519:(Intakt). Whitehead, in his liner notes for this album, went into colorful detail about the range of atmosphere explored by the group: âThis music harbors a misterioso, dreamlike quality⊠induced by a wistful ostinato or moonlit piano arpeggio, or by a quiet episode that underscores the depth of the trioâs sonic space, as when a slapped-strings piano bass cluster explodes into the void. They also do that good stuff we prize jazz for: the happy swinging, the coming together when they make complex material sing.â The critical response was again widely positive, with
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512:, NPR jazz critic Kevin Whitehead compared the venturesome interaction of this trio with the infectious music of a pioneering jazz figure from the 1950s: âThere is something Herbie Nichols-like about the Courvoisier-Gress-Wollesen trioâs feel: collective music-making as light-on-its-feet fun; itâs genuine trio music in which bass and drums are full partners with piano.â
201:(born 30 January 1968) is a composer, pianist, improviser and bandleader. She was born and raised in Lausanne, Switzerland, and has been a resident of New York City since 1998. She won Germanyâs International Jazz Piano Prize in 2022 and was named Pianist of the Year for 2023 in the international critics poll of Spanish jazz publication
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in 2021 via the Clean Feed label. In addition, Courvoisier has a new quartet, Poppy Seeds, that includes two musicians new to her work, Patricia
Brennan on vibraphone and Dan Weiss on drums, in addition to bassist Thomas Morgan (who previously recorded with the pianist as part of her quartet co-led
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as âa highly original recording, boldly juxtaposing the freely improvised and the through-composed, and crackling with energy. That ârhythmic feelâ is less about swing or groove than a non-stop, jump-cut dynamism that gives the tunes a real kick⊠Courvoisierâs trio drives its intricate interactions
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Courvoisierâs long-running trio with bassist Drew Gress and drummer Kenny
Wollesen has toured on both sides of the Atlantic, along with recording three albums so far. Writing for National Public Radio affiliate WBGO-FM, critic Nate Chinen pointed to the ârare degree of intuitive insightâ this group
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Courvoisier studied classical music at the
Conservatory of Lausanne and jazz at the Conservatory of Montreux. Her father was an amateur jazz pianist, and she attended jazz summer camps in Siena, Italy, in her youth. Following work in Europe that earned her Switzerlandâs Prix des Jeunes CrĂ©ateurs in
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Over the years, Courvoisier has worked in concert halls, jazz clubs and international festivals around the world with such musicians as Yusef Lateef, Tony Oxley, Tim Berne, Joey Baron, Joëlle Léandre, Herb
Robertson, Mark Dresser, Lotte Anker, Michel Godard, Tomasz Stanko and Butch Morris.
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Courvoisier has earned her renown for balancing two distinct worlds: the classically minded chamber music of her
European roots and the grooving, hook-laden sounds of the avant-jazz scene in New York. She ranges from playing with her longtime jazz trio (featuring bassist
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noted: âItâs not the musiciansâ skill that most impresses, but rather their ability to cast a sustained spell for over 80 glorious minutes. A triumphant recording, and one of 2023âs highlights.â Chimaera has a flexible lineup on tour, with drummer
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for vocal quartet and soprano. She has written to commissions from the
Theatre Vidy-Lausanne, Pro Helvetia and Germanyâs Donaueschingen Musiktage Festival. Courvoisier has been honored with such awards the SUISA Prize for Jazz (2017), the
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for Intakt, with
Courvoisier contributing three compositions. The pianist has also worked in Wooleyâs Battles Pieces quartet alongside Laubrock and vibraphonist Matt Moran, the group recording three albums together for Relative Pitch.
