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Tertian

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213: 190: 72: 32: 854: 214: 73: 328:, and vice versa: any sixth can be taken as the inversion of a third. For instance, the interval C-A is a major sixth that, when inverted, gives the interval A-C, which is a minor third. 64: 230:
chord can be regarded as consisting of a "stack" of two consecutive thirds. This allows for four permutations, each producing a chord with distinct
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as an alternative to root motion in fifths, as for example in the "thirds cycle" used in John Coltrane's
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may also be referred to as tertian because sixths are equivalent to thirds when
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third while one such as that between C and E encompasses 4 semitones (C-D
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Tertian root movements have been used innovatively in
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A progression of tertian chords in A minor (i-v-i-iv
58: 1115: 430:The New Grove Dictionary of Music and Musicians 186:which uses chords based on fourths or fifths. 479: 419: 102:, "of or concerning thirds") describes any 486: 472: 306:A musical scale may also be analyzed as a 345:Thesaurus of Scales and Melodic Patterns 188: 30: 1116: 467: 427:, eds. (2001). "Tertiary harmony". 13: 458:Benward & Saker (2009), p.279. 410:. "Tertian (third based) harmony". 14: 1140: 852: 452: 413: 392: 1: 386: 400:Music in Theory and Practice 398:Benward & Saker (2009). 7: 350: 184:quartal and quintal harmony 10: 1145: 576:Dominant seventh flat five 493: 193:Quartal chord on A equals 114:etc. constructed from the 59:{\displaystyle {}_{4}^{6}} 15: 1080: 1029: 989: 961: 923: 871: 861: 850: 807: 721: 683: 629: 546: 508: 501: 244: 241: 433:(2nd ed.). London: 1093:Chord names and symbols 203:, distinguished by the 976:Secondary leading-tone 223: 99: 81: 60: 192: 61: 34: 981:Secondary supertonic 435:Macmillan Publishers 315:meantone temperament 308:succession of thirds 142:-C) and is termed a 66:-i-v-I) ending on a 39: 16:For other uses, see 339:, as influenced by 238: 55: 1052:Chord-scale system 971:Secondary dominant 402:, Vol. II, p.370. 333:chord progressions 320:Chords built from 237: 224: 170:) and is called a 82: 56: 42: 1111: 1110: 1025: 1024: 943:Chromatic mediant 848: 847: 799:Viennese trichord 444:978-1-56159-239-5 408:978-0-07-310188-0 341:Nicolas Slonimsky 304: 303: 242:Quality of Third 1136: 869: 868: 856: 664: 663: 621:Harmonic seventh 591:Diminished major 506: 505: 488: 481: 474: 465: 464: 459: 456: 450: 448: 417: 411: 396: 337:Coltrane changes 239: 236: 221: 220: 219: 217: 202: 201: 195:thirteenth chord 180:tertiary harmony 169: 168: 163: 162: 157: 156: 151: 150: 141: 140: 135: 134: 80: 79: 78: 76: 65: 63: 62: 57: 54: 49: 44: 1144: 1143: 1139: 1138: 1137: 1135: 1134: 1133: 1114: 1113: 1112: 1107: 1076: 1021: 985: 957: 919: 857: 844: 835:Synthetic chord 803: 774:Northern lights 739:Complexe sonore 717: 703:Augmented sixth 691: 689: 679: 661: 660: 654:Upper structure 625: 611:Altered seventh 606:Augmented minor 601:Augmented major 586:Half-diminished 542: 497: 492: 462: 457: 453: 445: 418: 414: 397: 393: 389: 357:Major and minor 353: 215: 212: 211: 199: 198: 176:Tertian harmony 166: 165: 160: 159: 154: 153: 148: 147: 138: 137: 132: 131: 74: 71: 70: 50: 45: 43: 40: 37: 36: 29: 12: 11: 5: 1142: 1132: 1131: 1129:Thirds (music) 1126: 1109: 1108: 1106: 1105: 1100: 1098:List of chords 1095: 1090: 1084: 1082: 1078: 1077: 1075: 1074: 1069: 1064: 1059: 1054: 1049: 1044: 1039: 1033: 1031: 1027: 1026: 1023: 1022: 1020: 1019: 1014: 1009: 1004: 999: 993: 991: 987: 986: 984: 983: 978: 973: 967: 965: 959: 958: 956: 955: 950: 945: 940: 935: 929: 927: 921: 920: 918: 917: 908: 903: 898: 893: 888: 883: 877: 875: 866: 859: 858: 851: 849: 846: 845: 843: 842: 837: 832: 827: 822: 817: 815:Mixed interval 811: 809: 805: 804: 802: 801: 796: 791: 786: 781: 776: 771: 766: 761: 756: 751: 746: 741: 736: 731: 725: 723: 719: 718: 716: 715: 710: 705: 700: 694: 692: 684: 681: 680: 678: 677: 672: 667: 656: 651: 646: 641: 635: 633: 627: 626: 624: 623: 618: 613: 608: 603: 598: 593: 588: 583: 578: 573: 568: 563: 558: 552: 550: 544: 543: 541: 540: 535: 530: 525: 520: 514: 512: 503: 499: 498: 491: 490: 