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Study (art)

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and composition. Studies can have more impact than more-elaborately planned work, due to the fresh insights the artist gains while exploring the subject. The excitement of discovery can give a study vitality. When layers of the work show changes the artist made as more was understood, the viewer
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shares more of the artist's sense of discovery. Written notes alongside visual images add to the import of the piece as they allow the viewer to share the artist's process of getting to know the subject.
171:, where the creative process itself becomes the subject of the piece. Since the process is what is all-important in studies and conceptual art, the viewer may be left with no material object of art. 159:, or as practice. Studies are often used to understand the problems involved in rendering subjects and to plan the elements to be used in finished works, such as light, color, form, 218: 203: 234: 194:, is based on a male model, though the finished painting is of a woman. Such details help to reveal the thought processes and techniques of many artists. 250: 118: 86: 58: 329: 105: 262: 65: 43: 268: 72: 39: 54: 160: 32: 321: 314: 8: 175: 79: 325: 225: 209: 122: 376: 145: 191: 179: 168: 346: 370: 241: 187: 183: 291: 156: 21: 149: 141: 153: 256:
The corresponding final work, Elihu Vedder, 1896, mosaic.
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The Barbizon School & the Origins of Impressionism
244:, 1896. Preparatory study. Oil on canvas, 125 × 80 cm 174:Studies can be traced back even as long ago as the 46:. Unsourced material may be challenged and removed. 313: 186:'s studies. One in particular, his study for the 368: 167:Studies inspired some of the first 20th century 152:done in preparation for a finished piece, as 344: 106:Learn how and when to remove this message 117: 369: 311: 44:adding citations to reliable sources 15: 345:Dingfelder, Sadie (February 2010). 13: 320:. London: Phaidon Press. pp.  289: 14: 388: 212:'s study of embryos, c. 1510-1513 261: 249: 233: 217: 202: 127:Four Studies of a Head of a Moor 20: 31:needs additional citations for 338: 305: 283: 1: 276: 7: 10: 393: 292:"James Gurney Interview" 182:have maintained some of 312:Adams, Steven (1994). 271:, study of Christ head 190:on the ceiling of the 129: 121: 40:improve this article 176:Italian Renaissance 130: 347:"How artists see" 240:Head of Minerva, 226:Abraham Bloemaert 210:Leonardo da Vinci 123:Peter Paul Rubens 116: 115: 108: 90: 384: 361: 360: 358: 357: 342: 336: 335: 319: 309: 303: 302: 300: 298: 287: 265: 253: 237: 221: 206: 111: 104: 100: 97: 91: 89: 55:"Study" art 48: 24: 16: 392: 391: 387: 386: 385: 383: 382: 381: 367: 366: 365: 364: 355: 353: 343: 339: 332: 310: 306: 296: 294: 290:Gurney, James. 288: 284: 279: 272: 269:Alexandr Ivanov 266: 257: 254: 245: 238: 229: 222: 213: 207: 112: 101: 95: 92: 49: 47: 37: 25: 12: 11: 5: 390: 380: 379: 363: 362: 337: 330: 304: 281: 280: 278: 275: 274: 273: 267: 260: 258: 255: 248: 246: 239: 232: 230: 223: 216: 214: 208: 201: 199: 192:Sistine Chapel 180:art historians 169:conceptual art 114: 113: 28: 26: 19: 9: 6: 4: 3: 2: 389: 378: 375: 374: 372: 352: 348: 341: 333: 331:0-7148-2919-6 327: 323: 318: 317: 308: 293: 286: 282: 270: 264: 259: 252: 247: 243: 236: 231: 227: 220: 215: 211: 205: 200: 197: 196: 195: 193: 189: 185: 181: 178:, from which 177: 172: 170: 165: 162: 158: 155: 151: 147: 143: 139: 135: 128: 124: 120: 110: 107: 99: 96:November 2012 88: 85: 81: 78: 74: 71: 67: 64: 60: 57: –  56: 52: 51:Find sources: 45: 41: 35: 34: 29:This article 27: 23: 18: 17: 354:. Retrieved 350: 340: 315: 307: 295:. Retrieved 285: 242:Elihu Vedder 188:Libyan Sibyl 184:Michelangelo 173: 166: 137: 131: 126: 102: 93: 83: 76: 69: 62: 50: 38:Please help 33:verification 30: 351:www.apa.org 297:28 November 224:Studies by 161:perspective 356:2021-09-10 322:31-32, 103 277:References 228:, ca. 1626 66:newspapers 371:Category 150:painting 377:Drawing 198:Studies 142:drawing 80:scholar 328:  154:visual 146:sketch 82:  75:  68:  61:  53:  157:notes 140:is a 138:study 87:JSTOR 73:books 326:ISBN 299:2012 136:, a 59:news 148:or 134:art 132:In 42:by 373:: 349:. 324:. 144:, 125:- 359:. 334:. 301:. 109:) 103:( 98:) 94:( 84:· 77:· 70:· 63:· 36:.

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verification
improve this article
adding citations to reliable sources
"Study" art
news
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books
scholar
JSTOR
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Peter Paul Rubens
art
drawing
sketch
painting
visual
notes
perspective
conceptual art
Italian Renaissance
art historians
Michelangelo
Libyan Sibyl
Sistine Chapel
Leonardo da Vinci's study of embryos, c. 1510-1513
Leonardo da Vinci
Studies by Abraham Bloemaert, ca. 1626
Abraham Bloemaert

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