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More recently, Courvoisier has toured with the collaborative trio New
Openings, featuring Ned Rothenberg (on clarinet, bass clarinet, alto saxophone and shakuhachi) and Swiss drummer Julian Sartorius. New Openings released the album
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described the album as âpointillistic⊠a compendium of extended keyboard effects, including plucked, brushed, scraped and damped strings, along with cluster chords, elbow slams, blurred pedal effects and harmonics. What makes
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setting up its four-star review of the album by describing them as âtwo of New Yorkâs most distinctive improvisers,â going on to extol the musicâs âdeft, interactive intimacy.â The team released their second album,
341:, which presented her compositions for a trio with Feldman and cellist Erik Friedlander on one disc and the trioâs group improvisations on the other. Zornâs label Tzadik released Courvoisierâs first solo recording,
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features the pianist alongside Wadada Leo Smith on trumpet, Christian
Fennesz on guitar/electronics, Nate Wooley on trumpet, Drew Gress on double-bass, and Kenny Wollesen on drums and vibraphone. In many ways,
205:. NPRâs Kevin Whitehead has encapsulated the distinctive character of Courvoisierâs art this way: âSome pianists approach the instrument like itâs a cathedral. Sylvie Courvoisier treats it like a playground.â
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saying: âThe three musicians work together so sympathetically that it can be easy to forget just how challenging these compositions are, and how much coordinated artistry is required to bring them to life.â
325:(Enja, 2000) â Courvoisier formed a long-term partnership with American improvising violinist Mark Feldman. The pair toured the world and recorded extensively as a duo, with their initial releases including
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described the record as âa mixture of dark moods and brooding quiet, studded with gritty bits of noise and drama⊠The sounds they make here are familiar and alien at the same time.â
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Courvoisier has been commissioned to write music for the theater, radio and concert hall. Her concert works include a
Concerto for Electric Guitar and Chamber Orchestra, as well as
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described the record as âa wonderland of piano-trio surrealism that is nonetheless grounded in rhythmic earthiness.â It was ranked as one of the yearâs best jazz albums by
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described the quartet as âpart contemporary-classical chamber group and part progressive jazz band⊠Composition and improvisation held in balance by maestros of the game.â
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compelling for intrepid listeners is the density of Courvoisierâs constructions, the audacious ways she exploits her materials and the utter ferocity of her performances.â
361:(Intakt, 2007), Courvoisier recorded a suite she composed for a quintet with Feldman, Ikue Mori on electronics, Vincent Courtois on cello and Gerald Cleaver on drums.
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Beyond their touring quartet, Courvoisier and Feldman also recorded two fully improvised albums showcasing different foursomes: with Evan Parker and Ikue Mori on
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in league with new-music pianist Cory Smythe, among other genre-bounding ventures. Courvoisier has collaborated over the past two decades with such luminaries as
412:(Tzadik, 2010). Courvoisier recorded two albums as a member of the improvising trio collective Mephista with Ikue Mori on electronics and Susie Ibarra on drums:
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Courvoisierâs newest ensemble, Chimaera, released its eponymous debut album in October 2023 via the Swiss label Intakt Records. The atmospheric, shape-shifting
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576:(Clean Feed, 2016). Courvoisier joined a quartet with trumpeter Nate Wooley, drummer Tom Rainey and saxophonist Ken Vandermark that recorded the 2018 album
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Courvoisier collaborated on a decade-long series of projects with Israel GalvĂĄn, the Spanish dancer and choreographer. Their most recent work is
261:. Courvoisier has toured the world from Europe and North America to South America, Asia and Australia. She teaches as a member of the faculty of
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singled out Courvoisierâs pianism as âstaggering⊠She draws on both low-end thunder and upper-register lyricism, often simultaneously.â
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657:(2013). She has also received commissions from Chamber Music Americaâs New Jazz Works (2016) and The Shifting Foundation (2019).
