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Punk subculture

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to one, Mario Schulz, "The start was that I liked the music. I did not quite understand the English texts, but this ostentatious experience as an outsider, this capacity to shock, that pleased me. I was already- someone else would probably express it differently- an awkward sod." By the authorities, punk was seen as representing a way of life which was contrary in nature to existing social conventions and values. Punks were, however, not the only youth sub-culture to be considered 'negative decadent' and a threat to the stability of communist society: heavy metallers, skinheads, and goths were also targeted. Whilst it is hard to ascertain an exact figure, the punk scene in East Germany in the early 1980s was still relatively small. For example, 'In 1981, the
3987:, a Lima group that played the unique blend of garage and break dance music that would later be labeled punk as early as the 1960s. The early activity of Los Saicos has led many to claim that punk originated in Lima instead of the UK, as is typically assumed. Though their claim to be the first punk band in the world can be disputed, Los Saicos were undoubtedly the first in Latin America and released their first single in 1965. The group played to full houses and made frequent television appearances throughout the 1960s. Throughout the 1970s, the band was completely forgotten. Years later, a plaque that declares "here the global punk-rock movement was born" was placed at the corner of Miguel Iglesias and Julio C. Tello Streets in Lima. 3833:. As the methods of the Stasi were difficult to detect and even harder to prove, it allowed them to circumvent international condemnation in regard to the persecution of their own citizens. Aside from being designed to harm people, the methods were also designed to discredit and isolate individuals and break up the various bands and groupings. They relied heavily on the hiring of collaborators who were of a similar disposition to those who were being targeted. According to Stasi officers, this was a task which was harder to achieve with punks due to their 'feeling of belonging together.' Nonetheless, the Stasi did have notable success in the repression and decomposition of the punk scene. Former member of the band 2897:. The pogo is a dance in which the dancers jump up and down, while either remaining on the spot or moving around; the dance takes its name from its resemblance to the use of a pogo stick, especially in a common version of the dance, where an individual keeps their torso stiff, their arms rigid, and their legs close together. Pogo dancing is closely associated with punk rock and is a precursor to moshing. Moshing or slamdancing is a style of dance where participants push or slam into each other, typically during a live music show. It is usually associated with "aggressive" music genres, such as hardcore punk and 2185: 3022:), zines also played an important role in the hardcore scene. In the pre-Internet era, zines enabled readers to learn about bands, shows, clubs, and record labels. Zines typically included reviews of shows and records, interviews with bands, letters to the editor, and advertisements for records and labels. Zines were DIY products, "proudly amateur, usually handmade, and always independent", and during the "'90s, zines were the primary way to stay up on punk and hardcore." They were the "blogs, comment sections, and social networks of their day." 2336: 22: 3998:(literally, subterranean). In the 1980s and 1990s subtes made almost exclusive use of cassette recording as a means of circulating music without participating in formal intellectual property and musical production industries. The current scene relies on digital distribution and assumes similar anti-establishment practices. Like many punk subcultures, subtes explicitly oppose the Peruvian state and advocate instead an anarchic resistance that challenges the political and mainstream cultural establishment. 3394: 3369:
were vegetarian or vegan. While the commonly expressed aspects of the straight edge subculture have been abstinence from alcohol, nicotine, and illegal drugs, there have been considerable variations on how far to take the interpretations of "abstaining from intoxicants" or "living drug-free". Disagreements often arise as to the primary reasons for living straight edge. Straight edge politics are primarily left-wing and revolutionary but there have been conservative offshoots.
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played with. In some ways, punk helped to tear apart the normalised view of gender as a dichotomy. There was a notable amount of cross-dressing in the punk scene; it was not unusual to see men wearing ripped-up skirts, fishnet tights, and excessive makeup, or to see women with shaved heads wearing oversized plaid shirts and jean jackets and heavy combat boots. Punk created a new cultural space for androgyny and all kinds of gender expression.
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popular conceptions of beauty. Everything that was normally supposed to be hidden was brought to the front, both literally and figuratively. This could mean anything from wearing bras and underwear on top of clothing to wearing nothing but a bra and underwear. Although that act can seem sexualised, to punks it was just a way of self-expression. Punk seemed to allow people to sexualize themselves and still be taken seriously.
2944: 7842: 2761:" and "hardcore." As in the larger punk scene, DIY is an integral component of the queercore subculture. Many zines that came out of the riot grrrl movement explored issues of queer identity, contributing to the queercore subculture. The queercore and riot grrrl subcultures are often considered to be connected. These two punk scenes are intertwined, with many bands being both queercore and riot grrrl. 3515:) and people of colour (the Specials member) who contributed to the original punk sound and aesthetic. Because the original subculture meant to challenge to the mainstream, and punk movement became major it was brought to the mainstream. If punk is commercialized, it is far from street culture. This is the paradox of punk; as a subculture, it must always be evolving to stay out of the mainstream. 3805:(secret police) identified 1,000 punks and a broader group of 10,000 sympathisers.' Punks, whether considered as individuals or as groups, were persecuted by both the regular police and the Stasi. More overt methods of persecution by the regular police- such as enforced haircutting, arrest, and physical beatings- were combined unofficially with the more insidious and far-reaching 3469:"meaningless fad" because people had stopped caring about what they saw as the core values of punk ("Change and caring are what's real"). In particular, metal bands, which were seen as an offshoot, they saw as not only as a sell-out, but as morally repugnant to the core values of punk saying labels were making money by signing "the most racist queerbashing bands they can find." 3323:
numerous solvents and inhalants used by punks to achieve euphoria and intoxication. Glue was typically inhaled by placing a quantity in a plastic bag and "huffing" (inhaling) the vapour. Liquid solvents were typically inhaled by soaking a rag with the solvent and inhaling the vapour. While users inhale solvents for the intoxicating effects, the practice can be harmful or fatal.
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and patches. Yet another punk scholar describes the look that was common in the San Francisco hardcore scene as consisting of biker-style leather jackets, chains, studded wristbands, pierced noses and multiple piercings, painted or tattooed statements (e.g. an anarchy symbol), and hairstyles ranging from military-style haircuts dyed black or blonde to mohawks and shaved heads.
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socio-political implications, rather than the fashion. Music historian Caroline Coon contends that before punk, women in rock music were virtually invisible; in contrast, in punk, she argues "t would be possible to write the whole history of punk music without mentioning any male bands at all – and I think a lot of would find that very surprising."
3413:, Latinos, and Asians) have contributed to the development of the subculture. Substance abuse has sometimes been a part of the punk scene, with the notable exception of the straight edge movement. Violence has also sometimes appeared in the punk subculture, but has been opposed by some subsets of the subculture, such as the pacifist strain 2569:) to adopting a hardcore style (i.e. boots and a shaved head) as being based on a need for more functional clothing. A punk scholar states that "hardcore kids do not look like punks", since hardcore scene members wore basic clothing and short haircuts, in contrast to the "embellished leather jackets and pants" worn in the punk scene. 3763:) emerged in mostly the same time frame and geographical area as punk rock, and they shared a great deal musically in terms of playing short songs loud and fast while trying to emphasize catchy feelings. More melodic and pop-influenced punk music has also often been wrapped alongside power pop bands under the general " 4443:
PM Press. Oakland, CA 2015, 1984. pg. 22–23. "Ellen Willis stated ... that 'the word punk was not used generically until the early seventies when citics began applying it to unregenerate reock-and-rollers with an aggressively lower-class style' ... Greg Shaw wrote that: 'Punk rock in those days was a
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in the late 1970s. It shared many similarities with that of the West and was considered by the ruling authorities to be a spread of an international youth sub-culture which had its roots in the U.S. and Western Europe. Indeed, this was an assessment many East German punks shared themselves. According
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Punks often form a local scene, which can have as few as half a dozen members in a small town, or as many as thousands of in a major city. A local scene usually has a small group of dedicated punks surrounded by a more casual periphery. A typical punk scene is made up of punk and hardcore bands, fans
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Straight edge emerged amid the early-1980s hardcore punk scene. Since then, a wide variety of beliefs and ideas have been associated with the movement, including vegetarianism and animal rights. Ross Haenfler writes that as of the late 1990s, approximately three out of four straight edge participants
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label appeared in New York City between 1974 and 1976. Around the same time or soon afterward, a punk scene developed in London. Los Angeles subsequently became home to the third major punk scene. These three cities formed the backbone of the burgeoning movement, but there were also other punk scenes
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had made recordings (i.e. their hit version of Shakin' All Over," 1965) as a garage rock outfit in the mid 60s; pg. 8 makes a general statement about "punk rock" (garage) as a genre: "...then punk bands started cropping up who were writing their own songs but taking the Yardbirds' sound and reducing
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university students. It is estimated approximately 5,000 young people are active punks in Mexico City, hosting two or three underground shows a week. These young people often form chavos banda—youth gangs—that organized subculture activity by creating formal meeting spaces and rituals and practices.
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era, which started in the mid-1980s, the influence of music on the straight edge scene was at an all-time high. By the early 1990s, militant straight edge was a well-known part of the wider punk scene. In the early to mid-1990s, straight edge spread from the United States to Northern Europe, Eastern
2662:, who stated that "the A&R men, the bouncers, the sound mixers, no one took us seriously. So, no, we got no respect anywhere we went. People just didn't want us around." The anti-establishment stance of punk opened the space for women who were treated like outsiders in a male-dominated industry. 2682:
In trying to reject societal norms, punk embraced one societal norm by deciding that strength and anger was best expressed through masculinity, defining masculine as the "default", where gender did not exist or had no meaning. However, the main reasoning behind this argument equates femininity with
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In contrast to Morris' and Rollins' views, another punk scholar claims that the standard hardcore punk clothing and styles included torn jeans, leather jackets, spiked armbands and dog collars, mohawk hairstyles, and DIY ornamentation of clothes with studs, painted band names, political statements,
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Some groups and individuals that try to self-identify as being a part of the punk subculture hold pro-Nazi or Fascist views, however, these Nazi/Fascist groups are rejected by almost all of the punk subculture. The belief that such views are opposed to the original ethos of the punk subculture, and
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The punk subculture is centered on a loud, aggressive genre of rock music called punk rock, usually played by bands consisting of a vocalist, one or two electric guitarists, an electric bassist, and a drummer. In some bands, the musicians contribute backup vocals, which typically consist of shouted
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was routinely censored and even banned for songs like "International News", which challenged the South African government's refusal to acknowledge the racial and political conflict in the country. National Wake guitarist Ivan Kadey attributes the punk scene's ability to persevere despite the legal
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Political participation is foundational to punk subculture in South Africa. During the apartheid regime, punk was second only to Rock music in its importance to multi-racial interactions in South Africa. Because of this, any involvement in the punk scene was in itself a political statement. Police
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Performance and ideology practices often reflect the socioeconomic circumstances of Mexican punks. Live shows, called "Tocadas" are generally held in public spaces like basketball courts or community centers instead of places of business like venues, bars, and restaurants, as is more common in the
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Anchor Books, a division of Random House. 2003. pg. 8, 56, 57, 61, 64, 101: reprints of articles which appeared in 1971 and 1972, that refer to garage bands such as the Count Five and the Troggs as "punk"; pg. 101 associates "Iggy" and "Jonathan of Modern Lovers" with the Troggs and their ilk (as
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In Mexico, punk culture is primarily a phenomenon among the upper-middle class, many of whom were first exposed to punk music through travel to England, but rapidly shifted to the lower-class youth. Because of low fees at public universities in Mexico, a significant majority of Mexican punks are
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Oral nicknames are a distinguishing feature of Mexican punk, where the tradition of oral culture has influenced the development of nicknames for almost all Mexican punks. Patches are widely used as an inexpensive way to alter clothing and express identity. Though English-language bands like the
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Never one to shy away from criticizing the music industry and even punk culture, in Chickenshit Conformist Dead Kennedys opined that "Punk's not dead It just deserves to die When it becomes another stale cartoon...Ideas don't matter, it's who you know.", saying punk was in danger of becoming a
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was adopted by punks because public perceptions of sniffing fitted in with their self-image. Originally used experimentally and as a cheap high, adult disgust and hostility encouraged punks to use glue sniffing as a way of shocking society." Model airplane glue and contact cement were among the
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For some punks, the body was a symbol of opposition, a political statement expressing disgust of all that was "normal" and socially accepted. The idea was to make others outside of the subculture question their own views, which made gender presentation and gender identity a popular factor to be
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The punk subculture advocates a do-it-yourself (DIY) ethic. During the subculture's infancy members were almost all from a lower economic class, and had become tired of the affluence that was associated with popular rock music at the time. Punks would publish their own music or sign with small
3465:(or "poser") is used to describe "a person who habitually pretends to be something not." The term is used to refer to a person who adopts the dress, speech, and/or mannerisms of a particular subculture, yet who is deemed to not share or understand the values or philosophy of the subculture. 3862:
are well known in Mexico, punks there prefer Spanish-language music or covers translated into Spanish. The slam dance style common in the California punk scene of the early 1980s is thoroughly adopted as part of the movement and continues to be the most popular dancing style among punks.
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Rock historian Helen Reddington states that the popular image of young punk women musicians as focused on the fashion aspects of the scene (fishnet stockings, spiky blond hair, etc.) was stereotypical. She states that many, if not most women punks were more interested in the ideology and
4014:. As Cuban radio stations rarely played rock music, Frikis often listened to music by picking up radio frequencies from stations in nearby Florida. While many Frikas in the early-1990s entered AIDS clinics by knowingly injecting HIV-positive blood into them, others began congregating at 2524:
scene, where members of the subculture often dressed in plain T-shirts and jeans, rather than the more elaborate outfits and spiked, dyed hair of their British counterparts. Many groups adopt a look based on street clothes and working-class outfits. Hardcore punk fans adopted a
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United States and Europe. They usually take place in the afternoon and end early to accommodate the two or three hours it takes many punks to return home by public transit. Mexican punk groups rarely release vinyl or CD recordings, usually cassettes are the preferred format.
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is a philosophy of hardcore punk culture, adherents of which refrain from using alcohol, tobacco, and other recreational drugs, in reaction to the excesses of punk subculture. For some, this extends to refraining from engaging in promiscuous sex, following a vegetarian or
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The nature of punk allowed many to create a non-gender-conforming style. Punks could be free to use femininity or masculinity to make what they were doing even more shocking to their audience. It became popular for some punks to accentuate societal norms. At one concert,
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shirt featured an upside-down crucified Jesus and a swastika, notably worn by members of the Sex Pistols. Most contemporary punks are staunchly anti-racist and are more likely to wear a crossed-out swastika symbol than a pro-Nazi symbol. Some punks cut their hair into
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it to this kind of goony fuzztone clatter...oh, it was beautiful, it was pure folklore, Old America, and sometimes I think those were the best days ever."; pg. 225 is a reprint from article which appeared in late-70s, that refers back to garage bands as "punk"
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some Frikis were "rejected by family and often jailed or fined by the government", the 1980s Friki woman Yoandra Cardoso, however, has that argued that much of the response was verbal harassment from law enforcement. Dionisio Arce, lead vocalist of Cuban
3722:. Rimbaud also said that Crass were heavily involved with the hippie movement throughout the 1960s and 1970s, with Dial House being established in 1967. Many punks were often critical of Crass for their involvement in the hippie movement. Like Crass, 2227:. Most punk rock songs are short, have simple and somewhat basic arrangements using relatively few chords, and typically have lyrics that express punk ideologies and values, although some punk lyrics are about lighter topics such as partying or 2622:
later said. " discrimination didn't exist in that scene." This participation played a role in the historical development of punk music, especially in the U.S. and U.K. at that time, and continues to influence and enable future generations.
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and economic disparity. The use of images of suffering to shock and create feelings of empathy in the viewer is common. Alternatively, punk artwork may contain images of selfishness, stupidity, or apathy to provoke contempt in the viewer.
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Early punk fashion adapted everyday objects for aesthetic effect: ripped clothing was held together by safety pins or wrapped with tape; ordinary clothing was customised by embellishing it with marker or adorning it with paint; a black
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Many punks wear tight "drainpipe" jeans, plaid/tartan trousers, kilts or skirts, T-shirts, leather jackets (often decorated with painted band logos, pins and buttons, and metal studs, chains or spikes), and footwear such as high-cut
5680: 2386:, when bassist and singer Ken Casey tackled an individual for giving a Nazi-style salute and later stated that Nazis are not welcome at a Dropkick Murphys show. Band member Tim Brennan later reaffirmed this sentiment. The song " 3775:. However, stylistically and lyrically, power pop bands have tended to have a very "not-punk" top 40 commercial pop music influence and a flashier, heavily teen-pop sense of fashion, especially modern power pop groups such as 3421:
who attend concerts, protests, and other events, zine publishers, reviewers, and other writers, visual artists illustrating zines, and creating posters and album covers, show promoters, and people who work at music venues or
2520:, arguing that punk should be defined by music or ideology. Punk clothing choices challenge the way in which individuals in a nation dress, and the ideals of a traditionalist nation. This is most common in the post-1980s US 4505:
LP. (Elektra, 1972): uses the term "punk rock" to describe whole genre of 60s garage bands: "..the name that has been unofficially coined for them – "punk rock" – seems particularly fitting in this case..." >Shaw, Greg.
