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Summertime (1955 film)

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729:, Mr. Lean and H.E. Bates discarded most of the individual shadings and psychological subtleties of that romance. They reduced the complicated pondering of an American woman's first go at love with a middle-aged merchant of Venice to pleasingly elemental terms. And they let the evident inspiration for their heroine's emotional release be little more than the spell cast by the city upon her fitful and lonely state of mind. The challenge thus set of making Venice the moving force in propelling the play has been met by Mr. Lean as the director with magnificent feeling and skill. Through the lens of his color camera, the wondrous city of spectacles and moods becomes a rich and exciting organism that fairly takes command of the screen. And the curious hypnotic fascination of that labyrinthine place beside the sea is brilliantly conveyed to the viewer as the impulse for the character's passing moods. 434:. Later, as the couple wander through Venice, Jane drops her gardenia into a canal; despite much effort, Renato is unable to retrieve it for her. As they return to the pensione, Renato kisses Jane, and she responds passionately and murmurs, "I love you", before rushing off to her room. The next day, Jane treats herself to salon treatments and new clothes in anticipation of their date that evening. While she waits for him at the piazza, Renato's "nephew" Vito arrives and inadvertently reveals that he is actually Renato's son. Stunned to discover Renato is married and has several children, Jane takes refuge in a bar where she encounters Phyl, who confides that her marriage to Eddie is in trouble. 449:. Jane, unwilling to remain in a relationship she knows is destined to end unhappily, decides to return home early. Renato begs her to stay, but Jane insists on leaving, arguing that it is better to leave a party before it ends. Although Jane asks Renato not to come to the railway station, she hopes he will ignore her request. Later, on the station platform, Mauro runs up to say goodbye and offers Jane a free trinket as a gift. As the train begins to leave the station, Jane is thrilled to see Renato running down the platform. He tries to hand her a package through the window but the train is moving too quickly. He stops, opens the box and holds up his gift: another gardenia. 1738: 438:
Signora and Eddie is none of her business. He admits that he is married, but claims that he and his wife are separated, which he had concealed because he did not want to scare her away. He accuses her of being immature and unwilling to accept what she can have rather than longing for the unattainable. Jane relents. Their date continues at an open-air courtyard night club, where they dance the night away. Afterwards, with fireworks in the distance, Jane and Renato go to Renato's home where their affair is
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she purchases it after he teaches her the art of bargaining. Hoping to see her again, Renato offers to search for a matching goblet. The next morning, Jane returns to the shop with Mauro, and is disappointed to discover that Renato is not there. Jane is humiliated when she accidentally steps backward into a canal while filming de Rossi's shop. She begs Mauro to take her home to the Pensione Fiorini.
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in 1955. Lean suspected the Indian film censors objected to the film due to its depiction of an American spinster falling in love with a married Italian man, despite the fact that his character is separated from his wife. In Germany, the film received several cuts, though Lean never divulged exactly
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head Geoffrey Shurlock notified United Artists executives that the film would not be approved because of its depiction of adultery. Of particular concern was the scene in which Jane and Renato consummate their relationship. 18 feet (5.5 m) of film were deleted, and the PCA granted its approval.
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where they purchased a set of new red goblets similar to the one Jane bought. Renato realizes that Jane now thinks he has swindled her, but he assures her that the same designs have been used for centuries in Venice and he insists that her goblet is a genuine antique. Jane's anger subsides, and the
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The following day, Jane goes shopping and sees a red glass goblet in the window of an antiques store. Upon entering the shop, she discovers that the owner, Renato de Rossi, is the man from whom she had fled the night before. He assures her that the goblet is an authentic 18th-century artifact, and
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wrote that the film "stacks up as promising entertainment - with some reservations. There is a lack of cohesion and some abruptness in plot transition without a too-clear buildup. Lesser characterizations, too, are on the sketchy side. ... Rossano Brazzi ... scores a triumph of charm and reserve.
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Upon returning to the pensione, Jane discovers that Eddie is having an affair with Signora Fiorini, with Mauro acting as go-between. She is appalled, saying "Something happens to this city at night." Renato arrives and tells her that in Italy things are different, and the relationship between the
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Principal photography took place on location in Venice in the summer of 1954 on a budget of $ 1.1 million. It was one of the first British-produced films to be shot entirely on location. Interior sequences set in the Pensione Fiorini were filmed in studio, though the scenes occurring on the
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That evening, de Rossi comes to her pensione and confesses his attraction for her. When Jane resists his advances, he warns her not to waste an opportunity for happiness. She seems on the verge of agreeing to have dinner with him when the McIlhennys return from a shopping trip to
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rated the film four out of five stars and commented, "Hepburn made a career out of playing vibrant heroines with a vulnerable side and it's her portrayal of Jane's insecurity and loneliness that give the film its substance. ...
