309:, Tal Farlow, more than any other, has been able to move beyond the rhythmic, melodic, and harmonic vocabulary associated with the early electric guitar master. Tal's incredible speed, long, weaving lines, rhythmic excitement, highly developed harmonic sense, and enormous reach (both physical and musical) have enabled him to create a style that clearly stands apart from the rest." Where guitarists of his day combined rhythmic chords with linear melodies, Farlow placed single notes together in clusters, varying between harmonically enriched tones. The music historian
222:, United States. He taught himself how to play guitar, which he started when he was 22 years old. He learned chord melodies by playing a mandolin tuned like a ukulele. He said playing the ukulele was the reason he used the higher four strings on the guitar for the melody and chord structure, with the two bottom strings for bass counterpoint, which he played with his thumb. His only professional training was as an apprentice sign painter. He requested the night shift so he could listen to big band standards on the shop radio. He listened to
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and tapped his guitar for percussion, creating a flat, snare drum sound or a hollow backbeat like the bongos. His large, quick hands earned him the nickname "The
Octopus".
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Later in his career Tal performed as a member of Great
Guitars with a DVD released in 2005 after his death.
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guitarist. He was nicknamed "Octopus" because of how his large, quick hands spread over the fretboard.
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Edward Louis Fuerst; 1912ā1994) was a second generation insurance broker ā born and raised in
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band. He said he made his own electric guitar because he could not afford to purchase one.
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in New York City. After getting married in 1958, he partially retired and settled in
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Years given are for the recording(s), not first release, unless stated otherwise.
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953:(1994). The Jazz Style of Tal Farlow: The Elements of Bebop Guitar Hal Leonard.
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Robinson, J. Bradford; Kernfeld, Barry (2002). Kernfeld, Barry (ed.).
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notes, "Of all the guitarists to emerge in the first generation after
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He caught the public's attention in 1949 when he was in a trio with
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stated that "In terms of guitar prowess, it was the equivalent of
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989:"Talmage Farlow Documentary Film Collection, 1979-2011"
260:. In 1953, he was a member of the Gramercy Five led by
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in New York City on July 25, 1998, at the age of 77.
186:(June 7, 1921 – July 25, 1998) was an American
965:, "Axe of the Apostles," Wire, September 1990, p. 72
802:. The above two recordings were at his apartment in
1193:Deaths from esophageal cancer in New York (state)
991:. Rubenstein Rare Book & Manuscript Library,
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925:
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264:, and two years later he led his own trio with
900:"Tal Farlow, 77, Jazz Guitarist Rooted in Bop"
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688:Anita O'Day Swings Cole Porter with Billy May
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755:The London Sessions Original Vogue Masters
398:Tal Farlow Plays the Music of Harold Arlen
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1158:Musicians from Greensboro, North Carolina
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830:"Charlie Byrd, Tal Farlow and Herb Ellis"
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234:. His career was influenced by hearing
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292:Memorial Sloan-Kettering Cancer Center
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498:with Philippe Petit (FD Music, 1991)
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16:American jazz guitarist (1921ā1998)
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1203:Jazz musicians from North Carolina
1163:People from Sea Bright, New Jersey
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1063:The Swinging Guitar of Tal Farlow
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392:The Guitar Artistry of Tal Farlow
379:The Swinging Guitar of Tal Farlow
358:The Interpretations of Tal Farlow
238:playing electric guitar with the
1128:20th-century American guitarists
928:The New Grove Dictionary of Jazz
512:Complete 1956 Private Recordings
462:, Red Norvo (Concord Jazz, 1981)
317:breaking the four-minute mile."
218:Talmage Holt Farlow was born in
898:Watrous, Peter (28 July 1998).