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its history, has led to internal conflicts and an active push against such views being considered part of punk subculture at all. Two examples of this are an incident during the 2016 American Music Awards, where the band
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shop." Henry Rollins echoes Morris' point, stating that for him getting dressed up meant putting on a black shirt and some dark pants; Rollins viewed an interest in fashion as being a distraction. Jimmy Gestapo from
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featuring 100 portraits of Australian women in the punk subculture, and it was published in 2017 by Manuscript Daily. Discrimination against punk subculture is explored with her photographs in the book; these
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scenes of the 1970s, which were dominated by men, the anarchic, counter-cultural mindset of the punk scene in mid- and late 1970s encouraged women to participate. "That was the beauty of the punk thing,"
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LP: speaks of whole phenomenon of 60s garage bands as an actual genre called "punk rock": "Punk rock at its best is the closest we came in the 60's to the original rockabilly spirit of Rock 'n Roll..."
5508: 927: 917: 7549: 3975:. Rather than the sense of despondency and fatalism that characterised 1970s British punk subculture, the politically engaged South African scene is more positive about the future of South Africa. 7419: 3947:
movement has complicated the position of white South Africans in contemporary society. Punk provides young white men the opportunity to explore and express their minority identity. Cape Town band
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subculture of the United Kingdom in the late 1960s – which had almost disappeared in the early 1970s – was revived in the late 1970s, partly because of the influence of punk rock, especially the
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While this perceived inauthenticity is viewed with scorn and contempt by members of the subculture, the definition of the term and to whom it should be applied is subjective. An article in
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wrote that 'During the Pistols era, women were out there playing with the men, taking us on in equal terms ... It wasn't combative, but compatible.' Women were involved in bands such as
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In punk's heyday, punks faced harassment and attacks from the general public and from members of other subcultures. In the 1980s in the UK, punks were sometimes involved in brawls with
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The punk subculture has spread to many countries around the world. The fluidity of musical expression in particular makes it an ideal medium for this cross-cultural interpretation.
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ideals and metal-influenced guitar sounds. However, hardcore punk and grunge developed in part as reactions against the heavy metal music that was popular during the 1980s.
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Skinheads: A Guide to an American Subculture. By Tiffini A. Travis, Perry Hardy. ABC-CLIO, 2012. p. 123 (section entitled "From San Francisco Hardcore Punks to Skinheads")
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Europe, the Middle East, and South America. By the beginning of the 2000s, militant straight edge punks had largely left the broader straight edge culture and movement.
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Different punk subcultures often distinguish themselves by having a unique style of punk rock, although not every style of punk rock has its own associated subculture.
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Huq, Rupa (2006). "Euoprean youth cultures in a post-colonial world: British Asian underground and French hip-hop music scenes". In Pam Nilan and Carles Feixa (ed.).
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In post-apartheid South Africa, punk attracted a greater number of white middle-class males than the more diverse makeup of the subculture during the apartheid era.
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The New York City punk rock scene arose from a subcultural underground promoted by artists, reporters, musicians, and a wide variety of non-mainstream enthusiasts.
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of their commitment to the values or philosophies of the scene, which may range from political beliefs to lifestyle practices. In the punk subculture, the epithet
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Post-apartheid punk subculture continues to be active in South African politics, organising a 2000 festival called Punks Against Racism at Thrashers Statepark in
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band Zeus spent six years in prison due to his part in the Frikis. Some schools would forcibly shave the heads of young Frikis as a form of punishment.
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came out of garage-rock during the late 1960s. Usually, white working-class boys are credited for pioneering the genre, however, there were many women (
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subcultures have shared some similarities since punk's inception. The early 1970s protopunk scene had an influence on the development of heavy metal.
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plays a role in many punk communities, providing shelter and other forms of support. Squats in abandoned or condemned housing, and communal "
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prefer to "wreck", a form of slam dancing that involves people punching each other in the chest and arms as they move around the circle pit.
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and streets as the multi-racial composition of bands and fan bases challenged the legal and social conventions of the apartheid regime.
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Stratton, Jon (January 2005). "Jews, Punk and the Holocaust: From the Velvet Underground to the Ramones: The Jewish-American Story".
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in the late 1970s with its "anyone can do it" ethos led to women making significant contributions. In contrast to the rock music and
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is the true spirit of punk", because "after all the poseurs and fashionistas fucked off to the next trend of skinny pink ties with
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in the larger punk scene. Queercore is an offshoot of the hardcore punk scene and draws its name from a combination of the words "
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described early hardcore fashion as "the...punk scene was basically based on English fashion. But we had nothing to do with that.
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independent labels, in hopes to combat what they saw as a money-hungry music industry. The DIY ethic is still popular with punks.
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became a dress, shirt or skirt; safety pins and razor blades were used as jewellery. Also popular have been leather, rubber, and
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The style of the 1980s hardcore scene contrasted with the more provocative fashion styles of late 1970s punk rockers (elaborate
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The punk subculture emerged in the mid-1970s; in New York in 1974 and in the United Kingdom in 1976. Some suggest the name "
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Just as zines played an important role in spreading information in the punk era (e.g. British fanzines like Mark Perry's
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In 1999, William Tsitsos wrote that straight edge had gone through three eras since its founding in the early 1980s.
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movements owe much to punk aesthetics. Several famous punk bands have participated in movies, such as the Ramones in
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described the LA scene from 1981 to 1984, and included show reviews of and interviews with such bands as Vancouver's
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originated as a garage rock revival in the northeastern United States. The first distinct music scene to claim the
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Marion Leonard. "Riot grrrl." Grove Music Online. Oxford Music Online. Oxford University Press. Web. 20 July 2014.
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Tsitsos, William (October 1999). "Rules of rebellion: slamdancing, moshing, and the American alternative scene".
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O'Connor, Alan (2003). "Punk Subculture in Mexico and the Anti-globalization Movement: A Report from the Front".
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played roles in introducing both punk and hip hop to the United Kingdom. Hip hop later influenced some punk and
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Punks come from all culture and economic classes. Compared to some subcultures, punk ideology is much closer to
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Greene, Shane (December 2012). "The Problem of Peru's Punk Underground: An Approach to Under-Fuck the System".
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harassment was common and the government often censored explicitly political lyrics. Johannesburg-based band
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Though Mexican punk itself does not have an explicit political agenda, Mexican punks have been active in the
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that was one of the few venues in the city that allowed rock bands to play. Some Frikis also participate in
1981:, and film. Largely characterised by anti-establishment views, the promotion of individual freedom, and the 9799: 9769: 7544: 7291: 6379:"Dead Kennedys : Plastic Surgery Disasters/In God We Trust Inc/Frankenchrist/Bedtime For Democracy/Gi" 6108:
Traber, Daniel S. (2001). "L. A.'s "White Minority": Punk and the Contradictions of Self-Marginalization".
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Punk arrived slowly in South Africa during the 1970s when waves of British tradesmen welcomed by the then-
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as a key influence on his political activism and thinking, though he did write songs critical of hippies.
9794: 9551: 9317: 9156: 8577: 8461: 8318: 4645:"Dropkick Murphys Will Never Stop Fighting Evil: Tim Brennan on Opposing Fascism, Addiction & Haters" 3879: 3440: 2803:. Usually straightforward with clear messages, punk art is often concerned with political issues such as 2106:
In the late 1970s, the subculture began to diversify, which led to the proliferation of factions such as
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boots, hairstyles such as brightly coloured hair and spiked mohawks, cosmetics, tattoos, jewellery, and
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and appropriate the subversive implications of the English term "underground" through the Spanish term
3586:. Other rappers and hip-hop acts were influenced by the subcultures of crust punk and hardcore such as 2832: 2577: 1930: 1880: 1743: 1468: 1184: 1073: 999: 5859: 5657: 4246: 3484:
haircuts, singing wimpy lyrics", the punk scene consisted only of people "completely dedicated to the
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states, "I think women are natural anarchists, because you're always operating in a male framework."
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Feixa, Carles (2006). "Being a punk in Catalonia and Mexico". In Pam Nilan and Carles Feixa (ed.).
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or other dramatic shapes, style it to stand in spikes, and colour it with vibrant, unnatural hues.
2301:'s harsh and experimental yet often melodic sound in the mid to late-1960s, much of it relating to 1673: 1633: 1583: 1448: 1179: 1128: 1044: 969: 958: 835: 613: 357: 7474:"Los Frikis, ces punks cubains qui s'inoculaient le virus du sida pour vivre dans des sanatoriums" 648: 9338: 9333: 9037: 8986: 8847: 8842: 8435: 8394: 8388: 8211: 3916: 3409:, it is overwhelmingly white. However, members of other groups (such as African Americans, other 1795: 1433: 1403: 1348: 1343: 1221: 840: 152: 132: 4484:
wrote about "...what I have chosen to call 'punk rock' bands—white teenage hard rock of '64–66 (
3443:. The Internet has been playing an increasingly large role in punk, specifically in the form of 693: 9541: 9531: 9312: 8698: 8570: 8298: 8152: 4989: 3688: 3455:
In the punk and hardcore subcultures, members of the scene are often evaluated in terms of the
3089: 2852: 2562: 2533:. Women in the hardcore scene typically wore army trousers, band T-shirts, and hooded jumpers. 2477: 2298: 1718: 1653: 1588: 1513: 1493: 1488: 1333: 1323: 1098: 860: 855: 743: 457: 447: 437: 382: 208: 186: 164: 6649: 3003:. Several novels, biographies, autobiographies, and comic books have been written about punk. 2963:, which feature news, gossip, cultural criticism, and interviews. Some zines take the form of 9047: 8551: 8481: 8091: 7846: 7507:""Spotlight on Cuba" – "Death is a door": HIV/AIDS, Freedom, & the Cuban Punk Rock Scene" 6509: 5829: 5589: 5041: 4106: 3319: 2445: 2355: 2228: 1993: 1870: 1628: 1608: 1568: 1553: 1398: 1378: 1034: 1009: 952: 902: 733: 527: 472: 337: 327: 322: 71: 9824: 9287: 8996: 8377: 4759: 3684: 3504: 3358: 2648: 2453: 2115: 1787: 1723: 1713: 1698: 1688: 1638: 1593: 1573: 1523: 1503: 1498: 1478: 1473: 1458: 1453: 1438: 1423: 1408: 1363: 1358: 1353: 1338: 1328: 1318: 1313: 1308: 1174: 874: 633: 603: 593: 275: 81: 76: 6851: 6766:
Grossman, Perry (1996–1997). "Identity Crisis: The Dialectics of Rock, Punk, and Grunge".
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A band plays on the tiny stage at the Berkeley, California punk venue at 924 Gilman Street
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and reproduced by photocopying at work, school, or at copy shops. Punk art also uses the
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While most punk rock uses distorted guitars and noisy drumming sounds derived from 1960s
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literature genres, and has even contributed (through Iggy Pop) to classical scholarship.
2584:, that examined the techniques of hardware, distress, and re-purposing in punk fashion. 9697: 9536: 9526: 9469: 9433: 9363: 9110: 9052: 8976: 8888: 8878: 8801: 8715: 8693: 8607: 8545: 8440: 8345: 8308: 8267: 7963: 7867: 7750: 7683: 7272: 7149: 7035:
Mike Dennis, Norman LaPorte (2011). "Sub-cultures: Punks, Goths, and Heavy Metallers".
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Mike Dennis, Norman LaPorte (2011). "Sub-cultures: Punks, Goths, and Heavy Metallers".
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Mike Dennis, Norman LaPorte (2011). "Sub-cultures: Punks, Goths, and Heavy Metallers".
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Mike Dennis, Norman LaPorte (2011). "Sub-cultures: Punks, Goths, and Heavy Metallers".
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Mike Dennis, Norman LaPorte (2011). "Sub-cultures: Punks, Goths, and Heavy Metallers".
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By the 1980s the punk scene in Peru was highly active. Peruvian punks call themselves
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subcultures have had several ties to punk, in terms of music, fashion, and attitude.
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and the Circle Jerks were so far from that. We looked like the kid who worked at the
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due to the contrasting ideologies and backlash of the hippie culture. Nevertheless,
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Sober Living for the Revolution: Hardcore Punk, Straight Edge, and Radical Politics
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Conference proceedings (September 2001). "No Future?". University of Wolverhampton.
4723: 4715: 4034: 3768: 3767:" label. A good example of a genre-straddling "power pop punk" band is the popular 3734: 3692: 3653: 3641: 3571: 3380:
scene who were frustrated by the rigidity and intolerance in the scene. During the
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was a forerunner of the fashion and music of both the punk and metal subcultures.
3435:" often provide bands a place to stay while they are touring. There are some punk 2749:
issues. Queercore is an anti-establishment subculture based around a rejection of
2335: 2089: 21: 9670: 9454: 9378: 9353: 9297: 9267: 9198: 9146: 8981: 8933: 8710: 8521: 8516: 8511: 8184: 7819: 6549: 6486: 4796: 3948: 3696: 3610: 3579: 3575: 3567: 3551: 3402: 3268: 3236: 2938: 2869: 2816: 2776: 2770: 2553: 2489: 2461: 2351: 2330: 2035: 2009: 1978: 1974: 1966: 1918: 1850: 1108: 1059: 932: 783: 683: 678: 658: 628: 583: 578: 568: 462: 342: 181: 174: 110: 7145: 7090:"La mĂşsica punk como un espacio identitario y de formaciĂłn en jĂłvenes de MĂ©xico" 2913:
bands such as The Stooges, and have appeared at punk, metal, and rock concerts.
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chanted anti-racist and anti-fascist messages, and an incident at a show by the
2031:. Women in the hardcore scene typically wore clothing categorized as masculine. 738: 558: 9683: 9660: 9604: 9587: 9561: 9495: 9343: 9302: 9272: 9224: 8971: 8953: 8918: 8873: 8852: 8736: 8486: 8350: 8303: 8252: 7958: 7410:"Why a Community of Punks Chose to Infect Themselves with HIV in Castro's Cuba" 6254: 5681:"80s punk zine We Got Power! still packs a punch | Bleader | Chicago" 4760:"The Situationist International Text Library/Consumer Society and Authenticity" 4523: 3894:
government brought cultural influences like the popular British music magazine
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Much of the earlier artwork was black and white, because it was distributed in
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Wood, Robert T. (1999). "Nailed to the X: A Lyrical History of Straightedge".
7746: 6829: 6354: 6331: 5624:"With zines, the '90s punk scene had a living history · Fear of a Punk Decade" 4728: 4719: 4296: 2565:
describes his own transition from dressing in a punk style (spiked hair and a
9804: 9763: 9639: 9609: 9428: 9423: 9393: 9388: 9307: 9246: 9042: 9021: 8617: 8593: 8536: 8313: 8237: 8164: 8064: 8024: 7860: 7679: 7540:""Los Frikis" Documentary Tells Story of Cuban Punks Who Got AIDS on Purpose" 6793: 6284: 5860:"PCP, Quaaludes, Mescaline. What Became of Yesterday's "It" Drugs? – The Fix" 4618: 4426: 4061: 3924: 3859: 3818: 3760: 3711: 3555: 3477: 3345: 3332: 3228: 3034: 2918: 2906: 2848: 2716: 2688: 2659: 2640: 2628: 2593: 2521: 2391: 2367: 2287: 2119: 2013: 1266: 1211: 1029: 979: 897: 798: 753: 718: 698: 653: 608: 427: 422: 402: 7201:"Punk in Africa: 3 Chords, 3 Countries, 1 Revolution... and a Facebook Page" 3057:
was a photo zine that included photos of hardcore shows from across the US.
2023:
There is a wide range of punk fashion, including T-shirts, leather jackets,
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Skinheads shaved for battle : a cultural history of American skinheads
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of Cuban society, leading to Frikis becoming victims of discrimination and
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Punk political ideologies are mostly concerned with individual freedom and
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Punk aesthetics determine the type of art punks enjoy, which typically has
1970: 1815: 1805: 1276: 1241: 1093: 803: 728: 668: 643: 588: 397: 332: 6405:"Oldies But Goldies: Dead Kennedy's satirize enemies with punk-rock sound" 6121: 3625: 2658:
Others take issue with the notion of equal recognition, such as guitarist
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Basson, Lauren (2007). "Punk identities in post-apartheid South Africa".
