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Tassel

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89: 74: 50: 218: 116:) on the corners of their garments, to help them to remember all the commandments of the Lord and to keep them (Numbers 15:37-40), and as a sign of holiness. The religious Hebrew tassel, however, bears little resemblance to the decorative one which appeared and eventually became popular in Europe, especially France and Spain. 208:
during university graduation ceremonies and possibly upon the shoes of the graduates at the ceremony. Near the conclusion of the graduation ceremony, the tassel that hangs from the graduate's mortarboard is moved from the right to the left. Typically, the entire graduating class does this in unison.
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with the largest and most elaborate decorative flourishes. Some of these designs are returning today from the European and American artisans, who may charge a thousand dollars for a single hand-made tassel. The majority of the world's tassel production, however, takes place in China which
127:, were used. This involved an intricate binding of bands of filament silk vertically around the mould by means of an internal "lacing" in the bore of the mould. During the Middle Ages tassels were widely used in Spain as ornamentation for horses, called 123:, tassels were originally a series of windings of thread or string around a suspending string until the desired curvature was attained. Later, turned wooden moulds, which were either covered in simple wrappings or much more elaborate coverings called 147:
of seven years was required to become a master in one of the subdivisions of the guild. The French widely exported their very artistic work, and at such low prices that no other European nation developed a mature "trimmings" industry. Many of the
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In the Middle East, tassels were worn as talismans, especially on headwear. In Egypt, Mesopotamia, and throughout the Arab world tassels were worn by children on hoods or caps to protect them from malevolent spirits and ward off demons.
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These constructions were varied and augmented with extensive ornamentations that were each assigned an idiosyncratic term by their French creators. In sixteenth-century France these individuals were called
188:, thus receiving increased social prestige and more luxurious accommodation than ordinary commoners who wore plain black tassels on their caps. Today, only the Chancellor of Oxford wears a gold tassel. 156:
who fled France in the 1600s to escape persecution, taking their tools and skills with them. Tassels and their associated forms changed style throughout the years, from the small and casual of
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and creating a knot. Tassels are normally decorative elements, and as such one often finds them attached along the bottom
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University undergraduates on their caps, those wearing gold tassels were those who had paid for the status of
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was created in France in the 1600s. The tassel was its primary expression, but it also included
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Jenkins, Jessica Kerwin, The Encyclopedia of the Exquisite, Nan A. Talese/Doubleday, p. 213
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This article is about ornamental item of decor. For Jewish religious tassel, see
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designs (see example), through the medium sizes and more staid designs of the
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is a finishing feature in fabric and clothing decoration. It is a universal
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that is seen in varying versions in many cultures around the globe.
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A basic key tassel is made by binding or otherwise gathering
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Hanging ornament consisting of bundled threads or cords
