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excavation work that would need to be done, and the existence of a ravine, which could be used as the drainage system. There are disadvantages to this location, Zucchi considered how the presence of the theatre would affect the population of the surrounding area. Additionally, Zucchi considered the different terrains, which resulted in him considering this option.
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In 1833, a group of influential citizens in
Montevideo came together to form a group of stakeholders to construct a new theatre, they formed the Theater Committee which was led by Francisco Margariños. In 1840, the committee received approval from the government to construct a new theatre. The board
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The motivation behind constructing a theatre was to have a worthy place where one could be seen socializing and flaunt one's social and political influence. The necessity behind constructing a theatre in
Montevideo was the need to elevate one's social and political status through civil associations
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Out of the three options of the surrounding area for the theatre, Zucchi preferred option A because it was more suitable for their building. However, in his report he notes how this location had a history of being irregularly lotted. Then the reports changes focus onto option C, mentioning the
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influence as they were susceptible to the type of soil that the theatre would be placed upon. Moreover, Zucchi put caution to the floor that would be chosen, as it would need to be suitable for all these elements. He mentioned the increase in budget due to the possibility of constructing
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In this information, Zucchi demonstrated concerns about the location of the theatre, he argued that the choice of location would affect its structure, layout and overall appearance. He specified the elements of the theatre, such as the arrangement of the orchestra section, the forum, the
420:. The property was on the outskirts of the city, the land was 20 blocks by 15 blocks and surrounded by ravines, ditches, dunes, and roads. At that time, the expansion of the outside walls outlined by José María Reyes, known as the New City (Ciudad Nueva), had not been completed.
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The first meeting of the committee took place on 16 June of the same year. The conception of the theatre was to be a cultural center that represented one's free spirit, and that primarily worked to provide the emerging society of the
82:, is a useful starting point for translations, but translators must revise errors as necessary and confirm that the translation is accurate, rather than simply copy-pasting machine-translated text into the English Knowledge.
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In August 1840, the
Italian architect Carlo Zucchi presented his plans for the theatre to the stakeholders of the project, detailing where he wanted to construct the theatre.
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that had a cultural, scientific, and commercial nature. Therefore, the new theatre would offer a platform for socializing among the societal elite.
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Do not translate text that appears unreliable or low-quality. If possible, verify the text with references provided in the foreign-language article.
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The theatre is located in the Old City neighborhood, with the main entrance on the corner of Buenos Aires Street and
Bartolomé Mitre.
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of directors for the theatre's construction was led by Juan
Francisco Giró. Also, the board included distinguished citizens such as
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In his report, Zucchi identified and described the area that surrounded the theatre, his suggestions are listed in the following:
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In 1998, the government of
Montevideo started a major reconstruction of the theatre, which included two columns designed by
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Content in this edit is translated from the existing
Spanish Knowledge article at ]; see its history for attribution.
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291:'s most important and renowned theater. It opened in 1856. The building was designed by the Italian architect
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Due to the information presented, the
Theater Committee choose option C, and bought the land for 31,000
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B: The city block defined by Plaza
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C: The city block defined by the streets Buenos Aires, Bartolomé Mitre, Reconquista y
Liniers.
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to the source of your translation. A model attribution edit summary is
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The Teatro Solís: 150 Years of Opera, Concert and Ballet in Montevideo
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system. So that it would be in accord with the predominant
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679:"DOCUMENTACIÓN HISTÓRICA – ARQUITECTURA / PROYECTO ZUCCHI"
451:. The interior of the Solís theatre resembles the Italian
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a machine-translated version of the Spanish article.
396:and water tanks that would feed into the hydraulic
804:on viajes.elpais.com.uy Retrieved 4 December 2012
761:"Montevideo: Proceso Planificador y Crecimientos"
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100:accompanying your translation by providing an
62:Click for important translation instructions.
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354:a place for harmony, prosperity, and wealth.