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Intersections: Photography, History and the National Library of Australia
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movement that originated in the early 1990s in Washington, D.C., and the
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Kaye, Lenny. "Headed, Decked, and Stroked..."--original liner notes for
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is a later development influenced by all of the above-mentioned styles.
1914: 9665: 9582: 9413: 9403: 9348: 9219: 9095: 8928: 8779: 8652: 8632: 8340: 8335: 8282: 8257: 8174: 8157: 8113: 8103: 8012: 7975: 7951: 7934: 7902: 7478: 7414: 7394: 6618: 6129: 5830:"The True Story of How Afropunk Turned A Message Board into A Movement" 4737: 4607:"Green Day protest at AMAs: 'No Trump, no KKK, no fascist USA' – video" 4011: 3984: 3814: 3806: 3719: 3526: 3432: 3381: 3337: 3264: 3260: 3232: 3216: 2860: 2840: 2784: 2780: 2754: 2704: 2667: 2497: 2340: 2220: 2096: 2043: 2039: 1992:
The punk ethos is primarily made up of beliefs such as non-conformity,
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diet, and not drinking coffee or taking prescribed medicine. The term
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sensibilities. Punk has generated a considerable amount of poetry and
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Punk Rock is My Religion: Straight Edge Punk and 'Religious' Identity
4485: 4481: 4111: 4101: 4096: 4023: 3929: 3912: 3810: 3756: 3748: 3744: 3738: 3661: 3637: 3633: 3428: 3373: 3301: 3179: 3109: 3105: 2999: 2960: 2910: 2800: 2740: 2692: 2644: 2636: 2610: 2537: 2437: 2379: 2359: 2283: 2267: 2255: 2242: 2216: 2215:, some punk bands incorporate elements from other subgenres, such as 2188: 2179: 2111: 2100: 2059: 2001: 1986: 1982: 1962: 1885: 1835: 1103: 688: 512: 407: 53: 3706:
In the late 1970s, punks were known to have had confrontations with
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Punk aesthetics determine the type of art punks enjoy, usually with
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Straight Edge: Hardcore Punk, Clean Living Youth, and Social Change
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Haenfler, Ross (August 2004). "Rethinking subcultural resistance".
6716:. Bowling Green, OH: Bowling Green State University Popular Press. 5898: 5298:"The Slits' Viv Albertine on punk, violence and doomed domesticity" 5200: 4561: 4405: 4267: 4056: 3972: 3594: 3134: 2987: 2914: 2713: 2501: 2481: 2398: 2271: 2251: 1123: 713: 477: 225: 9167: 3809:(trans. Zersetzung) of the Stasi: these involved various forms of 2943: 1904: 9510: 9100: 9006: 8961: 8491: 8194: 7990: 7970: 5389:
Anyone Can Do It: Empowerment, Tradition and the Punk Underground
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Public Radio International (30 January 2013). "Punk in Africa".
5798:"Post-Human Nightmares – The World of Japanese Cyberpunk Cinema" 9485: 8496: 8242: 7939: 7841: 4815:"How Vivienne Westwood dressed the Sex Pistols and shaped punk" 4019: 3961:
I didn't choose to be here I was born I might seem out of place
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said that Crass was formed in memory of his friend, the hippie
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began as a counter-movement to straight edge by members of the
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is another example of the punk subculture represented in film.
2835:
also influenced the look of punk art, particularly that of the
2788: 2753:. This rejection extends beyond mainstream society and resists 2275: 2259: 2224: 2167: 2095:
Early punk had an abundance of antecedents and influences, and
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Pretty in Punk: Girls' Gender Resistance in a Boys' Subculture
5134:
The Lost Women of Rock Music: Female Musicians of the Punk Era
4968:
Pretty in Punk: Girls' Gender Resistance in a Boys' Subculture
2237:
The earliest form of music to be called "punk rock" was 1960s
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In its beginning, the subculture was seen as a threat to the
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is a comic with a plot involving the Los Angeles punk scene.
2952: 2828: 2812: 2758: 2427: 2051: 788: 7852: 2540:, torn clothes, patches, safety pins, studs, spikes, etc.). 6882:"Sham Rock: Protex's earnest Northern Irish power pop punk" 4444:
quaint fanzine term for a transient form of mid-60s music'"
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being punk); pg. 112–113 speak of the Guess Who as "punk"--
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Dance of Days: Two Decades of Punk in the Nation's Capital
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Wallace, Jacqueline; Sentinel, Santa Cruz (2 March 2016).
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were greatly influenced by punk rock and heavy metal. The
3061:, which began in 1988, described the New York City scene. 2881: 2847:, exemplified by the art of Jamie Reid, Crass, The Clash, 8135: 7985: 7591: 5362:. The Rock & Roll Hall of Fame Museum. Archived from 4461:
October, 1971 – refers to "mid-60's garage rock as "punk"
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described the regional hardcore scene from 1979 to 1983.
2131: 7439: 7437: 7321: 6852:"Power Pop | Significant Albums, Artists and Songs" 3550:
have found their way into hip hop dress and vice versa.
2823:'s Factory studio. Punk played a hand in the revival of 2695:, pulled out her tampon and threw it into the audience. 2529:
style of T-shirts, jeans, combat boots or trainers, and
5650:"Touch and Go: The Complete Hardcore Punk Zine '79–'83" 3928:
challenges of multi-racial mixing to punk subculture's
3827:
incarceration on the basis of mental health legislation
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Punk has generated a considerable amount of poetry and
2456:. A designer associated with early UK punk fashion was 6158:
Punk rock, so what? : the cultural legacy of punk
5894:"The Complicated Contradictions of Straight Edge Punk" 4268:
Australian Broadcasting Corporation (2 October 2003).
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methods designed to cause mental health problems, and
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who are not mainstream, but "beautiful and talented".
3133:
concert footage from the movie, TV, and radio service
2309:, is credited for influencing 1970s bands such as the 7434: 4801:
Glossary of Art, Architecture & Design since 1945
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It's my home it's where I'll stay and where I belong,
2500:. Early punks occasionally wore clothes displaying a 2444:
clothing that is often associated with transgressive
6610: 6588:"Punk Girls: taking fetishism out of the subculture" 5951: 5617: 5615: 5406:
Break All Rules! Punk Rock and the Making of a Style
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but everything I hold dear is under the African sun.
3900:, sold in South Africa six weeks after publication. 3726:
was influenced by the hippie movement and cited the
3308: 6431:"Episode 152 with The Dead Kenneys' Klaus Flouride" 4581:
Please Kill Me: The Uncensored Oral History of Punk
4124: 3447:and file sharing programs for trading music files. 3305:covers the black experience in the punk DIY scene. 7005: 7003: 6738: 6155: 5963: 5433: 5386: 4578: 4441:One Chord Wonders: Power and Meaning in Punk Rock. 3231:subculture that arose in the 1970s. The filmmaker 7816:England's Dreaming: The Sex Pistols and Punk Rock 5612: 4550:Sonic Cool: The Life & Death of Rock 'N' Roll 4537:Sonic Cool: The Life & Death of Rock 'N' Roll 3289:(1981), an unofficial short film adaptation of a 3285:(1982 debut). Ishii's next film was the frenetic 9761: 7127: 7125: 7123: 7121: 7119: 6483:"Features – Soul Brothers: DiS meets Bad Brains" 6149: 6147: 7621: 7169:Global Youth?: Hybrid identities, plural worlds 7062:Global Youth?: Hybrid identities, plural worlds 7000: 6799:The Last of the Hippies – An Hysterical Romance 6454: 6185: 6086: 6032: 6026: 5891: 5427: 5425: 4401: 4399: 4205: 3951:sings of the strange status of white Africans: 3186:' first instalment of the documentary trilogy " 2885:A crowd of fans at a punk show in Italy in 2006 2587: 2339:A punk faces a line of riot police at the 1984 7292:"The Big Punk Rock Lie and the Peruvian Truth" 7037:State and Minorities in Communist East Germany 7012:State and Minorities in Communist East Germany 6984:State and Minorities in Communist East Germany 6959:State and Minorities in Communist East Germany 6934:State and Minorities in Communist East Germany 6909:State and Minorities in Communist East Germany 6580: 4675:"Jello Biafra on 'Nazi Punks' and hate speech" 9183: 8578: 7868: 7283: 7116: 7087: 6765: 6654:. National Library Australia. pp. 246–. 6219:The philosophy of punk : more than noise 6144: 6103: 6101: 5327:Andrews, Charlotte Richardson (3 July 2014). 1961:includes a diverse and widely known array of 1938: 7131: 7094:Revista Latinoamericana de Ciencias Sociales 5422: 4396: 3796:The punk scene began to emerge in communist 7314: 7194: 7192: 7190: 7188: 7034: 7009: 6981: 6956: 6931: 6906: 6181: 6179: 5211:: CS1 maint: numeric names: authors list ( 4542: 4529: 4171: 3903:South African punk developed separately in 2745:Queercore is punk movement that focuses on 9190: 9176: 8585: 8571: 7875: 7861: 7791: 7376: 7374: 7250: 7248: 7246: 6192:St. James Encyclopaedia of Popular Culture 6098: 5887: 5885: 5582: 5229:Introduction: The Lost Women of Rock Music 5225: 5130: 4324: 4322: 4067:History of subcultures in the 20th century 3983:In Peru punk traces its roots to the band 3656:, and hardcore was a primary influence on 3388: 2889:Two dance styles associated with punk are 1945: 1931: 1841:Definition of anarchism and libertarianism 6986:. Berghahn Books. pp. 8–9, 164–167. 6641: 5360:"Women Who Rock: 10 Essential Punk Songs" 4727: 4714:(1). Cambridge University Press: 79–105. 3546:called themselves punk rockers, and some 3405:. Although the punk subculture is mostly 3096:performance group included punk musician 7694: 7659: 7584: 7340: 7185: 7171:. New York: Routledge. pp. 159–60. 6737:Waksman, Steve Waksman (February 2009). 6176: 6092: 5993: 5975: 5789: 5678: 4705: 4517: 4422:Psychotic Reactions and Carburetor Dung. 4331:"Where did punk begin? A cinema in Peru" 4329:Watts, Johnanathan (14 September 2012). 4294: 3392: 3336: 3125: 2942: 2880: 2597: 2580:in 2013 hosted a comprehensive exhibit, 2426: 2334: 2183: 2079: 32: 20: 7732: 7504: 7371: 7346: 7243: 7230: 7228: 7226: 7198: 6792: 6736: 6541: 6480: 6020: 5882: 5460: 5431: 5326: 4970:. Rutgers University Press, 1999. p. 52 4319: 3632:was a fan of punk rock. Genres such as 3208:The Decline of Western Civilization III 29:at Morecambe, Lancashire, England, 2003 9762: 7622:Andersen, Mark; Jenkins, Mark (2003). 7574:(Audio) (in Spanish). Radio Ambulante. 7380: 7254: 7160: 7088:LĂłpez-Cabello, Arcelia Salome (2013). 7083: 7081: 6689:Encyclopedia of punk music and culture 6507: 6107: 5795: 5621: 5565: 5039: 5017:1988: The New Wave Punk Rock Explosion 4812: 4510:, 4 January 1973 – review of original 4391:Teenage: The Creation of Youth Culture 3840: 2673: 2605:, advocate of crowdfunding, performing 2350:views. Common punk viewpoints include 893:Spanish Regional Federation of the IWA 9171: 8566: 7856: 7640: 7407: 7347:Serrano, Ignacio (21 November 2010). 7166: 6711: 6686: 6647: 6629:from the original on 17 December 2018 6241: 6153: 5957: 5924: 5777:from the original on 9 September 2011 5529: 5403: 5329:"Punk has a problem with women. Why?" 5270: 5169: 4843: 4625:from the original on 21 November 2016 4552:. pp. 344–50. 2002. Hal-Leonard. USA. 4539:. pp. 324–30. 2002. Hal-Leonard. USA. 4383: 4328: 4307:from the original on 21 November 2021 3313: 2609:In the United Kingdom, the advent of 2504:for shock value; Vivienne Westwood's 7761: 7713: 7498: 7223: 7211:from the original on 6 December 2013 7053: 7039:. Berghahn Books. pp. 153–170. 6982:Mike Dennis, Norman LaPorte (2011). 