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Smithereens (film)

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Wren to collect her things from Paul's van. Returning to Eric's apartment, Wren learns from Billy that Eric has taken all of their money and gone to Los Angeles by himself. Confronting the nameless, blonde woman in the stairwell, Wren learns that she is Eric's wife and that he has a history of picking up vulnerable women to exploit for his own financial gain. Attempting to reunite with Paul, Wren learns that he sold his van to a local
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punk group from one decade earlier. Although he's now unemployed and living in the apartment of another punk named Billy, Eric professes to be putting together a new group that will be headed to Los Angeles. Wren leaves Paul to move in with Eric, but she’s forced to leave after a confrontation with a
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gets off to a fast start, thanks to Susan Berman's feisty performance and the vitality with which her story is told...Although willful inactivity seems a crucial part of the characters' way of life, it's carried too far; everyone here stays put a little longer than is believable, particularly Paul,
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Eric finds Wren and tells her that they are set to go to Los Angeles, but that they need money to afford transportation and food en route. With Wren’s help, Eric robs a wealthy man, Ed, at gunpoint after trapping him in a taxi. Finding that they've made enough money to go to Los Angeles, Eric sends
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Wren runs across Paul, a young man from Montana in the middle of a road trip who has briefly taken up residence in the city before heading to New Hampshire. Although he sleeps in the back of his dilapidated van, Paul has saved enough money to otherwise live comfortably. When Paul expresses interest
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scene, only to find that the movement is now centered in Los Angeles. Wren finds herself relegated to sneaking into the city's remaining punk hot spot, the Peppermint Lounge, to ingratiate herself with the bands that play there, in the hopes that one of them will take her on as a groupie. She also
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Returning to her apartment, Wren discovers that her roommates have fled in her absence and that her landlady has locked her out. Wren visits her brother and sister-in-law in an attempt to get a loan, but they decline on the grounds that Wren has cheated them in the past. With nowhere to go, Wren
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Film critic Emanuel Levy wrote "Susan Seidelman's feature debut, the first American indie to be shown at the Cannes Film Festival, put New York's East Village sensibility onscreen by examining issues of identity, desire and self-fulfillment from a distinctly female perspective."
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Now homeless, Wren wanders the city until she's propositioned by a man in a convertible. Although she initially dismisses the man's advances, his admonishment that she has nowhere else to go causes her to stop and look back toward his car.
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returns to Paul and coaxes him into helping her break into her old apartment to retrieve her things. The two resume an uneasy relationship, and Paul allows Wren to sleep in the back of his van at night.
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Susan Berman fell off a fire escape on the 44th floor during rehearsal on the fifth day of filming. She broke her ankle and was in a plaster cast for four months, during which filming was delayed.
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wrote "Wren, in her self-delusion, manipulativeness, and superficiality, easily ranks as one of the most obnoxious characters in film history, and she exerts a strange fascination."
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engages in a campaign to litter the city with photocopied pictures of herself bearing the legend "WHO IS THIS?" in an attempt to generate mystique. Although she works part-time at a
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shop by day, Wren nominally uses her position there surreptitiously to print her fliers, and she supplements her lifestyle by mugging women in the subway.
