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Holten spent most of her life in
Copenhagen. She did however travel quite widely. While a teenager, she visited Germany, Austria, Switzerland, Italy and Paris, and in 1886 she travelled to Egypt. After further stays in Paris, from 1889 to 1893 she spent her summers in Norway. In the 1900s, she went
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Holten painted mainly landscapes but she also created figure paintings, portraits and flower paintings, all with a rather ornamental approach. Her works tended to be more abstract than those of the Golden Age, often displaying a combination of blue and golden tones. She drew inspiration from
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who belonged to the
Skovgaard family of artists. In addition to landscapes, flower paintings and portraits, she created and decorated ceramics and also worked as an embroiderer. As a woman, she was unable to achieve the same level of acclaim as her father or brothers.
334:, who appreciated her painting, commented that there was nothing in her works to indicate they had been created by a woman. She also practised many other art forms including illustration, furniture decoration and embroidery. One of the embroidered altar cloths in
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where she continued to have contacts with the artistic community. In 1894, she married the merchant Hans
Nicolai Holten (1871â1937). They had a son Aage Holten (1897-1968).
288:(The Women's Exhibition) where she exhibited a number of ceramics and paintings. She designed one of the rooms, installing the green furniture which can now be seen in
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As a woman, Holten never achieved the success or prosperity of her brothers. Examples of her work can be seen at the
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but as a painter she was essentially self-taught. She continued her studies in Paris together with her friends
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After an extended stay in the United States, Holten returned to
Denmark in 1910 to work with ceramics at the
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in 1906, returning to
Denmark in 1910. Further trips through Europe and north of Norway followed.
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Suzette Holten died in
Copenhagen on 11 February 1937 and is buried in Solbjerg Cemetery.
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which had been established to provide an alternative to the traditional methods of the
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district of
Copenhagen. He took great care of her, introducing her to the works of the
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Teresa
Nielsen and Anne-Mette Villumsen published an exhibition catalogue entitled
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to London and the
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106:(nĂŠe Skovgaard, 29 January 1863 â 11 February 1937) was a Danish painter and
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In 1895, Holten was the artistic director of the newly established
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559:"Efterlysning af vÌrker af Susette Cathrine Holten født Skovgaard"
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473:(in Danish). Kunstindeks Danmark & Weilbachs Kunstnerleksikon
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She also established a close friendship with the sculptor
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The artist in 1870, painted by her father P. C. Skovgaard
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Illustrations of Holten's works from Vejen Art Museum
606:"Susette Holten født Skovgaard - Den glemte søster"
299:Interiør med Falk og lÌsende Dreng i grønne Møbler
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580:Villumsen, Anne-Mette; Nielsen, Teresa (2013).
492:Villumsen, Anne-Mette; Nielsen, Teresa (2013).
496:. Viborg, DK: Skovgaard Museet. p. 12.
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561:(in Danish). Vejen Kunstmuseum
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139:. Like her brothers
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92:Organization
659:1937 deaths
654:1863 births
612:(in Danish)
359:Exhibitions
332:Karl Madsen
324:art nouveau
252:En ung Pige
73:Occupations
648:Categories
391:References
129:Copenhagen
67:Copenhagen
55:Copenhagen
232:Utterslev
161:Marstrand
616:13 March
610:saxo.com
302:(1904).
149:Ăsterbro
127:Born in
108:ceramist
83:Ceramist
565:4 March
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477:3 March
454:4 March
426:4 March
353:Seattle
342:Travels
157:Lundbye
137:Georgia
79:Painter
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369:Viborg
294:Skagen
141:Joakim
265:Agnes
236:Valby
145:Niels
618:2016
586:ISBN
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479:2018
456:2016
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351:and
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