6623:Vault Australasian Art & Culture 6510:"15 Essential Women Punk Rock Icons" 6428: 6333:Pull My Strings by The Dead Kennedys 6216: 6080: 6068: 6056: 6044: 6005: 5981: 5969: 5906:from the original on 3 February 2011 5870:from the original on 27 October 2017 5384: 5339:from the original on 8 December 2015 5308:from the original on 8 December 2015 5295: 5273:Rotten: No Irish, No Blacks, No Dogs 5182:from the original on 8 December 2015 5042:"15 Essential Women Punk Rock Icons" 5014: 4948:from the original on 2 November 2013 4912:from the original on 3 November 2013 4825:from the original on 14 January 2023 4813:Andrew, Scottie (30 December 2022). 4687:from the original on 21 October 2020 4655:from the original on 28 October 2020 4371:from the original on 14 January 2021 4236: 4218:from the original on 25 October 2006 4153:from the original on 2 November 2013 3747:music (as defined by groups such as 2431:Two British punks in the early 1980s 2401:and anarchist views with the slogan 9830:Youth culture in the United Kingdom 9465:Singapore Dark Alternative Movement 9197: 7663:Journal of Contemporary Ethnography 7078: 7064:. New York: Routledge. p. 14. 7059: 6888:from the original on 29 August 2014 6806:from the original on 3 January 2011 6691:. Westport, Conn: Greenwood Press. 6598:from the original on 18 August 2020 6547: 6402: 6376: 5072:"Women of Punk and Post-Punk Music" 5019:. London: Omnibus/Hawthorne Books. 4341:from the original on 14 August 2015 3915:and relied on live performances in 3538:Interactions with other subcultures 3188:The Decline of Western Civilization 2791:sensibilities. Punk artwork graces 13: 7784: 7599:from the original on 23 March 2020 7552:from the original on 23 March 2020 7519:from the original on 23 March 2020 7486:from the original on 23 March 2020 7454:from the original on 23 March 2020 7422:from the original on 23 March 2020 7289: 7199:Hopkins, Curt (20 February 2012). 6862:from the original on 20 April 2014 6616: 6520:from the original on 1 August 2016 6485:. Drowned in Sound. Archived from 5840:from the original on 6 August 2020 5559: 5112:from the original on 12 March 2019 5052:from the original on 1 August 2016 4878:. 17 February 2003. Archived from 4844:Sklar, Monica (21 November 2013). 4770:from the original on 16 March 2010 4261: 3025:In the American Midwest, the zine 2092:" was borrowed from prison slang. 14: 9841: 8592: 8472:Animal rights and punk subculture 7834: 7585:BLISTEIN, JON (5 November 2019). 7537: 7408:Saeed, Abdullah (February 2017). 7359:from the original on 19 July 2013 7302:from the original on 27 June 2013 7257:South African Review of Sociology 6668:from the original on 6 April 2023 6568:from the original on 6 April 2023 6429:Iahn, Buddy (30 September 2022). 5679:Margasak, Peter (19 March 2013). 5622:Heller, Jason (15 October 2013). 5600:from the original on 12 June 2010 5538:from the original on 3 April 2019 5511:from the original on 30 June 2016 5481:from the original on 6 April 2023 4996:from the original on 27 June 2014 4199: 4026:as an act of political defiance. 3714:of the English anarcho-punk band 3309:Perspectives on drugs and alcohol 3267:aesthetic that paved the way for 3259:in particular was an influential 1973:, and other forms of expression, 9081:Concentration of media ownership 7840: 7578: 7564: 7531: 7505:BRIDGES, MEGAN (15 April 2015). 7466: 7401: 7383:Journal of Popular Music Studies 7328:from the original on 6 June 2013 7028: 6975: 6950: 6925: 6900: 6884:. Dangerous Minds. 3 July 2013. 6874: 6844: 6818: 6786: 6759: 6730: 6705: 6481:Symonds, Rene (16 August 2007). 6283:. 15 August 1978. Archived from 5810:from the original on 12 May 2021 5721:from the original on 23 May 2014 5461:Stewart, Francis (25 May 2017). 5357: 5275:. London: Coronet. p. 378. 4393:. P. xvi. 2007. Viking. England. 4276:from the original on 24 May 2006 4006:A punk subculture originated in 3672:subculture was a fusion of punk 3357:was adopted from the 1981 song " 3326: 2909:were originally associated with 1913: 1903: 928:International Conference of Rome 918:International Conference of Rome 60: 8457:List of punk compilation albums 7614: 7014:. Berghahn Books. p. 167. 6961:. Berghahn Books. p. 159. 6936:. Berghahn Books. p. 157. 6911:. Berghahn Books. p. 161. 6680: 6592:Australian Broadcasting Company 6532: 6501: 6474: 6448: 6422: 6396: 6370: 6347: 6324: 6299: 6269: 6235: 6210: 6074: 6062: 6050: 6038: 6014: 6008:Sober Living for the Revolution 5999: 5987: 5918: 5852: 5822: 5759: 5733: 5703: 5672: 5642: 5626:. The A.V. Club. Archived from 5590:"A Metaphysics of the Mosh Pit" 5550: 5523: 5493: 5454: 5397: 5378: 5351: 5320: 5289: 5264: 5219: 5194: 5163: 5124: 5094: 5064: 5033: 5008: 4982: 4973: 4960: 4924: 4894: 4864: 4837: 4806: 4782: 4752: 4699: 4667: 4637: 4599: 4571: 4555: 4495: 4464: 4447: 4433: 4414: 4174:"Will Success Spoil The Fruit?" 4072:List of hardcore punk subgenres 3885: 3791: 3646:new wave of British heavy metal 3450: 3161:The Great Rock 'n' Roll Swindle 2967:. Important punk zines include 2917:promoted an updated version of 2150:, and the extreme subgenres of 2099:describes the subculture as a " 7776:10.1080/13676261.1999.10593032 7269:10.1080/21528586.2007.10419167 6508:Berman, Judy (8 August 2011). 6162:. London New York: Routledge. 5925:Krist, Josh (22 August 1996). 5137:. Ashgate/Equinox Publishing. 5040:Berman, Judy (8 August 2011). 4353: 4288: 4237:Robb, John (5 November 2005). 4230: 4165: 3786: 3699:) and the glamorously dressed 3235:introduced this subculture to 2727:. It is often associated with 2397:Early British punks expressed 2076:History of the punk subculture 1985:, the culture originated from 1040:Australian Anarchist Centenary 965:German Revolution of 1918–1919 1: 9734:Suicide of Nicola Ann Raphael 9491:Le Phonographique (1979–2005) 7882: 6768:Berkeley Journal of Sociology 6741:This Ain't the Summer of Love 5892:Sutherland, Sam (July 2006). 5393:. Ashgate Publishing Limited. 4474:. 1971. – In 1971 article in 4118: 4010:in the 1980s, referred to as 3182:are notable punk filmmakers. 2932: 2764: 2698: 2324: 1227:Decentralized planned economy 16:Anti-establishment subculture 7699:. Rutgers University Press. 7545:New Times Broward-Palm Beach 6366:– via www.youtube.com. 6343:– via www.youtube.com. 5796:Player, Mark (13 May 2011). 5578:(1): 1–31 – via JSTOR. 5440:. Rutgers University Press. 5404:Young, Tricia Henry (1998). 4992:. Ms. Fabulous. 7 May 2013. 4039:New Times Broward-Palm Beach 3880:anti-globalisation movements 3361:" by the hardcore punk band 2734: 2588:Gender and gender expression 453:Proletarian internationalism 7: 9820:Counterculture of the 1990s 9815:Counterculture of the 1980s 9810:Counterculture of the 1970s 9775:1970s in the United Kingdom 9552:Convergence (goth festival) 9318:List of gothic rock artists 8462:List of punk rock festivals 7322:"Los Saicos- Official Page" 7146:10.1080/0739314032000071226 6033:Andersen & Jenkins 2003 6010:. PM Press. pp. 13–14. 5572:Journal of American Studies 5534:. New York Public Library. 4049: 3831:crimes ostensibly committed 3601:punk subgenre. Conversely, 975:1919 United States bombings 10: 9846: 9739:Murder of Sophie Lancaster 8416:Second wave punk musicians 7512:University of Pennsylvania 7444:Tim Howard, Luis Trelles. 6548:Ham, Liz (November 2017). 5432:LeBlanc, Lauraine (1999). 5226:Reddington, Helen (1977). 5131:Reddington, Helen (2012). 4568:. Retrieved 18 April 2009. 4411:. Retrieved 18 April 2009. 3542:Some of the first hip hop 3499:, the Velvet Underground, 3330: 3227:movement has roots in the 3119: 2947:UK and US zines, 1994–2004 2936: 2768: 2738: 2702: 2691:, lead singer of the band 2591: 2578:Metropolitan Museum of Art 2468:, which became famous as " 2420: 2416: 2328: 2177: 2073: 2069: 1881:Situationist International 1185:Self-managed social center 1000:Spanish Revolution of 1936 9721: 9648: 9575: 9519: 9478: 9442: 9364:Cassandra Peterson/Elvira 9326: 9278:Siouxsie and the Banshees 9255: 9207: 9124: 9068: 9030: 8952: 8901: 8866: 8810: 8767: 8760: 8724: 8676: 8600: 8449: 8411:First wave punk musicians 8403: 8291: 8220: 7920: 7890: 7747:10.1017/S0261143000008941 6554:. Manuscript Publishing. 6377:NME (12 September 2005). 6242:Marsh, Dave (June 1995). 5741:"Caesar Lives – Iggy Pop" 5532:"The Riot Grrrl Movement" 4720:10.1017/S0261143004000315 4270:"Misfits and Malcontents" 3848: 3491:Proto-punk bands such as 3423:independent record labels 3378:Washington, D.C. hardcore 3155:Rock 'n' Roll High School 2863:who created work for the 1055:Really Really Free Market 1050:1999 Seattle WTO protests 518:Temporary autonomous zone 443:Permanent autonomous zone 378:Consensus decision-making 9567:List of gothic festivals 9557:Bats Day in the Fun Park 9157:Society of the Spectacle 7764:Journal of Youth Studies 7680:10.1177/0891241603259809 7643:The Encyclopedia of Punk 7100:(1): 186. Archived from 6186:Grossman, Perry (2002). 5467:. Taylor & Francis. 4245:. London. Archived from 4206:Moore, Thurston (1996). 4172:Marsh, Dave (May 1971). 4018:, a community centre in 3823:psychological harassment 3611:traditionalist skinheads 3214:lifestyle in the 1990s. 3100:and had an influence on 2876: 2390:" by hardcore punk band 2173: 1282:Workers' self-management 1180:Radical environmentalism 1129:Independent Media Center 1045:Carnival Against Capital 970:Bavarian Soviet Republic 959:Manifesto of the Sixteen 358:Autonomous social center 9785:Motorcycling subculture 9038:Influence of mass media 8843:Narcotizing dysfunction 7695:Haenfler, Ross (2006). 7290:kj (11 February 2013). 6247:Rock & Rap Archives 5566:Radway, Janice (2016). 5015:Coon, Caroline (1977). 4795:2 February 2012 at the 4764:Library.nothingness.org 4297:"The Saints: Biography" 4001: 3978: 3476:argues that 1980s-era " 3389:Lifestyle and community 3115: 2460:, who made clothes for 2394:is a standout example. 2362:, non-conformity, anti- 1222:Cost the limit of price 9542:Lumous Gothic Festival 9313:Fields of the Nephilim 8699:Freedom of information 7794:The Philosophy of Punk 7792:O'Hara, Craig (1999). 7714:Kuhn, Gabriel (2010). 7645:. New York: Sterling. 6356:Chickenshit Conformist 6244:"LIVE THROUGH THIS..." 6006:Kuhn, Gabriel (2009). 5408:. UMI Research Press. 5170:Woronzoff, Elizabeth. 3398: 3342: 3341:A straight edge tattoo 3137: 3090:Attila the Stockbroker 2948: 2886: 2843:. Punk art often uses 2606: 2582:PUNK: Chaos to Couture 2432: 2405:, which came from the 2343: 2305:work by visual artist 2299:The Velvet Underground 2290:in the United States. 2229:romantic relationships 2200:slogans, choruses, or 2196: 2085: 1369:Bosnia and Herzegovina 458:Propaganda of the deed 448:Prefigurative politics 438:Participatory politics 383:Conscientious objector 38: 30: 9086:Exploitation of women 8552:Timeline of punk rock 8482:Death of Brian Deneke 8092:Progressive metalcore 7641:Cogan, Brian (2008). 7349:"PerĂş, cuna del punk" 7134:New Political Science 6687:Cogan, Brian (2006). 6648:Ennis, Helen (2004). 6154:Sabin, Roger (1999). 6122:10.1353/cul.2001.0040 5927:"White Punks on Hope" 4932:"Not Just Boys' Fun?" 4788:Walker, John. (1992) 4585:. Grove Press. 2006. 4137:"Not Just Boys' Fun?" 4107:Timeline of punk rock 3807:decomposition methods 3652:-style of bands like 3396: 3340: 3299:The documentary film 3171:Another State of Mind 3158:, the Sex Pistols in 3129: 3018:and Shane MacGowan's 2946: 2884: 2601: 2430: 2356:anti-authoritarianism 2338: 2202:football-style chants 2187: 2083: 1994:anti-authoritarianism 1871:Libertarian socialism 1035:Kate Sharpley Library 1010:Red inverted triangle 953:High Treason Incident 943:Congress of Amsterdam 528:Voluntary association 338:Anti-authoritarianism 328:Anarchist criminology 323:Anarchist Black Cross 36: 24: 9780:Culture of Australia 9288:The Sisters of Mercy 8378:Scottish Gaelic punk 7849:at Wikimedia Commons 6826:"Hippie Information" 6712:Moore, Jack (1993). 6619:"Liz Ham Punk Girls" 6409:Lancer Spirit Online 6217:Hara, Craig (1999). 5866:. 30 December 2011. 5715:InEffectHardcore.com 5271:Lydon, John (1995). 5102:"Why Women in Punk?" 4613:. 21 November 2016. 3505:Edgar Broughton Band 3503:, the Deviants, and 3239:with his punk films 3144:have been made. The 3064:Punk poets include: 3000:Search & Destroy 2827:art, spearheaded by 2002:do-it-yourself ethic 1754:Fictional characters 1175:Radical cheerleading 9800:Musical subcultures 9770:Underground culture 9649:Film and literature 9547:Whitby Goth Weekend 9532:M'era Luna Festival 9506:Death Guild (1993–) 9496:Batcave (1982–1985) 9479:Notable club nights 9132:Advanced capitalism 8818:Cult of personality 8732:Advanced capitalism 8420:List of punk bands 7482:. 