572:(RogueArt, 2019). With multi-reeds player Ned Rothenberg, Courvoisier and Feldman also recorded the fully improvised trio disc
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588:(Intakt), with the composition of its music supported by a Chamber Music of America New Jazz Work commission. The
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Courvoisierâs other early collaborations in New York included recording a duo-piano album with Jacques Demierre,
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Fellow (2020). She won the Grand Prix de la Fondation Vaudoise pour la Culture (2010) and an award from the
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Among Courvoisierâs key latter-day duo partners is guitarist Mary Halvorson. In 2017, the pair released
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declared Courvoisier, Gress and Wollesen to be âone of the most exciting piano trios at work today.â
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on disc, enthusing over the pair âworking magicâ with their interpretation. As for Courvoisierâs
377:(Intakt, 2013). The two musicians also co-led a hard-touring quartet that recorded three albums:
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suite as âfantastic and far-reaching.â The Courvoisier-Feldman duo went on to release the albums
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Au carrefour des mondes. La compositrice et pianiste lausannoise Sylvie Courvoisier
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In 2020, Courvoisier, Gress and Wollesen released their third album as a trio:
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568:(Intakt, 2016) and with saxophonist Ingrid Laubrock and drummer Tom Rainey on
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Courvoisier has also collaborated with the photographer Mario Del Curto on
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represents Courvoisierâs most ambitious ensemble work to date. Reviewing
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praised the albumâs âdream-like ambience and luminous textures,â while
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through every tricky twist and tumble in exhilarating fashion.â
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In 2019, the Courvoisier-Feldman duo released its final album,
337:(Tzadik, 2006). In 2004, ECM released Courvoisierâs double-CD
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1504:"Sylvie Courvoisier - School of Jazz and Contemporary Music"
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Grants to Artists (2018), the Swiss Music Prize (2018) and
456:(Tzadik), was named one of the best albums of 2014 by both
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Courvoisierâs first trio album with Gress and Wollesen,
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has achieved over the course of its three albums, while
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After leading some Swiss bands â yielding the albums
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1996, Courvoisier moved to Brooklyn two years later.
1102:â Sylvie CourvoisierâMark Feldman Duo (Intakt, 2019)
1068:â Sylvie CourvoisierâMark Feldman Duo (Intakt, 2013)
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319:Music for Barrel Organ, Piano, Tuba and Percussion
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953:( guitar& electronics), Nate Wooley ( trp),
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464:; it also received the âCHOCâ distinction from
385:(Intakt, 2011, with Morgan and Hemingway), and
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420:(Tzadik, 2004). Courvoisier also recorded
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440:Trio with Drew Gress & Kenny Wollesen
298:on board for an expanded rhythm section.
69:Learn how and when to remove this message
400:(Intakt, 2000), and featuring on Zornâs
32:This article includes a list of general
1356:Cobra: John Zorn's Game Pieces Volume 2
916:The Rite of Spring â Spectre d'un Songe
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746:(tuba), Pierre Charial (barrel organ)
1406:50 Miniatures for Improvising Quintet
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1336:, Tomas Fujiwara (Clean Feed, 2023)
1088:âSylvie CourvoisierâMark Feldman -
263:New School of Jazz (The New School)
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992:Searching for the Disappeared Hour
551:Searching for the Disappeared Hour
38:it lacks sufficient corresponding
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375:Live at the Theatre Vidy-Lausanne
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1372:Malphas: Book of Angels Volume 3
1046:with Mark Feldman (Tzadik, 2010)
655:New York Foundation for the Arts
647:Foundation for Contemporary Arts
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601:La ConsagraciĂČn de la Primavera
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1280:, Nate Wooley, (Intakt, 2018)
1184:, Susie Ibarra (Intakt, 2002)
1066:Live at Theatre VidyâLausanne
217:) to performing Stravinskyâs
1711:21st-century Swiss composers
1706:20th-century Swiss composers
1691:20th-century women composers
1626:21st-century women composers
1483:Nate Wooley Mutual Aid Music
1107:With Mephista (Courvoisier,
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327:Music for Violin & Piano
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1721:21st-century women pianists
1716:20th-century women pianists
1701:21st-century jazz composers
1696:20th-century jazz composers
1477:Nate Wooley Battle Piece vI
1471:Nate Wooley Battle Piece II
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1012:Music for Violin and Piano
607:(The Rite of Spring) with
1461:Nate Wooley Battle Piece
1130:Entomological Reflections
544:via Relative Pitch, with
506:New York City Jazz Record
484:The trioâs second album,
462:New York City Jazz Record
418:Entomological Reflections
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508:. In his liner notes to
53:more precise citations.
