3096:(1984)
3088:(1979)
3080:(1962)
3072:(1943)
3064:(1940)
3056:(1933)
3048:(1911)
2967:(2019)
2957:(2005)
2947:(2002)
2926:(2011)
2916:(2010)
2906:(1983)
2896:(1979)
2886:(1974)
2865:(2018)
2855:(2013)
2845:(2009)
2835:(2005)
2825:(2005)
2815:(1998)
2805:(1995)
2795:(1991)
2785:(1988)
2775:(1985)
2772:Brazil
2765:(1981)
2755:(1977)
2745:(1975)
2578:
2529:14 May
2477:15 May
2445:15 May
2415:
2387:15 May
2362:15 May
2109:14 May
2021:15 May
1710:(14).
1648:30 May
1615:15 May
1585:14 May
1551:22 May
1027:Award
861:Brazil
825:Brazil
765:Brazil
756:Brazil
684:Budget
670:) and
502:Vulcan
437:Vulcan
429:mortar
287:Budget
3037:Films
2935:Other
2051:(PDF)
2040:(PDF)
1975:Tweet
1937:Tweet
1881:8 May
1719:(PDF)
1700:(PDF)
1537:(PG)"
1292:1991
1054:1990
1030:Year
840:their
818:When
589:cameo
585:Sting
555:/Rose
553:Venus
456:snuff
441:Venus
348:. An
2576:IMDb
2531:2024
2479:2024
2447:2024
2413:ISSN
2389:2024
2364:2024
2339:2011
2309:2009
2273:2009
2260:Time
2237:2009
2197:2019
2138:2011
2111:2024
2059:2020
2023:2017
1987:2022
1949:2022
1915:2022
1883:2007
1850:2008
1763:2010
1727:2014
1650:2022
1617:2017
1587:2024
1553:2013
1519:2021
1249:Won
1238:Won
1225:Won
1172:Won
1159:Won
1144:Won
1120:and
1101:and
1065:and
1043:Ref.
972:Time
921:for
617:(or
470:Cast
395:Plot
387:and
344:and
2639:at
2623:at
2607:at
2591:at
2574:at
2079:IGN
1977:).
1939:).
1676:Q:
1432:DVD
1383:by
990:of
969:of
957:of
851:IGN
844:our
830:In
698:DVD
692:In
660:),
646:),
567:as
551:as
500:as
479:as
3169::
2551:.
2517:.
2495:.
2463:.
2433:.
2380:.
2355:.
2329:.
2325:.
2299:.
2293:.
2257:.
2227:.
2221:.
2181:.
2155:.
2127:.
2100:.
2076:.
2042:.
2007:.
1899:.
1873:.
1867:.
1836:.
1825:^
1790:^
1785:).
1753:.
1747:.
1708:IV
1706:.
1702:.
1670:.
1666:.
1640:.
1634:.
1603:.
1576:.
1561:^
1539:.
1509:.
1503:.
1468:.
1464::
1415:A
863:,
633:.
447:.
391:.
383:,
379:,
375::
364:.
340:,
336:,
332:,
328:,
324:,
3001:e
2994:t
2987:v
2695:e
2688:t
2681:v
2555:.
2549:"
2533:.
2481:.
2449:.
2419:.
2391:.
2366:.
2341:.
2311:.
2275:.
2239:.
2203:.
2140:.
2113:.
2061:.
2025:.
1993:.
1973:(
1955:.
1935:(
1917:.
1885:.
1852:.
1765:.
1729:.
1697:"
1693:"
1652:.
1619:.
1589:.
1555:.
1533:"
1521:.
1406:)
1400:(
1395:)
1391:(
1377:.
239:)
228:)
217:)
Text is available under the Creative Commons Attribution-ShareAlike License. Additional terms may apply.
