138:. The managing director of the Bijenkorf department store, Van der Wal, who was a member of the Urban Embellishment Committee, was impressed and wanted to install a similar artwork in Rotterdam. Initially, the committee proposed the installation of a 12 metre high sculpture by Picasso in Kralingse Hout, a greenbelt area northeast of Rotterdam, but it was withdrawn due to negative public opinion. Another artwork proposed by Picasso was again rejected in 1967, three years before the current sculpture was erected in 1970.
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119:. Finding her appearance appealing, Picasso asked her to be his model and subsequently created 60 works inspired by her over the course of two months (between April and June), including drawings, paintings and small metal sculptures. This was the most concentrated series of works that Picasso produced of a model in his lifetime.
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in
Germany, remarked on the ground-breaking nature of Picasso's portraits of Sylvette. "Suddenly, Picasso goes back to sheet metal, which he had used in his Cubist assemblage Guitar , but now he uses it in a very innovative way. You get this interesting dialogue between painting and sculpture: they
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The sculpture was bought by the city of
Rotterdam in 1963, however, its installation proved to be unpopular with local residents and artists, who protested for eight years, until it was finally erected in 1970. The Rotterdam artist community was of the opinion that the value of the artwork should
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series, "reveal his mastery as a painter and are evidence that even at an advanced age he was still capable of reinventing himself. Moreover, the series illustrate how
Picasso was able to approach one motif in various naturalistic and Cubist styles." The works had widespread impact on a younger
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In 1957, Picasso met Carl Nesjar and was impressed with a process that he had invented for producing large concrete sculptures. They began to collaborate on producing a series of artworks, which began with Nesjar transferring
Picasso's designs onto three murals on a government building in
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magazine described this era as
Picasso's "Ponytail Period". Sylvette possessed the classic features that Picasso admired with blonde hair tied in a high ponytail. Within this series of artworks, Picasso depicted his model in numerous styles, including both naturalistic and
163:. The process involved Picasso painting the original sculpture with lines, which were then copied onto the concrete by Nesjar by sandblasting the surface to reveal the black pebbles. The resulting effect mimicked the hand painted lines on the original sculpture.
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m (nearly 25 ft) in height and was erected in May 1970. The sculpture was originally located in front of the
Building Centre in Rotterdam, but following renovations in the area, it was moved to its current location on the corner of Westersingel next to the
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have been spent on locally produced art, which further tarnished the reputation of the sculpture. The popularity of the sculpture has since improved with locals and tourists alike.
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Sylvette David was the daughter of a
Parisian art dealer who, during the summer of 1953, met 73-year-old Picasso at his pottery studio located on Rue du Fournas in
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on 24-25 March 2003. It was cast in concrete with black pebbles, using a technique called "concrete sgraffito", which was developed by
Picasso's friend,
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sculpture in
Rotterdam is a larger version of several small sculptures that Picasso created using painted sheet metal. It measures 7.5
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99:. The sculpture portrays a young woman with a ponytail. The model for the sculpture was
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417:. Retrieved
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372:. Retrieved
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1935:(1993 play)
1875:(2006 book)
1843:Carl Nesjar
1553:(Barcelona)
1433: 1941
1385:(1945-1946)
1374:Lithographs
1355:Don Quixote
1299:(1930–1937)
1247:Bull's Head
1180:Las Meninas
1150:(1944–1945)
972: 1921
731: 1905
710:(1904-1905)
635:Yo, Picasso
627:La Gommeuse
510:(1910–1919)
504:(1907–1909)
498:(1904–1906)
492:(1901–1904)
241:www.bbc.com
161:Carl Nesjar
142:Description
89:Carl Nesjar
44:Carl Nesjar
1954:Categories
1853:Lump (dog)
1812:Modigliani
1705:Residences
1688:(grandson)
1664:(daughter)
1648:(daughter)
1577:(Normandy)
1501:Pulcinella
1382:Le Taureau
1328:347 Series
1223:Sculptures
1204:Jacqueline
1019:La Lecture
419:2021-01-21
395:2021-01-22
391:(in Dutch)
374:2021-01-22
370:(in Dutch)
350:2021-01-22
326:2021-01-21
317:"Sylvette"
299:2021-01-21
270:2021-01-21
246:2021-01-22
218:References
111:Background
1884:Theft of
1754:Films and
1603:Dora Maar
1545:(Antibes)
813:(1905–06)
805:(1905–06)
707:The Actor
662:(1901-02)
579:Paintings
565:1971–1973
560:1961–1970
555:1951–1960
550:1941–1950
545:1931–1940
540:1921–1930
535:1911–1920
530:1901–1910
525:1889–1900
439:sculpture
167:Reception
117:Vallauris
93:Rotterdam
71:Rotterdam
1772:Guernica
1707:(France)
1696:(father)
1586:Partners
1569:(Malaga)
1561:(Malaga)
1339:Drawings
1288:Etchings
1277:Sylvette
1075:Guernica
1003:Le Repos
948:Ma Jolie
940:Arlequin
932:Ma Jolie
437:Sylvette
201:See also
195:Sylvette
190:Sylvette
148:Sylvette
130:images.
105:Sylvette
80:Sylvette
66:Location
61:Concrete
22:Sylvette
1831:Related
1537:(Paris)
1527:Museums
1517:Mercure
1027:Le RĂŞve
502:African
483:Periods
1820:Genius
1815:(2004)
1807:(2001)
1799:(1996)
1791:(1978)
1783:(1956)
1775:(1950)
1767:(1949)
1622:Family
1487:Parade
1458:Poetry
1401:Murals
1393:(1949)
1366:(1961)
1358:(1955)
1350:(1905)
1331:(1968)
1323:(1937)
1315:(1935)
1307:(1933)
1280:(1970)
1272:(1967)
1258:(1951)
1250:(1942)
1242:(1941)
1234:(1931)
1215:(1962)
1207:(1961)
1199:(1960)
1191:(1958)
1183:(1957)
1175:(1955)
1173:series
1166:(1951)
1158:(1948)
1142:(1941)
1134:(1939)
1126:(1938)
1118:(1937)
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1062:(1934)
1054:(1932)
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998:(1929)
990:(1925)
982:(1923)
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911:(1911)
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683:La Vie
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606:(1900)
598:(1897)
590:(1889)
508:Cubism
152:
128:cubist
58:Medium
36:Artist
1656:(son)
1417:Plays
1390:Dove
496:Rose
490:Blue
146:The
136:Oslo
122:Life
53:1970
50:Year
1956::
1445:c.
1430:c.
969:c.
728:c.
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359:^
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225:^
42:,
1915:"
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468:e
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454:v
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249:.
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