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1651:Intakt Records artists
1479:(Relative Pitch, 2018)
1473:(Relative Pitch, 2017)
1465:Relative Pitch Records
1250:(Relative Pitch, 2016)
1234:Relative Pitch Records
988:(Relative Pitch, 2017)
528:Further Collaborations
314:(Unit Records, 1994),
107:Background information
1686:20th-century pianists
1621:21st-century pianists
605:Le Sacre du Printemps
265:., in New York City.
188:sylviecourvoisier.com
136:Lausanne, Switzerland
1671:Women jazz composers
1666:Swiss jazz composers
1661:Postmodern composers
1641:Enja Records artists
1631:Avant-garde pianists
1587:List of compositions
1210:(Prime Source, 2010)
1150:(Unit Records, 1997)
961:(drums, vibraphone)
691:Sauvagerie Courtoise
661:Selected discography
651:United States Artist
312:Sauvagerie Courtoise
1681:Women jazz pianists
1636:ECM Records artists
1598:Rosset, Dominique:
1214:As Soon as Possible
998:(Pyroclastic, 2021)
636:Commissions, Awards
557:and other outlets,
474:International Piano
426:As Soon As Possible
416:(Tzadik, 2002) and
408:(Tzadik, 2009) and
373:(Tzadik, 2010) and
333:(Tzadik, 2004) and
97:Courvoisier at the
1646:Free improvisation
1568:Sylvie Courvoisier
1556:Sylvie Courvoisier
1544:Sylvie Courvoisier
1532:Sylvie Courvoisier
1447:(Clean Feed, 2007)
1388:Dictée/Liber Novus
1322:(Clean Feed, 2021)
1308:(Catalytic , 2019)
1264:(Clean Feed, 2016)
1144:Birds of a feather
785:Signs and Epigrams
700:Guglielmo Pagnozzi
632:by Mark Feldman).
621:Spectre dâun Songe
613:The New York Times
609:Spectre dâun Songe
555:The New York Times
498:The New York Times
436:(Relative Pitch).
410:Dictée/Liber Novus
352:Signs and Epigrams
343:Signs and Epigrams
257:, Nate Wooley and
199:Sylvie Courvoisier
145:Composer, musician
85:Sylvie Courvoisier
1582:Official web site
1421:(Skipstone, 2013)
1269:Noise of our Time
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951:Christian Fennesz
578:Noise of Our Time
535:Lueurs dâailleurs
502:Los Angeles Times
492:. In its review,
430:Claws & Wings
321:(Enja, 1997) and
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357:For the album
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290:All About Jazz
281:, UK magazine
259:Mary Halvorson
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239:Ned Rothenberg
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1225:Either Or And
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1086:Miller's Tale
1084:
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1077:
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1064:
1061:
1057:
1056:Thomas Morgan
1053:
1052:
1051:HĂŽtel du Nord
1048:
1045:
1044:
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1038:(Intakt 2010)
1037:
1033:
1032:Thomas Morgan
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466:Jazz Magazine
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434:Either Or And
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142:Occupation(s)
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126:(age 55)
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1599:
1512:. Retrieved
1510:. 2017-10-12
1507:
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1341:As sidewoman
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1301:
1288:Mark Feldman
1283:
1267:
1258:Mark Feldman
1253:
1239:
1223:
1213:
1203:
1189:Alien Huddle
1187:
1175:
1165:
1160:Lucas Niggli
1153:
1148:Mark Nauseef
1143:
1137:
1136:
1128:
1120:
1113:Susie Ibarra
1106:
1105:
1099:
1085:
1076:Scott Colley
1071:
1065:
1049:
1041:
1025:
1016:Mark Feldman
1011:
1005:Mark Feldman
1002:
1001:
991:
982:Crop Circles
981:
972:
971:
968:As co-leader
915:
889:
863:
837:
819:Mark Feldman
803:
783:
769:Mark Feldman
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390:
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365:praised the
362:
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251:Mark Feldman
218:
213:and drummer
207:
202:
198:
197:
65:
59:January 2013
56:
37:
1616:1968 births
1572:MusicBrainz
1454:Nate Wooley
1445:Elaboration
1248:Nate Wooley
1230:Evan Parker
1198:Lotte Anker
1166:Deux Pianos
1138:With others
1090:Evan Parker
1080:Billy Mintz
927:Cory Smythe
921:Pyroclastic
899:Trio, with
873:Trio, with
847:Trio, with
804:Lonelyville
795:Solo piano
767:Trio, with
742:Trio, with
472:in France.