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in Wren, she agrees to date him, but she’s emotionally abusive and makes it clear to Paul that she’s more interested in the stability he can offer her.
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and used the money to continue his road trip. Looking inside the van, Wren discovers that Paul left behind a watercolor portrait he'd done of her.
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it has a score of 72 out of 100 based on reviews from 7 critics, which indicates "generally favorable reviews".
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who remains parked by the highway for what feels like weeks, with nothing to do but wait for Wren to appear."
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from New Jersey who has come to New York City in the hopes of becoming a figure in the
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handing the script supervisor a prop gun and the script supervisor was arrested.
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of 11 critics' reviews are positive, with an average rating of 7.1/10. On
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DVD/Blu-ray edition, it was released on VHS by Merlin Video in the UK.
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Seidelman, Susan (2024). "Once Upon A Time On The Lower East Side".
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Smithereens (1982) trailer by The Duke Mitchell Film Club on YouTube
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and starring Susan Berman, Brad Rijn (billed as "Brad Rinn"), and
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On a date, the couple meet Eric, former member of Smithereens, a
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nameless, blonde woman who also lives in the apartment.
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an essay by Rebecca Bengal at the Criterion Collection
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It was the first American 136:September 11, 1982 7: 994:Films shot in New York City 413: 223:invited to compete for the 10: 1045: 989:Films set in New York City 974:American independent films 312:Nada Despotovich as Cecile 215:) and features a score by 855:Desperately Seeking Susan 841: 238:Desperately Seeking Susan 229:1982 Cannes Film Festival 168: 160: 150: 127: 117: 109: 101: 87: 75: 59: 49: 37: 32: 327:Joel Rooks as Xerox boss 321:Rbynne White as Landlady 27:1982 American drama film 293: 244: 1004:1982 independent films 894:The Barefoot Executive 18:Susan Berman (actress) 573:(November 19, 1982). 191:. The film follows a 1024:1980s American films 408:Criterion Collection 300:Susan Berman as Wren 527:festival-cannes.com 315:Roger Jett as Billy 925:Boynton Beach Club 833:Films directed by 785:TCM Movie Database 579:The New York Times 493:. August 26, 2018. 361:The New York Times 324:D.J. O'Neill as Ed 235:is a precursor to 951: 950: 548:, pp. 27–28. 384:review aggregator 371:Dave Kehr of the 303:Brad Rinn as Paul 176: 175: 105:Chirine El Khadem 16:(Redirected from 1036: 969:1982 drama films 901:A Cooler Climate 887:The Dutch Master 863:Making Mr. Right 827: 820: 813: 804: 803: 791: 775: 757: 741: 717: 693: 688: 682: 681: 679: 677: 661: 655: 654: 652: 650: 634: 628: 627: 615: 609: 608: 606: 604: 589: 583: 582: 567: 561: 555: 549: 543: 537: 536: 534: 533: 519: 513: 512: 501: 495: 494: 483: 477: 476: 474: 472: 457: 451: 446: 359:Janet Maslin of 221:independent film 143: 141: 42: 30: 29: 21: 1044: 1043: 1039: 1038: 1037: 1035: 1034: 1033: 954: 953: 952: 947: 941:The Hot Flashes 909:Gaudi Afternoon 837: 835:Susan Seidelman 831: 724: 702: 697: 696: 689: 685: 675: 673: 663: 662: 658: 648: 646: 636: 635: 631: 616: 612: 602: 600: 590: 586: 568: 564: 556: 552: 544: 540: 531: 529: 521: 520: 516: 503: 502: 498: 485: 484: 480: 470: 468: 458: 454: 447: 443: 438: 416: 404: 388:Rotten Tomatoes 357: 349:Susan Seidelman 342: 330: 296: 247: 197:punk subculture 185:Susan Seidelman 153: 146: 139: 137: 130: 122:New Line Cinema 113:Susan Seidelman 94: 92: 82:Susan Seidelman 80: 71:Susan Seidelman 70: 66: 54:Susan Seidelman 45: 28: 23: 22: 15: 12: 11: 5: 1042: 1032: 1031: 1026: 1021: 1016: 1011: 1006: 1001: 996: 991: 986: 981: 976: 971: 966: 949: 948: 946: 945: 937: 933:Musical Chairs 929: 921: 913: 905: 897: 891: 883: 875: 867: 859: 851: 842: 839: 