745:George Wein's Newport All-Stars
1198:Guitarists from North Carolina
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867:The Guinness Who's Who of Jazz
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680:An Evening with Anita O'Day
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1178:Inner City Records artists
1153:Guitarists from New Jersey
1148:Mainstream jazz guitarists
352:The Artistry of Tal Farlow
220:Greensboro, North Carolina
66:Greensboro, North Carolina
1188:Blue Note Records artists
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278:Gibson Guitar Corporation
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1079:The Return of Tal Farlow
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659:Metronome All-Stars 1956
474:The Legendary Tal Farlow
405:The Return of Tal Farlow
609:Somebody Told the Truth
364:A Recital by Tal Farlow
1183:Xanadu Records artists
1095:Cookin' on all Burners
798:. He also had managed
700:Oscar Pettiford Sextet
607:Cephas & Wiggins,
585:Red Norvo with Strings
467:Cookin' on all Burners
215:
38:Background information
1168:Verve Records artists
641:New Faces, New Sounds
602:Flip, Flop, & Fly
573:Red Norvo Trio Vol. 2
567:Red Norvo Trio Vol. 1
201:
1143:Cool jazz guitarists
979:Tal Farlow biography
762:Notes and references
725:Midnight On Cloud 69
631:Howard McGhee Vol. 2
598:Cephas & Wiggins
551:Like Someone in Love
508:(Guitarchives, 1997)
480:All Strings Attached
476:(Concord Jazz, 1985)
470:(Concord Jazz, 1983)
452:(Concord Jazz, 1981)
444:(Concord Jazz, 1978)
432:(Concord Jazz, 1977)
346:The Tal Farlow Album
247:artificial harmonics
872:Guinness Publishing
711:I Can't Get Started
654:Metronome All-Stars
604:(Flying Fish, 1992)
553:(Progressive, 1980)
547:(Progressive, 1977)
545:The Great Encounter
430:A Sign of the Times
298:Style and influence
184:Talmage Holt Farlow
90:New York City, U.S.
48:Talmage Holt Farlow
1055:Autumn in New York
905:The New York Times
870:(First ed.).
514:(Definitive, 2002)
386:This Is Tal Farlow
340:Tal Farlow Quartet
333:Autumn in New York
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1087:Chromatic Palette
874:. p. 142/3.
751:Mary Lou Williams
650:(Blue Note, 1953)
643:(Blue Note, 1953)
633:(Blue Note, 1953)
611:(Alligator, 2002)
575:(Discovery, 1953)
569:(Discovery, 1951)
539:Cooking the Blues
496:Standards Recital
449:Chromatic Palette
342:(Blue Note, 1954)
307:Charlie Christian
288:esophageal cancer
236:Charlie Christian
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533:Sweet and Lovely
484:John Abercrombie
426:(CBS/Sony, 1977)
414:(Prestige, 1974)
408:(Prestige, 1969)
311:Stuart Nicholson
245:Farlow employed
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315:Roger Bannister
303:Steve Rochinski
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286:Farlow died of
228:Louis Armstrong
224:Bix Beiderbecke
214:, July 28, 1981
210:, playing with
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837:. Retrieved
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670:Mostly Flute
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266:Vinnie Burke
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122:Years active
86:(1998-07-25)
63:June 7, 1921
1123:1998 deaths
1118:1921 births
757:(BMG, 1997)
741:George Wein
735:Clark Terry
731:Clark Terry
703:(BMG, 1964)
676:Anita O'Day
646:Gil Melle,
615:Sonny Criss
592:With others
506:Lenny Breau
321:Discography
270:Eddie Costa
161:Formerly of
1112:Categories
1031:Tal Farlow
834:MelBay.com
813:References
782:Ed Furst;
778:Ed Fuerst
707:Artie Shaw
519:As sideman
460:Hank Jones
436:Second Set
418:Fuerst Set
274:Sea Bright
262:Artie Shaw
232:Eddie Lang
169:Artie Shaw
113:Instrument
105:Occupation
59:1921-06-07
44:Birth name
23:Tal Farlow
804:Manhattan
788:Manhattan
721:Red Norvo
637:Gil Melle
560:Red Norvo
326:As leader
254:Red Norvo
212:Red Norvo
194:Biography
165:Red Norvo
151:Blue Note
983:AllMusic
666:Sam Most
456:On Stage
147:Prestige
108:Musician
792:Cornell
424:Trinity
155:Concord
135:Norgran
1098:(1982)
1090:(1981)
1082:(1969)
1074:(1956)
1066:(1956)
1058:(1954)
1047:Albums
934:
878:
839:19 Dec
719:&
648:Vol. 2
230:, and
143:Xanadu
131:Labels
116:Guitar
95:Genres
73:Origin
68:, U.S.
767:Notes
579:Move!
558:With
524:With
504:with
482:with
458:with
139:Verve
932:ISBN
876:ISBN
841:2005
780:(aka
268:and
256:and
188:jazz
99:Jazz
81:Died
53:Born
1071:Tal
981:at
371:Tal
290:at
1114::
914:^
902:.
890:^
849:^
832:.
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784:nƩ
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57:(
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