7 November 2016. 6461:Santa Cruz Sentinel 6277:"The Orphans Story" 5685:M.chicagoreader.com 5654:Skyscraper Magazine 5385:Dale, Pete (2012). 5235:. London: Ashgate. 5151:on 27 November 2015 5082:on 26 November 2015 4548:Harrington, Joe S. 4535:Harrington, Joe S. 4239:"The birth of punk" 4187:on 12 February 2007 4092:Punk rock subgenres 4082:List of subcultures 4037:. According to the 3945:African Renaissance 3841:Global perspectives 3829:or on the basis of 3558:bands, such as the 3445:virtual communities 3047:Suicidal Tendencies 2955:. Punk has its own 2729:third-wave feminism 2725:Olympia, Washington 2674:Body and appearance 2464:'s boutique in the 2388:Nazi Punks Fuck Off 2366:, anti-government, 2303:transgressive media 1861:Left-libertarianism 1157:No gods, no masters 985:Kronstadt rebellion 923:Trial of the Thirty 888:Revolutions of 1848 9795:Music and politics 9698:The Goodbye Family 9537:Drop Dead Festival 9527:Wave-Gotik-Treffen 9501:Slimelight (1987–) 9486:F Club (1977–1982) 9434:Wednesday Mourning 9053:Semiotic democracy 8977:Civil disobedience 8889:Media manipulation 8879:Crowd manipulation 8802:Tabloid journalism 8716:Media transparency 8694:Media independence 8608:24-hour news cycle 8546:List of punk films 8441:Women in punk rock 7964:Christian hardcore 7395:10.1111/jpms.12008 7046:978-0-857-45-195-8 7021:978-0-857-45-195-8 6993:978-0-857-45-195-8 6968:978-0-857-45-195-8 6943:978-0-857-45-195-8 6918:978-0-857-45-195-8 6489:on 11 October 2008 6435:The Music Universe 6257:on 14 January 2012 6023:, pp. 397–414 5747:on 22 October 2015 5660:on 3 November 2013 5630:on 1 November 2013 5530:Feliciano, Steve. 5366:on 8 December 2015 5296:Petridis, Alexis. 5252:on 7 December 2015 4966:Lauraine Leblanc. 4766:. 3 October 1995. 4729:20.500.11937/17488 4272:. Australia: ABC. 4077:List of punk bands 3934:anti-establishment 3668:. The early 1990s 3439:, such as Essex's 3399: 3343: 3314:Inhalable solvents 3257:Crazy Thunder Road 3248:Crazy Thunder Road 3225:Japanese cyberpunk 3138: 3122:List of punk films 3078:John Cooper Clarke 2949: 2887: 2799:for concerts, and 2607: 2433: 2411:God Save the Queen 2352:individual liberty 2348:anti-establishment 2344: 2250:in cities such as 2197: 2086: 2054:, and has its own 1811:Anti-globalization 1744:Anarcho-punk bands 1429:Dominican Republic 1169:Property is theft! 1135:The Internationale 1089:Anarchist bookfair 1015:Labadie Collection 1005:Barcelona May Days 908:Cantonal rebellion 235:Without adjectives 94:Schools of thought 39: 31: 9790:Anarchist culture 9757: 9756: 9749:Vampirefreaks.com 9677:The Addams Family 9399:Patricia Morrison 9165: 9164: 9091:Freedom of speech 8909:Theodor W. Adorno 8897: 8896: 8884:Managing the news 8704:Freedom of speech 8684:Media development 8648:News broadcasting 8628:Independent media 8613:Alternative media 8560: 8559: 8477:Conservative Punk 8404:People and groups 8087:Melodic metalcore 8030:Beatdown hardcore 7845:Media related to 7807:978-1-873176-16-0 7796:. San Francisco: 7725:978-1-60486-051-1 7652:978-1-4027-5960-4 7626:. Akashic Books. 7237:Afropop Worldwide 7071:978-0-415-37070-7 6752:978-0-520-25717-7 6723:978-0-87972-583-9 6698:978-0-313-33340-8 6661:978-0-642-10792-3 6561:978-0-648-05981-3 6311:lostmediawiki.com 6287:on 2 October 2009 6228:978-1-873176-16-0 6221:. Edinburgh: AK. 6169:978-0-415-17030-7 6116:(Spring): 30–64. 6110:Cultural Critique 5984:, pp. 141–43 5972:, pp. 130–40 5939:on 10 August 2011 5932:Phoenix New Times 5447:978-0-8135-2651-5 5415:978-0-8357-1980-3 4882:on 6 October 2011 4857:978-1-4725-5733-9 4850:. A&C Black. 4683:. 9 August 2012. 4680:Los Angeles Times 4592:978-0-8021-4264-1 4526:from Allmusic.com 4490:Shadows of Knight 4208:"Grabbing Ankles" 4016:El patio de MarĂ­a 3242:Panic High School 3184:Penelope Spheeris 3166:Social Distortion 3142:punk-themed films 2970:Maximum RocknRoll 2957:underground press 2751:heteronormativity 2721:Pacific Northwest 2709:Riot grrrl is an 2458:Vivienne Westwood 2193:Cropredy Festival 2136:underground music 2064:punk-themed films 2056:underground press 2029:body modification 1955: 1954: 1891:Spontaneous order 1821:Anti-war movement 1764:Jewish anarchists 1163:Popular education 883:French Revolution 508:Spontaneous order 368:Classless society 293: 292: 251:Counter-economics 37:Two punks in 1986 9837: 9729:Gother Than Thou 9409:Elizabeth Fraser 9208:Associated music 9201: 9192: 9185: 9178: 9169: 9168: 9137:Culture industry 9106:Social influence 9059:The Lonely Crowd 9002:Political satire 8967:Call-out culture 8944:Jacques Rancière 8939:Marshall McLuhan 8914:Jean Baudrillard 8858:Viral phenomenon 8792:Public relations 8765: 8764: 8638:Mainstream media 8623:Electronic media 8587: 8580: 8573: 8564: 8563: 8450:Related articles 8228:Alternative rock 8050:Melodic hardcore 8040:Digital hardcore 8035:Crossover thrash 7877: 7870: 7863: 7854: 7853: 7844: 7811: 7779: 7758: 7729: 7710: 7691: 7656: 7637: 7609: 7608: 7606: 7604: 7582: 7576: 7575: 7568: 7562: 7561: 7559: 7557: 7535: 7529: 7528: 7526: 7524: 7502: 7496: 7495: 7493: 7491: 7470: 7464: 7463: 7461: 7459: 7441: 7432: 7431: 7429: 7427: 7405: 7399: 7398: 7378: 7369: 7368: 7366: 7364: 7344: 7338: 7337: 7335: 7333: 7318: 7312: 7311: 7309: 7307: 7287: 7281: 7280: 7252: 7241: 7240: 7232: 7221: 7220: 7218: 7216: 7196: 7183: 7182: 7164: 7158: 7157: 7129: 7114: 7113: 7111: 7109: 7085: 7076: 7075: 7057: 7051: 7050: 7032: 7026: 7025: 7007: 6998: 6997: 6979: 6973: 6972: 6954: 6948: 6947: 6929: 6923: 6922: 6904: 6898: 6897: 6895: 6893: 6878: 6872: 6871: 6869: 6867: 6848: 6842: 6841: 6839: 6837: 6832:on 26 April 2012 6828:. Archived from 6822: 6816: 6815: 6813: 6811: 6790: 6784: 6783: 6763: 6757: 6756: 6744: 6734: 6728: 6727: 6709: 6703: 6702: 6684: 6678: 6677: 6675: 6673: 6645: 6639: 6638: 6636: 6634: 6617:Kubler, Alison. 6614: 6608: 6607: 6605: 6603: 6594:. 10 June 2016. 6584: 6578: 6577: 6575: 6573: 6545: 6539: 6536: 6530: 6529: 6527: 6525: 6505: 6499: 6498: 6496: 6494: 6478: 6472: 6471: 6469: 6467: 6452: 6446: 6445: 6443: 6441: 6426: 6420: 6419: 6417: 6415: 6400: 6394: 6393: 6391: 6389: 6374: 6368: 6367: 6365: 6363: 6351: 6345: 6344: 6342: 6340: 6328: 6322: 6321: 6319: 6317: 6303: 6297: 6296: 6294: 6292: 6273: 6267: 6266: 6264: 6262: 6253:. Archived from 6239: 6233: 6232: 6214: 6208: 6207: 6205: 6203: 6194:. Archived from 6183: 6174: 6173: 6161: 6151: 6142: 6141: 6105: 6096: 6095:, pp. 16–17 6090: 6084: 6078: 6072: 6066: 6060: 6054: 6048: 6042: 6036: 6030: 6024: 6018: 6012: 6011: 6003: 5997: 5991: 5985: 5979: 5973: 5967: 5961: 5955: 5949: 5948: 5946: 5944: 5935:. Archived from 5922: 5916: 5915: 5913: 5911: 5889: 5880: 5879: 5877: 5875: 5856: 5850: 5849: 5847: 5845: 5826: 5820: 5819: 5817: 5815: 5793: 5787: 5786: 5784: 5782: 5763: 5757: 5756: 5754: 5752: 5743:. Archived from 5737: 5731: 5730: 5728: 5726: 5707: 5701: 5700: 5698: 5696: 5687:. Archived from 5676: 5670: 5669: 5667: 5665: 5656:. Archived from 5646: 5640: 5639: 5637: 5635: 5619: 5610: 5609: 5607: 5605: 5586: 5580: 5579: 5563: 5557: 5554: 5548: 5547: 5545: 5543: 5527: 5521: 5520: 5518: 5516: 5507:. 9 April 2015. 5497: 5491: 5490: 5488: 5486: 5458: 5452: 5451: 5439: 5429: 5420: 5419: 5401: 5395: 5394: 5392: 5382: 5376: 5375: 5373: 5371: 5355: 5349: 5348: 5346: 5344: 5324: 5318: 5317: 5315: 5313: 5293: 5287: 5286: 5268: 5262: 5261: 5259: 5257: 5251: 5245:. Archived from 5234: 5223: 5217: 5216: 5210: 5202: 5198: 5192: 5191: 5189: 5187: 5167: 5161: 5160: 5158: 5156: 5147:. Archived from 5128: 5122: 5121: 5119: 5117: 5098: 5092: 5091: 5089: 5087: 5078:. Archived from 5068: 5062: 5061: 5059: 5057: 5037: 5031: 5030: 5012: 5006: 5005: 5003: 5001: 4986: 4980: 4977: 4971: 4964: 4958: 4957: 4955: 4953: 4947: 4936: 4928: 4922: 4921: 4919: 4917: 4898: 4892: 4891: 4889: 4887: 4868: 4862: 4861: 4841: 4835: 4834: 4832: 4830: 4810: 4804: 4786: 4780: 4779: 4777: 4775: 4756: 4750: 4749: 4731: 4703: 4697: 4696: 4694: 4692: 4671: 4665: 4664: 4662: 4660: 4641: 4635: 4634: 4632: 4630: 4603: 4597: 4596: 4584: 4575: 4569: 4559: 4553: 4546: 4540: 4533: 4527: 4521: 4515: 4499: 4493: 4477:Who Put the Bomp 4472:Who Put the Bomp 4468: 4462: 4451: 4445: 4437: 4431: 4418: 4412: 4403: 4394: 4387: 4381: 4380: 4378: 4376: 4357: 4351: 4350: 4348: 4346: 4326: 4317: 4316: 4314: 4312: 4292: 4286: 4285: 4283: 4281: 4265: 4259: 4258: 4256: 4254: 4249:on 27 April 2006 4234: 4228: 4227: 4225: 4223: 4203: 4197: 4196: 4194: 4192: 4183:. Archived from 4169: 4163: 4162: 4160: 4158: 4152: 4141: 4133: 4035:police brutality 3769:Northern Ireland 3642:crossover thrash 3609:, popular among 3474:Drowned in Sound 3253:underground film 3150:Remodernist film 3094:The Medway Poets 3006:Love and Rockets 2923:Hardcore dancing 2805:social injustice 2490:brothel creepers 2384:Dropkick Murphys 2148:crossover thrash 2140:alternative rock 2066:have been made. 2006:anti-consumerist 1998:anti-corporatism 1947: 1940: 1933: 1917: 1909:Anarchism portal 1907: 1801:Anti-consumerism 1796:Anti-corporatism 1272:Social ownership 1257:Market socialism 1232:Free association 1141:Jewish anarchism 1083:A las Barricadas 995:Amakasu Incident 938:Strandza Commune 913:Haymarket affair 533:Workers' council 523:Union of egoists 483:Security culture 393:Decentralization 388:Critique of work 126:Total liberation 100: 99: 64: 41: 40: 25:Punk with a red 9845: 9844: 9840: 9839: 9838: 9836: 9835: 9834: 9760: 9759: 9758: 9753: 9717: 9671:Edgar Allan Poe 9644: 9576:Art and fashion 9571: 9515: 9511:Xmortis (2004–) 9474: 9443:Regional scenes 9438: 9379:Monica Richards 9354:Andrew Eldritch 9327:Notable figures 9322: 9298:Alien Sex Fiend 9268:Christian Death 9251: 9203: 9200:Goth subculture 9199: 9196: 9166: 9161: 9147:Media franchise 9120: 9064: 9026: 8982:Culture jamming 8948: 8934:Walter Lippmann 8893: 8862: 8806: 8756: 8720: 8711:Media pluralism 8672: 8596: 8591: 8561: 8556: 8522:Punk literature 8517:Punk visual art 8512:Punk ideologies 8502:Punk subculture 8445: 8436:Punk filmmakers 8399: 8287: 8216: 8185:Punk pathetique 7922: 7916: 7886: 7881: 7837: 7832: 7820:Faber and Faber 7808: 7787: 7785:Further reading 7782: 7726: 7707: 7653: 7634: 7617: 7612: 7602: 7600: 7583: 7579: 7570: 7569: 7565: 7555: 7553: 7536: 7532: 7522: 7520: 7503: 7499: 7489: 7487: 7472: 7471: 7467: 7457: 7455: 7443: 7442: 7435: 7425: 7423: 7406: 7402: 7379: 7372: 7362: 7360: 7345: 7341: 7331: 7329: 7320: 7319: 7315: 7305: 7303: 7288: 7284: 7253: 7244: 7233: 7224: 7214: 7212: 7197: 7186: 7179: 7165: 7161: 7130: 7117: 7107: 7105: 7086: 7079: 7072: 7058: 7054: 7047: 7033: 7029: 7022: 7008: 7001: 6994: 6980: 6976: 6969: 6955: 6951: 6944: 6930: 6926: 6919: 6905: 6901: 6891: 6889: 6880: 6879: 6875: 6865: 6863: 6850: 6849: 6845: 6835: 6833: 6824: 6823: 6819: 6809: 6807: 6791: 6787: 6764: 6760: 6753: 6735: 6731: 6724: 6710: 6706: 6699: 6685: 6681: 6671: 6669: 6662: 6646: 6642: 6632: 6630: 6615: 6611: 6601: 6599: 6586: 6585: 6581: 6571: 6569: 6562: 6546: 6542: 6537: 6533: 6523: 6521: 6506: 6502: 6492: 6490: 6479: 6475: 6465: 6463: 6453: 6449: 6439: 6437: 6427: 6423: 6413: 6411: 6403:Ruzicka, T. J. 6401: 6397: 6387: 6385: 6375: 6371: 6361: 6359: 6353: 6352: 6348: 6338: 6336: 6330: 6329: 6325: 6315: 6313: 6305: 6304: 6300: 6290: 6288: 6275: 6274: 6270: 6260: 6258: 6240: 6236: 6229: 6215: 6211: 6201: 6199: 6184: 6177: 6170: 6152: 6145: 6106: 6099: 6091: 6087: 6079: 6075: 6067: 6063: 6055: 6051: 6043: 6039: 6031: 6027: 6019: 6015: 6004: 6000: 5992: 5988: 5980: 5976: 5968: 5964: 5956: 5952: 5942: 5940: 5923: 5919: 5909: 5907: 5890: 5883: 5873: 5871: 5858: 5857: 5853: 5843: 5841: 5828: 5827: 5823: 5813: 5811: 5794: 5790: 5780: 5778: 5765: 5764: 5760: 5750: 5748: 5739: 5738: 5734: 5724: 5722: 5717:. 16 May 2014. 