838: 830: 829: 822: 815: 807: 801: 800: 792: 776: 770: 758: 742: 723: 722:External links 720: 719: 718: 701: 698: 695: 694: 683: 656: 643:Fandango Media 629: 610: 598:Chicago Reader 584: 562: 558:Seidelman 2024 550: 546:Seidelman 2024 538: 514: 496: 478: 452: 440: 439: 437: 434: 433: 432: 427: 422: 415: 412: 403: 400: 373:Chicago Reader 356: 353: 341: 338: 329: 328: 325: 322: 319: 316: 313: 310: 304: 301: 297: 295: 292: 271:one-hit-wonder 246: 243: 174: 173: 170: 166: 165: 162: 158: 157: 154: 151: 148: 147: 145: 144: 133: 131: 128: 125: 124: 119: 118:Distributed by 115: 114: 111: 107: 106: 103: 102:Cinematography 99: 98: 89: 85: 84: 77: 73: 72: 61: 57: 56: 51: 47: 46: 43: 35: 34: 26: 9: 6: 4: 3: 2: 1041: 1030: 1027: 1025: 1022: 1020: 1017: 1015: 1012: 1010: 1007: 1005: 1002: 1000: 997: 995: 992: 990: 987: 985: 982: 980: 977: 975: 972: 970: 967: 965: 962: 961: 959: 943: 942: 938: 935: 934: 930: 927: 926: 922: 919: 918: 914: 911: 910: 906: 903: 902: 898: 895: 892: 889: 888: 884: 881: 880: 876: 873: 872: 868: 865: 864: 860: 857: 856: 852: 849: 848: 844: 843: 840: 836: 828: 823: 821: 816: 814: 809: 808: 805: 798: 797: 793: 790: 786: 782: 781: 777: 774: 769: 766: 764: 763: 759: 756: 752: 748: 747: 743: 740: 735: 731: 730: 726: 725: 715: 711: 710: 704: 703: 692: 687: 672: 671: 666: 665:"Smithereens" 660: 645: 644: 639: 638:"SMITHEREENS" 633: 625: 621: 614: 599: 595: 594:"Smithereens" 588: 580: 576: 575:"SMITHEREENS" 572: 571:Maslin, Janet 566: 560:, p. 28. 559: 554: 547: 542: 528: 524: 518: 510: 509:criterion.com 506: 500: 492: 491:criterion.com 488: 482: 467: 463: 456: 450: 445: 441: 431: 428: 426: 423: 421: 420:1982 in music 418: 417: 411: 409: 399: 397: 393: 389: 385: 380: 376: 374: 369: 366: 362: 352: 350: 345: 337: 335: 332:In addition, 326: 323: 320: 317: 314: 311: 308: 305: 302: 299: 298: 291: 287: 285: 279: 275: 272: 267: 263: 261: 256: 252: 242: 240: 239: 234: 230: 226: 222: 218: 214: 213: 208: 204: 200: 198: 194: 190: 186: 182: 181: 171: 167: 164:United States 163: 159: 155: 149: 135: 134: 132: 126: 123: 120: 116: 112: 108: 104: 100: 97: 90: 86: 83: 78: 74: 69: 65: 62: 58: 55: 52: 48: 41: 36: 31: 19: 939: 931: 923: 915: 907: 899: 893: 885: 877: 869: 861: 853: 846: 845: 795: 779: 761: 745: 728: 707: 686: 674:. 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Retrieved 465: 455: 444: 425:1982 in film 405: 381: 377: 372: 370: 364: 360: 358: 346: 343: 331: 307:Richard Hell 288: 280: 276: 268: 264: 248: 236: 232: 212:Philadelphia 210: 207:Ron Nyswaner 202: 201: 193:narcissistic 189:Richard Hell 179: 178: 177: 152:Running time 129:Release date 96:Richard Hell 91:Susan Berman 79:Joanne Gross 68:Ron Nyswaner 847:Smithereens 780:Smithereens 762:Smithereens 746:Smithereens 729:Smithereens 700:Works cited 430:DIY culture 406:Before the 365:Smithereens 233:Smithereens 217:The Feelies 203:Smithereens 180:Smithereens 76:Produced by 64:Peter Askin 50:Directed by 33:Smithereens 999:Punk films 964:1982 films 958:Categories 676:January 4, 670:Metacritic 649:January 4, 603:January 1, 532:2009-06-12 471:January 1, 436:References 402:Home media 396:Metacritic 340:Production 334:Chris Noth 249:Wren is a 225:Palme d'Or 156:89 minutes 140:1982-09-11 60:Written by 917:The Ranch 879:She-Devil 709:Filmmaker 624:IndieWire 355:Reception 255:punk rock 110:Edited by 93:Brad Rijn 44:DVD cover 1014:New Wave 751:AllMovie 449:AllMovie 414:See also 386:website 169:Language 88:Starring 783:at the 765:at the 382:On the 363:wrote " 309:as Eric 251:runaway 227:at the 172:English 161:Country 138: ( 944:(2013) 936:(2011) 928:(2005) 920:(2004) 912:(2001) 904:(1999) 896:(1995) 890:(1994) 882:(1989) 874:(1989) 871:Cookie 866:(1987) 858:(1985) 850:(1982) 736:  466:Vogue 260:Xerox 734:IMDb 678:2024 651:2024 605:2022 473:2021 392:100% 294:Cast 284:pimp 245:Plot 749:at 732:at 960:: 667:. 640:. 622:. 596:. 577:. 525:. 507:. 489:. 464:. 390:, 231:. 826:e 819:t 812:v 716:. 680:. 653:. 626:. 607:. 581:. 535:. 511:. 475:. 209:( 142:) 20:)

Index

Susan Berman (actress)

Susan Seidelman
Peter Askin
Ron Nyswaner
Susan Seidelman
Richard Hell
New Line Cinema
Susan Seidelman
Richard Hell
narcissistic
punk subculture
Ron Nyswaner
Philadelphia
The Feelies
independent film
Palme d'Or
1982 Cannes Film Festival
Desperately Seeking Susan
runaway
punk rock
Xerox
one-hit-wonder
pimp
Richard Hell
Chris Noth
Susan Seidelman
review aggregator
Rotten Tomatoes
100%

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