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from about 1550 and had an enormous influence across northern Europe. Floris "developed the massive
Fontainebleau strapwork into a yet more nightmarish style of his own", but also, with Bos, "experimented with an altogether lighter, more elegant variety".
283:
uses complex patterns and interlace, but the form of the strips is generally simple, does not vary along their length, and no attempt to achieve a stylized impression of other materials is made. The patterns it used influenced
European ornament in the
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had spread their very emphatic version of the style to northern Europe, the
Italians had largely abandoned it, although it remained common on fine decorated bookbindings in Italy as elsewhere, often combined with
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368:
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Strapwork designs, influenced by
Islamic ornament, are found on tooled book-covers in Italy and Spain by the mid-15th century, and in other media by the early 16th century, for example in the
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or metal cut into elaborate shapes, with piercings, and often interwoven in a geometric pattern. In early examples there may or may not be three-dimensionality, either actual in curling
435:
245:
used particularly on ceilings, but also sculpted in stone for example around entrance doors, as at
Misarden Park (1620), Gloucestershire, or on monumental sculpture, as on the
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380:
67:
ends of the elements, or just represented in two dimensions. As the style continued, these curling elements became more prominent, often turning into
120:. It is less geometric and more organic, more three dimensional, and with emphasis on the curling ends of the "straps". The Italian artists at the
124:
had already moved onto this by the 1530s, but in provincial work in northern Europe flat strapwork panels continued for another century or more.
90:
figures filled with fantastical creatures, garlands and other elements – which were a frequent decorative motif in 16th-century
656:
227:
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or "interlaced bands", the more technically correct term. Peter
Fuhring derives this style from Islamic ornament.
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Where there is no suggestion of three dimensions – curling ends and the like – the decoration may also be called
21:
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and handicrafts (book covers, tapestry, small metal objects) from the 8th century onwards. It consists of
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Strapwork became popular in
England in the late 16th and 17th centuries as a form of plasterwork
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scrollwork was a common element in ornament, often partly submerged by other rich ornament.
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Polish strapwork c. 1566, detail from Czarny mural monument, Church of St. Mary, Kraków
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makes especially extensive, and for some excessive, use of strapwork inside and out.
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Scrollwork is a variant that tended to replace strapwork almost completely by the
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in the 1530s. Thereafter, spread by prints, it became part of the vocabulary of
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253:, Gloucestershire, and on that of Sir Gawen Carew (d.1575) in Exeter Cathedral.
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Strapwork was found earlier, but really came to prominence after it was used in
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strapwork. Girih patterns are used in varied media including tilework,
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are also very often combined with strapwork, especially in tooled and
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102:– or in graphic work. The Europeanized arabesque patterns called
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610:, in Karen Jacobson, ed (often wrongly cat. as George Baselitz),
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628:, Oxford Art Online. Oxford University Press. Web. 5 Feb. 2017.
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European strapwork is a frequent background and framework for
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Sophisticated three-dimensional strapwork in stucco at the
20:
Typical early
English strapwork of 1589, detail from the
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in the enormous elaborate decorative frames designed by
71:, where the ends curl into spirals or scrolls. By the
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Renaissance
Ornament Prints; The French Contribution
55:of ribbon-like forms. These may loosely imitate
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249:of the monument to Sir John Newton (d.1568), at
468:Dundee School of Town & Regional Planning,
425:based on a Flemish book of 1579, mixed in with
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35:French stucco, scrollwork and strapwork by
624:"Grove": Wells-Cole, Anthony, "Strapwork",
98:, carved in wood, or moulded in plaster or
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51:is the use of stylised representations in
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30:
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577:Lee, A.J. "Islamic Star Patterns".