5709: 5708: 5704: 5694: 5692: 5691:on 4 March 2016 5677: 5673: 5663: 5661: 5648: 5647: 5643: 5633: 5631: 5620: 5613: 5603: 5601: 5588: 5587: 5583: 5564: 5560: 5555: 5551: 5541: 5539: 5528: 5524: 5514: 5512: 5499: 5498: 5494: 5484: 5482: 5475: 5459: 5455: 5448: 5430: 5423: 5416: 5402: 5398: 5383: 5379: 5369: 5367: 5356: 5352: 5342: 5340: 5325: 5321: 5311: 5309: 5294: 5290: 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4154: 4150: 4139: 4135: 4134: 4125: 4121: 4116: 4052: 4004: 3981: 3949:Hog Hoggidy Hog 3888: 3851: 3843: 3794: 3789: 3648:influenced the 3580:The Transplants 3576:E.Town Concrete 3568:Blaggers I.T.A. 3552:Malcolm McLaren 3540: 3453: 3403:gender equality 3391: 3335: 3329: 3316: 3311: 3269:Katsuhiro Otomo 3237:Japanese cinema 3210:" explores the 3124: 3118: 2959:in the form of 2941: 2939:Punk literature 2935: 2879: 2817:mass production 2773: 2771:Punk visual art 2767: 2743: 2737: 2707: 2701: 2676: 2596: 2590: 2516:Some punks are 2462:Malcolm McLaren 2425: 2419: 2333: 2331:Punk ideologies 2327: 2274:in Canada, and 2182: 2176: 2138:scenes such as 2078: 2072: 2058:in the form of 2010:corporate greed 1959:punk subculture 1951: 1919:Politics portal 1896: 1895: 1851:Labour movement 1791: 1790: 1779: 1778: 1739: 1738: 1729: 1728: 1299: 1298: 1287: 1286: 1207: 1206: 1195: 1194: 1109:Escuela Moderna 1077: 1076: 1065: 1064: 1060:Occupy movement 933:Ferrer movement 878: 877: 866: 865: 826: 825: 814: 813: 549: 548: 537: 536: 463:Refusal of work 348:Anti-militarism 343:Anti-capitalism 314: 313: 295: 294: 261:Insurrectionary 97: 96: 17: 12: 11: 5: 9843: 9833: 9832: 9827: 9822: 9817: 9812: 9807: 9802: 9797: 9792: 9787: 9782: 9777: 9772: 9755: 9754: 9752: 9751: 9746: 9741: 9736: 9731: 9725: 9723: 9719: 9718: 9716: 9715: 9708: 9701: 9694: 9687: 9684:Triana Orpheus 9680: 9673: 9668: 9663: 9658: 9652: 9650: 9646: 9645: 9643: 9642: 9637: 9632: 9627: 9622: 9617: 9612: 9607: 9602: 9601: 9600: 9595: 9585: 9579: 9577: 9573: 9572: 9570: 9569: 9564: 9562:World Goth Day 9559: 9554: 9549: 9544: 9539: 9534: 9529: 9523: 9521: 9520:Notable events 9517: 9516: 9514: 9513: 9508: 9503: 9498: 9493: 9488: 9482: 9480: 9476: 9475: 9473: 9472: 9467: 9462: 9457: 9452: 9446: 9444: 9440: 9439: 9437: 9436: 9431: 9426: 9421: 9416: 9411: 9406: 9401: 9396: 9391: 9386: 9381: 9376: 9371: 9366: 9361: 9356: 9351: 9346: 9344:Siouxsie Sioux 9341: 9336: 9330: 9328: 9324: 9323: 9321: 9320: 9315: 9310: 9305: 9303:Dead Can Dance 9300: 9295: 9290: 9285: 9280: 9275: 9270: 9265: 9259: 9257: 9253: 9252: 9250: 9249: 9244: 9239: 9234: 9229: 9228: 9227: 9225:Gothic country 9222: 9211: 9209: 9205: 9204: 9195: 9194: 9187: 9180: 9172: 9163: 9162: 9160: 9159: 9154: 9149: 9144: 9139: 9134: 9128: 9126: 9122: 9121: 9119: 9118: 9113: 9108: 9103: 9098: 9093: 9088: 9083: 9078: 9072: 9070: 9066: 9065: 9063: 9062: 9055: 9050: 9045: 9040: 9034: 9032: 9028: 9027: 9025: 9024: 9019: 9014: 9009: 9004: 8999: 8994: 8989: 8984: 8979: 8974: 8972:Cancel culture 8969: 8964: 8958: 8956: 8954:Counterculture 8950: 8949: 8947: 8946: 8941: 8936: 8931: 8926: 8921: 8919:Edward Bernays 8916: 8911: 8905: 8903: 8899: 8898: 8895: 8894: 8892: 8891: 8886: 8881: 8876: 8874:Catch and kill 8870: 8868: 8864: 8863: 8861: 8860: 8855: 8853:Sensationalism 8850: 8845: 8840: 8835: 8830: 8825: 8820: 8814: 8812: 8808: 8807: 8805: 8804: 8799: 8794: 8789: 8788: 8787: 8777: 8771: 8769: 8762: 8758: 8757: 8755: 8754: 8749: 8744: 8742:Bipartisanship 8739: 8737:American Dream 8734: 8728: 8726: 8722: 8721: 8719: 8718: 8713: 8708: 8707: 8706: 8701: 8691: 8686: 8680: 8678: 8674: 8673: 8671: 8670: 8665: 8660: 8655: 8650: 8645: 8640: 8635: 8630: 8625: 8620: 8615: 8610: 8604: 8602: 8598: 8597: 8590: 8589: 8582: 8575: 8567: 8558: 8557: 8555: 8554: 8549: 8539: 8534: 8529: 8524: 8519: 8514: 8509: 8504: 8499: 8494: 8489: 8484: 8479: 8474: 8469: 8464: 8459: 8453: 8451: 8447: 8446: 8444: 8443: 8438: 8433: 8432: 8431: 8426: 8418: 8413: 8407: 8405: 8401: 8400: 8398: 8397: 8392: 8382: 8381: 8380: 8375: 8368:United Kingdom 8365: 8364: 8363: 8358: 8348: 8343: 8338: 8333: 8328: 8323: 8322: 8321: 8311: 8306: 8301: 8295: 8293: 8289: 8288: 8286: 8285: 8280: 8275: 8270: 8265: 8260: 8255: 8250: 8245: 8240: 8235: 8230: 8224: 8222: 8221:Related genres 8218: 8217: 8215: 8214: 8209: 8204: 8199: 8198: 8197: 8187: 8182: 8177: 8172: 8167: 8162: 8161: 8160: 8155: 8145: 8144: 8143: 8133: 8128: 8123: 8118: 8117: 8116: 8111: 8106: 8101: 8096: 8095: 8094: 8089: 8084: 8079: 8078: 8077: 8072: 8062: 8052: 8047: 8042: 8037: 8032: 8022: 8017: 8016: 8015: 8010: 8005: 7995: 7994: 7993: 7983: 7978: 7973: 7968: 7967: 7966: 7959:Christian punk 7956: 7955: 7954: 7944: 7943: 7942: 7937: 7926: 7924: 7921:Subgenres and 7918: 7917: 7915: 7914: 7913: 7912: 7911: 7910: 7894: 7892: 7888: 7887: 7880: 7879: 7872: 7865: 7857: 7851: 7850: 7836: 7835:External links 7833: 7831: 7830: 7812: 7806: 7788: 7786: 7783: 7781: 7780: 7770:(2): 133–151. 7759: 7741:(3): 397–414. 7730: 7724: 7711: 7705: 7692: 7657: 7651: 7638: 7632: 7618: 7616: 7613: 7611: 7610: 7577: 7563: 7530: 7497: 7465: 7433: 7400: 7389:(4): 578–589. 7370: 7339: 7313: 7282: 7242: 7222: 7184: 7177: 7159: 7115: 7104:on 13 May 2014 7077: 7070: 7052: 7045: 7027: 7020: 6999: 6992: 6974: 6967: 6949: 6942: 6924: 6917: 6899: 6873: 6843: 6817: 6794:Rimbaud, Penny 6785: 6758: 6751: 6729: 6722: 6704: 6697: 6679: 6660: 6640: 6609: 6579: 6560: 6540: 6531: 6500: 6473: 6447: 6421: 6395: 6369: 6346: 6323: 6298: 6268: 6234: 6227: 6209: 6198:on 17 May 2007 6175: 6168: 6143: 6097: 6085: 6073: 6061: 6049: 6037: 6025: 6013: 5998: 5996:, pp. 427 5986: 5974: 5962: 5950: 5917: 5881: 5851: 5821: 5788: 5758: 5732: 5702: 5671: 5641: 5611: 5581: 5558: 5549: 5522: 5492: 5473: 5453: 5446: 5421: 5414: 5396: 5377: 5350: 5319: 5288: 5282:978-0312428136 5281: 5263: 5241: 5218: 5193: 5162: 5144:978-1845539573 5143: 5123: 5093: 5063: 5032: 5026:978-0801561290 5025: 5007: 4981: 4972: 4959: 4941:. p. 12. 4923: 4893: 4863: 4856: 4836: 4805: 4781: 4751: 4698: 4666: 4636: 4598: 4591: 4570: 4554: 4541: 4528: 4516: 4494: 4463: 4459:Village Voice. 4446: 4432: 4413: 4395: 4382: 4352: 4318: 4295:Dougan, John. 4287: 4260: 4229: 4198: 4164: 4146:. p. 11. 4122: 4120: 4117: 4115: 4114: 4109: 4104: 4099: 4094: 4089: 4084: 4079: 4074: 4069: 4064: 4059: 4053: 4051: 4048: 4003: 4000: 3980: 3977: 3969: 3968: 3963: 3958: 3887: 3884: 3850: 3847: 3842: 3839: 3793: 3790: 3788: 3785: 3777:Stereo Skyline 3765:new wave music 3660:bands such as 3539: 3536: 3513:Siouxsie Sioux 3452: 3449: 3390: 3387: 3331:Main article: 3328: 3325: 3315: 3312: 3310: 3307: 3263:, with a punk 3146:No Wave Cinema 3117: 3114: 3098:Billy Childish 3086:Raegan Butcher 3082:Seething Wells 2937:Main article: 2934: 2931: 2878: 2875: 2857:John Holmstrom 2769:Main article: 2766: 2763: 2739:Main article: 2736: 2733: 2703:Main article: 2700: 2697: 2675: 2672: 2620:Chrissie Hynde 2603:Louise Distras 2592:Main article: 2589: 2586: 2421:Main article: 2418: 2415: 2329:Main article: 2326: 2323: 2311:New York Dolls 2262:in Australia, 2178:Main article: 2175: 2172: 2074:Main article: 2071: 2068: 1953: 1952: 1950: 1949: 1942: 1935: 1927: 1924: 1923: 1922: 1921: 1911: 1898: 1897: 1894: 1893: 1888: 1883: 1878: 1873: 1868: 1866:Libertarianism 1863: 1858: 1856:Left communism 1853: 1848: 1843: 1838: 1833: 1828: 1823: 1818: 1813: 1808: 1803: 1798: 1792: 1788:Related topics 1786: 1785: 1784: 1781: 1780: 1777: 1776: 1771: 1766: 1761: 1756: 1751: 1746: 1740: 1736: 1735: 1734: 1731: 1730: 1727: 1726: 1721: 1716: 1711: 1706: 1704:United Kingdom 1701: 1696: 1691: 1686: 1681: 1676: 1671: 1666: 1661: 1656: 1651: 1646: 1641: 1636: 1631: 1626: 1621: 1616: 1611: 1606: 1601: 1596: 1591: 1586: 1581: 1576: 1571: 1566: 1561: 1556: 1551: 1546: 1541: 1536: 1531: 1526: 1521: 1516: 1511: 1506: 1501: 1496: 1491: 1486: 1481: 1476: 1471: 1466: 1461: 1456: 1451: 1446: 1441: 1436: 1431: 1426: 1421: 1419:Czech Republic 1416: 1411: 1406: 1401: 1396: 1391: 1386: 1381: 1376: 1371: 1366: 1361: 1356: 1351: 1346: 1341: 1336: 1331: 1326: 1321: 1316: 1311: 1306: 1300: 1294: 1293: 1292: 1289: 1288: 1285: 1284: 1279: 1274: 1269: 1264: 1259: 1254: 1252:Labour voucher 1249: 1247:Give-away shop 1244: 1239: 1237:General strike 1234: 1229: 1224: 1219: 1214: 1208: 1202: 1201: 1200: 1197: 1196: 1193: 1192: 1187: 1182: 1177: 1172: 1165: 1160: 1153: 1148: 1143: 1138: 1131: 1126: 1121: 1116: 1111: 1106: 1101: 1096: 1091: 1086: 1078: 1072: 1071: 1070: 1067: 1066: 1063: 1062: 1057: 1052: 1047: 1042: 1037: 1032: 1027: 1022: 1017: 1012: 1007: 1002: 997: 992: 990:Makhnovshchina 987: 982: 977: 972: 967: 962: 955: 950: 945: 940: 935: 930: 925: 920: 915: 910: 905: 903:Hague Congress 900: 895: 890: 885: 879: 873: 872: 871: 868: 867: 864: 863: 858: 853: 848: 843: 838: 833: 827: 821: 820: 819: 816: 815: 812: 811: 806: 801: 796: 791: 786: 781: 776: 771: 766: 761: 756: 751: 746: 741: 736: 731: 726: 721: 716: 711: 706: 701: 696: 691: 686: 681: 676: 671: 666: 661: 656: 651: 649:González Prada 646: 641: 636: 631: 626: 621: 616: 611: 606: 601: 596: 591: 586: 581: 576: 571: 566: 561: 556: 550: 544: 543: 542: 539: 538: 535: 530: 525: 520: 515: 510: 505: 500: 495: 493:Social ecology 490: 488:Self-ownership 485: 480: 475: 470: 465: 460: 455: 450: 445: 440: 435: 430: 425: 420: 418:Horizontalidad 415: 410: 405: 400: 395: 390: 385: 380: 375: 373:Class struggle 370: 365: 360: 355: 353:Affinity group 350: 345: 340: 335: 330: 325: 320: 315: 312: 311: 308: 302: 301: 300: 297: 296: 291: 290: 289: 288: 283: 278: 273: 268: 263: 258: 253: 245: 244: 240: 239: 238: 237: 232: 231: 230: 229: 228: 218: 217: 216: 201: 200: 199: 194: 184: 179: 178: 177: 172: 162: 157: 156: 155: 150: 145: 140: 130: 129: 128: 123: 121:Social ecology 118: 108: 98: 92: 91: 90: 87: 86: 85: 84: 79: 74: 66: 65: 57: 56: 50: 49: 15: 9: 6: 4: 3: 2: 9842: 9831: 9828: 9826: 9823: 9821: 9818: 9816: 9813: 9811: 9808: 9806: 9803: 9801: 9798: 9796: 9793: 9791: 9788: 9786: 9783: 9781: 9778: 9776: 9773: 9771: 9768: 9767: 9765: 9750: 9747: 9745: 9742: 9740: 9737: 9735: 9732: 9730: 9727: 9726: 9724: 9720: 9714: 9713: 9709: 9707: 9706: 9702: 9700: 9699: 9695: 9693: 9692: 9688: 9686: 9685: 9681: 9679: 9678: 9674: 9672: 9669: 9667: 9664: 9662: 9659: 9657: 9654: 9653: 9651: 9647: 9641: 9640:Winklepickers 9638: 9636: 9633: 9631: 9628: 9626: 9623: 9621: 9618: 9616: 9613: 9611: 9610:Gothic Beauty 9608: 9606: 9603: 9599: 9596: 9594: 9591: 9590: 9589: 9586: 9584: 9581: 9580: 9578: 9574: 9568: 9565: 9563: 9560: 9558: 9555: 9553: 9550: 9548: 9545: 9543: 9540: 9538: 9535: 9533: 9530: 9528: 9525: 9524: 9522: 9518: 9512: 9509: 9507: 9504: 9502: 9499: 9497: 9494: 9492: 9489: 9487: 9484: 9483: 9481: 9477: 9471: 9468: 9466: 9463: 9461: 9458: 9456: 9453: 9451: 9448: 9447: 9445: 9441: 9435: 9432: 9430: 9429:Bethany Black 9427: 9425: 9424:Brendan Perry 9422: 9420: 9417: 9415: 9412: 9410: 9407: 9405: 9402: 9400: 9397: 9395: 9394:Gitane DeMone 9392: 9390: 9389:Rozz Williams 9387: 9385: 9382: 9380: 9377: 9375: 9372: 9370: 9367: 9365: 9362: 9360: 9357: 9355: 9352: 9350: 9347: 9345: 9342: 9340: 9337: 9335: 9332: 9331: 9329: 9325: 9319: 9316: 9314: 9311: 9309: 9308:Cocteau Twins 9306: 9304: 9301: 9299: 9296: 9294: 9291: 9289: 9286: 9284: 9281: 9279: 9276: 9274: 9271: 9269: 9266: 9264: 9261: 9260: 9258: 9256:Notable bands 9254: 9248: 9247:Ethereal wave 9245: 9243: 9240: 9238: 9235: 9233: 9230: 9226: 9223: 9221: 9218: 9217: 9216: 9213: 9212: 9210: 9206: 9202: 9193: 9188: 9186: 9181: 9179: 9174: 9173: 9170: 9158: 9155: 9153: 9150: 9148: 9145: 9143: 9140: 9138: 9135: 9133: 9130: 9129: 9127: 9123: 9117: 9114: 9112: 9109: 9107: 9104: 9102: 9099: 9097: 9094: 9092: 9089: 9087: 9084: 9082: 9079: 9077: 9074: 9073: 9071: 9067: 9061: 9060: 9056: 9054: 9051: 9049: 9048:Mediatization 9046: 9044: 9043:Media studies 9041: 9039: 9036: 9035: 9033: 9029: 9023: 9022:Strike action 9020: 9018: 9015: 9013: 9010: 9008: 9005: 9003: 9000: 8998: 8995: 8993: 8990: 8988: 8987:Demonstration 8985: 8983: 8980: 8978: 8975: 8973: 8970: 8968: 8965: 8963: 8960: 8959: 8957: 8955: 8951: 8945: 8942: 8940: 8937: 8935: 8932: 8930: 8927: 8925: 8922: 8920: 8917: 8915: 8912: 8910: 8907: 8906: 8904: 8900: 8890: 8887: 8885: 8882: 8880: 8877: 8875: 8872: 8871: 8869: 8865: 8859: 8856: 8854: 8851: 8849: 8846: 8844: 8841: 8839: 8836: 8834: 8831: 8829: 8826: 8824: 8821: 8819: 8816: 8815: 8813: 8809: 8803: 8800: 8798: 8795: 8793: 8790: 8786: 8783: 8782: 8781: 8778: 8776: 8773: 8772: 8770: 8766: 8763: 8759: 8753: 8752:PensĂ©e unique 8750: 8748: 8745: 8743: 8740: 8738: 8735: 8733: 8730: 8729: 8727: 8723: 8717: 8714: 8712: 8709: 8705: 8702: 8700: 8697: 8696: 8695: 8692: 8690: 8687: 8685: 8682: 8681: 8679: 8675: 8669: 8666: 8664: 8661: 8659: 8656: 8654: 8651: 8649: 8646: 8644: 8641: 8639: 8636: 8634: 8631: 8629: 8626: 8624: 8621: 8619: 8618:Digital media 8616: 8614: 8611: 8609: 8606: 8605: 8603: 8599: 8595: 8594:Media culture 8588: 8583: 8581: 8576: 8574: 8569: 8568: 8565: 8553: 8550: 8547: 8543: 8540: 8538: 8537:Straight edge 8535: 8533: 8530: 8528: 8525: 8523: 8520: 8518: 8515: 8513: 8510: 8508: 8505: 8503: 8500: 8498: 8495: 8493: 8490: 8488: 8485: 8483: 8480: 