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privacy and a desire to let their voices be heard. This book would be an invaluable resource for anyone working in media studies or audience theory." Elsewhere in her review, though, Smith expresses confusion about why
Jenkins focuses on certain aspects of fan culture or why he maintains such a distance between himself and the fans he writes about.
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television shows and engage with the parts that they are interested in, unlike audiences who watch the show more passively and move on to the next thing. Specifically, fans use what they've "poached" to become producers themselves, creating new cultural materials in various analytical and creative formats from "meta" essays to
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was unusual because it celebrated fandom instead of pathologizing fan practices and fans. Certain quotes from the book became quite popular with fans, who used one as a statement on many fan-created websites in the late 1990s and early 2000s: "Fan fiction is a way of the culture repairing the damage
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Jenkins examines topics such as three aspects of fans' characteristics mode of reception: ways fans draw texts close to the realm of their lived experience, the role played by rereading within fan culture, and the process by which program information gets inserted into ongoing social interactions.
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In a 1997 review for H-Net (Humanities and Social
Sciences Online), Anne Collins Smith writes that "This book is theoretically complex, thoroughly researched, and tightly argued. Moreover, Jenkins models admirable behavior for the popular-culture researcher, carefully balancing respect for fans'
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where de
Certeau differentiates between individuals who are "consumers" and others who are "poachers," depending on how they use resources put out by producers. Jenkins uses this idea to introduce his term "textual poachers," which he uses to describe how some fans go through texts like favorite
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The book has come to be regarded as a seminal and foundational work on fan culture, which helped to establish the field's legitimacy as a serious topic for academic inquiry. Bronwen Thomas writes in 2011 that
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was generally well received by
Jenkins's scholarly peers, though there were also questions about his decision to study fans, fanfiction, and fan culture seriously. In a 1993 review for
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describes the book in 2017 as a "real field-founder that lays out many of the theories and terms still in use today", and states that it was better received among fans than
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fanart by fan artist Jean Kluge that served as the first edition's cover; it also includes a teaching guide and discussion questions. Jenkins collaborated with another
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270:"contributed more than any previous study to the establishment of a distinctive sphere of "fan" studies, and it remains a seminal text."
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and
Constance Penley's article "Feminism, psychoanalysis, and the study of popular culture", which both appeared in the same year.
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was "Sure to be a landmark in televisual studies" and that it was "the first work I know of to take the fans of such shows as
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as a legitimate field of academic scholarship. At the time of its publication, it also introduced many new fans to media
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482:"Smith on Jenkins, 'Textual Poachers: Television Fans and Participatory Culture' | H-PCAACA | H-Net"
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Thomas, Bronwen (2011). "What Is
Fanfiction and Why Are People Saying Such Nice Things about It?".
533:"Fans and Fan Culture : Blackwell Encyclopedia of Sociology : Blackwell Reference Online"
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done in a system where contemporary myths are owned by corporations instead of owned by the folk."
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looks at fans and participatory culture, particularly those of popular television shows such as
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book of academic scholarship written in 1992 by television and media studies scholar
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was released for the book's 20th anniversary in 2012. This edition replaces the
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Jenkins builds from a definition of "poaching" originally introduced by
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explores fan culture and examines fans' social and cultural impacts.
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He also examines gender and fanfiction, as well as fan readers.
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Textual
Poachers: Television Fans & Participatory Culture
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Textual
Poachers: Television Fans & Participatory Culture
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Textual
Poachers: Television Fans and Participatory Culture
380:"In TV's Dull Summer Days, Plots Take Wing on the Net"
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The
Fanfiction Reader: Folk Tales for the Digital Age
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367:. Routledge. p. 24.
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286:References
121:nonfiction
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44:Jean Kluge
451:(4): 63.
392:0362-4331
249:Star Trek
229:Reception
212:Star Trek
189:Star Trek
61:Routledge
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618:(2017).
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