483: 476: 468: 461: 460: 451: 443: 421:Sadie, Stanley 412: 390: 388: 385: 384: 383: 378: 373: 368: 359: 352: 349: 302: 301: 298: 295: 291: 290: 287: 284: 280: 279: 276: 273: 269: 268: 265: 262: 258: 257: 254: 250: 249: 247:Chord Quality 243: 130:intervals (A-B 53: 48: 9: 6: 4: 3: 2: 1141: 1130: 1127: 1125: 1122: 1121: 1119: 1104: 1101: 1099: 1096: 1094: 1091: 1089: 1086: 1085: 1083: 1079: 1073: 1070: 1068: 1065: 1063: 1060: 1058: 1055: 1053: 1050: 1048: 1045: 1043: 1040: 1038: 1035: 1034: 1032: 1028: 1018: 1015: 1013: 1010: 1008: 1007:Primary triad 1005: 1003: 1000: 998: 995: 994: 992: 988: 982: 979: 977: 974: 972: 969: 968: 966: 964: 960: 954: 951: 949: 946: 944: 941: 939: 936: 934: 931: 930: 928: 926: 922: 916: 912: 909: 907: 904: 902: 899: 897: 894: 892: 889: 887: 884: 882: 879: 878: 876: 874: 870: 867: 865: 860: 855: 841: 838: 836: 833: 831: 828: 826: 823: 821: 818: 816: 813: 812: 810: 806: 800: 797: 795: 792: 790: 787: 785: 782: 780: 777: 775: 772: 770: 767: 765: 762: 760: 757: 755: 752: 750: 747: 745: 742: 740: 737: 735: 732: 730: 727: 726: 724: 720: 714: 711: 709: 706: 704: 701: 699: 696: 695: 693: 687: 682: 676: 673: 671: 668: 666: 657: 655: 652: 650: 647: 645: 642: 640: 637: 636: 634: 632: 628: 622: 619: 617: 614: 612: 609: 607: 604: 602: 599: 597: 594: 592: 589: 587: 584: 582: 579: 577: 574: 572: 569: 567: 564: 562: 559: 557: 554: 553: 551: 549: 545: 539: 536: 534: 531: 529: 526: 524: 521: 519: 516: 515: 513: 511: 507: 504: 500: 496: 489: 484: 482: 477: 475: 470: 469: 466: 455: 446: 440: 436: 432: 431: 426: 425:Tyrrell, John 422: 416: 409: 405: 401: 395: 391: 382: 379: 377: 374: 372: 369: 367: 363: 360: 358: 355: 354: 348: 346: 342: 338: 334: 329: 327: 323: 318: 316: 311: 309: 299: 296: 293: 292: 288: 285: 282: 281: 277: 274: 271: 270: 266: 263: 260: 259: 255: 252: 251: 248: 240: 235: 233: 229: 218: 210: 209:chord factors 206: 196: 191: 187: 185: 181: 178:(also called 177: 173: 145: 129: 125: 121: 117: 113: 109: 105: 101: 97: 93: 92: 87: 77: 69: 68:Picardy third 51: 46: 33: 27: 23: 22:Tertian fever 19: 911:Leading-tone 824: 688: / 675:Tone cluster 556:Leading-tone 454: 428: 415: 399: 394: 344: 330: 319: 312: 305: 246: 225: 179: 175: 112:counterpoint 90: 89: 86:music theory 83: 896:Subdominant 759:Grandmother 616:Nondominant 596:Minor-major 300:diminished 205:arrangement 26:Tertianship 1118:Categories 1030:Techniques 1017:Substitute 1012:Subsidiary 948:Neapolitan 906:Submediant 886:Supertonic 659:Dominant 7 649:Thirteenth 581:Diminished 533:Diminished 387:References 366:submediant 289:augmented 245:Resulting 1047:Chordioid 963:Secondary 779:Petrushka 713:Seven six 670:Polychord 538:Suspended 528:Augmented 381:Polychord 226:A common 116:intervals 100:tertianus 1088:Arpeggio 1002:Contrast 938:Borrowed 933:Approach 915:Subtonic 901:Dominant 873:Diatonic 864:function 820:Secundal 722:Specific 662:♯ 644:Eleventh 631:Extended 571:Dominant 371:Secundal 351:See also 326:inverted 200:♭ 167:♮ 161:♭ 155:♮ 149:♭ 139:♮ 133:♭ 128:semitone 18:Tertials 953:Passing 925:Altered 891:Mediant 830:Quartal 825:Tertian 808:General 794:Tristan 789:So What 749:Elektra 690:omitted 548:Seventh 502:By form 376:Quartal 362:Mediant 232:quality 174:third. 91:tertian 1124:Chords 1103:Factor 1057:Guitar 997:Common 840:Tetrad 784:Psalms 769:Mystic 754:Farben 734:Bridge 708:Lydian 495:Chords 441:  406:  322:sixths 297:minor 294:minor 286:major 283:major 278:minor 275:major 272:minor 267:major 264:minor 261:major 24:, and 1081:Other 1072:Slash 1067:Power 1042:Block 1037:Barre 990:Other 881:Tonic 764:Magic 744:Dream 729:Alpha 698:Sixth 686:Added 639:Ninth 566:Minor 561:Major 523:Minor 518:Major 510:Triad 228:triad 172:major 144:minor 124:minor 120:major 108:chord 104:piece 96:Latin 1062:Open 439:ISBN 404:ISBN 364:and 313:The 256:2nd 253:1st 216:Play 197:on B 122:and 118:of ( 75:play 862:By 343:'s 207:of 84:In 1120:: 913:/ 449:‎ 437:. 423:; 347:. 310:. 234:: 164:-E 158:-E 152:-D 136:-B 110:, 106:, 98:: 88:, 20:, 665:9 487:e 480:t 473:v 447:. 222:. 94:( 52:6 47:4 28:.

Index

Tertials
Tertian fever
Tertianship

Picardy third
play
music theory
Latin
piece
chord
counterpoint
intervals
major
minor
semitone
minor
major
quartal and quintal harmony

thirteenth chord
arrangement
chord factors
Play
triad
quality
succession of thirds
meantone temperament
sixths
inverted
chord progressions

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