8478: 8475: 8473: 8470: 8468: 8465: 8463: 8460: 8458: 8455: 8454: 8452: 8448: 8442: 8439: 8437: 8434: 8430: 8427: 8425: 8422: 8421: 8419: 8417: 8414: 8412: 8409: 8408: 8406: 8402: 8396: 8393: 8390: 8386: 8385:United States 8383: 8379: 8376: 8374: 8371: 8370: 8369: 8366: 8362: 8359: 8357: 8354: 8353: 8352: 8349: 8347: 8344: 8342: 8339: 8337: 8334: 8332: 8329: 8327: 8324: 8320: 8319:List of bands 8317: 8316: 8315: 8312: 8310: 8307: 8305: 8302: 8300: 8297: 8296: 8294: 8290: 8284: 8281: 8279: 8276: 8274: 8271: 8269: 8266: 8264: 8261: 8259: 8256: 8254: 8251: 8249: 8246: 8244: 8241: 8239: 8236: 8234: 8231: 8229: 8226: 8225: 8223: 8219: 8213: 8210: 8208: 8205: 8203: 8200: 8196: 8193: 8192: 8191: 8188: 8186: 8183: 8181: 8178: 8176: 8173: 8171: 8168: 8166: 8165:Post-hardcore 8163: 8159: 8156: 8154: 8151: 8150: 8149: 8146: 8142: 8139: 8138: 8137: 8134: 8132: 8129: 8127: 8124: 8122: 8119: 8115: 8112: 8110: 8107: 8105: 8102: 8100: 8097: 8093: 8090: 8088: 8085: 8083: 8080: 8076: 8073: 8071: 8068: 8067: 8066: 8065:Electronicore 8063: 8061: 8058: 8057: 8056: 8053: 8051: 8048: 8046: 8043: 8041: 8038: 8036: 8033: 8031: 8028: 8027: 8026: 8025:Hardcore punk 8023: 8021: 8018: 8014: 8011: 8009: 8006: 8004: 8001: 8000: 7999: 7996: 7992: 7989: 7988: 7987: 7984: 7982: 7979: 7977: 7974: 7972: 7969: 7965: 7962: 7961: 7960: 7957: 7953: 7950: 7949: 7948: 7945: 7941: 7938: 7936: 7933: 7932: 7931: 7928: 7927: 7925: 7923:fusion genres 7919: 7909: 7906: 7905: 7904: 7901: 7900: 7899: 7896: 7895: 7893: 7889: 7885: 7878: 7873: 7871: 7866: 7864: 7859: 7858: 7855: 7848: 7843: 7839: 7838: 7829: 7828:0-312-28822-0 7825: 7821: 7817: 7814:Savage, Jon. 7813: 7809: 7803: 7799: 7795: 7790: 7789: 7777: 7773: 7769: 7765: 7760: 7756: 7752: 7748: 7744: 7740: 7736: 7735:Popular Music 7731: 7727: 7721: 7717: 7712: 7708: 7706:0-8135-3851-3 7702: 7698: 7693: 7689: 7685: 7681: 7677: 7673: 7669: 7665: 7664: 7658: 7654: 7648: 7644: 7639: 7635: 7633:1-888451-44-0 7629: 7625: 7620: 7619: 7598: 7594: 7593: 7588: 7581: 7573: 7572:The Survivors 7567: 7551: 7547: 7546: 7541: 7534: 7518: 7514: 7513: 7508: 7501: 7485: 7481: 7480: 7475: 7469: 7453: 7449: 7448: 7440: 7438: 7421: 7417: 7416: 7411: 7404: 7396: 7392: 7388: 7384: 7377: 7375: 7358: 7354: 7350: 7343: 7327: 7323: 7317: 7301: 7297: 7293: 7286: 7278: 7274: 7270: 7266: 7262: 7258: 7251: 7249: 7247: 7238: 7231: 7229: 7227: 7210: 7206: 7202: 7195: 7193: 7191: 7189: 7180: 7178:9780415370707 7174: 7170: 7163: 7155: 7151: 7147: 7143: 7139: 7135: 7128: 7126: 7124: 7122: 7120: 7103: 7099: 7095: 7091: 7084: 7082: 7073: 7067: 7063: 7056: 7048: 7042: 7038: 7031: 7023: 7017: 7013: 7006: 7004: 6995: 6989: 6985: 6978: 6970: 6964: 6960: 6953: 6945: 6939: 6935: 6928: 6920: 6914: 6910: 6903: 6887: 6883: 6877: 6861: 6857: 6853: 6847: 6831: 6827: 6821: 6805: 6801: 6800: 6795: 6789: 6781: 6777: 6773: 6769: 6762: 6754: 6748: 6743: 6742: 6733: 6725: 6719: 6715: 6708: 6700: 6694: 6690: 6683: 6667: 6663: 6657: 6653: 6652: 6644: 6628: 6624: 6620: 6613: 6597: 6593: 6589: 6583: 6567: 6563: 6557: 6553: 6552: 6544: 6535: 6519: 6515: 6511: 6504: 6488: 6484: 6477: 6462: 6458: 6451: 6436: 6432: 6425: 6410: 6406: 6399: 6384: 6380: 6373: 6358: 6357: 6350: 6335: 6334: 6327: 6312: 6308: 6302: 6286: 6282: 6281:Perthpunk.com 6278: 6272: 6256: 6252: 6248: 6245: 6238: 6230: 6224: 6220: 6213: 6197: 6193: 6189: 6182: 6180: 6171: 6165: 6160: 6159: 6150: 6148: 6139: 6135: 6131: 6127: 6123: 6119: 6115: 6111: 6104: 6102: 6094: 6093:Haenfler 2006 6089: 6082: 6077: 6071:, p. 112 6070: 6065: 6059:, p. 132 6058: 6053: 6047:, p. 121 6046: 6041: 6035:, p. 125 6034: 6029: 6022: 6017: 6009: 6002: 5995: 5994:Haenfler 2004 5990: 5983: 5978: 5971: 5966: 5960:, p. 317 5959: 5954: 5938: 5934: 5933: 5928: 5921: 5905: 5901: 5900: 5895: 5888: 5886: 5869: 5865: 5861: 5855: 5839: 5835: 5831: 5825: 5809: 5805: 5804: 5799: 5792: 5776: 5772: 5768: 5762: 5746: 5742: 5736: 5720: 5716: 5712: 5706: 5690: 5686: 5682: 5675: 5659: 5655: 5651: 5645: 5629: 5625: 5618: 5616: 5599: 5595: 5591: 5585: 5577: 5573: 5569: 5562: 5553: 5537: 5533: 5526: 5510: 5506: 5502: 5496: 5480: 5476: 5474:9781351725569 5470: 5466: 5465: 5457: 5449: 5443: 5438: 5437: 5428: 5426: 5417: 5411: 5407: 5400: 5391: 5390: 5381: 5365: 5361: 5354: 5338: 5334: 5330: 5323: 5307: 5303: 5299: 5292: 5284: 5278: 5274: 5267: 5248: 5244: 5242:9780754657736 5238: 5231: 5230: 5222: 5214: 5208: 5197: 5181: 5177: 5173: 5166: 5150: 5146: 5140: 5136: 5135: 5127: 5111: 5107: 5103: 5097: 5081: 5077: 5076:Biography.com 5073: 5067: 5051: 5047: 5043: 5036: 5028: 5022: 5018: 5011: 4995: 4991: 4985: 4976: 4969: 4963: 4944: 4940: 4933: 4927: 4911: 4907: 4906:M.complex.com 4903: 4897: 4881: 4877: 4873: 4867: 4859: 4853: 4849: 4848: 4840: 4824: 4820: 4816: 4809: 4802: 4798: 4794: 4791: 4785: 4769: 4765: 4761: 4755: 4747: 4743: 4739: 4735: 4730: 4725: 4721: 4717: 4713: 4709: 4708:Popular Music 4702: 4686: 4682: 4681: 4676: 4670: 4654: 4650: 4649:Billboard.com 4646: 4640: 4624: 4620: 4616: 4612: 4608: 4602: 4594: 4588: 4583: 4582: 4574: 4567: 4563: 4558: 4551: 4545: 4538: 4532: 4525: 4520: 4513: 4509: 4508:Rolling Stone 4504: 4498: 4491: 4487: 4483: 4479: 4478: 4473: 4467: 4460: 4456: 4450: 4442: 4439:Laing, Dave. 4436: 4428: 4427:The Guess Who 4423: 4417: 4410: 4407: 4402: 4400: 4392: 4389:Savage, Jon. 4386: 4370: 4366: 4362: 4356: 4340: 4336: 4332: 4325: 4323: 4306: 4302: 4298: 4291: 4275: 4271: 4264: 4248: 4244: 4240: 4233: 4217: 4213: 4212:Bomb Magazine 4209: 4202: 4186: 4182: 4180: 4175: 4168: 4149: 4145: 4138: 4132: 4130: 4128: 4123: 4113: 4110: 4108: 4105: 4103: 4100: 4098: 4095: 4093: 4090: 4088: 4085: 4083: 4080: 4078: 4075: 4073: 4070: 4068: 4065: 4063: 4062:Hardcore punk 4060: 4058: 4055: 4054: 4047: 4045: 4040: 4036: 4032: 4027: 4025: 4021: 4017: 4013: 4009: 3999: 3997: 3993: 3988: 3986: 3976: 3974: 3967: 3964: 3962: 3959: 3957: 3954: 3953: 3952: 3950: 3946: 3942: 3937: 3935: 3931: 3926: 3925:National Wake 3920: 3918: 3914: 3910: 3906: 3901: 3899: 3898: 3893: 3883: 3881: 3877: 3873: 3868: 3864: 3861: 3860:Dead Kennedys 3855: 3846: 3838: 3836: 3832: 3828: 3824: 3820: 3816: 3812: 3808: 3804: 3799: 3784: 3782: 3778: 3774: 3770: 3766: 3762: 3761:The Romantics 3758: 3754: 3750: 3746: 3742: 3740: 3736: 3731: 3729: 3725: 3721: 3717: 3713: 3712:Penny Rimbaud 3709: 3704: 3702: 3701:New Romantics 3698: 3694: 3690: 3686: 3682: 3677: 3675: 3671: 3667: 3663: 3659: 3655: 3651: 3647: 3643: 3639: 3635: 3631: 3627: 3623: 3619: 3616:The punk and 3614: 3612: 3608: 3604: 3600: 3596: 3591: 3589: 3585: 3581: 3577: 3573: 3569: 3565: 3561: 3557: 3553: 3549: 3548:punk fashions 3545: 3535: 3533: 3528: 3524: 3520: 3516: 3514: 3510: 3506: 3502: 3498: 3494: 3489: 3487: 3483: 3479: 3475: 3470: 3466: 3464: 3463: 3458: 3448: 3446: 3442: 3438: 3434: 3430: 3426: 3424: 3418: 3416: 3412: 3408: 3404: 3395: 3386: 3383: 3379: 3375: 3370: 3366: 3364: 3360: 3359:Straight Edge 3356: 3355:straight edge 3352: 3347: 3346:Straight edge 3339: 3334: 3333:Straight edge 3327:Straight edge 3324: 3321: 3306: 3304: 3303: 3297: 3295: 3292: 3288: 3284: 3283: 3278: 3274: 3270: 3266: 3262: 3258: 3254: 3250: 3249: 3244: 3243: 3238: 3234: 3230: 3226: 3221: 3219: 3218: 3213: 3209: 3205: 3201: 3197: 3193: 3189: 3185: 3181: 3177: 3173: 3172: 3167: 3163: 3162: 3157: 3156: 3151: 3147: 3143: 3136: 3132: 3128: 3123: 3113: 3111: 3107: 3103: 3099: 3095: 3091: 3087: 3083: 3079: 3075: 3071: 3067: 3062: 3060: 3056: 3052: 3048: 3044: 3040: 3036: 3032: 3028: 3023: 3021: 3017: 3016: 3010: 3008: 3007: 3002: 3001: 2996: 2995: 2990: 2989: 2984: 2983: 2978: 2977: 2972: 2971: 2966: 2962: 2958: 2954: 2945: 2940: 2930: 2928: 2927:Psychobillies 2924: 2920: 2916: 2912: 2908: 2907:crowd surfing 2904: 2900: 2896: 2892: 2883: 2874: 2872: 2871: 2866: 2862: 2858: 2854: 2853:Winston Smith 2850: 2849:Dead Kennedys 2846: 2842: 2838: 2834: 2833:Situationists 2830: 2826: 2822: 2819:aesthetic of 2818: 2814: 2809: 2806: 2802: 2798: 2794: 2790: 2786: 2782: 2778: 2772: 2762: 2760: 2756: 2752: 2748: 2742: 2732: 2730: 2726: 2723:, especially 2722: 2718: 2717:hardcore punk 2715: 2712: 2706: 2696: 2694: 2690: 2689:Donita Sparks 2684: 2680: 2671: 2669: 2665: 2661: 2660:Viv Albertine 2656: 2654: 2653:The Innocents 2650: 2649:Dolly Mixture 2646: 2642: 2641:The Raincoats 2638: 2634: 2630: 2629:Johnny Rotten 2624: 2621: 2616: 2612: 2604: 2600: 2595: 2594:Women in punk 2585: 2583: 2579: 2574: 2570: 2568: 2564: 2559: 2555: 2551: 2547: 2543: 2539: 2534: 2532: 2528: 2523: 2522:hardcore punk 2519: 2514: 2512: 2507: 2503: 2499: 2495: 2491: 2487: 2483: 2479: 2478:Chuck Taylors 2473: 2471: 2467: 2463: 2459: 2455: 2451: 2447: 2443: 2439: 2429: 2424: 2414: 2412: 2408: 2404: 2400: 2395: 2393: 2392:Dead Kennedys 2389: 2385: 2381: 2375: 2373: 2369: 2368:direct action 2365: 2361: 2357: 2353: 2349: 2342: 2337: 2332: 2322: 2320: 2316: 2312: 2308: 2304: 2300: 2295: 2291: 2289: 2288:San Francisco 2285: 2281: 2277: 2273: 2269: 2265: 2261: 2257: 2253: 2248: 2244: 2240: 2235: 2232: 2230: 2226: 2222: 2218: 2214: 2210: 2205: 2203: 2194: 2190: 2186: 2181: 2171: 2169: 2165: 2161: 2157: 2153: 2149: 2145: 2141: 2137: 2133: 2129: 2125: 2121: 2120:hardcore punk 2117: 2113: 2109: 2104: 2102: 2098: 2093: 2091: 2084:Punks in 1984 2082: 2077: 2067: 2065: 2061: 2057: 2053: 2049: 2045: 2041: 2037: 2032: 2030: 2026: 2021: 2019: 2015: 2014:direct action 2011: 2007: 2003: 1999: 1995: 1990: 1988: 1984: 1980: 1976: 1972: 1968: 1964: 1960: 1948: 1943: 1941: 1936: 1934: 1929: 1928: 1926: 1925: 1920: 1916: 1912: 1910: 1906: 1902: 1901: 1900: 1899: 1892: 1889: 1887: 1884: 1882: 1879: 1877: 1874: 1872: 1869: 1867: 1864: 1862: 1859: 1857: 1854: 1852: 1849: 1847: 1844: 1842: 1839: 1837: 1834: 1832: 1829: 1827: 1824: 1822: 1819: 1817: 1814: 1812: 1809: 1807: 1804: 1802: 1799: 1797: 1794: 1793: 1789: 1783: 1782: 1775: 1772: 1770: 1767: 1765: 1762: 1760: 1757: 1755: 1752: 1750: 1747: 1745: 1742: 1741: 1733: 1732: 1725: 1722: 1720: 1717: 1715: 1712: 1710: 1709:United States 1707: 1705: 1702: 1700: 1697: 1695: 1692: 1690: 1687: 1685: 1682: 1680: 1677: 1675: 1672: 1670: 1667: 1665: 1662: 1660: 1657: 1655: 1652: 1650: 1647: 1645: 1642: 1640: 1637: 1635: 1632: 1630: 1627: 1625: 1622: 1620: 1617: 1615: 1612: 1610: 1607: 1605: 1602: 1600: 1597: 1595: 1592: 1590: 1587: 1585: 1582: 1580: 1577: 1575: 1572: 1570: 1567: 1565: 1562: 1560: 1557: 1555: 1552: 1550: 1547: 1545: 1542: 1540: 1537: 1535: 1532: 1530: 1527: 1525: 1522: 1520: 1517: 1515: 1512: 1510: 1507: 1505: 1502: 1500: 1497: 1495: 1492: 1490: 1487: 1485: 1482: 1480: 1477: 1475: 1472: 1470: 1469:French Guiana 1467: 1465: 1462: 1460: 1457: 1455: 1452: 1450: 1447: 1445: 1442: 1440: 1437: 1435: 1432: 1430: 1427: 1425: 1422: 1420: 1417: 1415: 1412: 1410: 1407: 1405: 1402: 1400: 1397: 1395: 1392: 1390: 1387: 1385: 1382: 1380: 1377: 1375: 1372: 1370: 1367: 1365: 1362: 1360: 1357: 1355: 1352: 1350: 1347: 1345: 1342: 1340: 1337: 1335: 1332: 1330: 1327: 1325: 1322: 1320: 1317: 1315: 1312: 1310: 1307: 1305: 1302: 1301: 1297: 1291: 1290: 1283: 1280: 1278: 1275: 1273: 1270: 1268: 1267:Mutual credit 1265: 1263: 1260: 1258: 1255: 1253: 1250: 1248: 1245: 1243: 1240: 1238: 1235: 1233: 1230: 1228: 1225: 1223: 1220: 1218: 1215: 1213: 1212:Communization 1210: 1209: 1205: 1199: 1198: 1191: 1188: 1186: 1183: 1181: 1178: 1176: 1173: 1170: 1166: 1164: 1161: 1158: 1154: 1152: 1149: 1147: 1144: 1142: 1139: 1137: 1136: 1132: 1130: 1127: 1125: 1122: 1120: 1117: 1115: 1112: 1110: 1107: 1105: 1102: 1100: 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PM Press. 7715: 7696: 7667: 7661: 7642: 7623: 7615:Bibliography 7601:. Retrieved 7590: 7580: 7571: 7566: 7554:. Retrieved 7543: 7538:DOWNS, RAY. 7533: 7521:. Retrieved 7510: 7500: 7488:. Retrieved 7477: 7468: 7456:. Retrieved 7446: 7424:. Retrieved 7413: 7403: 7386: 7382: 7361:. Retrieved 7352: 7342: 7330:. Retrieved 7316: 7304:. Retrieved 7296:Latininsight 7295: 7285: 7263:(1): 70–84. 7260: 7256: 7236: 7213:. Retrieved 7204: 7168: 7162: 7137: 7133: 7106:. Retrieved 7102:the original 7097: 7093: 7061: 7055: 7036: 7030: 7011: 6983: 6977: 6958: 6952: 6933: 6927: 6908: 6902: 6890:. Retrieved 6876: 6864:. Retrieved 6855: 6846: 6834:. Retrieved 6830:the original 6820: 6808:. Retrieved 6798: 6788: 6771: 6767: 6761: 6740: 6732: 6713: 6707: 6688: 6682: 6670:. Retrieved 6650: 6643: 6631:. Retrieved 6622: 6612: 6600:. Retrieved 6591: 6582: 6570:. Retrieved 6550: 6543: 6534: 6522:. Retrieved 6513: 6503: 6491:. Retrieved 6487:the original 6476: 6464:. Retrieved 6460: 6450: 6438:. 