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Symphony No. 1 (Schumann)

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518: 502: 434: 427: 458: 220:, he did not compose his first symphony until early 1841. Until then, Schumann was largely known for his works for the piano and for voice. Clara encouraged him to write symphonic music, noting in her diary, "it would be best if he composed for orchestra; his imagination cannot find sufficient scope on the piano... His compositions are all orchestral in feeling... My highest wish is that he should compose for orchestra—that is his field! May I succeed in bringing him to it!" 1646: 40: 330: 318: 306: 294: 1656: 527:
as a "summons to awakening", and "The vernal passion that sway men until they are very old, and which surprises them with each year." One scholar wrote that "If that makes this a kind of Last Judgment, then the rest of the symphony is a Garden of Heavenly Delights." The first trio of the third movement quotes motifs from the first movement. The last movement of the symphony also uses the final theme of
1682: 397:, and F in the first movement, and D, A, and F in the third, at the suggestion of Schumann's cousin-in-law, Ernst Pfundt. It was the first major orchestral work of its style to require three timpani. Schumann made some revisions until the definitive full-score of the symphony was published in 1853. The playing time of the symphony is about 29–31 minutes, depending upon the interpretation. 526:
Originally, each movement had its own title, with the first movement nicknamed "The Beginning of Spring", the second "Evening", the third "Merry Playmates", and the last "Spring in Full Bloom". However, Schumann withdrew the titles before publication. The first movement was described by the composer
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Could you breathe a little of the longing for spring into your orchestra as they play? That was what was most in my mind when I wrote in January 1841. I should like the very first trumpet entrance to sound as if it came from on high, like a summons to awakening. Further on in the introduction, I
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would like the music to suggest the world’s turning green, perhaps with a butterfly hovering in the air, and then, in the Allegro, to show how everything to do with spring is coming alive... These, however, are ideas that came into my mind only after I had completed the piece.
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on 31 March 1841 in Leipzig, where the symphony was warmly received. According to Clara's diary, the title "Spring Symphony" was bestowed upon it due to
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There is no pause between the 2nd and 3rd movements, as the ending of the previous movement ends on the key of D major instead of E
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Although he had made some "symphonic attempts" in the autumn of 1840 soon after he married
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Schumann sketched the symphony in four days from 23 to 26 January and completed the
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Muns, Lodewijk (2010). "Schumann's First Symphony: 'The Nightwatchman.'".
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O wende, wende deinen Lauf/Im Thale blĂĽht der FrĂĽhling auf!
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by 20 February. The premiere took place under the baton of
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Andante and variations for two pianos, two cellos and horn
734: 1670: 204:, is the first completed symphonic work composed by 704:"Symphony No. 1 in B-flat major, Op. 38, "Spring"" 469:major, creating a transition to the next movement. 1694: 831:The Timpani: A History in Pictures and Documents 16:1841 symphonic work composed by Robert Schumann 709:John F. Kennedy Center for the Performing Arts 385:in the symphony, using the unusual tuning of B 1195:Five Pieces in Folk Style for cello and piano 995: 943:"Building a Library: Schumann: Symphony No 1" 696: 618:BBC Radio 3's CD Review – Building a Library 245: 237: 1002: 988: 628:conducting, as the best available choice. 494:: Come sopra ma un poco piĂą lento – Quasi 381:. Schumann especially expanded the use of 38: 1128:KonzertstĂĽck for Four Horns and Orchestra 975:International Music Score Library Project 677:"Symphony No. 1 in B-flat Major, Op. 398" 847: 642: 640: 875: 735:Daverio, John & Sams, Eric (2001). 602:Orchestre RĂ©volutionnaire et Romantique 536: 1695: 833:. University of Michigan. p. 83. 828: 668: 1177:Adagio and Allegro for horn and piano 1134:Introduction and Allegro appassionato 983: 906: 853: 822: 637: 881: 801: 770: 1009: 674: 44:Schumann, in an 1839 lithograph by 13: 646: 14: 1724: 1190:Three Romances for oboe and piano 964: 912: 598:. Deutsche Grammophon, 1985-1986. 400:The symphony has four movements: 1680: 1654: 1645: 1644: 1146:Introduction and Concert Allegro 940: 516: 500: 456: 432: 425: 328: 316: 304: 292: 934: 829:Bowles, Edmund Addison (2002). 712:. November 2015. Archived from 616:On 4 January 2014 broadcast of 341:The symphony is scored for two 100:Frederick Augustus II of Saxony 1366:Variations on the name "Abegg" 947:CD Review – Building a Library 795: 728: 480:) – Trio I: Molto piu vivace ( 334:IV. 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Index

Robert Schumann

Josef Kriehuber
B-flat major
Opus
Frederick Augustus II of Saxony
Breitkopf & Härtel
Leipzig
Felix Mendelssohn
Leipzig Gewandhaus Orchestra
Op.
Robert Schumann
Clara Wieck
orchestration
Felix Mendelssohn
Adolf Böttger
Wilhelm Taubert
Berlin Philharmonic
Herbert von Karajan
I. Andante un poco maestoso
II. Larghetto
III. Scherzo (Molto vivace)
IV. Allegro animato e grazioso
flutes
oboes
clarinets
bassoons
horns
trumpets
trombones

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