13:
47:In the history of art and design,
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374:French bookbinding, 1555 or after
143:in the Vatican. By the time the
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612:The French Renaissance in Prints
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386:The stone screen in the hall at
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190:and others were disseminated by
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448:with inlaid floral decoration,
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145:First School of Fontainebleau
558:Encyclopaedia Iranica Online
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421:uses bandwork or strapwork
22:monument to Sir Gawen Carew
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446:Islamic geometric patterns
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275:Islamic geometric patterns
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470:The Conservation Glossary
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983:Ornaments (architecture)
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362:French bookbinding, 1552
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498:Fuhring, 163-164; Grove
349:Palace of Fontainebleau
319:, wood (for example in
213:Palace of Fontainebleau
174:The forms developed in
122:Palace of Fontainebleau
41:Palace of Fontainebleau
297:Islamic decorative art
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188:Hans Vredeman de Vries
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169:Hans Vredeman de Vries
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630:Subscription required
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211:and his team for the
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417:Modern reproduction
243:decorative moulding
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217:Northern Mannerist
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92:Northern Mannerism
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236:Fremington, Devon
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942:Vitruvian scroll
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626:Grove Art Online
606:Fuhring, Peter,
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37:Rosso Fiorentino
26:Exeter Cathedral
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269:Main articles:
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180:Cornelis Floris
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141:Raphael Loggie
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978:Visual motifs
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255:Wollaton Hall
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251:East Harptree
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903:Rais-de-cœur
893:Puer mingens
752:Egg-and-dart
611:
607:
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572:
561:. Retrieved
557:
554:"Gereh Sazi"
548:
539:
530:
521:
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494:
485:
480:Fuhring, 164
476:
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301:architecture
295:Girih is an
294:
278:
240:
202:
184:Cornelis Bos
173:
152:decoration.
138:
128:
126:
115:
111:bookbindings
77:
48:
46:
692:Ball flower
585:: 182–197.
419:harpsichord
286:Renaissance
82:ornament –
972:Categories
851:Millefleur
767:Gadrooning
732:Cornucopia
707:Branchwork
702:Blackamoor
601:References
563:2013-01-01
450:Samarkhand
392:Nottingham
309:interlaced
259:Nottingham
232:Overmantel
219:ornament.
88:candelabra
69:scrollwork
988:Ornaments
928:Strapwork
846:Medallion
821:Interlace
801:Guilloché
796:Grotesque
791:Green Man
747:Dog-tooth
727:Christmas
722:Cartouche
712:Bucranium
687:Arabesque
666:Ornaments
429:elements.
427:grotesque
313:brickwork
234:of 1630,
167:, 1550s,
84:arabesque
80:grotesque
61:parchment
49:strapwork
866:Palmette
861:Moresque
836:Mascaron
737:Curlicue
677:Acanthus
579:Muqarnas
390:outside
290:Moresque
279:Islamic
257:outside
150:moresque
129:bandwork
104:moresque
59:straps,
53:ornament
948:Zellige
913:Rosette
908:Rinceau
876:Bulbous
856:Molding
841:Meander
831:Margent
811:Hilarri
757:Festoon
682:Antefix
591:1523103
334:Gallery
328:faience
292:style.
265:Islamic
223:England
176:Antwerp
156:Flemish
118:Baroque
96:frescos
73:Baroque
57:leather
43:, 1530s
39:in the
938:Volute
918:Scroll
826:Lintel
772:Garden
742:Dentil
618:
589:
423:motifs
330:work.
325:mosaic
321:minbar
317:stucco
247:frieze
205:stucco
199:France
108:gilded
100:stucco
65:relief
898:Putto
881:Grass
871:Plant
786:Girih
587:JSTOR
543:Grove
534:Grove
525:Grove
516:Grove
507:Grove
489:Grove
457:Notes
442:Girih
281:girih
271:Girih
135:Italy
923:Spur
888:Peak
816:Hood
776:Lawn
762:Foil
717:Buta
616:ISBN
273:and
806:Gul
178:by
86:or
24:in
974::
581:.
556:.
444:,
315:,
186:,
182:,
113:.
944:)
940:(
774:/
658:e
651:t
644:v
593:.
583:4
566:.
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