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Retrieved 5505:sheknows.com 5504: 5495: 5483:. Retrieved 5463: 5456: 5435: 5405: 5399: 5388: 5380: 5368:. Retrieved 5364:the original 5358:Hall, Rock. 5353: 5341:. Retrieved 5333:The Guardian 5332: 5322: 5310:. Retrieved 5302:The Guardian 5301: 5291: 5272: 5266: 5254:. Retrieved 5247:the original 5228: 5221: 5196: 5184:. Retrieved 5175: 5165: 5153:. Retrieved 5149:the original 5133: 5126: 5114:. Retrieved 5106:Punk77.co.uk 5105: 5096: 5084:. Retrieved 5080:the original 5075: 5066: 5054:. Retrieved 5045: 5035: 5016: 5010: 4998:. Retrieved 4984: 4975: 4967: 4962: 4950:. Retrieved 4938: 4926: 4914:. Retrieved 4905: 4896: 4884:. Retrieved 4880:the original 4875: 4866: 4846: 4839: 4827:. Retrieved 4818: 4808: 4800: 4784: 4772:. Retrieved 4763: 4754: 4711: 4707: 4701: 4689:. Retrieved 4678: 4669: 4657:. Retrieved 4648: 4639: 4627:. Retrieved 4611:The Guardian 4610: 4601: 4580: 4573: 4557: 4549: 4544: 4536: 4531: 4519: 4511: 4507: 4502: 4497: 4488:, Kingsmen, 4475: 4471: 4470:Shaw, Greg. 4466: 4458: 4454: 4449: 4440: 4435: 4421: 4416: 4390: 4385: 4373:. Retrieved 4364: 4355: 4343:. Retrieved 4335:The Guardian 4334: 4309:. Retrieved 4300: 4290: 4278:. Retrieved 4263: 4251:. Retrieved 4247:the original 4242: 4232: 4220:. Retrieved 4211: 4201: 4189:. Retrieved 4185:the original 4177: 4167: 4155:. Retrieved 4143: 4087:Punk fashion 4031:collectivism 4028: 4015: 4005: 3995: 3991: 3989: 3982: 3970: 3965: 3960: 3955: 3938: 3921: 3905:Johannesburg 3902: 3895: 3889: 3886:South Africa 3876:Anarcho-punk 3869: 3865: 3856: 3852: 3844: 3834: 3811:infiltration 3798:East Germany 3795: 3792:East Germany 3781:All Time Low 3743: 3732: 3724:Jello Biafra 3705: 3678: 3674:anti-fashion 3658:thrash metal 3622:Alice Cooper 3615: 3592: 3560:Beastie Boys 3541: 3531: 3518: 3517: 3501:Pink Fairies 3490: 3482:New Romantic 3473: 3471: 3467: 3460: 3457:authenticity 3454: 3451:Authenticity 3427: 3419: 3415:anarcho-punk 3411:black people 3400: 3371: 3367: 3363:Minor Threat 3354: 3344: 3317: 3300: 3298: 3286: 3280: 3256: 3246: 3240: 3222: 3215: 3196:Circle Jerks 3176:Derek Jarman 3169: 3159: 3153: 3139: 3131:Joe Strummer 3066:Richard Hell 3063: 3058: 3054: 3051:Circle Jerks 3031:We Got Power 3030: 3027:Touch and Go 3026: 3024: 3019: 3015:Sniffin Glue 3013: 3011: 3004: 2998: 2992: 2986: 2980: 2974: 2968: 2950: 2903:Stage diving 2899:thrash metal 2891:pogo dancing 2888: 2868: 2810: 2793:album covers 2785:iconoclastic 2781:minimalistic 2774: 2744: 2708: 2685: 2681: 2677: 2657: 2633:The Runaways 2625: 2608: 2581: 2575: 2571: 2567:bondage belt 2563:Murphy's Law 2546:Keith Morris 2542:Circle Jerks 2535: 2527:dressed-down 2526: 2518:anti-fashion 2517: 2515: 2505: 2474: 2434: 2423:Punk fashion 2402: 2396: 2376: 2345: 2296: 2292: 2246: 2236: 2233: 2206: 2198: 2156:thrash metal 2105: 2094: 2087: 2044:iconoclastic 2033: 2022: 1991: 1958: 1956: 1816:Anti-statism 1806:Anti-fascism 1659:South Africa 1277:Wage slavery 1242:Gift economy 1133: 1094:Anarcho-punk 1081: 957: 846:Love and sex 734:Pi i Margall 398:Deep ecology 333:Anationalism 276:Relationship 209:Collectivist 165:Postcolonial 18: 9825:Subcultures 9712:The Sandman 9635:Backcombing 9615:Rose Mortem 9605:Lip Service 9598:Health Goth 9450:Camden Town 9384:Lisa Hammer 9215:Gothic rock 9031:In academia 9017:Review bomb 8838:Media event 8775:Advertising 8747:Consumerism 8668:State media 8373:Celtic punk 8341:Netherlands 8273:Speed metal 8233:Gothic rock 8207:Street punk 8170:Psychobilly 8141:Street punk 8126:Latino punk 8121:Horror punk 8045:Krishnacore 8020:Garage punk 8008:Celtic punk 7898:Garage rock 7674:: 406–436. 6672:16 December 6633:16 December 6602:16 December 6572:16 December 6538:Sabin, 1999 6493:12 February 6291:12 February 6261:12 November 6202:27 December 5943:22 February 5910:22 February 5604:12 February 5370:27 November 5343:27 November 5312:27 November 5186:26 November 5176:Pop Matters 5155:26 November 5116:26 November 5086:26 November 5056:25 November 4774:12 February 4629:21 November 4524:"Protopunk" 4253:17 December 4222:19 November 4191:19 November 4044:heavy metal 3996:subterraneo 3941:Thabo Mbeki 3817:type acts, 3787:Persecution 3753:Cheap Trick 3618:heavy metal 3588:City Morgue 3521:written by 3509:Patti Smith 3497:the Stooges 3433:punk houses 3407:anti-racist 3294:comic strip 3245:(1978) and 3212:gutter punk 3102:Tracey Emin 3074:Patti Smith 3070:Jim Carroll 2976:Punk Planet 2859:was a punk 2839:created by 2837:Sex Pistols 2821:Andy Warhol 2777:underground 2711:underground 2664:Sonic Youth 2615:heavy metal 2554:gas station 2496:boots, and 2494:Dr. Martens 2486:skate shoes 2466:King's Road 2407:Sex Pistols 2372:selling out 2370:, and not " 2364:corporatism 2315:the Stooges 2307:Andy Warhol 2239:garage rock 2209:garage rock 2164:speed metal 2160:death metal 2152:heavy metal 2144:indie music 2128:street punk 2036:underground 2025:Dr. Martens 2018:selling out 2016:, and not " 1774:Periodicals 1674:Switzerland 1634:Puerto Rico 1619:Philippines 1584:New Zealand 1579:Netherlands 1449:El Salvador 1262:Mutual bank 1217:Cooperative 1146:Lifestylism 948:Tragic Week 851:Nationalism 503:Somatherapy 413:Freethought 281:Syndicalist 271:Platformism 243:Methodology 116:Primitivist 9764:Categories 9666:Tim Burton 9661:Literature 9414:Doc Hammer 9404:Carl McCoy 9349:Ian Curtis 9293:The Damned 9220:Gothabilly 9096:Media bias 8997:Occupation 8929:Guy Debord 8811:Techniques 8780:Propaganda 8677:Principles 8653:News media 8633:Mass media 8542:Punk films 8395:Yugoslavia 8389:California 8292:By country 8283:Visual kei 8258:Noise rock 8248:Industrial 8175:Punk blues 8158:Skate punk 8114:Thrashcore 8104:Riot grrrl 8013:Gypsy punk 7976:Dance-punk 7952:Avant-punk 7935:Crust punk 7903:Proto-punk 7891:Precursors 7479:Vice Media 7447:Los Frikis 7415:Vice Media 6836:8 December 6551:Punk Girls 6514:Flavorwire 5958:Cogan 2008 5864:thefix.com 5751:15 October 5594:PopMatters 5485:7 November 5046:Flavorwire 4939:Duo.uio.no 4886:4 December 4847:Punk Style 4803:, 3rd. ed. 4691:20 October 4659:20 October 4453:Marsh, D. 4375:13 October 4365:Britannica 4311:1 November 4280:1 November 4144:Duo.uio.no 4119:References 4012:Los Frikis 3985:Los Saicos 3936:attitude. 3815:false flag 3735:industrial 3720:Wally Hope 3681:Teddy Boys 3527:photo-book 3519:Punk Girls 3441:Dial House 3382:youth crew 3296:by Otomo. 3279:franchise 3265:biker gang 3261:biker film 3233:Sogo Ishii 3217:Loren Cass 3192:Black Flag 3120:See also: 3049:, and the 3043:Black Flag 2961:punk zines 2933:Literature 2861:cartoonist 2841:Jamie Reid 2801:punk zines 2765:Visual art 2755:homophobia 2705:Riot grrrl 2699:Riot grrrl 2668:Kim Gordon 2550:Black Flag 2498:army boots 2399:nihilistic 2341:Chaos Days 2325:Ideologies 2317:, and the 2221:rockabilly 2211:and 1970s 2166:, and the 2097:Jon Savage 2040:minimalist 1983:DIY ethics 1979:literature 1975:visual art 1967:ideologies 1846:Dual Power 1831:Autonomism 1826:Autarchism 1434:East Timor 1404:Costa Rica 1349:Bangladesh 1344:Azerbaijan 1119:Freeganism 836:Capitalism 629:Feyerabend 498:Sociocracy 468:Revolution 433:Mutual aid 363:Black bloc 256:Illegalism 9744:Post-punk 9630:Deathhawk 9593:Cybergoth 9460:Cleveland 9359:Nick Cave 9242:Dark wave 9237:Cold wave 9232:Deathrock 9076:Anonymity 8785:Fake news 8761:Deception 8658:Old media 8643:New media 8527:Punk zine 8487:DIY ethic 8467:Afro-punk 8361:Trallpunk 8299:Australia 8263:Post-punk 8212:Surf punk 8180:Punk jazz 8131:Nazi punk 8109:Taqwacore 8099:Queercore 8070:Crunkcore 8060:Deathcore 8055:Metalcore 8003:Anti-folk 7998:Folk punk 7908:Glam punk 7884:Punk rock 7755:159966036 7688:145602862 7450:(Audio). 7277:144403743 7205:ReadWrite 7154:146508100 6802:. Crass. 6774:: 19–40. 6138:144067070 6081:Kuhn 2010 6069:Kuhn 2010 6057:Kuhn 2010 6045:Kuhn 2010 5982:Wood 1999 5970:Wood 1999 5207:cite news 4746:162396086 4619:0261-3077 4486:Standells 4482:Greg Shaw 4301:Billboard 4112:Queercore 4102:Solarpunk 4097:Punk rock 4024:squatting 3930:DIY ethic 3917:townships 3913:Cape Town 3892:apartheid 3872:Zapatista 3757:The Knack 3749:Badfinger 3745:Power pop 3739:rivethead 3662:Metallica 3654:Discharge 3638:grindcore 3634:metalcore 3626:Motörhead 3572:Biohazard 3488:ethics". 3429:Squatting 3374:Bent edge 3302:Afro-Punk 3255:circles. 3180:Don Letts 3110:steampunk 3106:cyberpunk 3059:In Effect 2911:protopunk 2789:satirical 2741:Queercore 2735:Queercore 2645:Mo-dettes 2637:The Slits 2558:submarine 2544:frontman 2446:sexuality 2438:bin liner 2403:No Future 2380:Green Day 2360:DIY ethic 2284:Cleveland 2268:Vancouver 2256:Melbourne 2243:protopunk 2217:surf rock 2189:Buzzcocks 2180:Punk rock 2112:post-punk 2101:bricolage 2048:satirical 1987:punk rock 1977:, dance, 1886:Socialism 1836:Communism 1769:Musicians 1719:Venezuela 1654:Singapore 1589:Nicaragua 1514:Indonesia 1494:Hong Kong 1489:Guatemala 1334:Australia 1324:Argentina 1296:By region 1204:Economics 1190:Symbolism 1104:DIY ethic 841:Education 759:Santillán 709:Malatesta 679:Kropotkin 659:Guillaume 513:Squatting 473:Rewilding 408:Free love 286:Synthesis 221:Communist 192:Christian 187:Religious 160:Mutualism 54:Anarchism 9722:See also 9691:The Crow 9625:Big hair 9263:The Cure 9125:Synonyms 9116:Violence 8992:Graffiti 8725:Ideology 8356:Könsrock 8253:New wave 8202:Ska punk 8190:Punk rap 8148:Pop-punk 8082:Mathcore 7981:Egg punk 7947:Art punk 7822:, 1991. 7798:AK Press 7603:23 March 7597:Archived 7556:23 March 7550:Archived 7523:23 March 7517:Archived 7490:23 March 7484:Archived 7458:23 March 7452:Archived 7426:23 March 7420:Archived 7357:Archived 7326:Archived 7300:Archived 7215:20 April 7209:Archived 7140:(1): 7. 6886:Archived 6860:Archived 6856:AllMusic 6810:4 August 6804:Archived 6796:(1982). 6780:41035517 6666:Archived 6627:Archived 6596:Archived 6566:Archived 6524:28 March 6518:Archived 5904:Archived 5899:Exclaim! 5868:Archived 5838:Archived 5814:23 April 5808:Archived 5775:Archived 5771:IMDb.com 5719:Archived 5598:Archived 5542:16 March 5536:Archived 5515:16 March 5509:Archived 5479:Archived 5337:Archived 5306:Archived 5256:16 March 5180:Archived 5110:Archived 5050:Archived 4994:Archived 4943:Archived 4910:Archived 4823:Archived 4793:Archived 4768:Archived 4685:Archived 4653:Archived 4623:Archived 4562:AllMusic 4492:, etc.)" 4406:AllMusic 4369:Archived 4339:Archived 4305:Archived 4274:Archived 4216:Archived 4181:magazine 4148:Archived 4057:Art punk 4050:See also 3973:Pretoria 3835:Namenlos 3685:greasers 3595:skinhead 3556:hardcore 3478:hardcore 3437:communes 3320:sniffing 3135:Punkcast 3055:My Rules 2994:Flipside 2988:Cometbus 2965:perzines 2919:skanking 2915:Ska punk 2714:feminist 2531:crewcuts 2502:swastika 2482:trainers 2272:Montreal 2252:Brisbane 2213:pub rock 2154:(mainly 2108:new wave 1629:Portugal 1609:Paraguay 1569:Mongolia 1554:Malaysia 1399:Colombia 1379:Bulgaria 1124:Infoshop 1025:May 1968 861:Violence 856:Religion 744:Proudhon 704:Maksimov 684:Landauer 634:Giovanni 584:Bookchin 478:Sabotage 310:Practice 266:Pacifist 226:Magonism 148:Naturist 106:Feminist 72:Glossary 46:a series 44:Part of 9588:Fashion 9470:Toronto 9455:Chicago 9273:Bauhaus 9101:Privacy 9007:Protest 8962:Boycott 8828:Framing 8492:Moshing 8331:Germany 8314:Estonia 8195:Emo rap 7991:Emo rap 7971:Cowpunk 6466:6 April 6440:6 April 6414:6 April 6388:6 April 6362:1 April 6339:1 April 6316:1 April 6130:1354396 5874:7 March 5844:10 July 5781:10 July 5711:"About" 4829:1 April 4738:3877595 4512:Nuggets 4503:Nuggets 3819:framing 3728:yippies 3708:hippies 3584:Refused 3523:Liz Ham 3493:the Who 3287:Shuffle 3039:Misfits 3020:Bondage 2982:No Cure 2895:moshing 2865:Ramones 2845:collage 2825:stencil 2538:hairdos 2511:mohawks 2506:DESTROY 2454:S&M 2448:, like 2417:Fashion 2319:Ramones 2280:Detroit 2264:Toronto 2195:in 2009 2191:at the 2124:no wave 2070:History 2062:. 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Index


mohawk

a series
Anarchism
"Circle-A" anarchy symbol
Glossary
History
Outline
Schools of thought
Feminist
Green
Primitivist
Social ecology
Total liberation
Individualist
Egoist
Market
Naturist
Philosophical
Mutualism
Postcolonial
African
Black
Queer
Religious
Christian
Jewish
Social
Collectivist

Text is available under the Creative Commons Attribution-ShareAlike License. Additional terms may apply.

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