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as his favourite, and became so enamoured of Venice during filming that he made it his second home. Commenting on the film, Lean said: "I've put more of myself in that film than any other I've ever made."
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Italian government officials initially resisted director David Lean's request to allow his crew to film on location during the summer months, the height of the tourist season, especially when local
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instead, and Laurents would be adapting his play for the screen. Laurents' screenplay was allegedly unsatisfactory, and newly hired director David Lean tried to improve it with associate producer
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s notions of dating etiquette and holiday romance have dated greatly ... but as a coming-of-age story it remains touching. As a showcase for Katharine Hepburn, it is superb."
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in New York City. By January 1956, the film had grossed $ 2 million domestically. This was considered a disappointment but the film performed very well internationally.
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to her hotel, she meets two fellow Americans, Lloyd and Edith McIlhenny. At the hotel, they are greeted by Signora Fiorini, a widow who has converted her home into a
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Numerous names were mentioned in conjunction with the project before filming finally began. At one point producer Lopert considered casting director-actor
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expressed interest in purchasing the film rights, but felt Booth was too old for the role, and envisioned Katharine Hepburn and
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alone for the first time, during which she falls in love with an Italian antiques dealer. Lean co-wrote the screenplay with
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praised Hepburn's performance in the film, deeming her "probably the greatest actress of the sound era."
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In 1 scene, Jane Hudson falls into a canal as she steps backwards while photographing Di Rossi's shop in
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in the leads. Ilya Lopert ultimately acquired the rights with the intention of casting Booth and hiring
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as Edith McIlhenny (Rose was the only cast member of the Broadway production to appear in the movie)
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Pensione's veranda were shot along Venice's Grand Canal on a terrace constructed on an empty lot.
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The couple attend the moonlit concert in the piazza, where an orchestra plays the overture to
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in the U.S. on June 21, 1955, and premiered in the United Kingdom later that Autumn under the
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promise of Rossini in the Piazza San Marco convinces her to accept his invitation.
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Jane Hudson is an unmarried, middle-aged, self-described "fancy secretary" from
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made a generous donation to the fund established to finance the restoration of
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edition was eventually issued by Criterion on July 12, 2022, featuring a new
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The film was released in the United Kingdom in November 1955 under the title
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Following its premiere at Venice's Palace Theatre on May 29, 1955,
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who has saved all her life to finally make her dream trip come true
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revealed that Ashby had wanted her to play the role of Hepburn.
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approaches them, Renato is surprised when Jane chooses a simple
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Hepburn turns in a feverish acting chore of proud loneliness."
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to direct. It was later reported that she was negotiating with
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after having saved money for it over several years. On the