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745:: CS1 maint: multiple names: authors list (
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731:Peirano, Ricardo, Ricardo Sáez, Magdalena.
303:. The theatre was named after the explorer
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802:Details (including photos) of the theatre
1122:Radisson Montevideo Victoria Plaza Hotel
863:Rambla 25 de Agosto & Rambla Francia
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1180:Neoclassical architecture in Uruguay
735:. El Observador. pp. 1560–1561.
717:Teatro Solís: historias y documentos
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1080:Sala de Arte "Carlos Federico Sáez"
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951:Parroquia San Francisco de Asís
563:List of music venues in Uruguay
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634:"Se reabrió el Teatro Solís",
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205:Opera, Ballet, Concerts, Plays
112:{{Translated|es|Teatro Solís}}
110:You may also add the template
29:Theatre in Montevideo, Uruguay
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1018:Dirección Nacional de Aduanas
733:Gran Enciclopedia del Uruguay
613:. Wesleyan University Press.
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591:(in Spanish). 13 April 2003.
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1045:Museo de Artes Decorativas
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1190:Concert halls in Uruguay
1050:Museo Histórico National
930:Bruno Mauricio de Zabala
839:Ciudad Vieja, Montevideo
796:Official theatre website
553:Ciudad Vieja, Montevideo
352:Eastern State of Uruguay
175:Government of Montevideo
997:Casa de Francisco Gómez
714:Daniela Bouret (2004).
121:For more guidance, see
925:Gateway of The Citadel
1156:34.90806°S 56.20111°W
1106:Radisson Plaza Casino
999:(Junta Departamental)
488:Columns of the facade
297:Montevideo's Old Town
123:Knowledge:Translation
94:copyright attribution
1161:-34.90806; -56.20111
773:on 16 September 2008
583:"Historicist fervor"
337:Project's conception
299:, right next to the
148:Teatro Solis in 2016
1195:Theatres in Uruguay
1152: /
1065:Museo Torres García
894:Plaza Independencia
695:on 29 December 2009
651:"The Solis Theatre"
558:Plaza Independencia
455:, near the city of
433:Teatro Carlo Felice
375:Plaza Independencia
301:Plaza Independencia
295:. It is located in
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1085:Museo del Carnaval
1013:Mercado del Puerto
956:Iglesia de Lourdes
899:Plaza Constitución
686:teatrosolis.org.uy
362:The Zucchi Project
305:Juan Díaz de Solís
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102:interlanguage link
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920:Artigas Mausoleum
620:978-0-8195-6594-5
453:Teatro Metastasio
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243:Carlo Zucchi
231:Years active
210:Construction
98:edit summary
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58:(March 2014)
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18:Teatro Solis
1159: /
1003:Hotel Colón
407:embarkments
326:La Parisina
249:Víctor Rabú
226:1996 - 2004
202:Current use
183:Municipal (
1174:Categories
1147:56°12′04″W
1144:34°54′29″S
569:References
548:Montevideo
344:Luis Lamas
185:Montevideo
164:Montevideo
53:in Spanish
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913:Monuments
741:cite book
636:La Nacion
524:Balconies
402:hygienist
239:Architect
223:Renovated
116:talk page
939:Churches
777:12 April
699:30 March
542:See also
476:Corridor
457:Florence
445:La Scala
193:Capacity
92:provide
1027:Museums
887:Squares
588:El País
512:Ceiling
394:cistern
332:History
289:Uruguay
281:Spanish
255:Website
167:Uruguay
158:Address
114:to the
96:in the
55:.
1115:Hotels
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392:, the
215:Opened
771:(PDF)
764:(PDF)
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536:Seats
449:Milan
441:Italy
437:Genoa
418:pesos
287:) is
172:Owner
76:DeepL
779:2022
747:link
701:2022
615:ISBN
398:pump
266:.org
218:1856
197:1500
180:Type
90:must
88:You
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262:www
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