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Studio audience

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20: 186:. This implementation allowed the show to benefit from the strengths of both stage plays (live audience) and film (camera angle options, point of view, etc.). This approach produced a marriage between cinema and theater; television and plays. This approach was subsequently adopted by most U.S. network sitcoms until the 2000s, when one characteristic of 288:
who warms up the crowd before the recording starts and sometimes in between the commercials or between the scenes. The warm-up comedian usually will familiarize the audience members with the Applause signs which are facing the audience near monitor screens. Before the show, the audience is given some
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While the audience's reactions can be inspired by the show itself, they may also be cued to respond with applause or other reactions by illuminated signs. Modern applause signs might be simply a text that shows up in the monitors, which audience members see during the show. In the early television
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In its earliest days, most television broadcasts stemmed from the world of New York theater. Stage veterans were experienced in performing for a crowd. Starting in the 1940s, these plays were broadcast live. Thus, these plays were now directed towards both the live audience and those watching from
50:, tickets to be a part of a studio audience are usually given away. However, as an enticement to attend, one or more members of the audience may be selected to win a prize, which is usually provided by a manufacturer in exchange for an advertisement, usually at the end of the show. Some 95:(for indoor scenes), the use of a live studio audiences essentially turns them into de facto stage productions while shooting individual scenes, with minor problems like the audience applauding or uproariously whooping (the latter since becoming a satirical 105:, meanwhile, actually make the audience a part of the show, since that show is supposedly a television broadcast made from the (fictional) Possum Lodge, cast members react and speak directly to the audience as if they were talking to the viewers at home. 236:, a large number of television programs were forced to conduct tapings without live audiences due to restrictions on gatherings. Some shows usually filmed in front of a studio audience used canned applause and 35:
is an audience present for the recording of all or part of a television program or radio program. The primary purpose of the studio audience is to provide applause and/or laughter to the program's
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instead, in some cases accompanied by stock footage of audiences from previous episodes filmed prior to pandemic restrictions. Some shows—particularly
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Although radio broadcasts for a studio audience have for the most part ended for commercial radio programs (outside of special "road show" episodes),
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era, applause signs were made from cardboard and other materials which studio staff members showed to the audience to get desired reaction.
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in shows which mock the format and tropes of traditional sitcoms) when their favorite performers enter the stage. Shows like
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training on how and when to applaud and told to be loud and enthusiastic so that the people at home can hear them.
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are mainly performed in front of live audiences in theaters or art centers, if not a confined studio setting.
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was the first television series to be filmed in front of an audience. This was made possible by the idea of
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In some cases, a studio audience can be called upon to vote, to help a contestant(s) (such as with
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sitcoms without studio audiences, although studio-audience sitcoms continued to be made.
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were recorded in the presence of a studio audience, including comedies such as
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Applause signs are currently being used on late night talk shows including
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Audience present for the recording of all or part of a program in a studio
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Channels of Discourse, Reassembled: Television and Contemporary Criticism
356: 285: 156: 40: 241: 161: 91: 51: 36: 605:"How to keep the audience laughing at a sitcom taping—even on take 10" 404:"'The Conners' Will Exclude Live Audiences for the Foreseeable Future" 281: 245: 215: 96: 351: 257: 277: 70: 504:"Saturday Night Takeaway gets Virtual Interactive Audience" 385:"Do Sitcoms Taped Before a Studio Audience Have a Future?" 66:, select contestants directly from the studio audience. 256:, whereby audience members appear from their homes via 326:) or pass judgment on a politician (such as with 627: 304:as well as variety and sketch comedy shows like 551: 382: 383:VanDerWerff, Emily (14 September 2011). 18: 526: 628: 476: 295:The Tonight Show Starring Jimmy Fallon 115:early radio shows in the United States 576: 552:Del Rosario, Alexandra (2020-10-29). 501: 426: 401: 527:Dachman, Jason (14 September 2020). 378: 376: 374: 372: 188:that era's Golden Age of Television 135:, as well as anthology series like 13: 495: 445: 267: 14: 647: 545: 520: 369: 583:. Univ of North Carolina Press. 597: 577:Allen, Robert C. (2010-01-27). 126:The Phil Harris-Alice Faye Show 570: 470: 420: 395: 323:Who Wants to Be a Millionaire? 1: 402:Lopez, Kristen (2020-09-30). 362: 477:Keegan, Kayla (2021-06-02). 7: 427:White, Peter (2020-09-21). 335: 301:Late Night with Seth Meyers 210:Wait Wait... Don't Tell Me! 10: 652: 108: 204:A Prairie Home Companion 276:Television tapings for 636:Television terminology 132:Fibber McGee and Molly 120:The Jack Benny Program 28: 177:Truth or Consequences 22: 250:reality competitions 190:was a resurgence in 154:Premiering in 1951, 307:Saturday Night Live 192:single-camera setup 138:The Mercury Theatre 86:Saturday Night Live 23:Studio audience at 533:Sports Video Group 171:The Silver Theater 166:multi-camera setup 102:The Red Green Show 63:The Price is Right 29: 590:978-0-8078-9887-1 502:Bickerton, Jake. 483:Good Housekeeping 342:Audience response 262:videoconferencing 254:virtual audiences 234:COVID-19 pandemic 144:Lux Radio Theatre 80:All in the Family 57:Let's Make a Deal 643: 620: 619: 617: 616: 601: 595: 594: 574: 568: 567: 565: 564: 549: 543: 542: 540: 539: 524: 518: 517: 515: 514: 499: 493: 492: 490: 489: 474: 468: 467: 465: 464: 449: 443: 442: 440: 439: 424: 418: 417: 415: 414: 399: 393: 392: 380: 286:warm-up comedian 25:Hunan Television 651: 650: 646: 645: 644: 642: 641: 640: 626: 625: 624: 623: 614: 612: 603: 602: 598: 591: 575: 571: 562: 560: 550: 546: 537: 535: 525: 521: 512: 510: 500: 496: 487: 485: 475: 471: 462: 460: 451: 450: 446: 437: 435: 425: 421: 412: 410: 400: 396: 381: 370: 365: 338: 270: 268:Crowd reactions 221:Tent Show Radio 111: 41:canned laughter 39:(as opposed to 33:studio audience 17: 12: 11: 5: 649: 639: 638: 622: 621: 611:. 14 July 2014 596: 589: 569: 544: 519: 494: 469: 444: 419: 394: 367: 366: 364: 361: 360: 359: 354: 349: 344: 337: 334: 311:The Daily Show 269: 266: 252:—have adopted 201:shows such as 110: 107: 15: 9: 6: 4: 3: 2: 648: 637: 634: 633: 631: 610: 609:The A.V. 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Index


Hunan Television
soundtrack
canned laughter
United States
game shows
Let's Make a Deal
The Price is Right
sitcom
sketch comedy
All in the Family
Saturday Night Live
Happy Days
cliché
The Red Green Show
early radio shows in the United States
The Jack Benny Program
The Phil Harris-Alice Faye Show
Fibber McGee and Molly
The Mercury Theatre
Lux Radio Theatre
I Love Lucy
Desi Arnaz
multi-camera setup
The Silver Theater
Truth or Consequences
Amos ‘n’ Andy
that era's Golden Age of Television
single-camera setup
public radio

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