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The Eastmancolor Revolution and British Cinema, 1955-85
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In adapting for the screen Arthur Laurents' stage play
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A Remarkable Woman: A Biography of Katharine Hepburn
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New York: William Morrow & Company, Inc. 1557:"Laserdisc quickens beat in the heart of video" 606:supposedly considered starring in the project. 520:as Englishman in train compartment (uncredited) 598:expressed interest in directing the film with 1774: 1409: 635: 1554: 704:what was excised from the original version. 346:negative film with processing and prints by 1555:Christiansen, Richard (December 27, 1991). 651:that plagued her for the rest of her life. 1923:Lost and Found: The Story of Cook's Anchor 1781: 1767: 1736: 1529:"1955 New York Film Critics Circle Awards" 27: 1268: 1051: 445:The couple spend several idyllic days on 1679: 1397: 1364: 1352: 1285:. p. 13 – via Newspapers.com. 1216: 1204: 1180: 1168: 1120:"Summertime (1955) - Overview - TCM.com" 1002:. 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Behrman 575:and writers 542: 540: 518:AndrĂ© Morell 444: 436: 417: 415: 406: 402: 391: 372: 362: 351: 344:Eastmancolor 341: 330: 299:comedy drama 290: 289: 288: 235:Running time 167:London Films 142:Peter Taylor 64: 1750:David Denby 1627:Kino Lorber 994:, music by 889:David Lean 784:Nominee(s) 765:Summertime' 594:as Renato. 569:Daniel Mann 537:Development 476:Isa Miranda 440:consummated 375:Akron, Ohio 348:Technicolor 327:H. E. Bates 319:Isa Miranda 239:100 minutes 119:Isa Miranda 83:Ilya Lopert 78:Produced by 55:H. E. Bates 39:Directed by 1954:1955 films 1948:Categories 1883:Summertime 1791:David Lean 1745:Summertime 1729:Summertime 1718:Summertime 1707:Summertime 1459:2011-08-20 1454:oscars.org 1097:18 January 1071:18 January 1065:0405111258 1016:References 974:Summertime 972:preserved 951:Summertime 923:Summertime 914:Home media 907:Nominated 872:5th Place 857:Nominated 842:Nominated 827:Nominated 810:Nominated 806:David Lean 735:Summertime 721:observed: 695:Censorship 678:Summertime 672:Box office 620:gondolieri 585:H.E. Bates 561:Ezio Pinza 557:Hal Wallis 532:Production 488:Mari Aldon 352:Summertime 303:David Lean 294:is a 1955 291:Summertime 280:Box office 222:1955-11-07 211:1955-06-21 196:1955-05-29 159:Production 52:David Lean 43:David Lean 22:Summertime 1859:Madeleine 1311:0042-2738 1152:0042-2738 976:in 2008. 959:Hal Ashby 927:LaserDisc 921:released 838:Best Film 781:Category 771:Accolades 760:Channel 4 494:Jane Rose 422:. When a 383:vaporetto 244:Countries 138:Edited by 1723:AllMovie 1613:Archived 1588:Archived 1259:Archived 980:See also 645:Vaseline 464:spinster 428:gardenia 387:pensione 296:romantic 264:Language 148:Music by 97:Starring 61:Based on 1752:at the 1732:at the 1655:Sources 1540:July 5, 1513:July 5, 1420:Variety 1411:Variety 1302:Variety 1143:Variety 1039:Variety 935:Blu-ray 787:Result 747:Variety 667:Release 610:Filming 267:English 220: ( 209: ( 194: ( 161:company 1934:(1984) 1918:(1970) 1910:(1965) 1902:(1962) 1894:(1957) 1886:(1955) 1878:(1954) 1870:(1952) 1862:(1950) 1854:(1949) 1846:(1948) 1838:(1946) 1830:(1945) 1822:(1945) 1814:(1944) 1806:(1942) 1688:  1669:  1482:. 1956 1309:  1150:  1062:  945:Legacy 778:Award 447:Burano 432:orchid 410:Murano 379:Venice 323:Venice 317:, and 272:Budget 202:Venice 200: ( 1479:BAFTA 790:Ref. 739:farce 398:caffe 256:Italy 1712:IMDb 1686:ISBN 1667:ISBN 1542:2021 1515:2021 1488:2016 1307:ISSN 1148:ISSN 1099:2024 1073:2024 1060:ISBN 968:The 892:Won 659:The 579:and 453:Cast 369:Plot 1721:at 1710:at 931:DVD 925:on 715:of 335:by 70:by 1950:: 1642:. 1611:. 1605:. 1586:. 1580:. 1559:. 1531:. 1504:. 1476:. 1452:. 1417:. 1388:^ 1372:. 1343:^ 1331:. 1299:. 1279:. 1257:. 1253:. 1247:. 1236:^ 1140:. 1122:. 1107:^ 1089:. 1037:. 1024:^ 691:. 442:. 365:. 339:. 313:, 309:, 1782:e 1775:t 1768:v 1694:. 1675:. 1646:. 1629:. 1544:. 1517:. 1490:. 1462:. 1317:. 1158:. 1126:. 1101:. 1075:. 1006:. 224:) 213:) 204:) 198:)

Index


David Lean
H. E. Bates
The Time of the Cuckoo
Arthur Laurents
Ilya Lopert
Norman Spencer
Katharine Hepburn
Rossano Brazzi
Darren McGavin
Isa Miranda
Jack Hildyard
Peter Taylor
Alessandro Cicognini
London Films
United Artists
Venice
romantic
comedy drama
David Lean
Katharine Hepburn
Rossano Brazzi
Darren McGavin
Isa Miranda
Venice
H. E. Bates
The Time of the Cuckoo
Arthur Laurents
Eastmancolor
Technicolor

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