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Tassels of a bed from Paris, circa 1782–1783, in the
456: 438:, Fairchild Publications, 1983. ASIN B0006ECV48. 323: 317: 169:mass-produces and exports them globally. 216: 87: 72: 48: 382:"The Chancellor - University of Oxford" 14: 457: 77:Illustration of various tassels, from 152:, however, were among the Protestant 272:. Tassels, pompons and rosettes are 135:which means "wool of little value". 24: 419:Boudet, Pierre and Bernard Gomon, 352:"Oxford Today - Student of Oxford" 195: 68: 25: 481: 442: 436:The Dictionary of Interior Design 327:Encyclopedia of Interior Design 416:. Scalamandre Silks. New York. 399: 374: 344: 13: 1: 310: 176:) were traditionally worn by 324:Joanna Banham (1 May 1997). 212: 108:instructing him to tell the 7: 283: 10: 486: 423:, Dessain et Tolra, 1981. 384:. Ox.ac.uk. Archived from 330:. Routledge. p. 951. 276:ornaments; the others are 94:Metropolitan Museum of Art 29: 200:In the U.S., tassels, or 451:on the wikimedia commons 356:www.oxfordtoday.ox.ac.uk 112:to make tassels (Hebrew 414:Guide to Passementerie 250:Guild of Passementiers 225: 97: 85: 79:A Handbook of Ornament 54: 38:. For other uses, see 221:Making a tassel from 220: 172:Tassels (also called 91: 76: 52: 256:, ornamental cords, 204:, are also found on 131:from the Latin term 104:, the Lord spoke to 465:Decorative ropework 449:Pictures of Tassels 362:on 23 December 2012 53:Diagram of a tassel 226: 186:gentleman-commoner 98: 86: 55: 429:978-2-249-25108-5 337:978-1-136-78758-4 83:Franz Sales Meyer 16:(Redirected from 477: 470:Notions (sewing) 434:Pegler, Martin, 421:La Passementerie 406: 403: 397: 396: 394: 393: 378: 372: 371: 369: 367: 358:. Archived from 348: 342: 341: 321: 21: 485: 484: 480: 479: 478: 476: 475: 474: 455: 454: 445: 410: 409: 404: 400: 391: 389: 380: 379: 375: 365: 363: 350: 349: 345: 338: 322: 318: 313: 286: 215: 198: 196:Ceremonial wear 96:(New York City) 71: 69:History and use 47: 28: 23: 22: 15: 12: 11: 5: 483: 473: 472: 467: 453: 452: 444: 443:External links 441: 440: 439: 432: 417: 408: 407: 398: 373: 343: 336: 315: 314: 312: 309: 308: 307: 302: 297: 292: 285: 282: 214: 211: 197: 194: 145:apprenticeship 70: 67: 26: 9: 6: 4: 3: 2: 482: 471: 468: 466: 463: 462: 460: 450: 447: 446: 437: 433: 430: 426: 422: 418: 415: 412: 411: 402: 388:on 2008-05-04 387: 383: 377: 361: 357: 353: 347: 339: 333: 329: 328: 320: 316: 306: 303: 301: 298: 296: 293: 291: 290:Passementerie 288: 287: 281: 279: 275: 271: 267: 263: 259: 255: 251: 247: 243: 239: 235: 231: 224: 219: 210: 207: 203: 193: 189: 187: 183: 179: 175: 170: 167: 166:Victorian Era 163: 162:Empire period 159: 155: 151: 150:passementiers 146: 142: 141:passementiers 136: 134: 130: 126: 122: 117: 115: 111: 107: 103: 95: 90: 84: 80: 75: 66: 64: 60: 51: 45: 41: 37: 33: 19: 435: 420: 413: 401: 390:. Retrieved 386:the original 376: 364:. Retrieved 360:the original 355: 346: 326: 319: 277: 273: 248:. The first 227: 206:mortarboards 199: 190: 173: 171: 149: 140: 137: 132: 128: 124: 118: 102:Hebrew Bible 99: 78: 58: 56: 280:ornaments. 158:Renaissance 459:Categories 392:2013-11-19 366:3 February 311:References 110:Israelites 213:Structure 202:liripipes 182:Cambridge 154:Huguenots 143:, and an 125:satinings 305:Izarband 284:See also 266:rosettes 258:galloons 246:curtains 242:garments 63:ornament 300:Tzitzit 262:pompons 254:fringes 230:threads 164:to the 133:burrula 119:In the 114:tzitzit 100:In the 32:Tzitzit 18:Tassles 427:  334:  295:Tallit 278:linear 268:, and 178:Oxford 59:tassel 36:Tahsil 274:point 270:gimps 232:from 174:tufts 129:borla 106:Moses 81:, by 44:Maize 425:ISBN 368:2022 332:ISBN 244:and 234:cord 223:yarn 180:and 121:West 42:and 40:Hilt 240:of 238:hem 461:: 354:. 264:, 260:, 57:A 431:. 395:. 370:. 340:. 46:. 20:)

Index

Tassles
Tzitzit
Tahsil
Hilt
Maize

ornament

Franz Sales Meyer

Metropolitan Museum of Art
Hebrew Bible
Moses
Israelites
tzitzit
West
apprenticeship
Huguenots
Renaissance
Empire period
Victorian Era
Oxford
Cambridge
gentleman-commoner
liripipes
mortarboards

yarn
threads
cord

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