398:Deux Pianos
367:Lonelyville
359:Lonelyville
345:, in 2007.
231:Evan Parker
51:introducing
1610:Categories
1593:Literature
1514:2021-12-31
1490:References
1439:Clean Feed
1296:Tom Rainey
1278:Tom Rainey
1254:In Cahoots
955:Drew Gress
925:Duo, with
901:Drew Gress
890:Free Hoops
875:Drew Gress
849:Drew Gress
821:(violin),
771:(violin),
592:review of
574:In Cahoots
517:Free Hoops
243:Fred Frith
211:Drew Gress
203:El Intruso
150:Instrument
120:1968-11-30
113:Birth name
34:references
1411:Skipstone
1348:John Zorn
1240:Salt Task
1194:Ikue Mori
1177:Passaggio
1109:Ikue Mori
1094:Ikue Mori
937:Chimaera
825:(cello),
815:Ikue Mori
666:As leader
590:JazzTimes
494:JazzTimes
235:Ikue Mori
223:John Zorn
1548:Bandcamp
1536:AllMusic
1312:Lockdown
1218:CAM Jazz
957:(bass),
929:(piano)
907:(drums)
903:(bass),
881:(drums)
877:(bass),
855:(drums)
851:(bass),
829:(drums)
775:(cello)
629:Lockdown
617:Le Sacre
546:DownBeat
490:DownBeat
447:DownBeat
284:Jazzwise
279:Chimaera
275:Chimaera
270:Chimaera
1560:Discogs
1485:( 2021)
1467:, 2015)
1441:, 2005)
1413:, 2010)
1302:Hoodoos
1236:, 2014)
1220:, 2010)
1043:Oblivia
1022:, 1999)
949:(trp),
864:D'Agala
510:DâAgala
486:DâAgala
470:Jazzman
371:Oblivia
335:Malphas
184:Website
47:improve
1380:Femina
941:Intakt
895:Intakt
869:Intakt
843:Tzadik
809:Intakt
791:Tzadik
756:Abaton
682:Notes
679:Label
676:Title
406:Femina
339:Abaton
170:Tzadik
166:Intakt
158:Labels
132:Origin
36:, but
1452:With
1426:With
1396:With
1346:With
1328:with
1314:with
1304:with
1286:with
1272:with
1256:with
1242:with
1228:with
1206:with
1192:with
1180:with
1168:with
1158:with
1155:Lavin
1146:with
1020:Avant
1014:with
1003:With
994:with
984:with
973:With
934:2023
912:2023
886:2020
860:2018
834:2014
800:2008
780:2007
751:2003
729:2000
707:1996
687:1994
458:Slate
402:Cobra
316:Ocre:
153:Piano
1284:Tism
1111:and
1078:and
1058:and
1034:and
738:Enja
716:Enja
711:Ocre
570:TISM
500:and
468:and
460:and
162:Enja
101:2017
1546:on
1534:at
762:ECM
733:Y2K
323:Y2K
249:,
174:ECM
1612::
1506:.
1332:,
1318:,
1294:,
1290:,
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1246:,
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1092:-
253:,
245:,
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1517:.
1463:(
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1409:(
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1232:(
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1018:(
118:(
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66:(
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57:(
43:.
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